Finding Your Feet: Everyone Needs A Second Act

Finding Your Feet is a British romantic comedy directed by Richard Loncraine. The film follows Sandra (Imelda Staunton), a woman who finds out that her husband is cheating on her, as a result of this she moves out of her life of luxury and moves in with her hippy sister and sees a different side of life.

The plot of this film is fairly standard, it’s a wrong side of the tracks romance, where a rich person experience life and love outside of their rigid social circle and see that life in high society isn’t so bad.

It has been done before. However, I don’t think that the romance is the strong part of this film, I think the strong part of this film is the drama.

Though for the most part this film is light-hearted viewing, with nothing too challenging to process, there are some very raw emotional scenes that cut you right to the core. The scenes I am talking about are when Sandra is speaking at her sister funeral and when Charlie (Timothy Spall), goes to see his wife in the home and she doesn’t recognise him; these moments break your heart.

These scenes help the film to feel real, rather than just positive fluff, because just like in real life there are good times and bad. The performances in this film are first class as well, Staunton and Spall both give powerful performances that show to anyone who was silly enough to doubt them that they still have it.

You really end up caring about the characters and want to see them happy, when it looks like Sandra is going back to her husband and isn’t perusing her relationship with Charlie it breaks your heart and you actively say “noooooo” out loud.

Overall, this is your standard feel good family comedy, it makes you smile, it makes you laugh and every now and again it makes you cry and that is what sets it apart from other films like it; it has an ability to strike you right in your core and that makes it powerful. Yet another hit for Staunton and Spall.

Pros.

Great emotional stakes.

Spall and Staunton are both fantastic.

Very feel good.

Cons.

It is a bit too long.

The character don’t make decisions normal people would in the same situations.

2.5/5

Reviewed by Luke

Shazam: Big 2.0

Shazam is a superhero film directed by David F. Sandberg, it is the 7^th instalment in the DCEU. The plot follows Billy Batson (Asher Angel), a young foster kid who has spent most of his life trying to find his biological mum after she abandoned him at a fair. One day an old wizard calls upon Billy to take up the mantel of Shazam (Zachery Levi), and stop the evil that the 7 Deadly Sins have bought into the world, as well as defeat evil scientist Dr. Thaddeus Sivana (Mark Strong).

Of all the DC Comics heroes Shazam is probably the one that I am the least familiar with, as such it was neat to learn his origin story. I think the story choice of having Billy be a foster kid that constantly runs away from foster homes to look for his mum, who he believes is the only family he needs, only to have it turn out that his mum deliberately abandoned him is an inspired choice. This choice was surprisingly dark for a family film and I appreciated that. What’s more this gave the moment when Billy finally excepts his foster family far more emotional weight.

As anyone who has ever seen Chuck can tell you Zachery Levi might be the most charming man on the planet, he was great in the Thor films though he only had a small part and he is terrific here in a larger superhero role. He perfectly captures the Big mentality, being a kid’s brain in the body of a grown man, as he plays the character with a healthy does of innocence and naivety. When his big hero moment finally comes it feels earned.

Furthermore, Mark Strong does a great turn as the villain, his character is threatening and menacing and dominates the screen every time he appears. Strong proves once again that he is one of the most versatile actors currently working. The boardroom scene is one of my favourites of last year, you will know why when you watch it.

I think this might be the most underrated and perhaps the best DCEU film. The emotional stakes are pitch perfect, Zachery Levi is magnificent, and the film isn’t afraid to get dark, which it does several times to great effect.

Pros.

Zachery Levi.

The darkness.

The humour.

The emotional stakes.

The wider universe.

Cons.

None, I have seen this several times and it holds up each watch.

5/5

Reviewed by Luke

Crazy Rich Asians: How To Miscast Your Lead

Crazy Rich Asians is a romantic comedy film directed by Jon. M. Chu. It is based on the book of the same name. The plot follows economics lecturer Rachel (Constance Wu), as she travels to meet her boyfriend Nick’s (Henry Goldings), parents. Once she arrives in Singapore, she is shocked to find out that her boyfriend belongs to one of the richest families in the country.

