Spider-Man Brand New Day: Spider-Man Is Depressed

Summary Jean Grey shows up for no reason and decides to act like a villain. Spider-Man pines over his girlfriend.

Let’s get one thing right off the bat as our article from a few days ago said putting Jean Grey into the MCU sans X-Men is dumb as hell. Jean does not behave like herself here, and her backstory around her missing sister etc would have fit very well into a gritty X-Men film but without the light hearted world of a Spider-Man film it really sticks out. If you removed her entirely from the plot and just had it be Spidey working with and then going up against the leader of Damage Control it would have been much better.

The arc they give Peter is probably the best of the MCU, he is broken as Peter but on top of the world as Spider-Man he has lost everyone and needs to learn to trust and let people in again. This is a serious and grown up Spider-Man, we wouldn’t be surprised if kids like this one a bit less as it’s far less about dances and curfews and far more about loneliness, sadness and trauma. Seeing Spider-Man at a low ebb is kind of what the character is all about though.

You’d argue that the supporting cast does a lot of the heavy lifting here, John Bernthal is wonderful as the Punisher and you really see how much he cares about Peter. Yelana is funny and steals the scenes she isn’t in. However, the star of the side cast is arguably Zendaya. Now a number of the contributors to this magazine do not have a high opinion of Zendaya however, here she is the emotional core of the film. The fact that she can’t remember anything about Peter and that they don’t get back together in the end is incredibly mature and grown up.

There is a real sense of transition with this film not the least due to the changes happening to Peter with his Spider DNA but because it shifts from being a children’s film to something much more serious and grown up.

3.5/5

Pros.

Peter and MJ

Frank

The action and the go pro scenes

The humour

Cons.

The stuff with Jean Grey

The end credits tease isn’t good

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Cinema Issues: The Jean Grey Issue Spider-Man Brand New Day

At the time of writing we do not know if Jean Grey is in Spider-Man 4 and if it is Sadie Sink’s mysterious role however a lot of online speculation says that’s the case.

If it is then it is a terrible terrible decision for multiple reasons, let’s get into it.

1- It introduces her first as a villain: Jean Grey of the X-Men outside of her Phoenix possessions is a good guy, however, a lot of the rumours linking Grey to this film say that she is the villain pulling the strings behind the scenes. Why would she be doing this? It would be incredibly against the character and make very little sense.

2- It cheapens the idea of introducing the MCU’s own X-Men at a later date: we know the X-Men are coming however, the drips and drabs strategy we have been getting isn’t working. The idea was to have an X-Men film pretty immediately after Secret Wars when the universe will be reset why would it make sense to have just Jean Grey introduced early here rather than alongside her fellow X-Men there, it wouldn’t.

3- Spider-Man is still not able to hold his own film: under the MCU there seems to be an idea that you can’t just have a Spider-Man film, like Sony did for years. You need Iron Man, you need the multiverse, you need an X-Man. Repeatedly it seems like Peter cannot just have his own adventure and this film is already crowded with the likes of the Hulk and the Punisher showing up for some reason, now they have to put Jean Grey in as well, it’s just stupid. People want grounded, focused stories not cameo fests.

We long hoped that she is Firestar a different mutant character but one that would be a much more organic fit for the film, however, it would not explain the seeming mind control elements of the plot.

If it is Jean Grey it is a poorly thought through desperate move.

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Cinema Issues: Audiences Inability To Wait

The other day there was supposed footage from Avengers Doomsday doing the rounds, supposedly leaked. It was in incredibly bad quality and was quite hard to watch. Looking at the view count clearly a lot of people had looked at it.

However, this is a symptom of a wider problem. People used to be able to wait for things to wait for a trailer, to wait for the film to come out, yet now people are getting excited and rushing to see a poor quality leaked bit of test footage that likely won’t even make it into the film.

This does a disservice to fans as it shows them as being desperate, fans shouldn’t be desperate they should be more discerning and only want to see the best possible version of the footage that is actually finished.

