South Park Post Covid: The Future Is Bleak, Especially If You Are Apathetic To Covid

2.5/5

Written by Luke Barnes

Summary

The kids of South Park are now men forced to return to their home town after the death of one of their own, in a world still ravaged by covid.

Honestly I think the main reason for my low score is because I am personally I am really bored of covid and talking about it, seeing this whole hour special just go on and on about it became old quickly. I wish it could have been about anything else.

That said I do admire the show for lampooning the current crisis and laughing at how extremely over the top some people have been about it, acting like it is the end of days or something. I thought this coupled with the side plot about comedy in the era of cancel culture/ woke comedy were really interesting and insightful comments on where we are right now as a species.

I didn’t think this was the funniest thing I have ever seen from South Park as though there were a few jokes that landed, and landed well for that matter, for the most part they left me cold. I don’t know if it is because of my apathy towards hearing about covid but I didn’t find myself laughing a whole lot here.

Overall, if this hadn’t been about covid I probably would have found it funnier.

Pros.

A few good jokes

Not being afraid to laughable at how over the top some people have been with covid

Comments about woke comedy

Cons.

I am bored of covid narratives

It is not hugely funny

The central mystery is not all that interesting

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Robin Robin: Whilst You Sleep At Night Mice Steal Your Food

4/5

Written by Luke Barnes

Summary

A young robin called Robin, voiced by Bronte Carmichael, is taken in by a family of mice, but must then find out who she is after she realises she doesn’t make for a very good mouse.

My track record with Aardman Animation is mixed, I liked Wallace and Gromit and thought Early Man was okay, but I really didn’t like Chicken Run. So when it came to watching this I was mixed, however I have to say this is easily the best Aardman feature to date and if this is any indication for what they are going to produce through their collaboration with Netflix then I am very on board for what is to come.

I thought the film was sweet and really sold its message of being yourself and being proud of who you are well. I enjoyed all the characters and thought each had their moments to shine over the features run time. I thought the pace was well decided as well, as by keeping it short it allowed the film to have a real momentum that lead to it be constantly engaging and never boring.

Finally, there is a musical element to this film which could be hit or miss for people, for me I thought it worked and I enjoyed almost all of the songs, bar the final proper one during the third act, but for the most part I thought the songs added to the film’s charm.

Overall, a lovely little animated Christmas film.

Pros.

It is sweet

It is well paced

It has fun characters

The songs work well

Cons.

The third act could use work as it is a little played out  

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8 Bit Christmas: Do You Remember The Eighties:Of Course You Do

3/5

Written by Luke Barnes

Summary

A child, played by Winslow Fegley, must overcome a sea of obstacles to get a Nintendo games console for Christmas.

This film took eighties nostalgia, which is already quite a tapped out well, and went too far with it. Though I enjoyed the sentiment of the film and thought a lot of its messages were good, I thought the film leant far too heavily into eighties nostalgia and showed us all the things we have seen before, and all too recently at that.

I could never hate this film as it features Neil Patrick Harris in a leading role. Harris is as terrific as always and manages to get a number of good jokes here. I particularly enjoyed the film’s final scene which I thought really hammered home the emotional message of the film, I thought during this scene Harris did a magnificent job of selling the emotion of the scene and turning something that could have felt quite overly sentimental into just poignant enough to resonate.

The laughs were quite sparse for me, like I said Harris has a few funny lines but outside of that the film is quite lacking with most of the jokes not landing. I found a lot of the side characters to be quite annoying and the video game violence subplot to be not only annoying but deeply caricature like of everyone involved, it was silly to include if they had nothing meaningful to say on it.

Overall, a very meh Christmas film that manages to sneak past average thanks to Neil Patrick Harris and a powerful emotional ending.

Pros.

Harris

The ending

A few funny jokes

Cons.

Annoying side characters

Far too reliant on eighties nostalgia  

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Chucky: Twice The Grieving, Double The Loss

4/5

Written by Luke Barnes

Summary

The kids reel after a series of deaths, meanwhile Junior, played by Teo Briones, turns to the dark side.

