Joker Two: The Worst Comic Book Movie Ever Made?

Summary

Todd Phillips performs career seppuku and inflicts major damage on the character of the Joker possibly forever.

I will open with a question and it might be slightly rhetorical but I want you to think about it, who goes into a superhero/supervillain film wanting to see the character degraded to such a point that the film decides it in good taste for them to have a long drawn out rape scene wherein the character is assaulted repeatedly?

This film hates the Joker and it hates you. I am all for the Reeves’ side project being gritty and dark but this just feels horrible. I understand that this is not in the Reeves’ universe but my point is more so about grit in superhero/villain films, there comes a point where you have to ask is this necessary. I think you’ll find the answer if you look hard enough, its no just in case you didn’t get it.

It reads very much as someone who clearly didn’t want to make a sequel being forced into it, as he goes out of his way to make the film terrible and even offensive to fans and people who care about the character. It was like what people said about the director’s approach to the fourth Matrix film but even worse.

The musical aspects feel unnecessary and a normally good Lady Gaga here just feels out of place. They happen as somewhat of a pallet cleanse from all the rest of the horribleness but it makes you wistful, you wish the whole film could be like that so you didn’t have to go back to it.

The courtroom drama aspects feel like an embodiment of the social media discourse around the first films release in a way, and that makes the film feel even more born out of an online discussion rather than from a place of love or even interest in this character.

Basically due to how Phillips has handled this what could have been a profitable little Elseworld’s franchise for DC is dead. These characters are dead. I would if I was Gunn and co not even use the Joker for a while after, allowing the bad memory this allow the bad to fade away in time.

Overall, Phillips should never work again.

0/5

Pros.

None

Cons.

It hates you

It hates the characters

It has the first film

It hates comic book fun

It hates itself

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Agatha Episode One and Two Review: Disney And Its Need To Push Sexual Themes Onto Kids

Written by Luke Barnes

Summary

Agatha, Kathryn Hahn, tries to get her mojo back.

The marketing for this show was awful, rather than treat it as a show in its own right or talk about how it is going to advance the MCU we instead got lots of comments about how gay the show is, as though that is some mark of quality and that gay shows cannot be bad no matter what. It is silly.

With that in mind I went into the first two episodes expecting the preaching to start from the off, however, the message was not laid on as thick as I was expecting it to be, and if you can ignore the red carpet stuff then the show is perfectly fine. During its first two episodes it never really justified why it needs to exist, is it just because people liked the song, or that she is vaguely Wanda, Elizabeth Olsen, related? As it stands now it is a forgettable side piece of MCU content that you can skip.

The only major thing I had an issue with was the nude scene. So there is a scene in these opening episodes where Agatha is nude and as she is she is being checked out by a little girl. Once again we come back to Disney and its odd relationship with pushing sex onto kids, the kid could have just been innocently playing and not done anything however the big smile on their face and how they struggle against their father as he tries to cover their eyes shows that she wants to look. Again had it been an older teen then that’s one thing but this was a younger kid and it just feels like Disney living up to their horrible reputation for this sort of thing.

Overall, it is fine with some questionable moments, especially the one with the kid.

2/5

Pros.

It is mind numbing

Aubrey Plaza is good in it

Cons.

The weird child thing

It doesn’t need to exist

It is slow

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The Crow: The Darkest Of Angels

Written by Luke Barnes

Summary

A true icon of 90 cinema.

Every day I think about the fact that they are remaking a film that never needed to be remade. Apologies for talking about the no doubt awful 2024 remake of The Crow, but after watching a re-release of this film recently I am now convinced but there is no hope for the remake and that it is ultimately disrespectful.

There is something so grimy so comic booky about this film that has just been lost in the modern comic book film landscape. The closest comparison point could be Sin City but those films are over a decade old now. In a sense this film reads more as a comic book come to life than anything else, it bleeds off the page, the rawness of the comic book which inspired this film helps to create the world and the emotion that drives it.

The styling and atmosphere of the film is instantly memorable and was the inspiration for goths and emos everywhere, as truly this character feels like an underdog that people can relate to, with the journey to avenge his late girlfriend truly being a thing of catharsis in the film. You are cheering him on every step of the way and can relate to him in an emotional sense that other more traditional superheroes don’t allow for.

