Slow West: She Is Just Not That Into You

Slow West is a western, drama, romance film directed by John Maclean. The plot sees a young boy (Kodi Smit-McPhee), travel across the American frontier to try and find and reconnect with his lost love. Whilst, traveling he meets up with an outlaw (Michael Fassbender), and the two form a bond and journey together.

This film will not be for everyone, that is really the most important piece of information that you will get out of this review. It is very niche and artsy and is almost certainly an acquired taste.

The ending of the film did a number on me, emotionally. Seeing the conclusion of his naïve young boys’ journey is nothing short of heart-breaking, and the ending is bleak and will leave you depressed: at least that’s how I felt after watching it.

Fassbender and Ben Mendelsohn (who only has a small role), both give very memorable performances and sink into their respective characters perfectly. Mendelsohn became this looming spector of death, whereas Fassbender became more of the loveable rouge as the film went on and he became ever more fatherly to the protagonist.

Despite the shorter than average runtime this film does have some pacing issues and a few scenes do feel needlessly drawn out; this put me off.

Overall, a very strange art house western that won’t be to all tastes, but there might be some niche appeal there.

Pros.

Fassbender

The emotion

Mendelsohn

Cons.

The ending

Pacing issues galore

The main star was quite weak and easily out-shined

2/5

Reviewed by Luke

Lethal Weapon 2: Advertising Condoms

Lethal Weapon 2 is a buddy cop action film directed by Richard Donner. The plot this time around sees Murtaugh (Danny Glover), and Riggs (Mel Gibson) go after a cartel of South African criminals that have a personal connection to Rigg’s past.

I think here we can see the tonal issues starting to become apparent, there is a lot of fallout surrounding Shane Black exiting the projecting and his darker script being rejected in favour of a more light hearted one; said script I would say is the major issue with the film. Quite dark and upsettingly violent sequences are upended with jokes and quips, which serve to ruin any tension built and let the air out of the balloon so to speak.
The tonal issues carry over to the characters as it limits their emotional growth and the extent of their journey’s. There is some interesting ideas and notions being floated around here, like Riggs dying to save his partner’s life at the end of the film, however, the film seem to gutless to follow through with these interesting character moments in favour of maintaining the status quo for sequels.

Gibson and Glover are still a terrific paring and have a lot of great on-screen chemistry together, sadly that is limited by insufficient character work.

Overall, this film shows us what is wrong with Hollywood, whereby the inevitable sequel is prioritised over the film itself to the detriment of all involved.

Pros.

Gibson

Glover

Cons.

The tone is mismatched and doesn’t work

The ending loses its emotional impact

The characters don’t seem to progress emotionally or personally from where they were at the end of the film

2.5/5

Reviewed by Luke

Get The Gringo: Bringing Hand-Grenades To Office Meetings

Get The Gringo (Or as it is known in other territories How I Spent My Summer Vacation), is an action film directed by Adrian Grunberg. The plot sees an unnamed heister (Mel Gibson), become imprisoned in a corrupt Mexican prison, he must fight for his own survival as well as to protect a child who he has befriended.

So, yes none of my Mel Gibson action film reviews would be complete with me condemning his personal life and views, take that as a given here as always.

However, that said I really enjoyed this film and Gibson was a big part of the reason I did. He is magnetic in this film, despite being unnamed and undeveloped, in a few different ways, he has enough action hero charm that you don’t question it and instead get swept up in the adventure. As the film ends you can’t help but cheer for his character.

The plot of the film is quite smart, it is simple and self-contained enough to not be overly complicated, whilst also having enough twists to keep you constantly engaged and asking what is going to happen next. The third act is particularly well done in this respect, it has some great action set pieces, but also an almost Soderbergh level of suave to the final tie up.

Overall, I enjoyed this film a lot and I thought it was terrific.

Pros.

Gibson

The action

The twists and turns

The ending

Cons.

Some of the characters feel underdeveloped to the point of becoming stereotypes.

4.5/5

Reviewed by Luke

Lethal Weapon: Mel Gibson’s Bare Arse.

Lethal Weapon is a buddy cop action film directed by Richard Donner. The film follows a pair of mismatched detectives who are brought together to work a case in spite of their differences.

In the action genre this film is very important, it laid the groundwork for a lot of what the buddy cop action sub-genre would there after go. Personally, the thing I most admire about this film, after watching it for the first time for this review, is its sense of style. Everything from the soundtrack to the setting is perfectly paired to create a dense lived in world that never feels overly dire, but also doesn’t feel too comical.

