Toy Story 4: Saying Goodbye

Toy Story 4 is a computer animated comedy film directed by Josh Cooley. The plot continues on from the ending of Toy Story 3 with the toys now having moved on from Andy and are now loving life under Bonnie. However, one of the toys feels as though he doesn’t fit in this new world anymore and questions where he does belong, this toy is Woodie (Tom Hanks).

I firmly believe this film doesn’t need to exist, Toy Story 3 wrapped the character arcs up for everyone in such a nice and satisfying way we didn’t need to revisit them, maybe in 30 years when the series will inevitably be rebooted, or remade, but we didn’t need another sequel. Pixar billed Toy Story 4 as an epilogue, a whole film that would serve as the end. So, it is by that definition I will judge this film.

I thought this film was good, but not great, by far it is the weakest instalment in the quadrillage. This film is very much Woodies film and yes, he has always been the main character of these films, but he has just been one part of a larger ensemble. Here he is the main focus. As such characters like Buzz (Tim Allen) and Jessie (Joan Cusack), are not really in this film, they have sort of appearances here and there, but they are given nothing of note to do, Jessie especially.

In terms of characterisation Woodie goes on quite the journey, he starts the film trying to make Bonnie into the new Andy, when he realises, he can’t do that and Bonnie makes Forky (Tony Hale), a new toy to replace him, he realises he needs to move on. In many ways Woodie is the audience in this film as he realises the time has come to say goodbye. They tie into this Bo Peep (Annie Potts), coming back into Woodie’s life, she is the one who got away and she shows him, very much the film shows us that it is okay to move on.

Audiences of my generation have grown up with these films and now we are being told it is okay to move on and leave the Toy Story films behind and I think there is something beautiful about that. Though I think this film was deeply unnecessary and was most likely a cash grab it still had heart and it still had soul, I liked seeing where it left Woodie and I hope they leave him there.

Ps. Please Pixar don’t make Toy Story 5!

Pros.

The ending.

Woodie’s Arc.

The new characters are good for a laugh.

Cons.

Side-lines Buzz and Jessie.

You can’t shake the feeling this film doesn’t need to exist.

3.5/5

The Full Monty: Bearing It All

The Full Monty is a comedy film directed by Peter Cattaneo. The plot follows a group of unemployed men in Sheffield who turning to striping to make money. This film isn’t afraid to touch on some very real, very dark themes, such as the rights of a father, body image and sexuality, but it handles them all in a thoughtful and mature way.

This is one of those late 90’s early 2000’s films that were social realist with a twist of fantasy in there. It tries to show the world in a realistic way, not in a Hollywood happy ending sort of way, there is a touch of happiness at the end, but the fate of the guys if left relatively ambiguous. It is in the same sort of vein as Trainspotting.

Robert Carlyle does a great job as Gaz, he plays him as a man who has made a few mistakes, his life hasn’t turned out the way he wanted it to, but he always tries to do right by his son. I liked this angle for the character and thought that the relationship between father and son worked well and was affecting, especially when it looked as though Gaz wasn’t going to be able to see his son anymore.

Another thing that I thought worked really well was Mark Addy’s Dave. Dave has body confidence issue that deeply affect him, we the audience don’t realise this right away, however throughout the film we see how his issues are controlling and ruining his life and his marriage and it breaks your heart. Like I said before this film doesn’t pull any punches it hits you in the face with these unpleasant truths about life and they make you think. I think Dave and the way he is represented on screen is so important for cinema as a whole, as it shows people who are suffering from similar issues that they are not alone.

Overall, I think this film doesn’t really work as a comedy film it didn’t make me laugh once, but it works incredibly well as a drama film. It has a strong message about loving yourself and how there is always hope for tomorrow as well as highlighting a lot of the struggles people have to go through on a day to day basis. Dave’s struggle with body confidence has stayed with me since I saw the film a few days ago and I think that proves just how powerful it is. Half a really important social commentary, half an unfunny comedy film.

I’m mixed.

Pros.

Robert Carlyle.

Mark Addy’s character works on so many levels and the struggle he has to go through is one that so many people can relate to, as such it is deeply impactful.

The social commentary and darker themes.

Cons.