In many ways this week feels like a build up to the finale, which isn’t necessarily a complaint as there are still a lot of fun moments here. This episode seems to be concerning itself with setting up all the pieces for the final showdown and what a show down it will be.

For the most part this episode is strong, a lot of good moments probably the best of these being Logan’s, played by Devon Sawa, death as it is brutal and memorable and will be one of the defining moments of the series for sure. Moreover, there is another excellent flashback wherein we get to see Fiona Dourif look eerily like her dad and nail the performance once again.

However, this episode is held back from a higher rating by two stupid narrative the decisions. The first being Andy, played by Alex Vincent, deciding to leave his adoptive sister, played by Christine Elise, behind and go on alone. It makes no sense why he would do this; the show wants us to believe he is doing this as a means to protect her yet he brought her back into this world in the previous films so he was fine with endangering her then. It just seems like you would want all hands on deck for the final showdown, no doubt she will conveniently show up. The other being Devon, played by Bjorgvin Arnarson claiming to be done and giving up, only to a few minutes later be back investigating again. This to me just felt pointless and like needless drama to pad out the runtime of the episode.

Overall, good but not great.

Pros.

Logan’s end

Another strong flashback scene

Fiona Dourif

The ending and what it sets up

Cons.

Dumb decisions.  

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The Sitter: Children Are Evil

3/5

Written by Luke Barnes

Summary

An unemployed slacker, played by Jonah Hill, takes up a job babysitting three kids little does he know just how much he has taken on and how much trouble it will be.

Okay I’ll admit it, every now and then I like a trashy comedy. I won’t sit here and pretend to be highbrow. My sense of humour is darkly juvenile and/or edgy for sure. As such I actually found this film to be quite funny, I wouldn’t say all of the jokes landed but about sixty percent of them did and that pushes the ratio in a positive direction.

I found the film to be surprisingly heart felt at times as well, yes it won’t win any awards for the more serious moments, but I thought when the film took a break to reflect it really worked well. I particularly enjoyed how Hill’s character realised slowly over the course of the film that he was in a toxic relationship; I thought these moments felt earnt and well done.

Sam Rockwell is a delight as the villain though I would say he is underused.

In terms of issues I would say this film is a little too reliant on gross out humour, or little kids saying bad words humour, neither of which land well and more often than not come across of quite desperate.

Overall, a funny trashy comedy film that won’t blow you away and is a bit too reliant on gross out humour.

Pros.

The heartfelt moments

A good number of funny jokes

Hill

Cons.

Too much gross out humour

The ending

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The Feast: If You’re Bringing Up Long Strands Of Hair Seek Medical Attention

4/5

Written by Luke Barnes

Summary

The film follows a Welsh dinner party in which everyone in attendance dies by the end of the film at the hands of a mysterious being.

Though the premise is nothing new there is something so unsettling about this film that makes it good. There is an off-kilter uncanniness that accompanies this film wherein nothing is quite like it seems and everything is filled with clues and hidden meanings, in many ways to truly get everything out of this film you should watch it several times over.

I enjoyed the rural folk horror and thought it did interesting things with a message of environmentalism and not disturbing the natural world. I found the film more uneasy than scary however, there is nothing from this film that stayed with me after watching.

The acting is all quite good. I think Annes Elwy was strong as the lead and played both sweet and sinister well. Most of the characters in this film balance out fairly standard greed and lust issues with far darker under the surface evils to great effect.

Overall, a strong folk horror film that is well worth a watch even if you have to read subtitles.

Pros.

Elwy

The folk horror

The uncanniness to it all

The twist

Cons.

Not particularly scary

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Knocking: Noisy Neighbors Are The Worst

2.5/5

Written by Luke Barnes

Summary

A mysterious knocking is investigated.

I don’t think this film will win any award for originality, I feel the premise is done to death and has been for a long time, however, some what paradoxically this film does manage to take it in a surprising direction and do something interesting with it.

The horror I thought was used well for the most part, there were a few moments that I felt were a little tame and could have been better, but for the most part the film succeeded in creating a frightening atmosphere that resulted in some strong scares.

The performances were serviceable for the most part. No one really blew me away nor did they do anything to particularly take me out of it, it was incredibly paint by numbers on that front.