I haven’t read the books, so my reaction is based only on the film. I thought that this was a fairly standard rom-com, I understand how it is important from a cinema diversity standpoint as this film features an almost entirely Asian cast which is something quite rare in Hollywood. However, as a rom-com this film left me going ‘eh’.

The love story between Rachel and Nick is as you would expect it to be, she feels out of place in this rich world, Nick’s mum Eleanor (Michelle Yeoh), doesn’t approve of their relationship, it all seems hopeless, they break-up, they realise none of that matters and then get back together in the end, this is pretty much your standard fish out of water rom-com plot line.

The far more interesting plot line is that of the failing marriage between Astrid (Gemma Chan), and Michael (Pierre Png). Michael is resentful that he doesn’t have any agency of his own as his business ventures keep failing, he also doesn’t like the fact this wife is rich from her own money, he is deeply insecure and it says a lot about relationship power dynamics and masculinity; it also works as a nice parallel for Rachel and Nick at the start of the film. This sub-plot between two supporting character is more interesting than the main story!

As for the main two characters, Henry Golding is as effortlessly charming as always, he has charisma for days and that is needed here, as his on-screen partner Constance Wu has none. It is very hard to root for Rachel as Wu does very little to make her warm or endearing, Wu seems to think that she herself is great and that is why you should care about any character she plays, she seems to refuse to shot scenes that make her appear even slightly vulnerable. This is true of her other projects as well and it just makes her come across as a very cold person, which is not want you want from the lead character in a rom-com. She is also outperformed by Awkwafina, who plays her sidekick/best friend in the film.

Overall, I wish this film had cast someone else as it’s leading lady, or at the very least had given Gemma Chan more screen time as she is by far the best actress on screen. Golding is charming, but that only carries the film so far.

Pros.

Gemma Chan.

Henry Golding.

A step forward for Hollywood.

Cons.

Deeply average.

Constance Wu is woefully miscast.

2.5/5

Reviewed by Luke

Onward: A Tale Of Two Brothers

Onward is a computer animated urban fantasy film directed by Dan Scanlon. The plot sees two elf brothers Ian (Tom Holland), and Barley (Chris Pratt), go on a mythical quest to find a rare gem that can bring their dead father back to Earth for one day. The themes of this film are family and being proud of who you are as a person/ being more confident.

On the surface this seems like just another fantasy animated film, the themes and motivations feel samey, but the emotional impact of the film as a whole is what elevates it over mediocrity. I don’t have any siblings, but even I was feeling something when at the end of the film Ian went without his chance to meet his father so Barley could say a proper goodbye to him instead; I can only imagine how impactful this scene would be if you actually had siblings to draw parallels with.

I think Ian and Barley as characters are perfectly fine, they’re serviceable enough, they won’t join Pixar’s pantheon of beloved animated characters, that’s for sure. Pratt seems to be doing his best Jack Black circa 2005 impression, which is okay, and he is probably the character I like the most. I like the energy and good nature the character has; he is the only character I was invested in.

Ian on the other hand I found annoying, I don’t know if it was the writing or Tom Holland’s performance, but I never warmed to his character, even by the end of the film I still felt very little for him. To me, the character seemed overly whiny, he complained and bitched and moaned at every turn, I get that his character is supposed to be sad, but he sucked the fun out of every scene he was in. What’s more Ian treats his brother like dirt for a good 3 quarters of the film, he doesn’t care about his brother getting to see their dad, no he never considers that, just what he wants and his time with their dad, moreover he openly calls his brother a screw up, even though all his brother has done up until that point is try and help him. So yeah in a film about brotherhood and brotherly love, to have your main character treat his well-intentioned brother, as a moron he would rather not have to deal with is a weird character decision.

