The Ice Cream Man: Eli Roth Is Back On Form

Summary: an evil ice cream man is giving kids ice cream that makes them kill their parents.

Thanksgiving was a good film, but it has been a while since we last heard from Eli Roth so expectations were high for this film and for the most part he delivered.

Now there is a hullabaloo about oh no the film uses AI, to that we say grow up most films do and just don’t tell you, see Supergirl. If you think the effects shots in Brand New Day didn’t have any AI involvement then you need to put the beverage down and get serious.

The thing that is perhaps the hardest to understand is what the tone is, as the film is both very dark and also very silly, you could argue it is a comedy horror perhaps. Once you adjust to it it’s okay.

The film feels both fresh but also like it is calling back to A Nightmare On Elm Street in one key way.

The best thing the film does is how it ends, it ends in a way not typical at all for horror films, as the villain basically wins, most films have the killer stopped, the demon exorcised, the ghost sent on etc, this does not.

One thing that was not so good about the film was a line of dialogue where a 12 year old girl says “I’m a 12 year old girl of course I know how to make myself sick”. Bulimia is a very serious condition and it should not be made light off particularly with teens who are often prone to eating disorders and suicidality. It’s a throwaway line it’s not like they dwell on it but it’s a clumsy line that harms an otherwise good film.

4/5

Pros.

The ending

The gore

The tone once you adjust

The Ice Cream Man

Cons.

The Bulimia line

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The Last Viking: John Lennon Lives Again

Summary: a man fresh out of prison needs the help of his mentally unwell brother in order to help him find money he buried long ago.

It was during our time at the Mediterrane Film Festival that we saw this and, it was a deeply mixed film. One the one hand it was heart warming in places and had a number of funny jokes, the comedy mostly landed. However, on the other the central character is deeply unlikeable and the film tends to stray too far into the abyss sometimes. One understands it’s a dark comedy film however it must be stated that when this film gets dark it gets really dark.

Mads Mikkelsen shines as Manfred or John Lennon a man with DID, and is the emotional soul of the film you do empathise with him and believe the characters struggle.

Overall, a funny if depressing film.

3.5/5

Pros.

It’s funny

There are heartwarming moments

It is well paced

Mikkelsen

Cons

It is depressing

There are tonal inconsistencies

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Savage House: A Bit Too Bleak For It’s Own Good

This was a standout of SXSW in London, however that is not an indicator on quality, but rather a general unenthusiastic attitude to the line up more broadly.

That is not to say the film is bad, it has interesting ideas the idea of the eclipse and bad spirits is fun. The social climbing storyline has been done before and better, but Richard E. Grant still carries it out with relish. He is a gem.

Claire Foy continues to take career risks and star in smaller films and commit earnestly, you believed that she loved her husband in her own twisted way.

The comedy of the film is where things start to fall down, there are a few funny moments, such as Foy’s character getting a rim job, however by and large the film’s comedy falls flat.

The ending of the film is a touch bleak and could do with being redone to be a bit more upbeat, as it stands it leaves the moviegoer in a dower mode once the credits roll. Not what you want for a comedy film.

Overall, good ideas and good performances can’t save weak comedy.

2.5/5

Pros.

The ideas

Grant

Foy

Cons.

The ending

The comedy

It’s a bit bleak

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Good Luck, Have Fun, Don’t Die: A Bit Too Close For Comfort

Summary: A man comes back from the future to stop a merciless AI.

Whilst this may sound like a retread of Terminator, there is enough savvy and spot on commentary here to make this it’s own fresh hell. The comments about teens and the whole side plot about school shootings was incredibly timely and needed, it was surprising to see the film go there.

The ending which also takes a dark turn works well, as it keeps the idea going, and doesn’t give it an easy happy ending to wrap it up with. The fact remains that as the characters say AI is inevitable, the only thing that really can be done is to put up barriers to try and protect ourselves.

Overall, likely the second best film of the year.

4/5

Pros.