Sadly it is unlikely to change anytime soon.

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Punisher One More Kill: A Fear of Gareth Ennis

Summary: The MCU tried to adapt Welcome Back, Frank and does what it always does.

This is why the MCU can’t make a Blade film, sometimes people just want to see badass characters being badass, not processing trauma, not having a crying, just being cool. You’re making a comic book film/made for streaming one shot, for God sake.

The first half of this is Frank being sad, the amount of time wasted herein becomes more and more noticeable later.

The second half tries to give the people what they want but then just abruptly ends with no how do you do, to maybe be picked up in Spiderman Brand New Day.

John Wick understands the badass factor, Mortal Kombat understands the badass factor, the MCU is allergic.

Plus as has been memed heavily since there is a God awful CGI shot of Frank falling, wherein they swap the stuntman’s face with John’s and my my it looks terrible.

Overall, it’s about twenty minutes of goodness wrapped in 30 minutes of disappointment.

Pros.

Some cool Punisher action

It leaves you wanting more of the good bits

Cons

The sad Frank sequences

The ending

The CGI

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Daredevil Born Again Season 2 Overview: It Got Worse

So the TV show brings back Jessica Jones a fan favourite character, but why not Luke Cage because he is a deadbeat father who is out of the country working for the CIA, he shows up in the last few minutes after all the fighting is over no doubt to be emasculated next season.

The reason why Muse was barely in the show last season before being killed off was because they wanted to have Daredevil’s girlfriend take over the mantle and become a female version of the character, who was in one issue of a comic once.

Matt is overshadowed in his own show by the crime stopping adventures of Karen Page, at the end of the series he goes to jail despite being a force for good, so that next season they can give someone else the mantel of Daredevil whilst he’s gone, perhaps Electra.

The decision to not feature the Punisher this season at all, but have Dex essential serve the same purpose is a choice and and a weird one at that.

Finally having Kingpin be exiled after all he has done is ridiculous, people have died as a result of him, yet Daredevil pleds with the crowd to let him leave. It’s just dumb. It’s suicidal empathy.

As you can guess it’s bad the first half of the season was bad and this somehow got worse. Overall since the first episode of season 1 of Born Again it has been rapidly running down hill.

0.5/5

Pros.

The new White Tiger

Cons.

It makes Daredevil a background character

The writing makes no sense

Characters who should be there aren’t

It feels sanitised

How they handle Luke Cage

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Cinema Issues: Marvel Doubles Down On Slop

So Daredevil has been sidelined in his own show. Certain members of the cast have already come out to disparage and name call the audience.

The Punisher will be a lot less brutal and almost comedic in Brand New Day

And Peter Parker is second fiddle to the community within Friendly Neighbourhood Spider-Man.

Can you feel that the last vestige of a brand are dying.

So the head of Marvel TV has been taking, and boy has he shown he shouldn’t be in a job. He has renewed Wonder Man for season 2, because of DEI , or maybe because it was given a two season order but this is despite the fact it was the least watched Disney + show. More people watched Echo. He claims it’s because people loved the show the numbers don’t reflect that.

Then in terms of Friendly Neighbourhood Spider-Man he said it is about a community telling a community tale. We’re sorry we thought it was a Spider-Man show. Also which community only has white people as villains outside of Peter and feels the need to have every single race and ethnicity ticked off on a list.

They have renewed Marvel Zombies for a season 2, that was a show we were excited for before it just became a girl boss show and a way for them to continue to include Riri despite the God awful ratings for that show.

Marvel’s efforts with Disney + have been what’s taken the brand from the heights of End Game to where we are now. Yes they made some bad films, but by and large it has been the terrible Disney + shows that have inflicted the mortal blows on the brand.

Last year the MCU released 3 films, Captain Falcon the Brave New World, The Thunderbolts, which we liked, and Fantastic Four. All of them lost money. As for Disney + you had Daredevil which was met with collective disappointment, except from us though season 2 has taken us there as well, Iron Heart, Wonder Man, Eyes of Wakanda, Friendly Neighbourhood Spider-Man, and Marvel Zombie non of which had any cultural staying power. Pandering hard to the black community and to women, who don’t traditionally watch a lot of superhero fare doesn’t appear to be giving them the audience they want.