Overall, this is not a great film, nor is it a terrible one, it is just fine. There are some neat Shrek esque ideas of display here, but they are never really tapped into, the emotional impact is good, but Ian and the side characters aren’t, it is a textbook example of a mid-tier Pixar film.

Pros.

The emotional impact/ wholesomeness

Chris Pratt’s Jack Black impression.

Neat fantasy elements.

Cons.

Ian is whiny and annoying.

I was never really blown away by any of it.

3/5

Reviewed by Luke

Inside Number 9: A Black Mirror Killer

Inside No.9 is a British black comedy anthology series created by Reese Shearsmith and Steve Pemberton. Each episode usually stars both men, plus a wide array of British celebrities and has a different premise, some of them are horror themed and some of them more standard drama, it is very much similar to Black Mirror in that regard.

I have recently started watching this show after I watched a Youtube video about it, and I have to say it may be one of the best shows I have watched recently. Each episode usually has a twist that completely changes how you view the it, making it a must re-watch kind of show. The tone of the show is usually pitch black, occasionally there is some black comedy, but normally it plays it straight.

The writing on the show is very smart and it does things I haven’t seen on screen before, it is certainly not afraid to take risks. The first episode Sardines, shows a family getting together to play the hide and seek esque game sardines, while more and more people join the cupboard where the majority of the family is hiding a dark secret is revealed; this leads directly into the twist and then the end of the episode.

The reason why this is so excellent is because it adds to the already built tension, all the way through the episode we know that there is something not quite right going on, but every time we think we understand what is going on the show takes it in another way and you are left saying wait what.

So far, there has been 5 seasons of the show, with the 5^th currently airing in the UK now, and I have to say each season is as strong as the others, there are standout episodes in each; such as the Krampus episode, the demon episode at the end of the first season and so on. As you can see, I really enjoy the horror themed episodes. I think the only reason this show isn’t as big as something like Black Mirror, despite being better than it in a lot of ways, is because it doesn’t have the power of someone like Netflix behind it which stops it from reaching a wider international audience.

Definitely something to check out if you haven’t seen it already!

Pros.

The twists.

The experimentation.

The re-watchability.

The great casts.

It does Black Mirror but better.

Cons.

None really.

5/5

Reviewed by Luke

Guns Akimbo: A New Kind Of Internet Celebrity

Guns Akimbo is an action comedy film directed by Jason Lei Howden. The plot follows Miles (Daniel Radcliffe), a man who awakes to find pistols bolted to his hands after an online argument split over into the real world, he is then forced to compete in an internet age style, to the death gladiator match with raving badass Nix (Samara Weaving).

I didn’t really have any expectations when I went in to watch this, I knew it was going to be wacky, as the name and premise alone inform you of that, but I have to say that I was pleasantly surprised with how much I ended up enjoying this film.

The writing was very sharp and tight, it uses every line well, being both informative and funny. Some of the dialogue was clearly trying to lampoon modern internet culture, I believe this was done well and it made me chuckle a few times. Rhys Darby plays a homeless man who helps out Miles in his time of need and I have to say, he might be the scene stealer of the film; Darby is hilarious here.

I like Samara Weaving as an action hero, I think she plays badass very well, for the most part she is your standard quippy anti-hero, but there is an added dimension to her that sets some emotional stakes. I think if Weaving carriers on picking projects like these she could easily become the 2020 version of what Sigourney Weaver was in the 1980’s, a badass female action star.

Daniel Radcliffe is also fantastic here, his career path of picking odd projects to prove himself as an actor as well as to steer away from his Harry Potter image is in full effect here. Radcliffe’s character is relatable as well as a believable action star, I like where the film leaves his character and I hope we get to see a sequel so we can see more of him. I also liked the on-screen chemistry between the two leads, I thought they had great banter together and I would love to see them in more films together in the future.

Overall, a very enjoyable experience from start to finish, smarter than most action films and funnier than most comedies. Samara Weaving and Rhys Darby steal the show, but everything in this film is firing with both barrels. My best film of 2020 so far, A Must See.

Pros.

Weaving the action star.

