Capone: Bronson, The Krays and now Al Capone.

Capone is a biographic crime drama film directed by Josh Trank. The plot details the final years of notorious gangster Al Capone (Tom Hardy), as he battle with multiple health issues and slowly loses himself. There is also a subplot about trying to find some money Capone hid when he was a younger man; which still remains hidden to this day.

This is a testament to Tom Hardy as an actor, he manages to do a lot with very little. Some of Hardy’s lines are just gurgles or incoherent babbling and with a lesser actor it would just be dumb and strange, but Hardy manages to sell it. I think this is going to be a divisive performance from Hardy some people will like it and others won’t; it is very much like his Mad Max performance.

If you go into this thinking it is going to be a gangster crime film then you’re going to be disappointed. This is far more of a drama film. It shows us the decline of this once feared gangster to a point where he is a stranger even to himself, in a lot of ways this film is very sad, it makes you care about Capone despite all of his evil deed and it makes you sad to see him like this.

I think for sure this film can act as redemption for Josh Trank, one day I will write about my thoughts surrounding the treatment of Josh Trank during the Fantastic Four years, but for now I will just say that this film much like Chronicle proves him as a strong director with a keen eye. Both Trank and Hardy are on top form.

Overall, I think this might not be what everyone is expecting, but it is still a fantastic film that you will find hard to take your eyes off. A must watch.

Pros.

Josh Trank.

Making you care about Capone.

Tom Hardy.

The mystery around the money.

The flashbacks and the dreamlike feel.

Cons.

There are some unpleasant sights and I am not talking about the blood.

4.5/5

Reviewed by Luke

The Addams Family: A Friend To The Outsider

The Addams Family is a comedy fantasy film directed by Barry Sonnenfeld; it is based on the cartoon of the same name. It revolves around a strange quirky family that goes on dark often monstrous adventures; the humour of these film comes from how different the family are from the rest of the world. The plot this time around sees Fester Addams (Christopher Lloyd), return to the family after a 25-year absence, only is that really Fester Addams?

The Addams family are almost an oddball institution, most everybody knows who they are and has seen them in one form or another. This film was my first introduction to them when I was younger and watching it again now, I am pleased to say it stands the test of time in so many ways.

Each of the characters are iconic in their own way, each stands out and grabs your attention; especially Christina Ricci as Wednesday Addams. This film highlights the important of getting the casting process right: because these actors so perfectly encapsulate the characters that you can’t seem them played by anyone else. There is a reason they chose to do an animated follow up.

I think the reason these films speak to people so much is because they embody outsider culture, they’re something that anyone who has ever felt a bit different or a bit alien can relate to and find some companionship in. That at least is the enduring appeal as I perceive it.

Overall, I think as far as family movies go, this has some nice messages, some great characters and a few good cheer worthy moments. A nice film to watch for everyone!

Pros.

The message.

The characters.

The goofy fun.

The early 90s charm.

Cons.

It could be shorter.

4/5

Reviewed by Luke

Kindergarten Cop: Kids Vs. Cops

Kindergarten Cop is a crime comedy film directed by Ivan Reitman. The plot sees Officer Kimble (Arnold Schwarzenegger), go undercover as a kindergarten teacher in an effort to capture a ruthless drug lord. The longer Kimble spends with the kids the more he opens ups to them and learns to be a softer person; life lessons aplenty.

Schwarzenegger is a surprisingly strong comedic actor; he has proven this time after time with such gems as Killing Gunther and Jingle All The Way; as well as some great comedic moments in the later Terminator films. Just like in them, here he is great, his comedic timing is pitch perfect, and the tough guy who finds himself out of his depth and falls apart gimmick is always at its best when it is done by Schwarzenegger.

The plot makes no real sense, and this is very much a film that you can passively watch. Vast chunks of it just kind of limp on for no real reason. However, the film does have great emotional steaks, the relationship between Kimble and the bad guys ex wife and son is touching and sweet. You really do believe that Kimble cares about these characters.

The action of the film is by far its weakest part, the shoot out at the end is no where near as strong as the comedy or the emotional stakes. This is a comedy film through and through and not an action or a crime film in anyway. Schwarzenegger does his best during these serious action scenes, but they just aren’t convincing.