Never fear when in doubt just keep doing the same thing and expect different results, the definition of insanity. Born Again season  leans into overt left wing messaging and relegates Daredevil, they green light season two of Wonder Man despite the terrible ratings, Punisher, a character fans actually liked is neutered.

At this point I think Doomsday will be big but nowhere near the levels of Infinity War or End Game not even close. I think years of alienating the audience calling fans toxic, and making the projects you want to make rather than what audiences ask for has come around to bite. They did it to themselves.

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Marvel Zombies: The Woke Zombies Of Disney Marvel

Summary

Marvel Zombies, a cool comic book, becomes yet more girl boss Marvel fare.

In the classic Robert Kirkman comic run, the Zombies were made up of people like Reed Richards, Ant Man, and Captain America. Here they are made up of Okoye, Wanda and Carol Danvers, can you see what is going on.

Perhaps this will help.

We begin this series following Ms Marvel, Kate Bishop and Riri Wiliams, we then meet Blade, Yelena, and the Red Guardian. Following that we meet Shang Chi and Katie. Do you see it yet. Two things are happening here, firstly it is a girlboss show which ends with Riri, Kamala and Wanda, and secondly that there are close to no popular male heroes from before phase four, amongst the ranks of the living.

They also can’t quite seem to decide what sorts of zombies they want to have, intelligent zombies that can talk or mindless zombies that can’t. You’ll notice that zombie Clint Barton and Zombie Cap don’t say a word, whereas Okoye has many a monologue. Do you get it yet.

I feel like I am just repeating myself at this point. One thing I can say with certainty is that Disney + killed Marvel dead. Whoever is in charge of Marvel’s output on Disney + needs the sack.

0.5/5

Pros.

It has a few good moments that lean towards horror

Cons.

The characters are all phase four wash outs

It is a girlboss show to it’s core

It makes pops at legacy characters

It has awful Marvel humour in it

It ruins a great comics run

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The MCU Is Dead

In this edition of Cinema Issues we will be talking about the MCU and how we got here.

So firstly lets take stock, the MCU has this year put out three films that all failed to break even, released a few tv series no one talked about, Born Again had worse ratings than Agatha, and moved the big prize of an Avengers film further and further away. Disney as a company has also had a reckoning with their audiences and are now moving away from the message and towards entertainment again. There has been senior people in Marvel leaving or stepping down, audiences have not connected with a lot of the phase four and five, and there is a real possibility that Doomsday may not break a billion dollars.

Let’s look at the year ahead as well before we begin, Doomsday is the big ticket item, though a push to the year after next wouldn’t be a surprise. Then you have Spider-Man which will do well as people like the character, he is probably the most popular remaining MCU character, but each time a Spider-Man film is made Disney has to pay Sony and involve them, which they don’t like. Then you have TV series like the second season of Born Again which could be good but I wouldn’t hold my breath, and then TV shows no one cares about such as Wonder Man and more of their animated stuff. There is a real chance that Spider-Man will be all Marvel has that makes a dent next year if they delay Avengers again.

Marvel went from a studio that seemed untouchable to one that looked like it was falling off, as the kids say real quick.

What got us here and what can be done, at this point I would argue that a reboot is needed. I think that whilst yes you can bring back variants of popular characters, it does not work long term and undermines death as a concept in the MCU. I think a real issue is that the characters brought in the later phases have simply not connected in the way Marvel thought they would, and whilst you can blame a rush to the M-She-U, or the fact that a lot of these were girlbosses without proper arcs, you can ultimately just point back to the fact that a lot of these characters, Riri, Ms Marvel, Kamala Khan, are not popular characters and the comics have been saying that for years. In a sense Marvel thought it was too big to fail and so it could push ahead with whatever agenda you want to think they had and that people would stick around when they didn’t. Rebooting things now and bringing back popular characters can fix the character issue but there are broader things at play.

