Peacemaker: A Whole New Whirled

Written by Luke Barnes

Summary

Peacemaker, played by John Cena, has somehow survived his seeming death in The Suicide Squad and is now back again working for the government this time being brought in to wipe out butterflies.

I understand a lot of people don’t like James Gunn’s tone or sense of humour but I do. Though I didn’t find this episode as funny as the second, review coming soon, I still found that it had me laughing more than I thought it would.

Cena handles the comedy well and makes Peacemaker a layered character. Despite his grovelling to the Chinese Government Cena has such an affability to him that makes him hard to root against, as such you can’t help but like his Peacemaker and want him to succeed. The supporting cast is rounded out by some new faces and some returning, most of whom are fairly bland though Jennifer Holland’s Harcourt is a nice romantic foil for Peacemaker and the two have great banter together.

My issues with this first episode would be that it is still quite rough in places and is obviously finding its footing. Likewise I would prefer to not see Amanda Waller, played by Viola Davis, again as I feel she is in danger of being overexposed in the DCEU, however I suppose she was necessary for set up.

Overall, a solid start for the series made so by Cena, a funny script and a nice odd ball sensibility.

Pros.

The tone

The comedy

Cena

Eagly

Cons.

A bit rough in places

Bringing back Waller

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The Parent Trap: Almost Killing Your Step-Mother To Get Your Parents Back Together Again

3/5

Written by Luke Barnes

Summary

Two twins, both played by Lindsey Lohan, switch places in order to try and get their parents back together.

I understand that for many this film is a classic, and whilst I thought it was good and had a number of nice moments I wouldn’t go that far. If I were to pick my favourite Disney era Lohan performance it would undoubtably be Freaky Friday, but that’s just me.

I thought the narrative was a little simplistic, though I suppose it would have been fresher upon release when movies like The Princess Switch hadn’t taken the same concept and run away with it. I also thought the film struggled with its characters with the evil step mother, played by Elaine Hendrix, being the most egregious.

I thought Lohan was good in both her roles if a little samey between the two, as far as child actors go she was on the better side of average as her performance didn’t become irritating to me.

Overall, a warm watchable film that isn’t going to set the world on fire but will nicely give you an escape from reality.

Pros.

Lohan

It is very watchable

A few funny scenes

A nice ending

Cons.

Overly simplistic

A little too reliant on tropes

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Kicking And Screaming: Fathers And Sons Comparing Balls

3.5/5

Written by Luke Barnes

Summary

Phil Weston, played by Will Ferrell, has daddy issues and tries to exorcise those demons by beating his dad, played by Robert Duvall, at coaching children’s football.

I think within Ferrell’s catalogue of work this is one of his better outings. For the most part he plays the character straight, he is not loud, or overtly weird, and that gives the character far more of an earnest relatability then we often get from Ferrell’s other roles. He plays the everyman well here and we recognise and understand his motivations for wanting to beat his dad.

I would say this film made me laugh a few times, but it also has its fair shares of misses, it is not the funniest film in the world and there are other Ferrell films that succeed more in this regard; however I think this might be the Ferrell film with the biggest heart. There is a nice emotional core at the centre of this film and it is often on show, there are a number of scenes that are quite sweet and maybe even moving and Ferrell executes them well.

Overall, a sweet Ferrell film that highlights the need for reserve within performing, less is more Mr Ferrell.

Pros.

The sweetness

The emotion

Ferrell

Cons.

A fair number of its jokes don’t land

Some pacing issues

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Licorice Pizza: Grooming And Further Consent Issues

3/5

Written by Luke Barnes

Summary

A young man, played by Cooper Hoffman, pursues an older woman, played by Alana Haim, whilst both try and do something with their lives and become successful.

I will come right out and say it, the age difference in this film really bothered me. The boy is underage and the woman is much older, ten years his senior, I thought the film teasing us with the will they wont they aspect was disturbing as regardless of the outcome he is still a minor. They do in fact end up together just in case you’re wondering. I can’t help but note that if the romance was flipped so it was an older man and a below age girl, there would be an uproar and the film would never have been made yet that seems to be ignored here, suspect.

I also thought this film suffered from some of the worst pacing I have seen in the last year, it felt double its run time and far outstayed its welcome bringing in more and more subplots and side stories that you just don’t care about.

On a positive note, I thought there were things to enjoy here. I liked the charming strangeness of the whole thing and thought that there were a number of very funny scenes, whenever Bradley Cooper came on screen and wrecked something or threaten someone that always got a laugh out of me. I also thought the film had a really strong soundtrack that helped it out in various different ways.

Overall, the film has enjoyable elements, Cooper, the soundtrack, some laughs, but the icky romance and terrible pacing really bring it down for me.

Pros.

