Hawkeye: Never Meet Your Heroes

2.5/5

Written by Luke Barnes

Summary

Kate Bishop, played by Hailee Steinfeld, has her world turned upside down when she discovers and wears Hawkeye’s, played by Jeremy Renner, Ronin costume from Endgame causing her to become hunted by The Track Suit Mafia.

I think coming off the bat of the other Marvel Disney + shows this one felt disappointing. I appreciate the return to a more street level affairs but this episode is so deeply slow paced that it is almost a slog to get through. For the most part we are dealing with Kate’s family drama, which is neither interesting nor engaging: most of the scenes therefore drag on and on and you are left wishing for something interesting to happen.

The murder mystery angle doesn’t really come into effect until the end of the episode but it is mildly interesting at best, again from everything we have had before it feels very low stakes and honestly it would have been more interesting if Kate began investigating the criminal underworld of New York in order to find out more about The Track Suit Mafia and just left the mystery alone.

Vera Farmiga is in this series for some reason, she doesn’t do anything other than serve as a nagging mother figure for Kate, clearly the writers aren’t very good on this one, and Farmiga’s character is relegated to an annoyance whenever she does show up on screen.

Hawkeye is in this episode but he mostly doesn’t do anything either, he goes to an Avengers musical………. In my mind he only really appears for the last 5 minutes when he comes in to save Kate.

Overall, an incredibly slow start, with a weak mystery and annoying side characters. Of course it is watchable and Steinfeld is promising but the series as a whole really needs to improve.

Pros.

Steinfeld

The ending

It is watchable

Cons.

Vera Farmiga

The family drama

Terrible pacing

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Black Friday: Working In Retail Is Hell

2.5/5

Written by Luke Barnes

Summary

Retail workers on Black Friday must do battle against alien creatures that possess people and turn them into zombie like creatures.

When I saw the trailer for this film I had such high hopes and I was disappointed when I actually saw it.

This film boasts horror icons Devon Sawa and Bruce Campbell but even their horror pedigree can’t help this film, sadly all icons make bad decisions from time to time and this is certainly one of them. Neither Campbell nor Sawa is given anything particularly interesting to do and as such there characters each feel very one note. This becomes even more of an issue as the group of characters that become more of a central focus by the end of the film are both boring and irritating.

In terms of horror this is incredibly by the numbers. You have seen this film before, the premise is nothing new. Some people are praising this film by saying that it is very reflective of the retail experience however, I feel other horror films have done even that better before. There is certainly nothing scary about this film, the only thing scary about it is how long it goes on for.

It has strong pacing issues.

Overall, simply disappointing a waste of good talent.

Pros

It is watchable

A few good moments

Campbell has natural charm that even this film can’t hide

Cons.

It is not scary

It is generic

It has pacing issues

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Repeat: Don’t Talk To The Dead

3/5

Written by Luke Barnes

Summary

Ryan Moore,  played by Tom England, devotes his life to creating a machine that can supposedly allow a person to contact the dead. However, during his obsession his daughter goes missing and he then tries to use his machine to find her on the other side and either save her from dying or bring her back.

I think this film has a strong hook. The premise feels fresh and I can’t remember seeing other films like it, moreover, the narrative doesn’t end up where you are expecting it to, there are some twists and turns and for the most part they are quite shocking and unexpected.

The marketing I had seen for this film made me think it was a horror film, however this is untrue. I would say this film is more of a bleak, Black Mirror esque, science fiction film. With that I found it to be at times quite bleak and upsetting, though I suppose that was the point. With the notion of be careful what you wish for being central to the narrative of the film.

I thought the performances across the board were fairly strong with both England and Charlotte Ritchie doing a lot with what they were given, and turning their characters into real people that you can empathise with.

Overall, a strong science fiction film that was a little too bleak for my taste.

Pros.

The acting

The plot

The twist

Cons.

Manically bleak

A few pacing issues

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Year One: Tameness Killed The Dinosaurs And This Films Box Office

1.5/5

Written by Luke Barnes

Summary

Two slacker hunter-gathers, played by Jack Black and Michael Cera, are banished from their tribe and are forced to travel to the Biblical city of Sodom.

I have a fondness in my heart for this film as when I was younger I saw it several times at my local cinema, why? Well because nothing else was on and I liked going. Therein lies the problem. There is something of an acceptance to be average with this film, there are many ways it could improve itself but it doesn’t because it seems to want to try and please everyone whilst also being deeply average.

