The Addams Family: A Friend To The Outsider

The Addams Family is a comedy fantasy film directed by Barry Sonnenfeld; it is based on the cartoon of the same name. It revolves around a strange quirky family that goes on dark often monstrous adventures; the humour of these film comes from how different the family are from the rest of the world. The plot this time around sees Fester Addams (Christopher Lloyd), return to the family after a 25-year absence, only is that really Fester Addams?

The Addams family are almost an oddball institution, most everybody knows who they are and has seen them in one form or another. This film was my first introduction to them when I was younger and watching it again now, I am pleased to say it stands the test of time in so many ways.

Each of the characters are iconic in their own way, each stands out and grabs your attention; especially Christina Ricci as Wednesday Addams. This film highlights the important of getting the casting process right: because these actors so perfectly encapsulate the characters that you can’t seem them played by anyone else. There is a reason they chose to do an animated follow up.

I think the reason these films speak to people so much is because they embody outsider culture, they’re something that anyone who has ever felt a bit different or a bit alien can relate to and find some companionship in. That at least is the enduring appeal as I perceive it.

Overall, I think as far as family movies go, this has some nice messages, some great characters and a few good cheer worthy moments. A nice film to watch for everyone!

Pros.

The message.

The characters.

The goofy fun.

The early 90s charm.

Cons.

It could be shorter.

4/5

Reviewed by Luke

The Wrong Missy: Spade Steals Sandler’s Romantic Comedies

The Wrong Missy is a romantic comedy film directed by Tyler Spindel. The plot follows Tim (David Spade), a man who goes on a corporate retreat with a girl who he thinks is the one. However, the girl who shows up is not the girl he thought he invited; the mismatched romance begins.

This film is by no means great it is a low-rent rom com it lives up to the incredibly low standards set by Happy Madison (Otherwise known as The Adam Sandler company), but it is by no means bad either. There are a few laughs to be had, depending on your sense of humour, the romance feels quite real and earned and there is a whole lot worse out there.

This is by all means Lauren Lapkus’ film, she plays Missy the off the wall type to Spade’s straight man how the film is was always going to come down to her. I have to say for a character that could very easily have been annoying and obnoxious she is surprisingly charming and endearing over the course of the film. Her brand of zany comedy plays much better off Spade then say if it were him and Sandler.

All of the usual suspects turn up in cameo roles, the best would probably be Rob Schneider who plays a shark diving instructor who is a bit of a card as you can imagine. Schneider sticks to his usual routine and actually manages to get some laughs. It is not just Sandler’s pals that turn up in this oh no, this goes a step further and gives his wife a role as the antagonist; nepotism at its finest.

Overall, this is pretty inoffensive, the romance is sweet and there are a few good jokes. Will it be the best film you ever see no, but there is a lot worse out there!

Pros.

Spade and Lapkus

The romance.

A few good laughs.

Cons.

It is very forgettable.

It is nothing you haven’t seen before.

3/5

Reviewed by Luke

Valhalla Rising: The Meek Shall Inherit The Earth

Valhalla Rising is an English language Danish film directed by Nicolas Winding Refn. The plot, as far as I could understand, is about a nameless warrior called One Eye (Mad Mikkelsen), who befriends a young boy and together they travel. The become entangled in a crusader quest to the Holy Land that goes badly wrong and the men end up far away from where they were meant to go; finding themselves outnumbered they must choose to fight or die.

I am a Nicolas Winding Refn fanatic, he is an acquired taste for sure, but for the most part he is a great, visionary director. However, even I must say this is a miss. Much like Only God Forgives, a later film of his that would prove to be incredibly divisive, this film feels like the definition of the saying style over substance.

A lot of the time you will have no idea what is going on as there is very little actually said and you can never be sure if what you’re seeing is real or one of One Eye’s visons; that he has frequently but the film never really clarifies. To say it is confusing would be kind.