Cooper

The soundtrack

A good few laughs

Cons.

The icky romance

The pacing is awful

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He’s All That: Influencers Aren’t Actors

1/5

Written by Luke Barnes

Summary

A gender swapped version of She’s All That, the forgotten nineties film, this time with a random TikTok influencer because Netflix are cringe and seemingly more and more incapable of making good original content.

Whoever is in charge of original content development, or if one can call them that the film head, needs to be fired. The recent baffling stream of terrible content being churned out by Netflix would be enough to make anyone else in the space blush, but Netflix doesn’t seem to care because they don’t try and make good films they try and make ones that everyone will watch at least the first few minutes of.

The fact that this film stars and is about a TikTok star just speak to how desperate this film is to appeal to Gen Z, but guess what even Gen Z can see what a turd this film is. This film reads to me as though it was made by a group of out of touch old white guys who realised the kids liked TikTok so decided to base a film around it, whilst not really understanding what it is.

Moreover, Addison Rae has no business being in this film. She can’t act, isn’t funny and barely seems to have any on screen training at all. Whenever she said a line it was so painfully delivered that it took me straight out of the film and reminded me that the price of Netflix keeps going up and made me ask why am I still paying it?

Overall, if the quality of Netflix’s originals don’t start improving I will most likely cancel my subscription.

Pros.

It is unintentionally funny

Cons.

Rae

The TikTok focus

It has no reason to exist

When it is trying to be funny it is painfully unfunny

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The Electrical Life Of Louis Wain: Cats Becoming People.

3/5

Written by Luke Barnes

Summary

From watching the trailers for this film I didn’t really know what to expect. It looked strange and abstract and it is and in that is the films’ greatest success. This is indeed a quirky and an odd film and one that you aren’t likely to see again this year, and by doing that it becomes memorable.

This film is a who’s who of British acting talent and has more than a few familiar faces, everyone does a good job and the acting across the board is strong. Cumberbatch is a superb leading man and from his portrayal you really buy the eccentricity of Wain and also the suffering and the loss. Cumberbatch’s performance is transportive. Likewise Claire Foy is also excellent here and her and Cumberbatch have really strong chemistry that really helps to propel the early parts of the film.

My main negative of the film was that it was incredibly depressing and hard to watch at times. Yes, I know this film was based on Wain’s real life and there is nothing you can do to change that or how it was. It being sad and depressing is true to life. However, it is in that where for me at least the film became hard to watch. The trailers which made the film look feel good were almost certainly misleading, this film is upsetting.

Overall, a quirky film with oodles of personality but one that some might find too sad to watch.

Pros.

Foy

Cumberbatch

The personality and charm of the film

Cons.

It is very sad

Pacing issues

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Click: You Can’t Fast Forward Through The Brown Face Quick Enough

1.5/5

Written by Luke Barnes

Summary

All round terrible person, husband and father Michael Newman, played by Adam Sandler, is given a magical remote control that allows him to pause, skip and rewind reality; naturally he uses it to skip conversations with loved ones and just generally be a dick.

Films like this prove what so many people don’t like about Adam Sandler. He is obnoxious, rude and frankly just deeply unlikeable yet the film asks us to root for him, relate to him and to view his behaviour as normal. This is an almost impossible ask. The character is so deeply unlikeable that it makes the film hard to watch.

Moreover, this film features the ever so male fantasy esque role play of having a model looking wife paired off with some shlub, who treats her poorly. Not only are the two poorly suited for one another Sandler’s character is also deeply unpleasant to her throughout, even when supposedly reformed. His wife is played by Kate Beckinsale here, in a film I bet she deeply regrets doing. To summarise how this film uses Kate Beckinsale there is a scene where Michael has paused time and discusses with Christopher Walken’s character what a ‘rocking bod’ she has. Yes, that’s right. Yikes.

The sexism and racism and many other isms are all on full display here, Sandler faithful Rob Schneider is in brown face playing a foreign prince which honestly he should be made to apologise for because it is both deeply unfunny as well as widely offensive.

By the end of the film where it tries to hit you with its grand moral philosophy on life and love and in doing so tries to redeem Sandler’s character it fails miserably as by that point you hate Sandler’s character and want to see him lose.

Overall, I’m glad that Sandler seems to have learnt in recent years that him just being a dick to everyone around him doesn’t make for a good comedy film.

Pros.

Walken has a few funny lines

The premise has promise

Cons.

Sandler

Beckinsale is treated as a piece of meat throughout

It is deeply sexist and racist

Pacing issues

Scream 4: A Reboot To Mock Reboots

3.5/5

Written by Luke Barnes

Summary

Sidney Prescott, played by Neve Campbell, is now on a book tour trying to help other victims of violence when of course there is yet another Ghostface copycat, this time one obsessed with reboots.

