What’s Love Got To Do With It?

Written by Luke Barnes

Summary

A documentary filmmaker, played by Lilly James, makes a film about her childhood friend’s, played by Shazad Latif, arranged marriage.

The romantic set-up in this film is incredibly obvious to the point where it crosses over into cliché, everyone knows going in that James’s character is going to fall for Latif’s that is part of the unspoken agreement of the film. However, what isn’t known is that this film is worlds away from other rom-coms such as Love Actually, Crazy Rich Asians, Boxing Day etc by the fact that it is not a comedy at all.

I would argue that this film is not a rom-com, more so a romantic drama film with a schmaltzy ending that tries to undo a lot of its more depressing aspects but doesn’t really come anywhere near close enough. This film is depressing at times manically so, and that really is its greatest fault. Whether it is Lilly James saying how all the Disney princesses were depressed, her incredibly toxic relationship with her mum, played by Emma Thompson, or the fact that the arranged marriage actually happens although you knowing the genre think it won’t, this film knows how to upset you. There were multiple moments in the film where I found myself wanting to leave as it was so depressing I was no longer having fun at the cinema.

I think the great bane of this film is that despite James and Latif giving reasonably serviceable performances this rom-com lacks any kind of warmth or charm at all and that makes the film off-putting.

Overall, this film does the one thing a rom-com never should do, be depressing.

1/5

Pros.

James and Latif try their best to save this film

Cons.

It is depressing

It is not by any means a fun watch

The ending feels like it is over compensating

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Star Wars The Bad Batch: Retrieval

Written by Luke Barnes

Summary

Clone Force 99 go in search of their ship.

I thought that after a good run of episodes this was a step back, and whilst there is clearly still a lot going on below the surface within the group themselves I would say this episode stopped a lot of the good progress of the past few weeks in terms of character journeys.

The relatively standalone villain of the week nature of the episode in my mind held it back. The villain was relatively disconnected from the wider story going on and just felt inconsequential. Honestly it felt like more filler.

Moreover, another thing that bothered me was that this episode entirely brushed over Sid’s betrayal at the end of the last episode, whereby she basically left them for dead, this feels like a major plot point to not carry on. Also if she is sending a ship for them as the ending of the last episode suggested then it would have made sense for the Bad Batch to have contacted her and told her not to bother, but evidently the writers didn’t think of that.

Overall, it was inevitable after the last few pretty good episodes that a meh one was coming and sadly this was that. It was too disconnected from the wider goings on to feel important or in any way engaging.

2.5/5

Pros.

The Batch themselves say a number of interesting things here

It is watchable

Hopefully next week’s episode can be better

Cons.

It feels like filler

The emotional journey the Batch is on is randomly halted

It doesn’t address things with Sid

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The Awakening: The Horrors Of A British Boarding School

Written by Luke Barnes

Summary

The film follows ghost hunter Florence Cathcart, played by Rebecca Hall, as she travels to an all-boys boarding school to investigate otherworldly goings on.

I think this is very much the quintessential British ghost story, and I mean that both as a compliment and also as a criticism. In many sense this delivers as you would want it to, there is a ghostly mystery and a few good scares, and a key element of the horror comes from the atmosphere and location. So far so good.

However, the issues become apparent when you have watched at least one other British ghost story horror film before as it becomes all very predictable quickly. Nothing that happens really catches you by surprise, the twist of the film I guessed early into the first act because it seemed so obvious. Perhaps this is a case of me watching too many horror films, as I both watch them for pleasure and also for an academic interest and as such I can see all the twists and turns coming but maybe also there is an element of weak writing here as well.

I think the two central performances from Dominic West and Rebecca Hall are both strong, I would say Hall is a the stronger of the two and her ghostly lost demeanour throughout the whole film only adds to the scare factor. I think the scene with Hall’s character down by the body of water where she looks as though she might throw herself in is truly haunting.

 Overall, a good creepy ghost story if one that is also a little on the obvious side.

3/5

Pros.

The atmosphere

West and Hall

The scares

Cons.

It is a little obvious

Pacing issues

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The Prospect Of New Lord Of The Rings Films

Written by Luke Barnes

I want to use this piece to talk about the new Lord Of The Rings Movies that Warner Brothers Discovery are making and how this is good, bad and messy for the franchise as a whole as well as for the state of contemporary Hollywood.