It is also painfully slow, to the point of you wanting to turn it off. It goes on and on and you’re left begging for something to happen because it has become tedious.

However, there are some positives. If you like Refn’s style then there is a lot of it on display here, it is a very stylish film; that is something I enjoyed about it. Also Mikkelsen is also terrific, he has a great physicality and is very believable as a nomadic warrior, this film will make you want to see him in more action roles.

Overall, despite the coolness and Mikkelsen’s performance this is a bad film. It is overly long, boring and confusing. So pretty much a fail across the board, if you’re a die hard Refn fan then you might maybe find something of worth here, but it is doubtful.

Pros.

Mikkelsen.

Cons.

It is too long.

It is boring.

It is confusing.

Defines the phrase style over substance.

1/5

Reviewed by Luke

Kindergarten Cop: Kids Vs. Cops

Kindergarten Cop is a crime comedy film directed by Ivan Reitman. The plot sees Officer Kimble (Arnold Schwarzenegger), go undercover as a kindergarten teacher in an effort to capture a ruthless drug lord. The longer Kimble spends with the kids the more he opens ups to them and learns to be a softer person; life lessons aplenty.

Schwarzenegger is a surprisingly strong comedic actor; he has proven this time after time with such gems as Killing Gunther and Jingle All The Way; as well as some great comedic moments in the later Terminator films. Just like in them, here he is great, his comedic timing is pitch perfect, and the tough guy who finds himself out of his depth and falls apart gimmick is always at its best when it is done by Schwarzenegger.

The plot makes no real sense, and this is very much a film that you can passively watch. Vast chunks of it just kind of limp on for no real reason. However, the film does have great emotional steaks, the relationship between Kimble and the bad guys ex wife and son is touching and sweet. You really do believe that Kimble cares about these characters.

The action of the film is by far its weakest part, the shoot out at the end is no where near as strong as the comedy or the emotional stakes. This is a comedy film through and through and not an action or a crime film in anyway. Schwarzenegger does his best during these serious action scenes, but they just aren’t convincing.

Overall, this is a very forgettable family comedy film that without Schwarzenegger would fall apart; luckily, he saves this film by being hilarious and loveable.

Pros.

Schwarzenegger.

The comedy.

The emotional stakes.

Cons.

The action.

You can not focus and not miss much.

3/5

Reviewed by Luke

Swallow: Prepare To Wince

Swallow is a horror thriller film directed by Carlo Mirabella-Davis. The plot sees often pushed to the side wife Hunter (Haley Bennet), start to eat inedible objects as a coping mechanism for her failing marriage and her fears about giving birth to a child. The horror comes from the very real situational drama/ tension and Hunter’s descent into mental illness.

This film will make you wince, watching a pregnant woman eating a nail is an uncomfortable sight and it only gets worse from there. I think calling this film a horror film might be a misclassification, which might be reductive to the film overall. I certainly understand how people could view it as a horror film, but it fits far better as a drama thriller.

This film has a very similar vibe to The Invisible Man from earlier this year, it deals with very similar themes. Hunters relationship with her husband starts off bad and ends up hellish. The real ‘horror’ of the film as I said would be the way Hunter’s husband and his family treat her; cycles of abuse and escape are both key themes to this film.

I think though this film certainly is original, I have never seen anything like it before, there isn’t enough plot to really justify the runtime. I often pick apart films because of pacing issues and I do this because I think an overly long film is terrible and turns me off. All the best films are tight, every second counts, you can’t look away, however that is not something I can say for this film. This film could have done with a tighter edit, it had some pacing issues, but they weren’t terrible.

Overall, it is a deeply unique quirky film, that I think is wrongly classified as a horror, though there certainly are many horrifying parts of it this is far more of a drama; if slow burn is your thing, I would say it is a must watch.

Pros.

Haley Bennet is good.

The themes.

The uniqueness.

It makes you wince.

Cons.

It could have been tighter, and some bits made me lose interest a bit.