Overall, this is a very forgettable family comedy film that without Schwarzenegger would fall apart; luckily, he saves this film by being hilarious and loveable.

Pros.

Schwarzenegger.

The comedy.

The emotional stakes.

Cons.

The action.

You can not focus and not miss much.

3/5

Reviewed by Luke

The Witches: Be Careful What You Eat

The Witches is a family comedy film directed by Nicolas Roeg. The plot follows a young recently orphaned boy Luke (Jasen Fisher), and his grandmother (Mai Zetterling), as they become wrapped up in a Witches plot to turn all the children in the UK into rats. The film is based on the Roald Dahl children’s book of the same name.

This film terrified me as a kid, so did the book for that matter. The way this film sets up witches with the mythology it creates is incredibly well done, the witches of this film are both terrifying and also hilarious. You can tell the creators of the Muppets were involved with this as the creature design is both distinctive and memorable. You will not see anything else like when the grand high witch (Anjelica Huston) takes off her face for the first time.

I think as far as family films go this film has some genuinely scary moments, maybe it is the crazy late 80’s early 90’s drug fuelled feel of it all, but the first time a kid gets turned into a rat will scare any child and maybe even some adults, for sure.

I think there is a lot to enjoy about this film, it is good fun, and quite a great whimsical adventure. If you enjoy fantasy, then you will definitely enjoy this. It is also a really great adaptation of Roald Dahl’s seminal book, so if like me that book has a special place in your heart then you will really enjoy this film.

I feel like as far as Roald Dahl based films go this is incredibly underrated and is often overlook in favour of Charlie and the Chocolate Factory, but this is actually a better film. Check it out!

Pros.

Great monster design.

Genuinely scary.

The best Roald Dahl film.

The madness of it all.

A feel-good adventure.

Cons.

None

5/5

Reviewed by Luke

Kubo And The Two Strings:Familial Legacy

Kubo And The Two Strings is an animated action and adventure film directed by Travis Knight. The plot revolves around a young boy called Kubo (Art Parkinson), who must go on a quest to find his deceased fathers mystical armour set after his mother is killed on the Moon King’s (Ralph Fiennes) orders.

This is a delightfully charming animated adventure, that really packs an emotional punch as well. The animation is beautiful and is easily the highlight of the film, you can tell that every scene was painstakingly put together, and you can see the amount of thought and care that went into every scene. The Sisters (Rooney Mara), are especially well done, they are incredibly creepy every time they’re on screen and look straight out of Japanese mythology.

The voice cast are all doing a magnificent job, with Theron and McConaughey being of course the standouts. When it is revealed that Monkey (Charlize Theron), and Beetle (Matthew McConaughey), are actually Kubo’s parents there is a real emotional weight to it. The film is not afraid to go dark with these emotions as well, as both of these characters sacrifice themselves for Kubo by the end of the film.

As a result of this, the film has a bittersweet feeling to it, the kind of feeling that makes you appreciate what you have. It takes your preconceived notions that ‘a kid’s film will have a happy ending’ and leaves you with Kubo being an orphan; and for that I applaud them.

This film feels like a love letter to Japanese Cinema as well as to Samurai movies of years gone by, it is a beautiful homage and one I can’t recommend enough!

Pros.

Beautiful animation.

The characters.

The emotion.

The choice to have a sad ending.

The adventure.

Cons

None.

5/5

Reviewed by Luke

Spirited Away: In A Land Of Ghosts

Spirited Away is a Japanese animated fantasy film directed by Hayao Miyazaki. The film revolves around a young girl called Chihiro (Rumi Hiiragi), who becomes separated from her parents after they get turned into pigs and she gets trapped in the spirit world. The film details the friendship she forms with Haku Spirit of the Kohaku River as well as her effort to escape to the mortal world again and restore her normal life.

So, my Studio Ghibli odyssey has finally brought me to the big one, the one everyone talks about, one of if not the most important piece of Japanese animated cinema, well ever: I am of course referring to Spirited away.

I loved the world this film created, other Ghibli films have referred to and referenced the spirit world, but with this film we finally get to see it. What a sight it is, it is just so brimming with vibrancy and life, much like I have said about other Ghibli films, this film is a work of art each scene could easily be a painting if paused.