There are a few scenes such as the rooftop guitar scene that come off by a modern sensibility as a little cheesy now, however despite the cheesiness being present it only serves to enhance the film overall and make it if anything more likeable. The film feels like the very best cross between action, horror and comic book films and in that sense there’s something there for everyone.

Perhaps I have a soft spot for the film as it was such an influential film for me growing up and one I watched many times, so perhaps I have a warmness to it that others may not. However, I believe that this is one of the best superhero/comic book films of the 1990s with the only competition being Blade.

Moreover, Brandon Lee manages to make the character both are force of nature in terms of action but also one that has a comedic side and a sentimental side allowing for a character to read as three dimensional.

Overall, this film is a cult classic for a reason and it still holds up now.

4.5/5

Pros.

The action

The world

The relatability

The ending

The aesthetic

Cons.

The cheesier moments won’t be for all tastes

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Invincible Season 2 Overview

Written by Luke Barnes

Summary

Mark picks up the pieces of his life after his dad rearranged this teeth.

I am mixed on this season. On the whole I lean to it being good but it was such a half measure.

I liked that they are finally starting to set up the Mark and Eve stuff, I liked that we got more time with Alen, and I liked seeing the return to Mars and the decimating of the remaining heroes by the Serpent Society. However, outside of that I think that this season missed the mark. It spends far too long try to be deep and emotional and work through its trauma, and whilst the Radiohead and Nick Cave solemn moments in the first few episodes were good I found it got a little self-indulgent by the end. I understand that Mark breaking his no kill rule is a big deal but there is a lot of time in the last episode dedicated to him dealing with it, it feels too much its like cool can we get back to it. They waste time. Nowhere is that truth more self-evident than with Mark and Amber, they spent a lot of time this season with them realising they can’t work out, too much time. Think about all the Spider-Man films you have ever watched how much time has been dedicated to his relationship with MJ or Gwen maybe 5-10 minutes total per film, maybe more in Spider-Man 3, because though it is important to the character it is not what people are here to see. Here we get multiple scenes that go on for far too long and then a drawn out scene of them both having heart to hearts with other people at the same time to make it stretch even more. My point is that it is good to develop your characters emotionally but when it is taking up the same amount of time as them being heroes then you have a problem .

The animation and world building was good, but again it feels like filler. We got the tease of the wider galactic war but didn’t see any of it, you’ll have to wait another 3 years for that. Honestly I was a little disappointed that we didn’t even get Nolan and Alen busting out of prison as a final sting on the last episode. I don’t know what happened if they wanted to stretch the story out more, if they didn’t have time to write further or if it was a rush job, but I left this season disappointed looking forward to the next, and that’s not right it should be I left this season thinking it was epic looking forward to the next.

Overall, a disappointment.

2.5/5

Pros.

Mark and Eve

Alen’s return

Setting things up that will be cool

Cons.

It doesn’t actually progress the story much

It is too emotional and into itself

It wastes time

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Blue Beetle: Another Flop For The DCEU

Written by Luke Barnes

Summary

Jamie Reyes, played by Xolo Maridueňa, gets the power of the scarab in the latest troubled chapter in the DCEU.

So I will give this film props Maridueňa makes for a likeable lead and his goofy sort of nerdy energy does help this film to avoid a lot of the issues that some of the other DCEU films have with being overly serious. Again I found Jamie as a character to be very relatable, his journey was one I feel a lot of the audience could be on board with: trying to find your place in the world, get your crush to like you, be seen well in the eyes of your family etc, all of these things made the character work.

The wider focus on family as a theme also added a lot to the film, and it is humorous that in the same year we had Shazam Fury Of The Gods a film that wants to be all about family but that forgets what it means pretty early on and instead takes things in a much more obnoxious direction. Here I felt like the family Reyes felt real they felt like a normal family and I bought there interactions a lot more than in the Shazam sequel.