In that regard, this film made me laugh quite a lot throughout. I wasn’t expecting the film to be as funny as it is, but it really tickled me.

Mel Gibson (despite being vile in reality), and Danny Glover give two of the best performances in the action genre and cement themselves as legends. They have marvellous on-screen chemistry together, and it is a treat to watch them interact. If I had to pick a favourite it would probably be Gibson’s Riggs as I love how off the wall yet effective he is.

Overall, a very strong action movie that refines both the standard action formula and the buddy cop formula to a tee and makes for one hell of a watch.

Pros.

Gibson

Glover

The action

The laughs

The style

Cons.

None

5/5

The Kid Detective: Depressing Life Goals

The Kid Detective is a dark comedy mystery film directed by Evan Morgan. The film asks the question what would happen to the child detective after they grew up? What would Nancy Drew be like at 40? What happens when the Hardy Boys move out and get married? We see a once respected kid detective (Adam Brody), now have to adjust to being a lacklustre detective in a grown-up world, but can a serious new case change that?

I enjoyed the gimmick of this film for the first ten minutes…. after that not so much. The joke of but hey he is basically still just a kid detective but in a man’s body quickly becomes tiresome and the film’s gimmick (which it is probably proud of because no other films have really done it), starts to work against it (this is why it has not been done before).

The darker humour doesn’t really work for me. Dark comedy is even more hit and miss than regular comedy as people have lines as to what is and isn’t okay to joke about in their opinion, as such this film had more of an uphill battle. However, I don’t think any of the jokes are particularly risqué, rather I think that is the problem: for a dark comedy film this is incredibly tame.

Brody himself is enjoyable, I am a fan and it is nice to see him get centre stage and he does make the most of it, sadly the film around him is deeply average.

Pros.

Brody

The premise for the first 5 minutes

Cons.

The premise after that

The jokes don’t work

It is painfully dull

2/5

Reviewed by Luke

Soul: The Jazz Man

Soul is an animated family film directed by Pete Docter and Kemp Powers. The plot follows a part time teacher/ wannbe jazz musician Joe (Jamie Foxx), as he dies before he has a chance to achieve his dream of performing on stage. Whilst in the afterlife Joe meets 22 (Tina Fey), a young soul who is struggling to find their spark, together the two of them run away back to earth and go on a journey of self-discovery together.

This film almost made me cry, almost. The ending is beautiful and heartfelt, and it really brought Pixar back for me in a big way. Personally, I haven’t really enjoyed a Pixar film since Brave and even a few of the ones before that Ratatouille, Wall-E did nothing for me: I enjoyed a final trip to Toy Story but more for nostalgia then a strong story. However, I am pleased to say that this film bucks that trend and in my mind restores Pixar to its former glory.

I enjoyed seeing the bond develop between Joe and 22, I thought it was a incredibly well realised friendship and touched on the very real experience of what it means to be human. The individual character arcs of Joe and 22 are equally well done, and you are left staggered at the complexity of emotional impact they manage to elicit.

My one complaint would be that the soul world stuff is a bit dull at times, and it tends to drag on: you can’t help but think during these sequences that you would much rather they get back to the Earth storyline.

Overall, a film that resorted my faith not only in Pixar but in the animation genre in general.

Pros.

The emotions

The character journeys

The performances from Foxx and Fey

A return to form for Pixar
Cons.

The soul world plot could and should have been more interesting

4/5

Reviewed by Luke

May The Devil Take You Too: Yet Another Chosen One

May The Devil Take You Too is an Indonesian horror film directed by Timo Tjahjanto, serving as a sequel to May The Devil Take You. The plot follows the immediate aftermath of Alfie’s (Chelsea Islan), escape from the demon summoned by her father, we see her drafted in to help a group of wayward orphans whose guardian also made a deal with the devil; she is the only one that can stop the evil.

My biggest issue with this sequel is that it is too ambitious. The sequel adds a whole lot of lore and exposition on top of the premise from the first film and has Alfie as some sort of mythical being?, or destined to become some form of immortal being? I don’t know, and that is the problem. There is a lot going on here, a lot of set up and worldbuilding, which is crammed in and not really mentioned in the first film; the film as a whole feels overstuffed and by the end you have no idea what is going on.

The scares are still strong, and it is still nice to see the film’s very unique take on demons. I enjoyed the look of these creatures and their design especially endgame boss Moloch, I though they all looked well realised and quite menacing.