It’s funny

It’s timely

The cast work well together

The science fiction concept is great

Cons.

It has some rather bleak moments

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No Other Choice: Eat Sleep Work Repeat

Summary A man loses his job and then goes to extreme circumstances to make sure that he gets a new one.

This film works as a comedy, and is genuinely funny, but it also works on a commentary on working in the modern age and the idea of personal shame that comes with the idea of not working. Despite living in a society where men are no longer needed to be the sole provider for a family, the idea of being a bread winner for your family and then losing that and the feeling of uselessness that comes with it is a universal theme

The dark comedy elements such as the turn towards murder also work here as they play off the hopeless themes well and created a certain sense of absurdity that fuels the film.

Overall, a film that a lot of people will be able to relate to as it reflects a very common human experience.

4/5

Pros

It’s funny

It’s relatable

The absurdity of it

It has a novel concept

Cons.

The third act goes on for a little too long

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Bugonia: Life Is Out There

Summary

Emma Stone and Jessie Plemons team back up.

So this was a better film than Kinds Of Kindness I can tell you that, I would argue the main way that is true is the fact that it had a coherent story structure and tried to tell a linear start to finish narrative. There were elements that were surreal but for the most part it was all very straightforward.

I thought both Stone and Plemons did a great job as per usual, I didn’t doubt either of them and I thought the story was interesting throughout. I liked how the film kept you guessing about whether Stone’s character was an alien or not throughout, then gave you a satisfying and concrete answer.

For the most part I liked this film the only thing I did not like was how the characters abused a mentally disabled person throughout the film, I found this to be quite uncomfortable to watch. For example Plemons’ conspiracy minded character chemically castrates the fellow, and then Stone’s character convinces him that his friend, as in Plemons’ character, is dead leading to him killing himself. It is a very unpleasant thing to watch.

Overall, the story is good and interesting, it is simply how they treat the disabled fellow that holds the film back from being better.

4/5

Pros.

A coherent and interesting plot

Good performances

Well done, in terms of production

The ending

Cons.

The treatment of the mentally disabled fellow

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Timestalker: One Of The Most Unlikable Characters In Cinema History

Summary

A woman, Alice Lowe, reincarnates over and over again chasing after a guy who doesn’t like her back.

This film was a vanity project much like Woman of the Year, review coming soon. Lowe’s other films have also drawn from her own life, but here not only is she actor and star but the whole film is an effort in narcissism. This is textual meaning that in the plot of the film the central character and her desire is the plot of the film, there is nothing more to it than that, there is no character growth, she likes the guy then eventually realises he will never be the one for her but then ends the film with him liking her causing a character development regression and undoing the growth.

To make matters worse the film has nothing to say, it is about a thin as a McDonalds paper bag, it is shallow and the character unlikable. You may root or care for her if she wasn’t so self-involved yet she is so you don’t. The film borrows a lot from the dark comedies of Ben Wheatley yet unlike his work in say Sightseers for example, there is no subtext here no broad commentary and crucially no jokes.

I don’t think I laughed once during the entirety of the film, and I would say that no one else in the entire cinema did, but then no one else was there.

Overall, I think it is sad that films like this get made because in British circles Lowe is a minor name, a better film that could have made more and been more highly praised could have been made with this money.

1/5

Pros.

It is relatively short

Cons.

It isn’t funny

It is boring

It has nothing to say

Lowe isn’t very good in it

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Velma: Mindy Kaling’s Career Just Won’t Die

Summary

Velma, voiced by Mindy Kailing, cannot do us all a favour and die and so has to come back as a snarky and thoroughly unlikeable ghost.

Bitter is the word I would use to describe this special, bitter was a word that encapsulated the whole of Velma’s run. Now I know that it was possible but unlikely that win they filmed this they knew it had been cancelled, but it feels as though this special is aware of its cancellation and wants to get in as many jabs as it can in order to settle scores.