The writing.

The references to our modern-day culture.

Rhys Darby.

Nice and punchy no time wasted.

Cons.

None

5/5

Reviewed by Luke

David Brent, Life On The Road: The Sadness Behind The Music.

David Brent, Life On The Road is a mockumentary comedy film directed by Ricky Gervais. The plot of the film shows David Brent (Ricky Gervais), after The Office, he is now older and more unhappy. The power dynamic in Brent’s life has changed and he is no longer the boss, rather he is abused victim of the office, as such he seeks out a new direction in life; becoming a successful professional singer.

This is very much a follow up David Brent film, rather than a sequel to The Office, other than Brent none of the characters from the series return. As such this film explores his character in far more detail, we learn the mental health impact The Office had on Brent and see that he has had a breakdown since it. As Gervais has said when talking about this film, Life On The Road ‘this film peels back the layers of Brent’s character’, this is true as we see him in a whole new light.

The sympathy we felt for Brent in The Office is double here, as we see that he is actually a very unstable individual and that he is incredibly lonely and he just wants a friend, some one who likes him for who he is. The final song of the film, when one of Brent’s band members buys him a snow machine, is touching and heart warming as we can feel just how much it means to him.

The cringe comedy that Brent’s previous outing was known for, is here in force, but there is also a sadness to it, as I suppose like Brent himself, we learn there is more to it then we first realised. The majority of the comedy comes in the form of Brent’s songs; which are surprisingly good. Forgone Conclusion as a band have more than a few hits, “Native American” might be my personal favourite, all of the songs in this film are both catchy and funny.

The ending of this film does provide a nice sort of ending for Brent as a character, it ties him up in a way that feels satisfying and gives a lot of closure to his character. I hope this is the end for him.

Overall, this is much more thoughtful, in depth look at Brent as a character, it has some great songs and some great laughs, if you love The Office you will love this.

Pros.

A nice ending for Brent.

Great songs.

A good amount of heart.

A lot of laughs.

Cons.

It’s not entirely necessary

4.5/5

Reviewed by Luke

The Office: Humour In The Day To Day

The Office is a British mockumentary sitcom created by Ricky Gervais and Stephen Merchant. The premise of the show is a film crew recording the day to day activities of an office in Slough, within the office we have larger than life characters such as David Brent (Gervais), as well as a will they won’t they romance centered around Tim (Martin Freeman), and Dawn (Lucy Davis).

For many of you reading this when I say The Office, you would think of the American TV show of the same name, but the Ricky Gervais version of the show was the one that inspired it. Recently I have been re-watching The UK Office, and it got me thinking, there is something special about this show, something that stands the test of time, and I am going to try and find out what it is.

I think the most obvious answer of what makes this show special is it relatability, working in an office is something that is very familiar to a lot of people, but I think it is more than that. The awkward cringe comedy the show is known for is again something a lot of people can relate to, we have all done something cringey in our lives, or we have all seen someone else do something cringey and thought to ourselves ‘please stop’, this again makes this show relatable, as we can see ourselves in the characters.

What’s more, Gervais seems to be very good at hiding emotion and depth behind cringey and unlikable characters. David Brent is not likeable, he wants to be, but he isn’t, that’s the joke. However, despite all the bad things he does across the run of the show you still want him to be happy, in the final episode when he finally seems like he is happy and other laugh at him and try and take it away, you feel for him, you feel connected to him in a way.

The romance of the show works in a similar way, you really root for Tim and Dawn to get together, even when it seems like they won’t. The show teases us the audience with the idea of them getting together many times, but it doesn’t give it to us; this then makes it all the more satisfying when they do.

Overall, I think the reason this is such a special show is because it isn’t outlandish or ridiculous, it is every day and ordinary.

Written by Luke

Sorry To Bother You: What Would You Do To Succeed?

Sorry To Bother You is a dark comedy film directed by Boots Riley. The plot follows Cash (Lakeith Stanfield), a young black telemarketer who adopts a white accent to be successful at his job. Once Cash is a success he must decide where his priorities lie and who his real friends are, as everything is not as it seems, and dangers lurk at every corner.