Within certain sects of Hollywood talent there is a need to be outspoken in a progressive way and to insult your audience or attack them for not liking your progressive masterpiece, this has been seen at Marvel on both a talent, as in actors, and behind the scenes level. A fictional entertainment world should never have been making allegories to the real world as blatant as the MCU, and the crew and staff employed knew making very noticeable political statements online would hurt the audience, but they didn’t seem to care. Particularly amongst the phase four and five stars there has been a need to tell people how to think and to insult those who came up with Marvel since the earliest days of the MCU. I am not going to insult your intelligence and explain why this is a bad business move, but I will say that you can bet your money that Marvel now cares a hell of a lot about their lost audiences and plunging viewing figures. This is why you are seeing very obvious attempts to mend fences, with actors who are making insulting statements slowly being pushed out of the MCU and more and more talk of multiversal cameos to bring back characters fans like. The thing that they don’t seem to get is that whilst the people who made those comments who did the things are still employed, a lot of them are, then people aren’t coming back. Marvel as with all studios needs to do an ideological cull, they need to say right we are an entertainment company anyone that wants to run their mouths about the audience or about politics there is the door, and they need to remove the people who have made the comments in the past as well.

Then you have the major issue that exists in the background to the two other things we have discussed, genres come and go, the Western is a tired comparison but an apt one. Increasingly Marvel releases be them shows or films follow the same structure him the same plot beats, explore the same themes, and where this can work more so in comics wherein you are reading every week to find out what a specific character is doing, it doesn’t work so well in a multiconnected universe wherein you have to see everything that comes out.

As such we find ourselves possible witnessing the death of a titan. I don’t believe any amount of cameos, or even a reboot can save it. What would need to happen is three fold, firstly an entire overhaul of the brain trust and writing teams, apologies made for behaviour that alienated fans, the increased presence of liked characters like Spider-Man and a direction away from it being this big interconnected thing. Even then death may find a way.

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Eyes Of Wakanda: Ryan Coogler Seems To Hate Black People

Summary 

We get to find out more about the wonderful citizenry of Wakanda.

I am starting to wonder if Ryan Coogler is secretly a white supremacist, both this and Iron Heart are so chocked-full of harmful Black stereotypes that it certainly points that way.

In this mini series we learnt that Wakanda interferes constantly in the outside world, despite hiding its existence from its African neighbours and allows them to starve. Moreover, despite Shuri’s line in Black Panther about the white man being a coloniser, here we see that exiles from Wakanda, then go on to do just that. So everyone is the coloniser?

Why do they do this? They do it to protect their artefacts which they hide away and lock in a vault as they are much too powerful for anyone to use, even though they were invented for a reason. This all ends when a girlboss YASS Quueen of future Wakanda shows up in the last episode to tell the silly men that the artifacts don’t matter and that they need to stop hording them and stop hiding from the outside world. Meaning all the murder, all the working with  bad people so you can steal your artefacts back from them whilst ignoring what they are doing to those around them, was for nothing.

It also made Michael B Jordan’s line in the first film about the African artifacts in the British Museum sound hollow and be out of touch with the new Wakandan philosophy on artefact hording.

There is also a female Asian Iron Fist for some reason and she mops the floor with multiple highly trained Wakandan soldiers with ease.

Overall, I want Marvel to go away.

 0.5/5

Pros.

It is unintentionally funny sometimes

Cons.

The stereotypes

The moral messaging behind it

It makes the films actively worse

It doesn’t need to exist

There are no memorable new characters

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Fantastic Four First Steps: Worse Than The Trank Version?

Summary

The Fantastic Four take their first steps into the MCU but it is more like a crawl.

Of the great war between Marvel and DC this summer I would say that even though both sides produced bad offerings, this was the losing side. By the skin of their teeth Superman won.