I think of the four films so far this one is my favourite. I thought much like the last film in the series this one manages to nail both the comedy/spoof elements and the slasher horror well. I found myself laughing at the comedy for the first time in the series which was nice as to this point it either left me indifferent or annoyed.

I thought this film finally redeemed Gale, played by Courtney Cox, and finished the character work the last film set up. For so long in the series Cox had the short end of the stick as she was cast as a character who was annoying at best trite at worst, and here she finally becomes the star of the show and probably the best character in the film. Though that honour is contested as there are a number of young stars that give Cox a run for her money, mainly Hayden Panettiere’s Kirby who stole the show in nearly every scene she was in.

In terms of negatives I didn’t like that the film continued the annoying random first kill trope, but not only continued it expanded it out, made it last longer and was even more smug with it. I don’t find this bit funny, rather I find it tedious and it makes me want to skip through until it is over.

Furthermore, Emma Roberts is really quite uninspired here, she plays the same character she always plays the sassy outsider, who normally turns out to have a heart of gold but here turns out to be the killer. She doesn’t seem like she is trying and honestly her character gets way too much screen time for how poor of a job she is doing.

Overall, again the franchise continues to get better.

Pros.

Some good jokes

I liked the ending

Gale is finally fully redeemed

Panettiere

Cons.

The opening stab montage

Roberts

Pacing issues

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Scream 3: Leave Sidney’s Mum Alone

3/5

Written by Luke Barnes

Summary

A new Ghostface emerges on the set of a film about the Woodsboro murders, and of course the gang has come back together to deal with it.

I actually think of the trilogy this is the best. Mainly this is because the film finally seems able to manage its meta commentary and genre stand ups, with good tension and even frightening moments. No longer does the film feel like a parody film.

I also like the character progression here. Neve Campbell’s Sidney finally seems to have learnt something from her previous run ins with killers and is now a deadly force in her own right, I particularly like the scene where it looked like she died but it was a fake out and for a moment she became the slasher. I thought the second film really let Sidney down as it did not advance her character very much at all, however this film does a good job of it. In addition Gale, played by Courtney Cox, has finally seemed to learn the consequences of using people and is humbled here. Again I think this film does a nice job of showing her character growth and her ending feels earned.

Despite the good character work the film also did a number of things I didn’t like. Firstly it continues the trend of featuring a meaningless first kill that is always really drawn out and features a deeply forgettable character trying to mimic Drew Barrymore in the first film. Secondly it introduces these strange trippy elements regarding who Sidney’s mum was and, because of course, her secret life, to me this just felt like desperate padding to find something new they could do with the franchise.

Overall, better but it still has a ways to go.

Pros.

The character work

A fitting end

Sidney the Slasher

Cons.

Everything to do with Sidney’s mum

The drawn out opening kill

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The Tender Bar: An Earnest An Emotional Performance From Ben Affleck Saves The Day

3/5

Written by Luke Barnes

Summary

A young boy, played by Daniel Ranieri as a boy and Tye Sheridan as a young man, turns to his surly uncle, played by Ben Affleck, for life advise in place of his absentee father, played by Max Martini.

Not too long ago in a review I was saying about how actors who then become directors don’t usually end up becoming good at it, I even gave George Clooney, the director of this film, as an example and whilst this film doesn’t prove me wrong it does show a nice upswing for Clooney’s filmography and suggests that maybe there is hope for the actor turned director.

That is not to say this film is perfect, it really isn’t. From a structural point of view there aren’t any stakes, things just happen and then it is on to the next thing. I understand it is supposed to be autobiographical to some extent and life isn’t like a film there often aren’t great stakes and battles to be won, but this film’s narrative needed that. As it stands it’s just one thing then the next, happening one after another without any real consequence.

Furthermore, Sheridan was probably the wrong actor to cast for this role as he seems incapable of emoting. Mud was a good film, but Sheridan wasn’t the main focus there, however in everything that has followed wherein he is the lead he seems incredibly one note and like he is pulling the same face throughout regardless of what is happening on screen- this is true here, painfully so.

However, rather surprisingly this film is saved by an incredibly emotional and earnest performance from Ben Affleck. There are several moments in this film where I would say Affleck’s performance is worthy of awards consideration, one that springs to mind is the emotion on his face during his final scene in the film as he watches his nephew, who is basically a son to him, drive away into the sunset: his face is so full of emotion, happiness and sadness, pride and loss it is quite moving. Sadly, it also points out just how poor of a job Sheridan is doing.

Overall, there might be hope for Clooney yet if he keeps working with Affleck.

Pros.

The emotion

Affleck

It was well paced

Cons.

No stakes, things just sort of happen and then are moved on from

Sheridan

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