I love this film satirical take on the world, I think there are parts of it that are genuinely hilarious and parts that make you think, as good satire should. However, I do believe that the absurdity of this film reaches a point where it becomes silly and loses the point. I am of course referring to the horse people that show up in the films final act. I understand that they are acting as a metaphor and are part of the satire, but at that point in the film I had given up trying to understand it as it had ventured into silly territory. I think this film could have been even stronger without the horse people being in it. I do believe the horse people will be polarizing to people watching this, you will either love them and think they’re inspired, or think their inclusion is dumb and confusing.

The main positive of this film is Lakeith Stanfield’s marvellous breakout performance! Stanfield nails the performance on every level, he is warm and likeable, he is funny, and he also evokes real emotion from us the audience during some of the film’s heavier scenes. This was and has proven to be a Star making turn for him and I think it is fully deserved.

However, on the flip side I think all the scenes with Cash’s girlfriend Detroit (Tessa Thompson), drag on and on. I have yet to be impressed by Thompson in a single one of her performances, she is fine but she never blows me away, she was good in Thor Ragnarök, but that was a small part in a larger cast, not one of the main characters as she is in this film. I think many other actresses could have done a better job than Thompson in this role to name but a few off the top of my head, I think both Zazie Beetz and Lupia Nyong’o could have had interesting takes on the character, but ah well.

Overall, this is mostly a great dark comedy, Stanfield is terrific, and this film is worth watching for him alone, however a weak and strange third act and a less than average performance from Tessa Thompson stop this film from being a 5/5.

Pros.

Lakeith Stanfield.

A great dark comedy.

It makes you think and laugh.

Cons.

Tessa Thompson

The horse people.

4/5

Reviewed by Luke

Bad Boys For Life: Is It Time To Retire?

Bad Boys For Life is an action comedy film directed by Adil El Arbi and Bilall Fallah. The plot returns us once again to the lives of Miami cops Mike (Will Smith), and Marcus ( Martin Lawrence), who are now on the cusp of retirement, with the two men disagreeing about whether they should or not. However, when a figure from Mike’s past comes back to haunt and hunt him, the Boys have to be Bad one last time.

This film knows what it is, it isn’t trying to be clever it is just dumb popcorn fun, think Fast and The Furious but with less of a focus on cars. The life blood of this film is the chemistry and banter between Smith and Lawrence and I am pleased to report that this chemistry is just as strong as ever, you buy them as two cops who have been partners for years and are more like brothers than friends at this point.

Moreover, the boy’s interactions with Ammo, the new policing group that does things differently to the Boys, is fantastic and had me laughing multiple times in the cinema. I think Alexander Ludwig of Vikings fame is the standout of this younger cast and the joke of him being a big burly guy who prefers to stay in the van never stops being funny. Also, some of the meta jokes in this film are also brilliant, an example of one of these is having Michael Bay announcing things at Marcus’s daughter’s wedding, which made me laugh as he was the director of the other two films.

The action in this film is pretty good the choreography is done well, however, when I was watching I often thought I don’t think Will Smith should do these type of roles anymore as I just don’t believe him as an action star anymore, he is past it and it shows in this film.

I thought the storyline of it being Mike’s son that was trying to kill him, was incredibly obvious from the beginning and is a little too similar to Smith’s other recent film Gemini Man.

Overall, I think that for a belated sequel this is probably as good as you could hope for, there are some laughs, it treats the characters with respect, it is an enjoyable turn your brain off sort of film, however it is still far from perfect and the issues that plague the film are fundamental, so aren’t easily changed. See it if you have nothing better to do!

Pros.

Smith and Lawrence’s chemistry.

The Boy’s interactions with Ammo.

Alexander Ludwig.

The meta jokes.

Cons.

The Boys are pasted their prime and it shows.

3.5/5

Reviewed by Luke