Flying Witch: Anime Overview

Summary

A new witch moves to town and gets lost frequently along the way.

I discovered this series as I was looking for a replacement after Way Of The Househusband and this fulfilled the same sort of wholesome and at times comedic sensibility. I would argue it is far more wholesome than comedic and more often than not it is just a good show to watch if you are feeling down as the relentless positivity will make you feel better.

I liked most of the characters though I would say the lead herself is quite bland. I think blandness on the whole is an issue for this show as though it is very wholesome and that is nice the problem arises from the fact that there are no real stakes or drama or threat of any kind and that doesn’t lead to the most interesting of stories.

However, something this series does well is its worldbuilding which feel unique and special in a way I have not seen from other animes. There is such a sense of wonder here as the supernatural crosses over with the regular that it is a shame the show didn’t get picked up for more seasons as there is far more exploring to be done in this world, ah well that’s what the manga is for.

Overall, wholesome and inoffensive but lacking enough punch to keep you engaged.

3/5

Pros.

It is wholesome and sweet

The wider cast of characters are quite entertaining

The worldbuilding is well done

Cons.

The lead is bland

There are no real stakes and that makes caring about things hard

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A Haunting In Venice: A Macabre Puppet Show

Written by Luke Barnes

Summary

Poirot, played by Kenneth Branagh, is back this time to face off against the paranormal.

I think this film was a much needed return to form after Death On The Nile or as I call it Gal Gadot’s vanity project. The decision to forgo some of Christie’s other better known works and to pivot into the supernatural was a strong way to make this film feel fresh. As an ardent fan of horror I thought that the scares here were actually quite good and worked.

I liked the friendship between Poirot and Tina Fey’s character, Poirot is at his best when he has someone to work off and is part of a duo, that was what worked so well in the first film. It was sad to see that in the end Fey was a baddy and had to go away but I would quite like to see Poirot have an assistant, ward or mentee in the next film.

The mystery itself was okay, it was better than Death On The Nile where it was painfully obvious early on what was going on, but I would still say it was not as good as the first film. The fact that they are all being poisoned and that explains away the spooks is fairly obvious from the jump, but the reveal about who was the murderer was better concealed until the end of the film.

Overall, a return to form.

3.5/5

Pros.

The horror aspects

The cinematography

The cast

The gothic feel

Cons.

The mystery is so so

Having Fey turn out to be a villain

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Black Mirror: Season Six Overview

Written by Luke Barnes

Summary

A new season of Black Mirror presents itself, dare you step inside this modern day Twilight Zone.

I thought this season as a whole was fantastic, easily the best season of Black Mirror in years and certainly the best since Netflix took over the show. There were no bad episodes each episode both fit within the mould of the wider season whilst also doing something new and fun, this is highlighted perfectly by the two episodes that book end the season one is an inception like science fiction and the other an end times disaster romp through south Yorkshire.

As I have said in a number of reviews over the years when it comes to anthology shows and films it is very easy for one bad segment to hold back the wider whole of the season or film, however that definitely isn’t the case here. I also liked that though this season had Black Mirror’s sense of dark humour there were enough jokes and lighter moments scattered over the episodes to keep you watching whilst also perfectly balancing the tone.

Overall, this is a season of Black Mirror that pretty much anyone could enjoy.

4.5/5

Pros.

The tone of the episode

The way the episodes play with and interact with each other on a subtextual level

The acting is great

The concepts really come together

The twists and turns

Cons.

There were a few minor pacing issues within some of the episodes.

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From: Season One Overview

Written by Luke Barnes

Summary

A large group of people find themselves trapped in a town they can’t escape from wherein they are hunted every night by a group of monsters.

In many ways you can see how this show was from some of the producers and creative voices behind Lost, asthey have very similar mystery/supernatural aspects to them. However, where this show is much better than Lost is the fact that it knows how to use its tension and usually progresses things at quite a nice pace. Every time the monsters show up, which is in most episodes, the show becomes fantastic and is electric to watch with the threat and the terror being palpable.

Conversely, whenever the show slows down and focuses more on the characters or their drama the show can drag. Now for the most part this drag is a rare occurrence and the character drama is kept to a minimum, but with the largest cast of characters it is inevitable. Speaking off the cast is a deeply mixed bag, some do a terrific job and really can be counted on as reliable pillars of the show, whereas others seem only there to broaden out the show’s potential viewership figures.

Overall, well worth a watch, but with a few issues that hold it back from being the next big tv show.

3.5/5

Pros.

The monsters and the horror aspects

The mystery

The season ending

For the most part great tension and pacing

Cons.

At times the show slows down for character drama and this hurts it

Some of the characters serve no purpose

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The Boogeyman: Clearly This Film Didn’t Have The Budget To Spring For Any Kind Of Lighting

Written by Luke Barnes

Summary

A family is plunged into a fight for survival after a supernatural evil takes over their home following the death of their matriarch.