Black and Cera are fine they are trotting out more of the same shtick that we have seen from them time and time before, so your enjoyment of them here will be dependent on how you feel about their respective shticks. The comedy is mainly misses however there are one or two funny moments especially with the Biblical characters that make cameo appearances.

This is one of those films that I would not be surprised to hear the studio was heavily involved in. There is a tameness to the comedy and the film as a whole that feels very marketed research and corporate. On the whole this film feels very much like a bill paying exercise where no one really cared.

Overall, it is watchable for sure but not much else.

Pros.

I like the shtick of both Black and Cera

It is watchable

Cons.

It has pacing issues galore

It is too tame

It feel content being average  

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Ghostbusters Afterlife: The Freakiest Third Act Surprise You Will Ever See

3.5/5

Written by Luke Barnes

Summary

A family move into an old farm house left behind by their deceased grandfather, shown to be Harold Ramis’ character from the previous films, there they learn a little bit about themselves and their family history and of course save the world from a ghostly invasion.

This film did everything correctly that the previous film, the reboot, botched. It merges the older films and a soft reboot perfectly; it is a legacy sequel done right. There is enough call backs and involvement of surviving cast members to touch on the nostalgia factor of fans of the original whilst also giving us a new generation of Ghostbusters to care about.

In many ways this is Mckenna Grace’s film, she is the central character and carries the film for a lot of the run time. However, Carrie Coon and Paul Rudd are also scene stealers and make the most out of the scenes they are given, hopefully a sequel will do more with them and give them more on screen time together.

I found this film to be quite funny at times, again particularly Grace’s lead. The older Ghostbusters have some good lines but I would say on the whole they are used sparingly as to not upstage the new characters. I am split on the CGI Harold Ramis, I do like that they give him a proper emotional send off and have each of the characters have a moment with him, however I don’t like the use of CGI to bring back dead actors as a concept, it is troubling.

Overall, a strong revival for the franchise.

Pros.

Grace

Coon

Rudd

Giving the older characters one last hurrah

Cons.

Pacing issues

Finn Wolfhard’s role could be played by anyone

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Encanto: Does Every Animated Film Need To Be A Musical?

2.5/5

Written by Luke Barnes

Summary

A family is each gifted with superpowers by a miracle however when one of the members of the unit does not receive her powers then things start to fall apart and the family has to work through there issues to restore the magic.

I am very mixed on this film. On the one hand, the message is very good and important and one that is worth remembering by everyone in the audience. Furthermore, the film does manage to connect emotionally and pulls on all the right heartstrings to make you feel something and care about the characters.

However, on the other hand, this film has no stakes and there is no real journey to it. The issues come about because of miscommunication and then the family communicates and everything is fixed, there is no real peril and it all feels very simplistic.

Moreover, the musical numbers start to get in the way of the plot. By that I mean they are unnecessary, overused and not particularly good. As I have said before there is something about the Lin Manuel Miranda style of musical that doesn’t jive with me and that I find irritating, having what could easily be dialogue sung for the sake of it is not clever or inventive- it feels lazy.

Overall, though some parts of the film connected with me for the most part it either left me cold or slight underwhelmed. Certainly not worth seeing at the cinema, wait until you can watch it for free.

Pros.

The message

Stephanie Beatriz in the lead role

The emotional resonance

Cons.

The songs

The lack of real character journey or stakes

It has pacing issues  

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Spencer: Abolish The Monarchy

4.5/5

Written by Luke Barnes

Summary

Recounting a Christmas that Princess Diana, played by Kristen Stewart, spent with the Royal Family one Christmas

This film is haunting. If going in expecting a standard Royale biopic, expect to be shocked at every turn. Indeed this film plays more like a horror film, with the social anxiety themed horror becoming unbearable at times. However, the real horror here is the cold and almost sadistic way Diana is treated at every turn by the hands of the Royals and their staff. Now this film is not based on actually events, as far as I am aware, it takes certain elements of Diana’s life and takes a bit of creative license with them, but if even one scene of this film is true it should be enough to make any decent Brit question their support of the Royal family.

Prior to the release of this film I made several comments saying how terribly miscast Kristen Stewart was in the role and how she would eventually doom the piece. I couldn’t have been more wrong. Stewart is chameleonic here and blends so seamlessly into this world that you will be hard-pressed to not see her as Diana. From her movements to her mannerism to even her accent Stewart nails the role perfectly.

Moreover, Stewart is supported by an incredible British cast with Sean Harris and Timothy Spall being equally as commendable.

Overall, this is a magnificent film and Stewart deserves to win awards for her performance here.