I thought the ending, which I won’t spoil, was by far the highlight of the film as it actually managed to do something unexpected and took me by surprise, which is a rarity at this point.

Overall, a generic premise is elevated by a strong ending.

Pros.

The ending

The atmosphere

It is short and uses its time well

Cons.

The acting is middling

A couple of tame moments that need spicing up and that felt out of place

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The Mighty Ducks: Fighting For The Underdog

2.5/5

Written by Luke Barnes

Summary

Bigtime lawyer Gordon Bombay, played by Emilio Esteves, becomes the coach of a local hockey team as part of his community service.

Honestly this is another ‘classic’ film that didn’t do much of anything for me. I don’t know if it is because I am not really into the sport or what, but this film left me cold.

To me the biggest issue with this film was that Bombay doesn’t really change he starts off the film as a cold, arrogant, meanie and he ends it the same way. Yes, now he has started caring about the kids to a degree but in terms of his personality he remains much the same, this then means that the happy ending comes off hollow.

Moreover, the drama of the film felt all too predictable. That is not to say you don’t end up rooting for the kids and become attached to them as you do, however you know everything that is going to happen and when it is going to happen so there aren’t really any stakes. To me, this just felt like a very generic sports film, the kind we have all seen too many times before.

Overall, a classic to some but decidedly average to me.

Pros.

You do end up caring about the kids

The ending is sweet even if the character work makes it feel hollow

Cons.

Bombay does not change

It is generic

It is predictable

It has pacing issues   

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The Change Up: Man Isn’t Having Kids A Hassle, Who Knew?

1/5

Written by Luke Barnes

Summary

A single guy, played by Ryan Reynolds, and a married guy with three kids, played by Jason Bateman, switch places because…… comedy.

The only word I can find to describe this film is lame. The comedy is lame, the plot is lame, the ending is lame. The whole film is just disappointing and weak. There might have been some comedy to the premise, I doubt it but maybe, however even if there was this film does nothing with and just pumps out deeply unfunny joke after deeply unfunny joke, with some cliches and stereotypes mixed in for good measure.

To some Reynold’s reached the apex of his career with Deadpool, others saw it as the beginning of his decline. However, this film shows how the former is more apt, this is a Reynolds firmly in his trash period where he is just trying to get noticed and hit it big. His charm is mostly wasted here and his character is just presented as the stereotypical guy who has a lot of sex but is actually deeper than that, yawn.

Bateman is like wisely by the numbers and this film feels very much like a pay check role for him.

Overall, films like this need to go away, comedy films deserve to be more than just the trotting out of stereotypes and the same lame jokes.

Pros.

Reynolds still has charm

Cons.

Reynolds is wasted

Bateman is by the numbers

The jokes don’t land

The over-reliance on stereotypes

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Hawkeye: Hide And Seek

3/5

Written by Luke Barnes

Summary

Hawkeye, played by Jeremy Renner, briefly teams up with Kate Bishop, played by Hailee Steinfeld in order to defeat The Track Suit Mafia and free themselves from the grip of New York’s Underworld.

This episode was better than the first, not hugely so, and certainly nowhere near the level of other Marvel shows but it was a small step in the right direction. Why? Well because things actually happened here and the series covered more than just the inner squabbles of Kate’s family. I would very much like the series to leave her family behind and focus on her and Hawkeye taking down the mob.

Thankfully for the most part they ignore the murder mystery aspect and focus more on Hawkeye’s efforts to stop the Track Suit Mafia and get the suit back, which leads to two entertaining scenes. The first being the larping scene as having such a self-serious character as Hawkeye pushed into this silly situation is just funny no matter how you slice it. The other is of course the final scene introducing us to Echo, played by Alaqua Cox, which is fun as it teases out further heroes in the MCU and expands out the coming Daredevil mythos.

I still truly believe the major thing holding this show back is the family melodrama. Whenever I see Vera Farmiga’s mother character or her finance come onto the screen I turn off as I don’t want to watch another family spat, it was tiresome to begin with, now it is just annoying.

Overall, slightly better but still a long, long way to go.

Pros.

Echo

The larp sequence

The wider universe teases

Cons.

Still too much family drama

The pace is still deathly slow

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