So my immediate thought is why? Then I think well they are probably making them to keep hold of the rights, in some rights agreements films or shows based on the property have to be made every so often for the holder to keep them, put very simplistically, so it could of course be that. On the other hand modern Hollywood is going through something of a bad time recently as films which in the pre-pandemic times would be sure fire billion dollar grossers aren’t anymore and the box office as a whole is struggling to recover to its pre-pandemic strength. All of this is because of the cocktail of people not wanting to spend the money going to a cinema, the rise and common use of streaming platforms, and finally the fact that a lot of the films put out these days just aren’t very good, and whilst all of these factors have been around in one form or another in the past the combination of them all happening at the same time is why a lot of cinema chains are facing bankruptcy. Due to these issues Hollywood in recent years has been to become reliant on everything with even a scrap of brand recognition to try and milk it to prop itself up, more often than not this hasn’t worked.

So to get to the subject of new Lord Of The Rings films I think there many ways that this could go wrong and a lot of room for scepticism.  One first has to ask what are they going to adapt, will they be a sequel to the original trilogy? Based on the writings of Tolkien himself and how those films end with most of the magic leaving the world that would seem to be a no. Will it be a reboot? This seems like a more likely idea but also one that would be met with anger and derision from the off, and with the Lord of the Rings fandom very split over The Rings Of Power this would seem to be probably one of the worst ideas they could do, likely it would see a similar effect to the sequel trilogy with Star Wars. Finally there is the idea of a prequel of some form, which to me seems the most logical and wise idea they could do. However, the big issue here would be how does this tie into the Amazon deal and the areas of Tolkien’s work they have access to. Which of course would be a very messy area rights wise and all of this.

To write somewhat as an optimist for a moment if you would indulge me, I think this new LOTR news isn’t inherently bad, as like I said before if they went into the area of the Silmarillion or Unfinished Tales and took their ques from that and adapted something more line with those stories or perhaps a fall of Númenor there could be fertile ground for some new content.

However, I think the very worst thing they could do which would almost guarantee these films to be high profile flops for WBD is to remake the original trilogy or I guess even the Hobbit and gender swap/race swap all of the characters in an idea to update these beloved films from not all that long ago. I think to do this, and putting politics to one side for the moment, would be stupid because though WBD could have the momentary bonus of saying ‘look at how progressive we are’ they would also alienate a huge number of fans and people who would show up for the film, and it wouldn’t actually of course be progressive because they would only be doing it as a shallow marketing move rather than as to actually help or champion representation in cinema.

I think right now it is very easy to be negative towards this news and to look at it through mistrusting eyes, modern Hollywood after all hasn’t given much reason for faith, however, the size and potential scope of the loss for WBD that this could represent will mean that their plans will change constantly and be updated so we really don’t know what form this will take.

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A Comic Readers Guide To The MCU: Exploring The Unknown Regions

Written by Luke Barnes

Hi folks, in this new series of articles I am trying to merge two of my main passions into one easy to read piece, a true labor of love. I am currently in my mid-twenties and have been reading Marvel comics since I was young, I have read others besides but I know Marvel well and so decided to make a series of posts wherein I talk about concepts, ideas, and possibly upcoming stuff from or to the MCU and try and give you a bit of a comics background and explain my own thoughts on where these things are going. I hope you enjoy.

Unexplored Locations In The MCU

I was recently watching a Youtube video about the MCU and it struck me that it is very America centric. Yes there has been some recent exploration, with Wakanda, Talokan and London, but for the most part there are a lot of well known comic locations that still remain undiscovered in the MCU and this article of the Comic Readers Guide To The MCU wants to be the first to plant their flag in these locations and talk about how they may come into the MCU in the near future. For the most part this will be specific to the Earth of Marvel comics and not talk about space stuff and different dimensions.

The first two locations I want to talk about are tied into the Fantastic Four and will likely arrive along with them, the first is Ancient Egypt, which we have a link to through the Moon Knight show, but we haven’t seen a film set there yet or dealing with those sort of characters. This is where I think the Fantastic Four film will be set, I think it will have the team travel back in time to Ancient Egypt, with their powers as it isn’t an origin movie, and fight Rama-Tut, the Kang variant, no doubt beating him but also somehow getting stuck there which will then provide a reason for their absence thus far.

