Fatherhood: From Complaints About Cancel Culture To Possible Awards Season Glory, Kevin Hart Is A Dramatic Actor

4/5

Written by Luke Barnes

I never saw this coming. Kevin Hart is more than just a comedian who complains a little too much about cancel culture, clearly he has never heard of the Streisand Effect, he is also a very serious dramatic actor.

This film is being sold to you entirely incorrectly, it is not a light hearted comedy film but rather quite a serious and at times upsetting drama film. There are several things that happen over the course of the film that are deeply upsetting, including Hart’s character having to give his daughter up because it allows her a chance at a better life with her grandparents- this is not a comedy.

When I saw the film going in this serious direction I was at first troubled as I did not know if Hart could carry a film like this, if he could muster the necessary emotional heft, but he more than succeeds. Hart is the lifeblood of this film the father daughter dynamic is so sweetly crafted that it is honestly heart-wrenching. Moreover, during the dramatic scenes Hart plays the character as a real human being and feels the emotion rather than trying to crack a tasteless joke. I appreciated how sparingly this film used its comedy.

Overall, this is a powerful film for a lot of reasons, and it goes to prove that Hart can be a talented dramatic actor when he is not the butt of height jokes.

Pros.

The emotion

Hart

The father- daughter bond

Sparse/ tasteful use of comedy

Cons.

It is not what a lot of people are expecting

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Piercing: A Love Story Where The Leads Try To Kill Each Other

4.5/5

Written by Luke Barnes

This is a darkly comedic horror masterpiece. This film is so awkward and tense I love it, it made me laugh quite a few times.

I think both Christopher Abbott and Mia Wasikowska are simply excellent here. Abbott is really proving himself as someone to watch out for. I enjoyed how the story played with the characters never letting one get the upper hand on the other, or at least not for very long.

The basic premise is Abbott’s character is a family man who starts having urges to kill so rather than murder his family, he rents a room at a hotel with the idea of luring a prostitute, Wasikowska, up there to kill her. The beauty of this premise is that though simple it is executed so cleverly that it becomes easily engrossing.

I thought the ending was strong as it leaves the idea of murder ambiguous, we don’t know whether one of the two killed the other or whether they ended up falling in love. Moreover, I thought the use of violence throughout the film but particularly here at the end feels well done, it is as painful to witness as it would be to experience it is very graphic and visceral allowing it to pack a punch even when used sparingly.

Overall, one of the tensest films I’ve seen recently but also hilariously funny at times.

Pros.

Abbott

Wasikowska
The ending

The impactful violence

The humour

Cons.

A slow start

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Fast 9: Hobbs And Shaw Did It Better

2.5/5

Written by Luke Barnes

Buckle up, this is going to be a long one.

Before we get into the main review I just want to say that the actions of John Cena in the press tour for this film immediately make me like both him and this film less. For those that don’t know Cena said that Taiwan was a country, which it is, and then later retracted this and apologised to the Chinese market, more likely the Chinese government in Mandarin in perhaps the most grovelly way possible. Cena and the film itself lose a lot of respect from me for doing this.

My feelings on this film as a whole are deeply mixed. In truth I just don’t see why this franchise is around anymore it has lived long enough to jump the shark several times over by now and is certainly not getting better. This film feels particularly desperate as it brings back as many characters as it can in an effort to try and renew interest in the series, yet this seems an impossible task. Events like the return of Han would have had a bigger impact if it didn’t entirely destroy the lore of the series, but hey that’s overthinking it.

Another thing I want to draw attention to is the presence of the male gaze in these films. I understand these films are aimed at teenage boys, but the amount of butt and up the leg shots in this film is ridiculous. The film feels like it is trying to have its cake and eat it too by appealing to this teen audience in a pervy way, whilst also pushing home the strong independent women angle: the message is jarring and frankly more than a little insincere.

Honestly I don’t see where the series has to go from here, they literally go to space in this film there isn’t any way they can top that, unless the characters become superheroes as this film flirts with. Moreover, Charlize Theron’s Cypher was not a good villain in the last film so to see her brought back here, and then be implied to be coming back for the next film is infuriating as her character is ridiculously weak. Looks like the series will be going out with a whimper rather than a bang.

My only real enjoyment of this film came from laughing at how dumb it was, both intentionally and unintentionally. The real issue is that of the remaining cast few have the chemistry of a Dwayne Johnson or Jason Statham, and instead it is just Vin Diesel’s ego laid bare for around two and a half hours.

