Punisher One More Kill: A Fear of Gareth Ennis

Summary: The MCU tried to adapt Welcome Back, Frank and does what it always does.

This is why the MCU can’t make a Blade film, sometimes people just want to see badass characters being badass, not processing trauma, not having a crying, just being cool. You’re making a comic book film/made for streaming one shot, for God sake.

The first half of this is Frank being sad, the amount of time wasted herein becomes more and more noticeable later.

The second half tries to give the people what they want but then just abruptly ends with no how do you do, to maybe be picked up in Spiderman Brand New Day.

John Wick understands the badass factor, Mortal Kombat understands the badass factor, the MCU is allergic.

Plus as has been memed heavily since there is a God awful CGI shot of Frank falling, wherein they swap the stuntman’s face with John’s and my my it looks terrible.

Overall, it’s about twenty minutes of goodness wrapped in 30 minutes of disappointment.

Pros.

Some cool Punisher action

It leaves you wanting more of the good bits

Cons

The sad Frank sequences

The ending

The CGI

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Rose of Nevada: A Very British Mystery

We were present at the BFI in 2025, wherein they showed this film, we then shelved this write up until the film was going to release wide which it is about to. -Editor note.

Possibly one of the best British mystery films ever made or certainly one of the best of modern memory. From the outset you can tell there is something not quite right about the world the film is in. It is hard to put your finger on quite what it is but you know when the ghost boat shows up that things are in motion.

The idea of the phantom passage of time and how the boat manages to take them back in time possibly in a loop fashion with the same events having to play out, or possibly with the idea of the characters morphing into these figures from the past is very interesting.

The high point for sure is the sound track and the use of sound with the idea of the sound existing in a liminal sense wherein it is not always synched up creating an uncanny quality that really adds to the atmosphere.

Overall, a wonderfully creative and imaginative horror film that does a lot to create chills that feel more existential than most films.

4.5/5

Pros.

The mystery

The sound design

The cinematography

The atmosphere

The scares

Cons.

Minor pacing issues

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Hokum: Americans Hated Abroad

A writer, a murder and a witch.

The lead in this film may well get a trophy for the most unpleasant protagonist of recent rememberance he is horrible to everyone around him, and is only nice to the young bartender as he wants her.

After she dies and the witch stuff starts to happen you don’t really believe that he cares about her enough to investigate her death or do any of that.

There is some great horror visuals within this section and it is nice to see it lean into Irish mythology however it doesn’t go far enough you get just a little bit and then it ends, it’s very disappointing in that regard.

Overall, an oddly stunted horror film that has some good ideas but doesn’t go far enough to make them meaningful.

2/5.

Pros.

A few good scares

The Irish mythology

Cons.

The lead is just awful

There is filler in it

The ending doesn’t feel like food closure

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Cinema Issues: Angel Studios Sells Out

Angel Studios knows who their audience is, when they first came about they were anti Hollywood, they stood for something, they were independent.

Now they are putting mentally ill men who think they’re women into their films, and taking potshots at capitalism, all to attract talent like Seth Rogen and one of the kids from Stranger Things.

The funny thing was the left would not touch any of their films due to the associations they keep, and now they have alienated the only audience they ever had. There is even some talk that the folks over there called the audience pigs.

The next time they want to make a film like Sound of Freedom they won’t find anyone willing to support them now.

The fact is they are adapting a book all about the evils of communism whilst then flipping that and saying well actually capitalism is worse.

This might be the biggest self inflicted mortal blow any studio has ever performed.

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The Wizard of the Kremlin: The Best Film You Haven’t Seen This Year

Summary: The rise to power of Vladimir Putin.

This film is gripping, it uses a fictional format to explore real events in Russian history to talk about the inner workings of power there. To some it may be a little slow but if you care about geopolitics there is more than enough to make the film worth the watch, there was even the thought of wanting it to slow down and do more, there were events and periods it didn’t really cover such as the wars in Georgia and Ukraine.

Additionally it would have been better to not have everyone speaking English and to have the film be in Russian for the most part. Dano’s character could still narrate the story in English but the character interactions wouldn’t be in it, it would make the film feel more authentic.

Overall, a brilliant film.

5/5

Pros.

It is interesting

It merges the fictional and the real very well

You want more of it

The performances

It doesn’t treat it’s characters as 2 dimensional.

Cons.

The English accents are jarring at first

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The Devil Wears Prada 2

Anne Hathaway, Meryl Streep and Emily Blunt are brought back to do a sequel to a film people liked 20 years ago about fashion.