It is not at all funny.

It does drag on a bit at times.

3.5/5

Reviewed By Luke

Yoga Hosers: The Great White North

Yoga Hosers is a horror comedy film directed by Kevin Smith. The film serves as the second instalment in Smith’s True North trilogy after Tusk. The story this time around sees the Colleens (Harley Quinn Smith and Lily-Rose Depp) return, to fight Nazi clones that take the form of Bratwurst people and once again save their hometown. If that premise sounds out there and weird to you, it should. Yoga Hosers is aware that it is an hour and half exercise in nonsense and silliness and is proud of it, it revels in it.

*Before I watched this film, I had heard people say nothing but, bad things about it and I have to say I disagree I quite liked the film. For me the Colleens are likable and funny protagonists, Harley Quinn Smith once again proves that she has a lot of upcoming actor potential. I think the film has strong horror and comedy elements, it leans more towards comedy most of the time though and is at times both scary and funny.

The humour for me worked about 75% of the time, which is less than what I would give Jay And Silent Bob Reboot, but that film was great. That said the humour in this film had me chuckling quite often and had me laughing out loud once or twice. Don’t get me wrong there are some jokes that drop like lead weights, but for the most part the comedy works.

The hidden Nazi’s element on the plot was genuinely scary at times, however this was deeply undercut by having them be bratwurst people, which for me was just a little bit too ridiculous and I didn’t find them scary. There was some quite good gore across the film that might make you happy if that is your kind of thing, personally I love a good bit of gore in a horror film.

A final point to note is that Johnny Depp is in this film as Guy LaPointe a detective who helps the girls out. Depp for me was easily the best character in this film and the one I liked the most, he was charming and likeable and very easy to warm to. I like when Depp plays over the top eccentric characters.

Overall, I think this film has been judged a bit too harshly, yes, the bratwurst people are ridiculous and yes, the jokes don’t always land, but on the whole this is still an above average horror comedy film and one that does have things to enjoy for the right audience.

Pros.

The Colleens.

Johnny Depp.

Wonderfully Silly.

Cons.

The Bratwurst people.

The humour for me is hit or miss.

3.5/5

Reviewed by Luke

Jay And Silent Bob Reboot: Who Said All Reboots Are Bad

Jay and Silent Bob Reboot is a buddy comedy film directed by Kevin Smith. This film sees the titular duo head back to Hollywood to try and stop a remake of The Blunt Man and Chronic movie, facing various foes along the way, and also dealing with Jay finding out he has a daughter he never knew about.

I was not expecting to like this film as much as I did, it was terrific and easily one of the best films of last year at least to me. This film has made its way onto not only my favourite comedy films of all-time list, but also my favourite films of all-time list, it is simply that good.

As someone who has become a lapse Kevin Smith fan in recent years it is nice to see him back in top form. Characters from previous Kevin Smith films such as Matt Damon’s character from Dogma show up here, it is nice to see all the familiar faces and inside jokes. What’s more this film is fantastically meta, it knows it is a film and milks it for all it is worth.

The comedy in this film is great, all of the characters are hilarious; especially Jason Lee who is only in the film for a short amount of time, but he makes the most of every second, that Alvin and The Chipmunks joke made me laugh out loud. This film had me laughing constantly, there was very few to no jokes that didn’t land, as a comedy film this is perfect.

The relationship between Jay (Jason Mewes), and his daughter Millennium (Harley Quinn Smith), is incredibly endearing. We see Jay come to terms with being a parent and having to overcome his own father issues so that he can be a good dad to his new daughter. Harley Quinn Smith does a great job as well, she is loveable and hard not to root for, her dream of having a dad that loves her is as sweet as it is heart-breaking. The final scene of the film acts as sort of a passing of the torch moment between Jay and his daughter and it is beautifully done, ending the film on an extreme high note.

Overall, a bundle of laughs, joy and heart from start to finish. Hilarious and heart-warming, a must see!

Pros.

It’s hilarious.

It has a great heart.

All the cameos from Smith collaborators.

The relationship between Jay and his daughter.

A beautiful ending.

Cons.