Overall, it is more of the same, yet the charm of the series is starting to wear out.

Pros.

The dumb fun

It is hilarious

Cons.

It doesn’t justify its existence

The male gaze

Far too many flash backs

It is on for way too long

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The Sixth Sense: I See Bruce Willis When He Actually Used To Care About Acting

3/5

Written by Luke Barnes

I feel like I would have enjoyed this film a lot more had I not known the twist going into it; sadly in the age of the internet that is near impossible.

My main takeaway from the film was that it was nice to see Bruce Willis actually trying to give a good performance, rather than just turning up to get paid. I would probably say Willis and his performance is the best part of the film, and you do become emotionally invested in the character as the film progresses.

However, I can’t say the same for the other lead character, Cole played by Haley Joel Osment. Now I won’t rip into the character too much as he is played by a child actor and they are usually not great, but I think the issues with Cole permeate beyond his acting and instead originate from the script. The writing of Cole as a character almost seems like it is going out of its way to make you dislike him.

The twist, which is always the most important part of a Shyamalan film, is good. Despite knowing what it was already which took away some of my enjoyment and makes me question the film’s rewatchability, I found it to be well done and quite clever.

Overall, good but far from a classic.

Pros.

Bruce Willis

A few good scares

The twist enhances the film

Cons.
Cole

It is poorly paced

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The Power: Seventies London Has Never Been This Depressing Before On Screen

3/5

Written by Luke Barnes

Boy for this one you better have a hundred videos of kittens and puppies playing happily loaded up on your phone to fend off the dark thoughts, yes it is that depressing. My main criticism of this film is that I would not call it scary rather unpleasant and possibly distressing.

There are a number of scenes that feel suitably tense and that take you on a nice little ride, however, they are preceded by and followed by pointless scenes that go on and on forever- pacing issues a plenty.

I felt the acting was equally a mixed bag, some of the actors were giving strong memorable performances, whereas others just felt like they were playing themselves just in Seventies period clothing.

The ending of the film was perhaps the most contentious part of the film for me. The film heavily invests in one storyline, going out of its way to make you think that is the answer to the wider mystery, however, this is abandoned about twenty minutes from the end when something entirely out of left field happens. Again I am mixed on this because on the one hand it is a perfect use of a red herring, however, the actual ending doesn’t feel set up in any way therefore making it incredibly weak as a twist.

Overall, a very mixed bag that has more promise than issues just about.

Pros.

The lead performance

A few tense scenes

Good use of lighting and darkness

Cons.

A very slow start

The ending feels very abrupt

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The Wave: Nowhere Is Safe From Tsunamis It Seems

2.5/5

Written by Luke Barnes

I think I might give up on the disaster genre, I try, and I try, and I try to get into these films but they all just feel the same to me, this is no different.

The film is deeply predictable and goes through all the regular stages of disaster films, a dad or husband who has had a spat with his family or his wife has to save them and also the world from certain doom due to some natural phenomena; of course he is the only person who can do this. It is tiresome.

I just long for something more original than this. Hell the film even has Danish acting legend Thomas Bo Larsen in it and yet they only give him a few lines and let him hang out in the background of a few scenes, it is a massive waste.

The actual spectacle of the film is good, but it pales in comparison to the natural reckonings brought to screen by films like The Day After Tomorrow. Ultimately in a lot of ways the film just feels very average.

Overall, not as good as you might have heard, very deeply average.

Pros.

The cinematography

A few tense scenes towards the end

The score works well

Cons.

Predictable

Wasting Thomas Bo Larsen

The Spectacle

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Father Of The Bride Part II: Slightly Less Sociopathic

2.5/5

Written by Luke Barnes

Whilst I gave the first Father Of The Bride film a hard time I do think this is marginally better. Mostly this is allowing to the fact that this film feels less whiney and cynical, and Steve Martin’s lead actually feels like a loving family man rather than a sociopath who wants to control everyone in his life.

In that regard I think the film does a lot better to make you feel sympathetic towards Martin’s character and to warm to him. There is a scene near the end when Martin is waiting outside the room as his wife gives birth worrying for her and their babies’ safety and we feel for him, this is a million miles away from the self-obsessed ego maniac in the first film that moaned about being comfortably off and living in a large house.

The stereotypes and accents are still an issue with the film’s comedy, and no they don’t age well as you can imagine. I found the film more emotionally feel good then I did funny, I had several moments where the film made me feel warm inside and I had no moments where the film made me laugh- or even really smile.