Overall, though the acting is still good and the scares still strong the film suffers from too much going on at once making it a confusing mess that leaves the world have developed.

Pros.

The scares

The creature design

The acting

Cons.

There is far too much going on

The plot easily becomes confusing

3/5

Reviewed by Luke

Bad Words: Swearing At Kids

Bad Words is a dark comedy film directed by Jason Bateman. The plot sees adult man Guy Trilby (Jason Bateman), enter into a children’s spelling competition much to the annoyance of all involved.

Before watching this film I read some of the reviews for it that called it things like ‘offensive’ and ‘in bad taste’ and I have to say after watching it these people just seem to be very fragile, and easily upset to think that this was bad or offensive.

The (apparently offending), humour is just standard dark comedy affair, Guy is the traditional arsehole protagonist that you are not meant to root for at the start of the film; usually the sort of role Vince Vaughn would play. Very much in keeping with that architype, as the film progresses the character reconsiders their behaviour or starts to show some nicer personality traits, thereby making them likeable and someone with whom the audience can begin to root for; this is fairly standard character development for a dark comedy film, and it is beat for beat present in the film. There is no deviation or fresh take on this formula, so don’t go in expecting the unexpected, you can work out the ending in the first 5 minutes.

The comedy I found to be hit and miss, Bateman’s character only had a few genuine laugh out loud jokes, but often made me smile. However, not all of Bateman’s jokes land and a few are painfully unfunny, the same can also be said for when anyone other than Bateman tries to be funny: it never works. However, comedy is subjective so you might feel differently.

Bateman and Kathryn Hahn (who plays Guy’s press correspondent/ girlfriend) have a good back and forth and you can feel the chemistry there which makes for pleasant, almost comforting viewing.

Overall, a slightly better than average dark comedy.

Pros.

Bateman

The jokes (for the most part)

Bateman and Hahn’s chemistry

Cons.

Some of the jokes really didn’t work

The other characters, outside of Bateman and Hahn were often annoying

3/5

Reviewed by Luke

May The Devil Take You: Never Look Behind Hospital Medical Curtains

May The Devil Take You is an Indonesian horror film directed by Timo Tjahjanto. The plot follows Alfie (Chelsea Islan), a young woman who learns that her father made a deal with a demon to attain wealth and now must deal with her fathers end of the bargain, namely said demon wanting her and her sibling’s souls.

This is a very striking film. I have watched a lot of horror films over the years and never yet have I seen one quite like this. Whether it how the film chooses to show The Devil, or the communing ritual at the start of the film, there are multiple scenes that push the horror genre in a new direction and inject it with fresh blood.

I enjoyed the physicality of the performances of those who were possessed, as more than one person was over the course of the film. I thought seeing these demons jumping about the room, or running up walls was truly a sight to behold it was both terrifying, but also visually impressive from a filmmaking stand point.

The film had a lot of good scares both in terms of jump scares, which this film actually manages to pull off well, and scares from its atmosphere: both of these are incredibly effective. In terms of similar scares I would compare this to the TV series Marianne.

Overall, this is a very well-done horror film that is brimming with new ideas and strongly thought out scares.

Pros

The scares

The physicality

The visuals

The performances

Cons.

The ending is a slightly weak, and off the mark

4.5/5

Reviewed by Luke

Sweeny: No One Needs To See Ray Winstone Like This

The Sweeny is a crime film directed by Nick Love, the film acts as a reinvention of the classic 70s series made for a new generation. Veteran inspector Jack Regan (Ray Winstone) is brought into a world of pain after he becomes caught up in a series of crimes that cost him his job and his new love.

I did not like this film. Sometimes crime films are bleak and gritty, but this film takes it to a whole new level, everything is unpleasant and there is not an inch of joy to be found anywhere throughout.

None of the characters are in any way likable, with Winstone in particular being extremely vile and in an era of police violence under a new intensity the idea to make a violent officer a lead is beyond comprehending. You do not root for the lead characters at all, really you are left thinking at the end of the film it would probably be better if they were shut down.

The actual plot of the film is very generic and has been done better before. I could guess right from the off where the plot was going, and it did not surprise me in anyway. This is nothing you have not seen before.

Overall, this is a deeply off-putting film for several reasons.

Pros.

It is watchable

Cons.

Winstone

The insensitivity

It is incredibly predictable

The characters are loathsome

0.5/5

Reviewed by Luke