None

5/5

Reviewed by Luke

Justice League Dark: The Mystical Side Of DC

Justice League Dark is an animated science fantasy superhero film. The plot revolves around a team of DC Superheroes, the more mystical ones, who have to investigate a pattern of strange behavior that has turned fatal. The Justice League themselves can’t understand the problem, so it is down to Batman (Jason O’Mara), and his strange collection of allies to save the day.

*Justice League Dark is one of my favourite DC comics, I have read many runs of the team over the years, so when I heard about this project, I knew I had to check it out. I was disappointed, this was an incredibly average film, nothing more, nothing less.

I will admit it was nice to see the team of Constantine (Matt Ryan), Zatanna (Camilla Luddington), and Deadman (Nicholas Turturro), get together; furthermore, it was nice to see Matt Ryan return to play Constantine, he is fairly synonymous with the character to me. However, my issue was the overall story just felt flat. The best issues of the comic have strong horror elements, but I didn’t get that here, other than the shades and a few other things it was mainly without horror.

What’s more though I liked Constantine I felt that a lot of the other characters were short-changed so that he could have more screen time. An example of this would be Swamp Thing (Roger Cross), who has been a major part of the team before in the comics, here only gets a few lines. Worst of all after he gets defeated, he just goes away and we don’t see him again, which feels like a big unresolved plot thread.

As I said before, this film is everything I would expect from a Justice League Dark film, a group of the more mystical DC heroes fighting against a supernatural opponent, but that isn’t enough to sustain my interest across the film’s runtime, I wanted more. More depth to the characters, more scope to the narrative, I don’t know exactly what but, something that felt better than bog standard.

Overall, this film fell short my expectations, it didn’t wow me in anyway, in fact it annoyed me a lot of the time. I wish they had put more time and energy into the characters and the story overall, if they had this might have been something special.

Pros.

Matt Ryan.

It is nice to see all of the characters team up.

A solid foundation.

Cons.

Other than Constantine and Zatanna very weak characters.

How they handled Swamp Thing.

2.5/5

Reviewed by Luke

The King Of Comedy: King For A Night

The King Of Comedy is a satirical black comedy film directed by Martin Scorsese. The plot follows Rupert Pupkin (Robert DeNiro), a man who is by all means a failure in his life, but dreams of being a big-time late-night host. When it looks like Rupert is going to get that chance, only for it to be taken away from him, he decides to take drastic action and kidnap a late-night host to try and blackmail people into giving him is big break.

*I had never watched this film before, but as I was watching it I couldn’t help but think of Joker the plots of these two films are very similar, the director of Joker supposedly said it was a homage to The King Of Comedy, but it feels more than that to me. Watching this made me like Joker less.

I believe this film deserves more praise than it gets, is it Scorsese’s best? No, it isn’t. Is it in his top 5? Again no, but I still think this is an above average good film.

One of the things I liked most about it was how the world Rupert saw and the actual world around him seemed to be constantly at odds. The TV producers would entirely ignore him and not give him the time of day, but in his head Rupert see them inviting him to their house as an old friend. What’s more I like how Rupert is slowly shown to be more and more crazy over the course of the film, this is handled in a subtle way which I appreciated.

DeNiro gives a good performance, as he always did before 2010, he plays Rupert will a sort of tragic presence that can’t help but make us emote with the character despite him being a bad person on multiple levels. He also imbues Rupert with a quiet sense of dread, he makes him into a ticking time bomb, as you are fully aware, he could slip into fully manic insanity at any minute.

The comedy in this film, as this is after all a comedy film even if it doesn’t feel like one a lot of the time, is well done especially Rupert’s set when he actually gets to go up on stage and deliver it. There are a good number of chuckles peppered in here and there.

My two main issues with this film are the fact that it goes on for two long and that other than Rupert I didn’t care about a single other character on screen; though maybe that was intentional. I believe these two issues go hand in hand, as the film devotes time to some of these supporting characters you just don’t care about; they feel like an unwanted distraction away from the A Plot.

Overall a very solid picture, and not one I can hugely fault. I think it could be edited down to a more bearable length, one in which my mind won’t wonder as a result of boredom and the long runtime, but other than that this is another interesting DeNiro Scorsese project.

Pros.

Interesting story.

DeNiro.

Good dark comedy.