The next location is Latveria, which as many of you will know is the homeland of Victor Von Doom. Now we know that Doom is coming to the MCU as he kind of has to if the Fantastic Four exist and everything is building to battleworld as seems to be the hinted destination. Latveria is a nation ruled for vast points in the comics by Doom as a sort of God Emperor/protector somewhat like Black Adam in DC comics, and it is a very important location for the MCU to include. I would guess that Latveria will either appear as a sort of neighbour to Sokovia or perhaps it will be ignored entirely and Sokovia will become a direct stand-in for Latveria, though I don’t think this would be a popular choice.

Our next stop is The Savage Lands, which for those unaware is somewhat of a land time forget in Marvel comics. It has dinosaurs and the people who reside there have a caveman/cave woman sort of dress sense. Famously it is the domain of Ka-Zar, the Tarzan of Marvel comics, and has links to the Eternals. There are rumours that the Thunderbolts film next year may take place, at least partially, there and may introduce this location into the MCU but as for now its dinosaurs remain undiscovered.

Finally there is Arthurian Britain. Yes, I will be the first to admit this is somewhat of a deep cut and I only decided to include it as I am a big fan of Black Knight and Captain Britain. This one is the most obvious and the one that will require the least description as most of you reading this will have seen at least one King Arthur film in your time. Anyway, if the MCU decides to give Dane Whitman’s Black Knight his own spinoff series, as it should, then it may be interested in showing the origins of his sword The Ebony Blade which was forged by Merlin out of a meteorite and was wielded by the original Black Knight from Arthurian legend.

So there we have it four possible Marvel comics locations that may soon be coming to the movies. I hope you have enjoyed reading this second edition of the Comic Readers Guide To The MCU if you have any suggestions for future topics then please get in touch.    

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The Godfather Part II

Written by Luke Barnes

Summary

We follow the twin stories of the rise of Vito Corleone, played by Robert DeNiro, as well as the dominance of Michael, played by Al Pacino.

I thought this was a near perfect sequel and as such it gets the same top rating as the original. There is no fat to trim here which is incredibly surprising considering the incredibly long run time of this film

Both of the character journeys are equally fascinating and importance and the themes and such text of each feed into the other nicely. I think you can really tell that these are two young actors at the top of their games as it is a fierce fight between the two for who gives the better performance. I would lean to DeNiro, but maybe that is just personally preference.

The plot of the film about familial betrayal strikes hard and deep and it seems to effect both you watching and the characters at the same time. The first film teaches you to like Michael and to relate to him, but then this film highlights his monstrosity and shows you why that emotion was misplaced.

Overall, an incredibly well done sequel.

5/5

Pros.

The tension

The family drama

The performances

The pacing

The interconnectivity of the two split narratives   

Cons.

None

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Till: A Mother’s Story

Written by Luke Barnes

Summary

A mother, played by Danielle Deadwyler, campaigns for justice after her son, played by Jalyn Hall is murdered.  

You can’t say that this film doesn’t move you because it does. Whether you are a parent or not, whether you know the insidiously acidic taste of injustice or not, this film will stir you. This is an incredibly affecting film on many levels that screams out to be heard, and one that seeks to open your eyes to the horrors that are sometimes happening right under our noses on a daily basis.

However, I think the social awareness of this film also becomes somewhat of a double edged sword for it. This film is incredibly preachy, and though that is understandable to an extent this film is relentlessly so, not only that but it goes about its preachy in an incredibly smug way. Make no mistake dear reader that this film is Oscar bait and knows what it is and that makes the preaching all the more blatant. This film thinks it should win and Oscar.

I thinking putting real world issues to the side for a moment and turning instead to just focusing on the film we are met with a fairly middle of the road social commentary/drama film that though covering a new instance of injustice doesn’t do anything new with it the plot of the film is one we have seen many times before. Yes, I acknowledge that the reason we have seen this particular narrative so many times before is because these sort of issues are common place and happening all the time within our society and Hollywood is right to talk about them through film, however, from a film narrative perspective it is creatively repetitive.

Deadwyler is a terrific lead, and this along with The Harder They Fall highlights not only that she has a lot of talent but also a lot of range. I see big things in her future. Deadwyler really is the beating heart of this film and deftly carries the weight of it on her shoulders throughout.

Overall, a powerful film yet one that is brought down by being incredibly preachy.

3/5

Pros.

The emotion

It is a powerful story and a powerful message

Deadwyler

Cons.