4/5

Reviewed by Luke

Wine Country: You’re Going To Need The Bottle For This

Wine Country is a comedy drama film directed by Amy Poehler. The plot sees a group of old friends/ work buddies meet up for one of their 50^th birthdays. They try and have a nice weekend away but realise that they have become disconnected from one another and must air and work past their grievances to try and save their friendship.

Maybe this film just isn’t for me, I am not it’s targeted demographic; middle age women. The lessons and messages of the film that cover things like ageing gracefully and accepting your place in the world didn’t connect with me. Personally, I think this film thinks it is far deeper than it actually is, this film adds nothing new to the conversation; a lot of what it has to say is trite and played out, sometimes feeling more than a little out of touch.

The saving grace of this film for me is Jason Schwartzman. He is the only character that made me smile in this supposed comedy film; by shear virtue of his weirdness. Schwartzman feels like a breath of fresh air here and all of his scenes pop. The same could be said of Tina Fey, she is rarely featured but when she is it is usually one of the films better scenes.

As for the film’s lead Poehler she is just playing the same character she always plays, the one she has been playing for the last 20 years, the only difference is that it is staring to get stale and painfully unfunny.

That crucially was my issue with this film overall, it wasn’t funny. This is supposed to be a comedy film and yet I didn’t laugh once, if anything it depressed me and reminded me of my own mortality; I ask is that what you want out of a comedy film?

Pros.

Jason Schwartzman.

Tina Fey.

Cons.

Amy Poehler.

It is not funny.

It is depressing.

2/5

Reviewed By Luke

f r e d: Dancing Through The Pain

f_r_e_d is a drama film directed by Alexander Jeremy. The film highlights the grieving process and shows the different ways in which people grieve after the death of a loved one.

This one hit home for me, I have recently in these last few months suffered a death in the family. So, the idea of having to get on with your life without someone you care about being in it is something I am all too familiar with. I think this film is an emotional triumph. It perfectly captures grief and loss in a way you can relate to.

My favourite moments in this film are when it gets abstract. There are sequences that just come out of nowhere, there is one very early on that is almost like a musical interlude of a man dancing, it is surprising and shocking, and it throws you off guard. I think these segments work perfectly as a reflection of the unpredictable nature of death; one minute you’re here the next you aren’t.

Of course this film has fantastic emotional stakes as well. Susie Kimnell goes through all the stages of grief in this film and nails them all, I completely bought that she was in mourning every second she was on screen; she was terrific, a breath of fresh air.

Overall, this is one struck a chord with me it reminded me of the emotions I felt, it made me laugh, it made me cry, but more than anything else it made me grateful. I highly recommend you check this film out!

Pros.

The performances.

The emotion.

Capturing the randomness of death.

It spoke to me.

It will speak to you.

Cons.

None.

5/5

Ps. Bring a tissue.

Chips: A 21st Century Frankenstien

Chips is an action comedy film directed by Dax Shepard; it serves as a revival of the classic TV series of the same name. The plot sees two troubled officers of the law become entangled in a web of betrayal, lies and a surprisingly large amount of sex. The two mismatched detectives must find out who the bag guy is and stop them, but first they must learn to trust each other.

This film is somewhat of a head scratcher, not because it is deep or clever, no, the reason it is confusing is because the usually bad Dax Shepard is actually somewhat okay and enjoyable, and the always loveable Michael Pena is strangely hateable. A strange turn of events and one that may or may not have been deliberate.

I don’t think anyone was asking for this film, the brand was forgotten, but clearly the people behind the scenes thought this could be the next 21 Jump Street; sadly they were wrong, very wrong. Unlike the aforementioned cop comedy, there is no charm here, the jokes feel dated and juvenile; I think I might have laughed once in the whole runtime of the film.

All of the characters barring Shepard’s are deeply unlikable, you don’t care about them at all and when they’re endanger the outcome doesn’t really affect you one way or the other. The one positive thing this film does is it makes you like Dax Shepard. He was heavily involved in making it, so this is almost certainly intentional, but his is the only character in the entire film that we as the audience warm to.