Cons.

Pacing issues.

Boring side characters.

3/5

Reviewed by Luke

The Bling Ring: Crime, Fashion And Celebrity

The Bling Ring is a satirical crime film, written directed and produced by Sofia Coppola. The film tells the tale of the real-life Bling Ring a group of teenagers who robbed the homes of famous Hollywood celebrities when they were out of town, their victims included Paris Hilton, Lindsey Lohan and Orlando Bloom.

I have to say for years I had no interest in this film, but when someone told me recently that it was directed by Sofia Coppola, the person behind Lost In Translation and The Beguiled, I decided to give it a go. To describe this film in a sentence, it is the very definition of style over substance. I understand that might have been an intentional choice on the part of the director, but it works to the film’s detriment.

The cinematography and editing of the film of the film is all very flashy and looks pretty, but overall it feels incredibly dated. There is a slow-motion sequence of the gang walking down the street to the song Power by Kayne West and it feels incredibly 2013. However, some of the film’s elements like the random inclusion of interviews here and there do a lot to breakup the film and keep it engaging.

The story itself is interesting, we are invited into the world of these selfish self-absorbed teenagers who think there is nothing more important than being rich and famous, they are the epitome of the words vapid and vain. We root against these characters and want to see them fail, though the film makes you think is it really the characters fault or is it the culture they have been raised in?

The social commentary elements add some depth to this film, but not as much as you would like. It still feels very shallow.

The cast is fine and serviceable, but they are nothing special. The main characters, I can’t remember their names, are entirely eclipsed by Emma Watson’s character who is a supporting character at best. Watson is basically playing herself, if a slightly bad version, because as I often say she can’t act. Her character is very hateable, and the ending really hits that home.

Overall, this film feels like it has ideas of grandeur, of being an art house film that has something to say about society, but instead it feels hollow and lacking, which is a shame as this film had potential.

Pros.

Interesting story.

Social commentary.

Sofia’s style.

Cons.

Emma Watson can’t act.

It feels dated.

3/5

Reviewed by Luke

Colour Out Of Space: Nicolas Cage And H.P Lovecraft, Terror And Mania

Colour Out Of Space is a horror film directed by Richard Stanley. It is an adaption of the H.P Lovecraft story of the same name and marks the start of a Lovecraft trilogy that Stanley wants to direct. The plot follows a family of farmers whose life starts to take a sinister turn when a meteor crashes in their front garden; said meteor and the things that come out of it interfere with time and space and create monstrosities.

This film is everything you would expect from a Lovecraft horror film, monsters from a hellish other plane, grotesque mutated humans that make your skin crawl and a deep and unrelenting sense of existential dread and terror. Straight from the beginning when we are introduced to Lavinia (Madeleine Arthur), we see the mystical elements that make up this story and the wider Lovecraft universe.

Adding to this sense of madness Nicholas Cage plays Nathan, Lavinia’s father, he is just a humble farmer and family man. As the film progress we see Nathan become more and more insane as his life slowly falls apart and he is forced to kill his Alpacas and his Wife and Son. Cage as we all know is fantastic when it comes to playing manic characters, he has great energy and is able to flip out on a dime. Cage’s performance in this film is just as insane as we would expect; his casting was a touch of genius.

The ending of this film is also great as it ends with this sense of calm, but also heavily implied ideas of post-apocalypse. It has a looming sense of hopelessness that I find perfectly embodies the Lovecraftian spirit.

My only issue with the film is that they could have spent more time showing us the other plane that would have been really cool, the little taster we get is great, but I would like more. Furthermore, the wider Gardner family outside of the two I have already mentioned are all fairly one note and feel paper thin; I would have liked them to have more to do.

Overall, this is a perfect Lovecraftian horror film, it has everything you would want it and boasts a fantastic Nicolas cage performance, it is slightly let down by some of the less developed characters, but it is a hell of a start to a trilogy. Overall, if you like Lovecraft, Nicolas Cage or just horror in general then this is a must see!

Pros.

A near perfect Lovecraft adaption.

A great ending.

Nicolas Cage.

The unrelenting horror.

Cons.

Slightly underdeveloped in parts.