Chihiro or Sen as she is called in the spirit world is such a likeable protagonist, she is an easy character to root for and admire as she manages to hold her own when she goes to the spirt world, even though she is just a little girl.

Yubaba (Mari Natsuki), is the film’s villain an evil old witch/bird like creature that rules over the spirt world. She is responsible for turning Chihiro’s parents into pigs as well as for trapping Haku and pressing him to servitude. Much, like other Ghibli designs her character is haunting and the image of her turning into a bird chilled me and stayed with me long after the film ended.

Overall, this is a magnificent film, that is both beautiful to look at and beautiful to watch, the characters are done well, and villain is menacing. In every respect this film is a triumph.

Pros.

Beautiful animation.

Rich dense world.

Great characters.

A good menacing villain.

Cons.

It is far too long and could easily have been an hour and a half.

4/5

Reviewed by Luke

Finding Your Feet: Everyone Needs A Second Act

Finding Your Feet is a British romantic comedy directed by Richard Loncraine. The film follows Sandra (Imelda Staunton), a woman who finds out that her husband is cheating on her, as a result of this she moves out of her life of luxury and moves in with her hippy sister and sees a different side of life.

The plot of this film is fairly standard, it’s a wrong side of the tracks romance, where a rich person experience life and love outside of their rigid social circle and see that life in high society isn’t so bad.

It has been done before. However, I don’t think that the romance is the strong part of this film, I think the strong part of this film is the drama.

Though for the most part this film is light-hearted viewing, with nothing too challenging to process, there are some very raw emotional scenes that cut you right to the core. The scenes I am talking about are when Sandra is speaking at her sister funeral and when Charlie (Timothy Spall), goes to see his wife in the home and she doesn’t recognise him; these moments break your heart.

These scenes help the film to feel real, rather than just positive fluff, because just like in real life there are good times and bad. The performances in this film are first class as well, Staunton and Spall both give powerful performances that show to anyone who was silly enough to doubt them that they still have it.

You really end up caring about the characters and want to see them happy, when it looks like Sandra is going back to her husband and isn’t perusing her relationship with Charlie it breaks your heart and you actively say “noooooo” out loud.

Overall, this is your standard feel good family comedy, it makes you smile, it makes you laugh and every now and again it makes you cry and that is what sets it apart from other films like it; it has an ability to strike you right in your core and that makes it powerful. Yet another hit for Staunton and Spall.

Pros.

Great emotional stakes.

Spall and Staunton are both fantastic.

Very feel good.

Cons.

It is a bit too long.

The character don’t make decisions normal people would in the same situations.

2.5/5

Reviewed by Luke

Shazam: Big 2.0

Shazam is a superhero film directed by David F. Sandberg, it is the 7th instalment in the DCEU. The plot follows Billy Batson (Asher Angel), a young foster kid who has spent most of his life trying to find his biological mum after she abandoned him at a fair. One day an old wizard calls upon Billy to take up the mantel of Shazam (Zachery Levi), and stop the evil that the 7 Deadly Sins have bought into the world, as well as defeat evil scientist Dr. Thaddeus Sivana (Mark Strong).

Of all the DC Comics heroes Shazam is probably the one that I am the least familiar with, as such it was neat to learn his origin story. I think the story choice of having Billy be a foster kid that constantly runs away from foster homes to look for his mum, who he believes is the only family he needs, only to have it turn out that his mum deliberately abandoned him is an inspired choice. This choice was surprisingly dark for a family film and I appreciated that. What’s more this gave the moment when Billy finally excepts his foster family far more emotional weight.

As anyone who has ever seen Chuck can tell you Zachery Levi might be the most charming man on the planet, he was great in the Thor films though he only had a small part and he is terrific here in a larger superhero role. He perfectly captures the Big mentality, being a kid’s brain in the body of a grown man, as he plays the character with a healthy does of innocence and naivety. When his big hero moment finally comes it feels earned.

Furthermore, Mark Strong does a great turn as the villain, his character is threatening and menacing and dominates the screen every time he appears. Strong proves once again that he is one of the most versatile actors currently working. The boardroom scene is one of my favourites of last year, you will know why when you watch it.