Overall, this feels very needless, it has the sensibilities of a teenager, but isn’t shocking enough to capture their attention. This film really makes you question what goes through the heads of Hollywood executives.

Pros.

Dax Shepard.

One or two laughs.

Cons.

All the other characters.

The humour feels icky and a little over the top at times.

I just didn’t care in the end.

1.5/5

Reviewed by Luke

Pixels: Gamers Save The World

Pixels is a science fiction comedy film directed by Chris Columbus. The plot sees three men who were pro gamers when they were kids go up against aliens from outer space, that have taken the form of classic 80s videogames. These men must rise to the occasion and save the world one boss battle at a time; this one is for all the gamers out there.

Adam Sandler gets a bad rap, yes, a lot of his films are lazy and has humour only a child could enjoy, but Chris Columbus was directing this so how could it be bad? I am pleased to tell you that it isn’t bad, despite what you might have read about it, it is in fact quite entertaining and enjoyable.

I think this film is very similar to Ready Player One in a lot of ways, both try and play on nostalgia from the past, specifically 80’s nostalgia and both have CGI representations of characters that were popular during that period. However, where I feel Pixels has the leg up on Spielberg’s film is that it actually has a heart. You can tell the people who made this film grew up playing these games, the love is there as well as the know-how.

The comedy I found surprisingly funny, not just one or two laughs, but consistent laughter throughout. I think though some people might think it is cringe I thought it was a laugh riot, Michelle Monaghan especially shined. Monaghan had all the best jokes and some of the best moments too; her on screen chemistry with Sandler was also quite strong, I think they should work together again for sure.

Overall, the reason why I loved this film so much was the joy, the kind od joy that comes from really liking something. As I have said it is clear to see that the people making this film loved these games, the attention to detail is fantastic. Every aspect of this film is perfect right down to the soundtrack which has a lot of great hits. A must watch, even if it does star Adam Sandler.

Pros.

Sandler is hilarious.

The film cares deeply.

Michelle Monaghan is fantastic.

It is fun to watch.

If you’re a gamer you will like it even more.

Cons.

None

5/5

Reviewed by Luke

Bronson: Fighting All Day Long

Bronson is a crime biopic film directed by Nicolas Winding Refn. The film recreates the real-life of Britain’s most notorious prisoner Charles Bronson (played here by Tom Hardy), showing his early life, his stint as a bear knuckle boxer and of course all the time he has spent in prison over the years.

This is a Refn film to its core, anyone who has ever seen one of his other films such as Drive, or The Neon Demon will know what I mean. There are many tense scenes in this film shot in striking red lighting to the backdrop of a techno soundtrack. If that sounds familiar it should do, these are the things that make a film a Nicolas Winding Refn film.

Refn, I find to be an acquired taste, you either love this work, or you don’t. Personally, I think he is one of the best directors working today and I think this film proves why. Rather than just have another bog-standard gangster biopic, this film pushes the envelope, it pushes it so far it falls off the metaphorical table and truly revels in its insanity.

Tom Hardy is giving it his unhinged all in the lead role, we both care for him, but also see that he is an incredibly dangerous, unstable person. He straddles the line of audience perception and acceptance masterfully well and has enough manic energy to keep you glued to the screen until the end of the 90 minutes. Hardy manages to capture such a wide variety of emotions with his performance, it truly highlights how he is one of the best actors currently working.

Overall, never before have I seen a crime biopic that is dipping in as much crazy, off the wall, wacky personality as this. Truly a sight to see. It easily places amongst the best of Refn’s work and would be a good start point to new fans of his directorial style.

Pros.

Tom Hardy is magnificent.

The manic unpredictable energy.

The score.

Nicolas Winding Refn’s distinct sense of style.

Hardy’s monologues.

5/5

Reviewed by Luke