Pros.

The tension

It feels more like a horror film

The more out there elements

Stewart

The ending

Cons.

A few slight pacing issues resulting in a drag in the third act  

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Tiger King Season Two: Series Overview

3/5

Written by Luke Barnes

Summary

All of the supposed Tiger Kings and Queens are back for a follow up.

The biggest question I have for this show after watching it is did we need the second season at all? What did it add? In many ways, it just showed us more of the same and doubled down on a lot of the themes and narrative through lines of the first season. Including more of the unethical issues that many decried the first series for, to see an example of what I and others are talking about consider the issue of bias within the second season of Tiger King. There are clear heroes and villains in the overarching narrative of the show and this is less to do with who is or isn’t guilty but rather who the public latched on to. Yes, I am talking about Joe Exotic. The second season is incredibly in love with him, and decides to ignore his rather obvious animal abuse charges and instead paint him as some kind of falsely accused, for the murder for hire plot, folk hero whilst painting all of his enemies even the ones not convicted of any wrong doings as villains. You can see why Carole Baskin didn’t want to come back.

In the sense of a true documentary this series is and always has been an abject failure. It does not care about the truth but rather what is the most entertaining narrative, as such it is more akin to reality TV. It is in this sense I come to my review score because whilst this season did not need to exist I did find it entertaining whilst it was on, I enjoyed the roadshow as much as anyone else so whilst I can stand here and say it is bias therefore it is a bad documentary series, I think it is already aware of that and doesn’t care.

Furthermore, in some ways this second season provided comfort to me as we got to see a lot of the worst characters from the first season go to prison, or be on their way there, which restores some of my faith in humanity.

Overall, though it was unneeded and incredibly bias, I did still enjoy my time with the series.

Pros.

Dumb fun

The absurdity

Seeing some of the cruel animal abusers facing consequence

Cons.

The clear bias

It was needless

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Chucky: Cape Queer

4.5/5

Written by Luke Barnes

Summary

The gang realise Chucky, voiced by Brad Dourif, is going to be harder to kill then they thought. Meanwhile series main character Andy, played by Alex Vincent, returns to the fray.

I think now that the series has all its pieces together it is really going places, I am excited to see where this series will take us and how that will in turn effect the wider Child’s Play universe. Hopefully we will get one hell of a showdown between Chucky, Tiffany, played by Jennifer Tilly, a possessed Nica, played by Fiona Dourif, and the forces of good in the final few episodes of the series.

I think Fiona Dourif is quickly becoming the star of this series. I forgot in my review of last weeks episode to talk about just how good of a job this series does of having her play the role of Chucky, in human form, in the eighties. They make her look so much like her dad it is a little eerie, the resemblance is uncanny. Moreover, on top of that Dourif also really excels in the role and really nails the mannerism.  I would say she is better used in the flashbacks then in the present day scenes as she is given less to do in those.

Additionally, outside of Nica I also think the series finally seems to have a handle on who these new characters are and what it wants to do with them, as in previous weeks they have verged on annoyance, but here they seem to be well used and contributing.

Overall, the series is getting even better as it progresses.

Pros.

Fiona Dourif

The threat

The coming showdown

Andy is back

The series finally knows what to do with the new characters

Cons.

Fiona Dourif isn’t given much to do in the non-flashback scenes, she deserves more screen time.

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Tick Tick Boom: Andrew Garfield Really Can Do It All

4/5

Written by Luke Barnes

Summary

The film tells the somewhat real life story of Johnathan Larson, recounting the making of his first musical Superbia.

I have been decidedly negative on the work of Lin Manuel Miranda  for the most part, I didn’t like In The Heights, Vivo or his role in the Mary Poppins revival; the only thing I have liked from him has been his role in His Dark Materials. However, this blew me away and really resonated with me.

I thought this film was strong across the board, Andrew Garfield was splendid in the lead role, but when is he not? The songs were top tier and the emotion always rang true. I think the latter of those points is the feather in the film’s cap as the writing here has an uncanny ability to reach through the screen and tug at your heartstrings. There were multiple moments in this film were I was on the verge of tears; the writing is incredibly poignant and meaningful and Garfield sells this to the letter, in what may be one of his best performances to date.

Honestly Netflix needs to make more films like this as it might shake up their stale blockbuster wannbe slate and actually help to elevate them as a studio.

Overall, a magnificent film in many ways with only a few slight pacing issues holding it back.

Pros.

Garfield

The songs

The emotion and the impactful ending

It is inspiring

Cons.

Pacing issue

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