So the writer of this piece went to a screening of the first film before seeing this in order to try and understand the complex plot of this sequel.

However, the first thing that becomes readily apparent is this film does not know what it is in 2026. It wants to sanitise the original and make it more PC but at the same time it loses a lot of what made the first film work. It produces a film that feels uncomfortable in its own skin.

There are aspects of this sanitisation that outrightly hurt the film such as Andy’s new assistant who some view as a racist stereotype of Asian people. This didn’t come across that way during our showing of the film, and Jin was actually was one of the more promising new characters.

There was also a lot of diversity in the models used and there were a number of large models in the film, this was a groan worthy modern dayism.

Overall, a confused and soulless sequel.

2/5

Pros.

Jin and Emily are standouts

It has a few funny moments

Cons

It is needlessly pc

It doesn’t need to exist

It wastes Anne Hathaway

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Exit 8: A Long Platform To Nowhere

A man walks up and down a subway platform looking for things out of place.

So if that sounds like an odd premise for a film to you, it’s because it’s actually a premise for a video game that got turned into a film.

Whilst the idea may work in theory in a game, as a film it is painfully dull and at times tedious. A few important, interesting things happen over the course of the film, but by and large it is just repetitive.

Moreover, the central character and spends a lot of the film gasping and wheezing and whilst this may be true to the game, it proves to be incredibly distracting over the course of the film.

Overall, an unnecessary video game adaptation.

1.5/5

Some interesting ideas

One good scare

Cons.

Its too slow

It is repetitive

The ending

The pacing

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Mother Mary: A Reinvention That Doesn’t Quite Work

A pop star and one of her support team have an interpersonal conflict.

So for the longest time Anne Hathaway was associated blockbusters in Hollywood, she’s done some indie work with films like Collosal but by and large she was in the big films. This seems to be an attempt to pivot towards art house. Art House cinema is a type of cinema in which subtext, imagery, and deep themes are just as if not more important than the plot of the film itself. Cinema is not art, it is a commercial practice, and art house cinema isn’t art it is simply a commercial practice done to appeal to people who want a high brow experience at the cinema. There has been some confusion out there so we need to clear that up.

Anne Hathaway does not shine here, arguably she may even be miscast, her delivery really doesn’t land in the way you would want it to. The conflict between her and her subordinate feels forced and oddly over the top at times.

Whilst Lowery’s more haunting imagery and visuals were appreciated and arelikely the highpoint of the film they couldn’t get away from the poor central conflict.

In many ways this will be viewed as just another pretentious art house film.

Overall, a miss.

1/5

Pros.

The imagery

Cons.

Hathaway

The interpersonal conflict

The ending and the implications

It is badly paced

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Kiss Of The Spider Woman: Emila Perez Chapter 2

A film within a film about revolution and trans issues.

As you can imagine this film bombed, one doesn’t feel the need to say why as it was fairly obvious. However, even watching it in highly liberal France there were walk outs.

You might imagine that this was because of the trans issues which are far heavier and more focused on here then in older versions. You may imagine it is because the film has it’s politics on its sleeve. However, you will actually find the issue with this film is who it chooses for it’s female lead.

Ms Lopez, Jennifer if you’re friendly, may be many things but a talented actor she is not, seeing her in the marketing material for this film was a red flag and then her actual performance, mamma mia. Someone needs to stop offering her roles.

Overall, boring preachy slop.

1/5.

Pros.

If you want to spend some time in a cool room to escape the spring heat there are worse ways to do it.

It’s dull

Lopez

It is preachy

It pushes ideology

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The Mummy: Half Dead But Half Decent

Summary: a young girl is kidnapped and mummified.

Blumhouse making a mummy film didn’t fill anyone with confidence but this film is not entirely bad. Where it focuses specifically on Egyptian themed horror it works well. There is some genuine promise here.

Then they make it every possession film ever made, and parody the Evil Dead with large portions of the family getting possessed and acting like Deadites. Look at what Lee Cronin’s last film was.

Any promise it had went out of the window when they started saying the little girl was possessed by an ancient demon. How many times do we have to see the same thing play out.

The film goes almost exactly as you would expect it to then ends.

Overall, it ruins its promise.

3/5

The early parts of the film have real promise

The Egypt stuff is really cool

May Calamamawy is great

Cons.

The demon stuff makes it generic

It is predictable

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