The superhero stuff was where this film fell down for me, this is an origin story you have all seen before sure not in the context of Blue Beetle but with other superheroes and it just came off to me at least like a knock off Spider-Man. Regular guy gets powers and then finds himself in over his head and having to protect his loved ones, the only difference is a spider bite to a sort of technological symbiote.

The evil villain being some blood thirsty corporate shark/arms dealer was again incredibly cliché, there might have been some supposed commentary in this decision but honestly I just didn’t care about this section of the film at all, and it was pretty clear Susan Sarandon was only there for the money.

Overall, it was okay Jamie and his family worked well and I would like to see more of their world but none of it matters as it will all be cleaned away by the reboot, and yes they said oh Blue Beetle is a part of the new DCU, but after the box office it pulled it is as dead as the dodos.

3.5/5

Pros.

Jamie

His family

The relatability

The humour

Cons.

The superhero stuff is boring

The villain is super weak

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Across The Spider-Verse: Spider-People Overkill

Written by Luke Barnes

Summary

Miles Morales returns to the Spider-Verse.

I was very excited for this film going in, but have to say I was a little disappointed with what we got.

First the positives, I thought the character work was great particularly as it applied to parent child dynamics and the idea of finding a home/family, in this regard the film really nailed some deep emotional scenes that were genuinely moving. I also liked the addition of all the new Spider-People especially Spider-Man India, I did think they went a little cameo mad especially when they got to the clubhouse near the end of the film, but for the most part I liked seeing all the different variants I remember from the comics. Of course another pro of the film was the animation, which was incredible and a real feat to behold, the fact that the animators were able to blend so many different styles of animation so seamlessly together in one film highlights the artistry of Sony Animation and is really a big boon for them.

Now despite all of that, this wasn’t a perfect film. I disliked the act structure and thought it felt like one of the Hobbit films, this was mainly due to the fact that it didn’t have an ending or third act but rather one long second act that will then lead into the next film. I understand this film was written to end on a cliff-hanger, but I think that it could have had a degree of resolution within its own narrative as well as doing this rather than just abruptly cutting away. Due to this structure decision the film feels like it has quite bad pacing issues. I also didn’t like what they did to Miguel O’Hara, and admittedly this one hit me harder than most as outside of Peter Parker Miguel O’Hara is my favourite other spider-person, I think making him a villain was a bad call. I understand that in the third film it will be revealed that he was taking orders from/ coerced to work for Morlun and the Inheritors and he will redeem himself, but I just think that by making him so outwardly villainous here it takes away from a lot of his heroic potential in the future.

3.5/5

Pros.

Spider-Man India

Miles

The animation

The emotional beats

Cons.

The pacing issues

The ending

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Shazam Fury Of The Gods: Gal Gadot’s Best Performance Yet

Written by Luke Barnes

Summary

Billy Batson, played by Asher Angel, and his family do battle with evil Greek Gods.

So this film has got quite a mixed response from audiences but honestly I don’t think it is all that bad. Yes there are some obvious issues with the film such as the dialogue, which is nothing short of appalling at times, and of course the skittles product placement sequence, but there are also things to enjoy.

I liked the wider moral lesson of letting go that this film went for, I thought it was quite deep and inspired. Moreover, though this film didn’t tug on my heartstrings in the same way the first film did there was a number of moments wherein I found myself caring about these characters and feeling things.

The cast across the board was very good, Zachery Levi was a clear standout for praise as he once again manages to capture that childhood naivety whilst also seemingly like a capable superhero force. However, I would say he is outshined very, very surprisingly by Gal Gadot. Now you all know my thoughts on Gadot’s acting ability, she can’t, but here her brief scene at the end of the film is a complete scene stealer and quite probably the best of the film.

One thing I will note is that this film much like Ant-Man last month made me miss street level heroes and superhero films that weren’t so CGI heavy. There were a number of moments in this film that reminded me of the classic early Raimi Spider-Man films, which whilst having CGI in them, were no where near the total CGI overload of today’s superhero films and therein lies the problem, I was being reminded of these better less CGI heavy films whilst watching and that went against the film.

Overall, fun but certainly not a must see.

3/5

Pros.

It’s fun

A few good jokes

Gadot

Cons.