The director behind Host and Dashcam made this film, two of the strongest horror films in recent memory, my, my what a step back.

This feels like the most bland form of studio horror, entirely by the book and with nothing new to surprise you. The metaphor of the film is ham-fistedly done and stands in a poor contrast to other films that try and reflect grief through a supernatural entity, see The Babadook. If you have been paying attention to the genre space recently you will see scares from Smile and Barbarian repeated here sans the punch they had in those films.

The monster is well designed and does look genuinely menacing at times and that is one of the few positives I can give this film. However, despite this good design you will rarely ever see the monster because the film is so dark that you can barely see what is going on most of the time. If you want to get incredibly drunk play a drinking game for every time a character in this film enters a room and doesn’t put a light on, or every time in the middle of the day everything feels like it is on half brightness. I understand this film may have been made on the cheap and as such not have the budget to be showing off a CGI monster at every turn, but the level of darkness in this film is just ridiculous.

Moreover, in terms of performances the central family are serviceable, Yellowjackets’ own Sophie Thatcher steals the show in a number of scenes, but she doesn’t have much to compete with. The film has pretty much all the characters outside of the main family be dislikeable, I don’t know why. They even try and force in some mean girl stuff towards the end that just feels like the most cliché pap and makes you roll your eyes hard.

Lastly, there is something so depressing about this film that at times it makes it unpleasant to watch. I understand the irony of saying that about a horror film but I would argue that plenty of horror films cover depressing and dark topics without making the viewing experience feel depressing. Take Hereditary for example a little girl dies fairly early on and a family descends into hell, but at the same time it is still a fun and thrilling viewing experience you don’t leave the film sad, or at least I didn’t, the same can’t be said for this film.

Overall, a disappointment.

2/5

Pros.

The monster, when you see it

Thatcher

Cons.

It is too dark both literally and figuratively

All of the non-family character are immensely dislikeable/ they force in some teen drama for no good reason

It has horrible pacing issues

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Yellowjackets Season 2 Overview

Written by Luke Barnes

Summary

Mysteries from the first season are tied up and new ones are born as the Yellowjackets sink further into the darkness.

This may be the first time I have written about Yellowjackets, I really got into the series last year and was eagerly awaiting this season, I was going to do an episode by episode series of reviews as I do with some shows but instead decided to do a broader season 2 retrospective as I don’t know how many of you would be interested in me doing weekly coverage. Do let me know if you are and I will do it for season 3.

For the most part I thought this second outing was more of the same, in the best way. It delivered on the character moments we had wanted to see since the first season, mostly noticeably getting together all the survivors, that we know off in the present day scenes. It also flushed out many of the mysteries from the first season in both the past and the present and it was nice to get those answers. Of course this is the kind of show wherein whenever they give you an answer hundreds more questions are posed.

The performances across the board were great throughout the season and that goes for both the flashback wilderness and present day scenes. If I had to pick a best for the season I would be split between Christina Ricci who does a lot more with Misty this season even getting a full on musical number, Elijah Wood who enters as a new character but by the end of the season immediately becomes a favourite or Sophie Nelisse who acts the hell out of her scenes this season.

My one complaint of this season would be that some of the storylines overstayed their welcome. Mainly I am talking about Shauna’s affair, and don’t get me wrong Shauna, played by Melanie Lynskey, is one of the best characters on the show and her storyline was interesting I just thought that they dragged it out for far too long. I think that it could have been condensed down and then the extra screen time could have been given to the other non-Misty Yellowjackets in the present day who needed a bit more attention.

Overall, one of the best show’s on TV, but a minor step back from the heights of the first season.

4/5

Pros.

The characters

The mystery

The style of the show

The ending

Cons.

Shauna’s present day storyline got a bit too much screen time

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The Winchesters: Pilot

2.5/5

Written by Luke Barnes

Summary

The CW is in desperate need for successful shows so now we are being given a spinoff/prequel about the Brothers from Supernatural’s parents.

So this episode was a mixed bag, in some senses it is nice to be back in the world of Supernatural again, in addition I also like the very active role that Dean, played by Jensen Ackles, is taking in the show being both the narrator and also turning up at the end, I think for this prequel series to work it needs to be tied in heavily to the original series. I think it is a shame that Ackles is still mainly acting through this franchise and think that he is a talented actor that deserves to breakout more, I hope he can return to the Boys next season.

Moreover, I think that Meg Donnelly, who plays Mary Winchester, is doing a hell of a lot of the heavy lifting here. She was the only new character who was both interesting and also charming the rest struggled to be either. I think that John, played by Drake Rodger, is a wet blanket and cannot possibly hold a candle to the Jeffery Dean Morgan version of the character we saw in Supernatural. The sidekicks were instantly annoying and one note, hopefully they don’t stick around beyond this opening arc.