I think this might be the most underrated and perhaps the best DCEU film. The emotional stakes are pitch perfect, Zachery Levi is magnificent, and the film isn’t afraid to get dark, which it does several times to great effect.

Pros.

Zachery Levi.

The darkness.

The humour.

The emotional stakes.

The wider universe.

Cons.

None, I have seen this several times and it holds up each watch.

5/5

Reviewed by Luke

The Cat Returns: Studio Ghibli Gone Bad?

The Cat Returns is a Japanese animated film directed by Hiroyuki Morita. The plot revolves around Haru (Chizuru Ikewaki), who ends up saving the life of the Cat Kingdoms Prince Lune (Takayuki Yamada), without knowing who he is. After this she is perused by the King of the Cat Kingdom, who is intent on her marrying his son. She then has to venture to the Cat Kingdom, to try and escape the whole situation.

This is the third film in my Studio Ghibli odyssey, and I have to say it is the worst thus far. Of the three films I have seen so far, this is the shortest, which you would think is a mercy, but it is not. There is nothing wrong with the start of the film or with Haru herself, she is fine, it is everything that happens from the Bureau onwards that is the problem. I understand that the Japanese culture might be slightly different from what I am used to, but all the elusions to bestiality made me feel uncomfortable. There is no other way to say it than Haru is attracted to her Cat protector and despite the film turning her into a cat midway through, don’t ask me why, it still feels wrong.

Narratively, the film is a mess, when compared to something like Princess Monokoe or My Neighbour Totoro,       is a complete dumpster fire story wise. Things just happen with no rhyme or reason and the plot is so thin that when these things happen you are left saying wait what. I genuinely believe if this film did not have the Studio Ghibli name attached to it, then it wouldn’t even be considered watchable let alone good.

None of the film feels satisfying either, you don’t care about any of the characters, as they aren’t developed, they are just kind of there, the ending as well adds very little to call it an anti-climax would be an understatement.

Overall, this film just wasn’t for me, I am a cat person, but even still I found precious few things to like about it. I was left feeling uncomfortable and vaguely confused by it and one thing is for sure, that is an hour and 15 minutes of my time I am never going to get back.

Pros.

It’s only on for 75 minutes.

Haru is okay.

Cons.

It makes no sense.

The bestiality undertones.

It was a slog to get through.

1.5/5

My Neighbor Totoro: The Spirit Next Door

My Neighbour Totoro is a Japanese animated fantasy film directed by Hayao Miyazaki. The plot focuses on a family that moves to a new house, which is also home to a number of spirits. The two young girls of the family Satsuki (Noriko Hidaka), and Mei (Chika Sakamoto), make friends with the spirits and their colourful leader Totoro. The film deals with the interactions between the family and the spirits.

This film is childhood innocence incarnate, the girls and their relationship with Totoro is so wholesome and pure it reminds me of all the fun I had with my imaginary friends when I was child. Totoro himself is both huge and terrifying, but also cute and cuddly. He is one of the most interesting animated characters I have seen in a long time and that is mainly because we don’t know a lot about him.

Despite all this sweetness and light, there is a hidden darkness behind it all. The mother of the girls is in hospital for unspecified reason and there is a constant threat that she is going to die; which is heart-breaking for the girl’s sake. There is also a scene in the film where it looks like the little girl might be lost or hurt and it genuinely puts you on edge. I think this added aspect gives older people something to enjoy, which makes it a good film for parents and kids to watch together.

There is one scene in the film that bothered me, I don’t know why it was there and it made me uncomfortable. This is of course the bathroom scene, where the dad and two girls are naked in a draw out scene, you don’t see anything, but it is incredibly unnecessary. The scene adds nothing to the film as a whole and it makes you question why it was left in the final cut.

Finally, I loved the colour and animation style of this film and I thought that much like the other Studio Ghibli film I have seen recently Princess Mononoke, every scene could be a painting. The art style is different enough to give to a distinct personality, but there is also a familiarity to it.

Overall, I liked this film it reminded me of my childhood, my only issue with it was that one-bathroom scene that I thought was totally unnecessary. Totoro is incredibly cute.

Pros.

The art style.

The child-like wonder, but also the more adult moments.

Totoro himself.

Cons.

That scene.

The cat bus thing was scary and haunting.

3/5

Reviewed by Luke