The dialogue

Too much CGI

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Wednesday Series Overview: A Family Reunion

Written by Luke Barnes

Summary

Wednesday Addams, played by Jenna Ortega, is given her own show wherein she is sent off to boarding school.

I think this is the best series Netflix has made in a long time. Yes, there are similarities between it and Riverdale, though this is infinitely better written and less gratuitous, because both are teen shows set primarily with dealing with teen issues and occasionally otherworldly hijinks.

However, where the two differ is that this show has far more going for it than Riverdale ever did and an appeal that vastly goes beyond the teen girls that Cole Sprouse brought in, and is something everyone can enjoy. There is enough member berry goodness, with the returning Christina Ricci and the references to the now classic films that it can bring in old fans whilst also offering something new to bring in fresh crowds.

Tim Burton’s dark sensibilities are but to great use here and the tone for the series feels both very in keeping with his aesthetic whilst also appropriate for the source material. I think the best thing that Wednesday has going for it is its characters and the writing as a whole, the former being instantly memorable and easy to warm to and the latter feeling like a natural continuation that also is devilishly funny.

Overall, this is the sort of teen programming we deserve.

Pros.

Ortega

The characters

Ricci

The ending of the series and the similarities with Harry Potter

It is very funny

Cons.

It could have done with being a few episodes longer

4.5/5

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Slumberland: Hanging Out With A Pet Pig

3.5/5

Written by Luke Barnes

Summary

After losing her dad, played by Kyle Chandler, Nemo, played by Marko Barkley, ventures into a world of dreams and nightmares in order to see him one last time.

I think the strengths of this film lie on the shoulders of Jason Mamoa and Chris O’Dowd, Mamoa for his effortlessly charming nature and surprisingly endearing turn and O’Dowd for just how much human realness he brings to his role as a guy suddenly forced into being a father. Of the two I would probably give it to O’Dowd as I think a few of his scenes where he is opening up emotionally with Nemo are quite powerful, as is the ending when he is racing to save her.

In terms of wider fantasy, the film has a few interesting set pieces but is mostly by the numbers. There is nothing that you won’t have seen done before especially if you are a fan of the genre. However, I did appreciate the gothic sense of style this film has which is almost certainly a by product of its source material, there is something very ancient and other worldly about this film, especially as it rarely features smart phones.

Overall, a surprisingly good Netflix film with some strong performances

O’Dowd

Mamoa

The heart

The gothic sensibilities

Cons.

It is nothing new

The CGI is a little patchy in places

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Black Adam: Time To Put The DCEU Out Of It’s Misery

2/5

Written by Luke Barnes

Summary

Black Adam, played by Dwayne Johnson, escapes from his prison to then engage in deeply generic superhero shenanigans.

My my if this is the best the DCEU can produce then it really is in need of a reboot pronto.

This is the most generic superhero film that I have seen in a while, this film is so obsessed with giving us mind numbing CGI spectacles that it forgoes anything even barely resembling a story or character instead choosing to use an off-putting barrage of mostly badly done bang bang effects.

Johnson is playing himself, which is fine is you like that but not if you actually wanted Black Adam to have a personality beyond ‘oh look The Rock has super powers now.’ They try and give Black Adam somewhat of an upsetting backstory but the fact that the Rock can’t emote in any real way just kind of kills that off early on.

The Justice Society are annoying, I suppose this is what the film wants as it wants you to cheer on Black Adam as he beats them up. I thought that Doctor Fate, played by Pierce Brosnan, was easily the best of them and the film and then the film goes and kills him off. To do this and try and give him this big heroic send-off doesn’t work as we haven’t seen him in any other films and he has barely been introduced or developed here so his death has very little impact beyond angering fans of the character such as myself. I thought that they might bring him back in a post credits scene, but no they have to bring back Superman, played by Henry Cavil, again because God forbid they have the film be standalone.

Overall, weak and generic.

Pros.

A few cute moments between Atom Smasher and Cyclone

Some interesting comments on America as the world’s unwanted policeman

Cons.

The Rock is miscast and can’t emote or do anything beyond play himself

It is one big CGI mess

They brought in Doctor Fate only to kill him

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