The delivery of said message is incredibly heavy handed and the preaching does become incredibly too much at times

The narrative feels repetitive  

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A Comic Readers Guide To The MCU: The Council Of Kangs

Written by Luke Barnes

Hi folks, in this new series of articles I am trying to merge two of my main passions into one easy to read piece, a true labor of love. I am currently in my mid-twenties and have been reading Marvel comics since I was young, I have read others besides but I know Marvel well and so decided to make a series of posts wherein I talk about concepts, ideas, and possibly upcoming stuff from or to the MCU and try and give you a bit of a comics background and explain my own thoughts on where these things are going. I hope you enjoy.

Spoilers for the end of Ant Man and The Wasp Quantomania

Okay so at the end of the film we see a lot of different variants of Jonathan Majors’ Kang, in what comics readers will know as the Council of Kangs, these are a group of different Kang variants that work together and that at least in the comics was lead by Prime Kang, though really it was Immortus who was calling the shots, having Prime Kang kill off all the divergent versions of Kang so that he would become Immortus down the line. Fairly confusing time travel nonsense. As it pertains to the MCU the Council of Kangs will effectively be a source of villains for the various upcoming films and will no doubt be further explored and have its origins and members better explained as time goes on. It is important to note that not all of the Kangs are alike and also that they don’t always work together, so it wouldn’t be surprising to see one break off and help out the Avengers a little down the line.

Some fairly big questions and theories for the MCU going forward.

Now we know that the Council Of Kangs is the direction the MCU is heading in a few things are fairly certain. One, Iron Lad the kid version of Kang that doesn’t want to grow up to be a villain and who is a member of the Young Avengers in the comics is a lock. Two, I would not be surprised to see Rama-Tut, the ancient Egyptian Kang, be the villain for the upcoming Fantastic Four film. It would make sense to kick Doctor Doom down the road for a sequel, especially as we know the film won’t be an origin for the group so he doesn’t need to feature.

My question for you all that I will leave this article on is how do the Council of Kangs and Victor Timely, another version of Kang, relate to He Who Remains, who many people thought was Immortus, and why didn’t he mention the Council to Sylvie or Loki in that show. Was he another rogue variant on the run from the council?

I hope you enjoyed this new idea for my blog that mixes my twin muses of films and comics together, if you have any ideas for future topics or things you would like me to talk about please do write to me and let me know.

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Infinity Pool: How Deep Does This Go?

Written by Luke Barnes

Summary

A group of wealthy tourists discover the pleasure of committing crimes and then having a double of them produced and executed.

So I have to say after his last outing I had high expectations for what Brandon Cronenberg was going to do next and was very much looking forward to this film, but after watching it I have to say it feels quite hollow.

Whilst again the visuals are there it lacks any kind of substance or deeper meaning, this film feels like it is trying to parrot the virtues that were taught to us by The Island but that was a long time ago and as far as dark science fiction goes probably the better film. I suppose time has moved on from that film and this one explores the idea of clones in a more up to date way, but still it lacks anything real to say.

I would say that in terms of scares or thrills this film does have a number of good moments and goes in directions I wasn’t expecting it to, however, sometimes this results in scenes that push the line of taste and veer slightly over into Ti West territory.

Mia Goth does her best to save this film and gives probably her most manic and intense performance yet, but even she can only do so much.

Overall, a surface level horror film that is crying out for something to fill the void.

2/5

Pros.

The visuals

Goth

Cons.

It feels a little too edgy at times

It is shallow and has nothing new to say

The pace is off

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Star Wars The Bad Batch: The Crossing

Written by Luke Barnes

Summary

Clone Force 99 become stranded on a baron world after someone steals their ship forcing them to confront some difficult emotions.

Though this was a lot slower than the last few episodes I thought there was still a lot of good stuff here. It was nice to see the Bad Batch deal with the departure of Echo and their emotions surrounding that, yes this was done through the medium of Omega, who is annoying as usual, but even still it makes for quite an interesting introspection on change.

My issue with this episode comes from its ending and conclusions. In the end the Batch manage to contact Sid for help who promptly refuses them until she is guilted into reconsidering, my issue with this is how can the Batch have not seen thus far that Sid wasn’t there friend. They are supposedly expert special forces soldiers but they couldn’t see she has been using them this whole time? Hopefully after this weeks episode we can finally be done with Sid forever, she was never an interesting or likeable character and hopefully her villainous turn this week will lead to her being written off.

Overall, an interesting episode on an emotional front, but the conclusions reached feel like they have been obvious for a long, long time.

3/5

Pros.

Tech’s emotional journey

This feels like a very character driven episode

It is nice to have a platelet cleanser after the more action focused episodes from the week before

Cons.

Omega is just the worst

Sid’s betrayal

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