Overall, it is a shame as Martin is trying but sadly these films just aren’t very funny, to me at least.

Pros.

Less obnoxious

A few heart-warming moments

Cons.

It is not funny

The accents and the stereotypes

The plot makes very little sense

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Infinite: Mark Wahlberg’s Audition Tape For The Role Of Neo In The Matrix

3/5

Written by Luke Barnes

I was not aware there was a new Mark Wahlberg action film coming out. Did anyone know about this film? I certainly didn’t.

I found the concept for the film quite interesting, these two warring immortal factions that keep all of their memories when they die and are locked in a never ending war about the meaning of their existence. Though this intriguing premise is countered by all the plot holes that litter the film, and the logic the film uses to try and create stakes.

Moreover, though I usually like Wahlberg action films I actually think he is one of the weaker parts about this film and can’t pull of the Neo charm, as this film is basically a reskinned Matrix, that this film needs. Funnily enough Wahlberg’s previous incarnation was played by Dylan O’ Brien, and he would have made for a much better lead in my opinion.

I also thought Sophie Cookson was the surprise breakout star of this film and had all the best scenes. Though I was aware of Cookson from The Crucifixion she really shined here, and easily had more charm and charisma than Wahlberg for most of the film. Did I care if Wahlberg’s character made it out of the final fight? Meh. Did I care if Cookson’s did? You better believe it. If they make a sequel make her the lead.

Overall, a passable science fiction action film that has enough dumb fun to keep you around, just don’t overthink it.

Pros.

Cookson

Mantzoukas

The premise

Cons.

Wahlberg

The plot holes

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Boys From County Hell: Only Heroes Get Barred From Their Local Pubs

4/5

Written by Luke Barnes

I found this film to be surprisingly good. I went in with very average expectations and found myself pleased with what I was offered.

Firstly I appreciated that this film differed from standard vampire lore, going so far as to show how certain tropes of the sub-genre don’t work in this world. I thought that by doing this the film felt original and refreshing, I also enjoyed the uniquely Irish feeling to the film and would like to see more horror comedies or even straight horrors come from the Country.

Furthermore, the character interactions and relationships are well done and actually deeper than they first appear. The father- son relationship, the broken friendship, etc all of these emotional arcs are explored and given a satisfying conclusion by the end of the film and I tip my hat to the filmmakers for that.

In terms of horror comedy balance I would say the film has instances of both, but ultimately leans more into the comedy. The comedy I found to be a mixed bag, and the main issue with the film as there are a few scenes that will make you laugh but for the most part the jokes don’t work; but as I often say comedy is subjective- almost a personal catchphrase at this point.

Overall, I felt something of an early Edgar Wright here- need I say more?

Pros.

Strong character works/ arc

A few funny scenes

The unique twist on vampires

Irish representation within the horror genre

Cons.

It is not particularly scary.

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Luca: Life On A Vespa

4.5/5

Written by Luke Barnes

Luca delights me by signalling that after a few wilderness years Pixar are back on form. I very much enjoyed Soul, check out my review, but this film is just slightly better: both films, however, are leagues above everything Pixar has made over the last few years with the exception of Toy Story 4– so heading in a positive direction.

All the conversations that have been floating around since release about this being an LGBTQ+ love story or a hidden romance are wrong, as confirmed by people at Pixar. Frankly, it is slightly alarming to even be hearing these sorts of conversations considering the leads are children, who are have not reached the romantic stage of their life yet. Anyway.

I found this film had a good deal to say about our own world and how we view other people, like all good Pixar films this feature was quick to tap into our emotions and once it did it didn’t let go. The final scene is heart-breaking. However, what I enjoyed most about this film is that there are no scenes where the film feels overly like it is trying to make you cry or manipulate your emotions, it is far more organic than that and is better for it.

I found the sun-soaked world of Italy that we are introduced to transformative and lush. Immediately there are so many interesting characters to explore and meet and places to go, when you combine this with the under the sea areas, the scope of this film is truly colossal. I think it would be apt for this film to get a sequel as there is a lot left to explore and unpack.

I found the fantastical elements helped the film to explore the idea of outsiders and those shunned by society very well and brought the themes of the film to centre stage without them feeling forced down your throat.

Overall, a beautiful film.

Pros.

The characters

The world

The distinctive feel

Pixar is back

The final goodbye scene

Cons.

A little predictable plotwise

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