We get a repeat of all of Kailing’s classic lines, such as how she fetishes white guys whilst also having all her characters be super liberal and hate them. She is quirky and insecure yet demands to be the centre of attention all the time. Finally who could forget making the whole affair as sordid and needlessly unpleasant just for the hell of it. It was always clear that Kailing and co had no respect for the source material when they made this show but once again we get that point hammered home for us.

Does this special serve as a fitting end for the series? No, ultimately it chooses to go out flipping everyone, audience included, off one last time rather than trying to set out any meaningful closure for the characters or hint at somethings yet to come.

Overall, this special was just as hateful as you would expect. All I can say is at least it is over now

0/5

Pros.

None

Cons.

It shouldn’t exist

It is hateful

It doesn’t offer an ending or any kind of closure

It is obnoxious

It is unfunny

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Kinds of Kindness: The Wrong Kind Of Experiment

Written by Luke Barnes

Summary

A trilogy of tales that have no business being together.

I have been a fan of this director for a long time, the Lobster, the Favourite and Poor Things are all terrific films, this however, is a failed experiment. It is a film that wants to be experimental, that wants to challenge audiences, it will not be what you’re expecting it to be, and that is not a bad thing if it works, but it just doesn’t.

We are presented with three tales, one of which is bad one, of which has somewhat redeeming elements but is mostly bad, and one that works well. Sadly the good segment the 2nd segment is not the front or the end of the trilogy but rather smack dab in the middle meaning you don’t get the satisfying good start to the feature nor the big finish to salvage a mixed product, you start the film feeling disappointed and you end the film feeling disappointed.

Now to get into why the segments work or don’t work, crucially comes down to execution. The first segment is about power and control and what we’ll do to have stability in our lives yet the segment doesn’t go far enough to demonstrate this and is far too ambiguous in its ending. Secondly, we get a segment about loved ones and what we would do to have one that we thought lost back, this segment works because the concept is strong enough that it makes up for poor execution whereas the other two can’t be saved like this. The idea of the double is a horror mainstay and it is so for a reason, it is effective. Thirdly, we get a segment about religion and cults which could be interesting there is enough new, novel and intriguing ideas here to create a feature film of its own, however the film squanders the time it has in this segment, it does silly things like have Emma Stone do a TikTok dance when we could be giving the characters a satisfying ending.

In a sense this film reads like someone taking a victory lap not making a film for a mass market audience, but rather making it for themselves and assuming they are enough of a name to draw in audiences.

Overall, a film with a strong series of premises but one that can’t execute on most of them.

2.5/5

Some funny moments

The second segment works

It has a lot of good ideas

Cons.

The first and third segment don’t come together

It is too experimental

The Tik Tok dance

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Wicked Letters: Naughty Words To Make Your Elder Relatives Blush

Written by Luke Barnes

Summary

A series of profanity laden letters cause havoc in a small town.

Comedy can be so subjective, in many cases you can think a film is brilliant if it matches your sensibilities but if it doesn’t it can come off as unfunny, boring or even depressing, and I find that in this case I am leaning towards the latter. Though there were funny moment in this film is was far more of a dramedy then the trailers suggested it to be and at times I found it to be very depressing indeed.

Jessie Buckley is the saving grace of the film and her character is likeable and easy to root for, over the course of the film you want to see her free and you want to see everyone that keeps punishing her for being a little different be put in their place. Luckily it is that sort of film and the ending does give you the resolution you were looking for. Without Buckley this would be a much worse film.

Olivia Coleman on the other hand, and I say this as a fan, needs to find a new schtick, she has played a mentally ill posh woman so many times now in almost every role that she has been type cast. Again I won’t spoil it for you but I will say it is super obvious very early on in the film who is writing the letters to Coleman’s characters and if it was a different actor in the role I don’t think it would be so obvious.

Overall, it is nice to see British cinema still has some life blood but this just wasn’t to my tastes.

2.5/5

Pros.

It has a few funny moments

Buckley

Spall

Cons.

Coleman

It is depressing

The tone is all over the show

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