Lastly I think that the opening mystery that this episode tries to set up is pretty boring all things considered and doesn’t really inspire confidence for where the series is going to go, however, it is worth noting that pilots are often quite rough and hopefully the later episodes will be better because if they carry on like this I will be checking out soon.

Overall, It is nice to see Dean again and be back in that world but ultimately this feels needless.

Pros.

Dean

The return to the world

It is watchable

Cons.

Most of the cast outside of Mary are dull and or one note

It has major pacing issues

The mystery doesn’t feel particularly interesting

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The Fog: Beware The Rolling Tide

4/5

Written by Luke Barnes

Summary

A mysterious fog rolls in over a small town killing lots of residents.

I enjoyed this film a lot and think that within Carpenter’s work other than Halloween this film is easily his best. There is something so wonderfully gothic about this film, the atmosphere is heightened and used to great effect for the scares which do come in quite naturally. I think as a result of this there is quite an unsettling quality to the film.

One thing I would say in terms of a negative for the film is that when the ghosts do in fact show up they look quite goofy in most of their scenes bar their final few. I think that was more a limitation of the technology of the time, but it does somewhat hold back the fear factor.

I liked that this film was packed with a cast of Carpenter mainstays and thought that all of the central performers did a great job. Adrienne Barbeau was a really strong lead anchor for the film and of course whenever Jamie Lee Curtis came on screen she stole her scene.

Overall, perhaps a underrated Carpenter great.

Pros.

Barbeau

Curtis

The atmosphere

The scares

Cons.

The ghost pirates look a little silly at times

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Werewolf By Night: The Savior Of The MCU

4.5/5

Written by Luke Barnes

Summary

Meet the supernatural side of the MCU

I thought this was one of the best things I have seen out of the MCU in a long time. It reminded me of why I care so much about this universe in the first place. I will admit up front that I am a big fan of the supernatural characters in the comics Blade, Ghost Rider, Moon Knight and Elsa Bloodstone has always been a particular favourite so I might be a little bias on this one. However, going against that is the idea that I went into this with a lot higher expectations than a lot of other people who might not care about the characters of Werewolf by Night, played by Gael Garcia Bernal, and Elsa Bloodstone, played by Laura Donnelly. Not only were my expectations met but vastly exceeded.

I really enjoyed seeing these horror elements interact with the MCU formula and I thought that this unlike some of the newer entries into the MCU actually felt quite fresh and new. There is an obvious inspiration from classic horror which works well here, and the use of black and white adds to both that aesthetic but also allows for more violence to be shown. I would say that in terms of gore this is probably the furthest we have ever seen the MCU go, it is not Saw, but for the MCU it might as well be there is some grizzly kills.

Bernal and Donnelly both do a terrific job and easily become beloved, again maybe I am bias. Though I can’t wait to see more of them going forward, I do have two little nit-picky complaints firstly this special does not explain Jack Russell/ Werewolf By Nights origins at all and just throws you into things, I would have added a few scenes highlighting his backstory a little more, and secondly that when the switch to colour does happen Elsa doesn’t have her trademark red hair. I know that second one is pathetically pedantic, but hey.

Overall, a magnificent first outing for Marvel’s special presentations.

Pros.

Donnelly

Bernal

Man-Thing was also really great, didn’t get to him in the review so I wanted to give him some praise here

The horror elements

The gore

Cons.

A few little nit-picky issues

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The Black Phone: Ethan Hawke Takes Off His Belt

4/5

Written by Luke Barnes

Summary

After being abducted a young boy, played by Mason Thames, must fight to escape armed only with the past experiences of his abductor’s other dead victims.

What is it with Scott Derrickson and dead kids? Whether its Sinister, Deliver Us From Evil or this, the director seems to use dead children as his main horror gimmick, however, I am not complaining they work incredibly well in a creepy sense. I would say the horror here is a mixture of supernatural elements along with the obvious fear surrounding a man abducting and killing kids and for the most part it works well and is incredibly effective. Moreover, for once I didn’t see the jump scares coming and the few that this film does employ made me jump each time.

I think the performance from Ethan Hawke is terrific, despite only being in the film for a short amount of time his character’s impact is felt in all areas and Hawke really does a good job of bringing The Grabber to life and rounding him out as a character. I also think Thames does a good job as the lead, which is saying something as usually child actors give distractingly bad performances, however, that was not the case here.

My only complaint would be that the sub-plot surrounding the Sister, played by Madeline McGraw, and her prophetic dreams feels a bit too filler like for my tastes. I suppose it does bare fruit in the end as it results in the police finding the boy, however, all the scenes of her on her knees calling out to Jesus feel almost a little silly.

Overall, a very enjoyable horror film boosted to no end by Hawke.

Pros.

Hawke

Thames

The scares

The ending

Cons.

The sub-plot with the sister feels like filler

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