Whilst Superman has elements that are straight up bad, yes I am looking at you Jor-El, the Fantastic Four feels boring and badly paced. The first act which features a lot of family time placed in the film to establish who the Fantastic Four are, feels like filler as the film is trying to stretch out time before Galactus, Ralph Ineson, and Shalla-Ball, Julia Garner, show up. During this opening act we don’t get much focus on the groups origins beyond a few lines of dialogue and a demonstration of each’s power, the film assumes you know who they are and know the story, which goes against Feige’s claim of it not being homework. The montage tv style way the film opens is jarring and a bad creative choice as well.

This is not to do with the opening act but a broader concern, the Sixties aesthetic, quickly becomes irritating over the course of the film, the time period itself plays in very little it is purely an aesthetic choice, especially as the Fantastic Four themselves have advanced tech. If that level of shallow period choice appeals to you then you may enjoy this yet.

As for the characters, I was wrong, Joesph Quinn is a good Johnny, he is not the ladies man that Chris Evans was two decades ago, but he is still charming and fun, and Ben, Eben Moss-Bachrach is the heart of the film. You have to separate the fact that Moss-Bachrach hates Israel, yes I know he has Jewish roots, particularly when Ben’s Judaism is a big part of the character. Ineson as ever is a giant cast in a small role, he manages to make Galactus menacing and threatening in the way he should always have been presented.  Then you get to Shalla-Ball, they said there was no issue with her being Galactus’ Herald over Norrin Radd as there was a comics history of it, however, they rewrite her entire comics origins so that doesn’t hold much weight. She also has a Rose Tico moment wherein she takes away from Johnny’s heroic sacrifice. However, that aside the character does feel more human and grow on you over the course of the film and has far more range emotionally than Sue, Vanessa Kirby, but we are getting there.  Reed, Pedro Pascal, is a shell of former incarnations, he is shown as an anxious geek, who would rather cry than take charge. At no point does Reed lead the team and any claim to the contrary is just a lie. Sue is by far and away the worst character in the film for several reasons, firstly you have the fact that she is simply characterised as a mother and from the moment she is pregnant that is what defines her, this is one dimensional. Secondly you have her personality, which whilst in keeping with pregnant women, she is hormonal, just comes across as though she is in a constant state of Greta Thunberg levels of how dare you. She is a girl boss and is actively abusive towards her family, there is a scene in which she says to Reed him being himself is a problem. If you or anyone you know is in a relationship where one partner says to the other that them being themselves is the problem and that they have to be something else then they need to leave that relationship. There is also no chemistry at all between Kibry and Pascal

Moreover, the birthing scene and no I am not talking about when Sue gives birth to Franklin but rather the final fight with Galactus wherein Sue manages to defeat him by herself whilst making pregnancy noises, not only is this an I am woman here me roar girl boss moment, as the male characters are all effectively useless, but also incredibly cringe.

Two final points to hit home before we tie this up. The CGI on baby Franklin, is noticeably bad and distracting and secondly this film does not tie into the MCU in any meaningful way, there are moments wherein you go ah this is where they are going to show up in the MCU but no. They do not enter into the MCU at any point. Moreover, the post credits scene is a jangling keys moment wherein Doctor Doom, Robert Downey Jr, takes baby Franklin. It is not an epic moment but rather a short scene of Sue reacting, there is no dialogue from Doom, the costume doesn’t look great, and there is no broader implications imparted. Fans of the comics will know that Doom is going to use Franklin in the same way he used Owen Reece in Hickman’s run however normies will be left going who’s that and why is he taking the baby.

Overall, as I sit here and write this I begin to see more and more flaws with the film.

1.5/5

Pros.

Ben and Johnny are charming

Shalla-Ball grows on you  and Galactus is cool

Cons.

The style and aesthetic is hollow

Sue is one dimensional and abusive

Reed is weak and barely has anything to do

The post credits scene is a letdown, and does not build hype for Doomsday

The film does not bring the FF into the MCU

The CGI is quite bad in places

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