4.5/5

Reviewed by Luke

Rocketman:A New Blockbuster Star Is Born

Rocketman is a musical biopic directed by Dexter Fletcher. The film shows the troubled life of world- famous musician Elton John (Taron Egerton), his rise to fame and the trouble he had once everyone new his name.

This film is one of those films that came out in the middle of the Musical Biopic fad, that saw the likes of The Dirt and Bohemian Rhapsody be released to various levels of success. What’s more it also marks a return for Egerton to working with Fletcher as his director; after they worked together on another biopic Eddie The Eagle.

Egerton has proven himself over the last decade to be one of the best up and coming actors. He possesses not only an easy-going charm that makes him near impossible to root against, but also a great versatility of emotional range. He brings all of these considerable talents to his take on John. No punches are pulled here, John is shown as a broken and self-destructive character, but also the victim of a hard life and a cruel family. John’s desire to entertain and be loved bleeds through into every scene and it is all thanks to a magnificent performance from Egerton.

Not only can Egerton act, he can also sing. Unlike Malek in Bohemian Rhapsody Egerton is actually singing and performing all of the songs and he does a really good job of it; if the acting doesn’t work out, which it will, he always has a back up career in music, which he proves here.

This film also strikes a nice balance between comedy and tragedy, as there are good laughs to be had, but also real emotional stakes. Bryce Dallas Howard as Elton John’s mum is haunting, her toxic relationship with her son can’t help but make you feel uncomfortable.

My one criticism with this film is that some of the songs and more fantastical elements feel forced in. With many musicals the songs are the highlight and to an extent that is true here, but there were a few times when I was like “another song really” because I felt like the scene didn’t need it. This is especially true in the beginning of the film where it feels like they have a musical number every 5 seconds. Moreover, the fantasy elements like when John converse with a younger version of himself at the bottom of his swimming pool feel strangely out of sync with the rest of the film, which for the most part feels like a grounded realistic affair.

Overall, this is a very entertaining musical biopic that has heart and laughs. Taron Egerton once again delivers a masterful performance that was deserving of wider acclaim.

Pros.

Laughs.

Heart.

A Great Elton John.

Cons.

Some Of The Songs Feel Forced In.

As Do The Fantasy Sequences.

4/5

Reviewed By Luke

Mascots: Life Behind A Costume

Mascots is a mockumentary film directed by Christopher Guest. The plot of the film revolves around several mascots who are competing for the World Mascots Association championship’s Golden Fluffy Award; hilarity and hijinks ensue.

I have had this film in my Netflix que for quite some time, there has always been other films that have got in the way of me watching it, that should have told me something.

Mockumentary films for me are incredibly hit and miss, for every What We Do In The Shadows there are thousands of others that are either middling or bad. This I would say is on the better side of middling, but only just.

For me, the idea of people who dress up as mascots and have that be a big part of their life is an intriguing concept. There is a lot to mine from this topic as a lot of people, myself included, only have a very surface level knowledge about this subject. To an extent the film does dive deep into the topic albeit in a humorous way.

That was my main issue with the film, the comedy. This is a very quirky film and a lot of the comedy steams from that, however, for me 98% of it didn’t land. A lot of the time Mascots may have got a weak smile out of me, but that was it. I found a lot of the jokes to either be hitting low hanging fruit or incapable of delivering. The film did make me laugh once though, when one of the characters was explaining to the other about Furry culture; that amused me greatly. Take all of that with a pinch of salt of course because as we all know comedy is incredibly subjective and personal.

I thought a lot of the characters were unique and memorable, especially Chris O’ Dowd’s Zook. In my opinion this is one of this film’s greatest strengths; it’s originality. The characters are all very different to one another and have different motivations and drives, as such it is interesting to see them interact on the big screen. The wide variety of different characters helped to keep my interest spread across the whole ensemble.

Overall, this is a quirky and deeply original film, however the comedy really didn’t land for me, which meant in the end I didn’t feel much for this film. It is nice to see Chris O’ Dowd give a good performance for a change.

Pros.

Novel and Original.

Interesting Characters.

Chris O’ Dowd.

Cons.

The Comedy Didn’t Land.

It Was Mostly Forgettable.

2.5/5

Reviewed by Luke