Doctor Who (Season 12): A Season Of Extremes

Doctor Who is a British science fiction show that has just completed its 12th season; which my review today will be covering. The plot of the show centres around a time traveling character called The Doctor (played by a multitude of actors over the years, but is currently portrayed by Jodie Whittaker), who goes on various adventures through time and space.

The last time I talked about this show I suggested that it was on the decline, beyond hope, but having now finished the latest series I am slightly more optimistic about it. The finale, the Tessla episode and Frankenstein episode I thought were good, the rest well I will get to them. Having good episodes is a step up from season 11, where they were all either incredibly forgettable or bad.

What’s more in these episodes were the writing is stronger and more Doctor central Jodie Whittaker’s portrayal of the character is better. When she is playing it straight her version of the character works, it doesn’t when she is manically talking to herself, or showing no empathy towards the companions. Speaking of which, an opinion of mine that hasn’t changed is that the companions this season are terrible, they have nothing to do, no personality, and only serve to steal focus away from the Doctor; BBC if you’re listening kill off one or two of them and give Jodie Whittaker and the Doctor more time to shine. I was really hoping in the season finale that they would have killed a few of them off, but they don’t have the balls anymore for real stakes where characters might die.

Finally, this season is a season of extremes, those bad episodes I was talking about before are really, really bad. Is it an improvement in quality to go from a season of really boring bland episodes to then have a season where every episode is either good or awful? Current year Doctor Who seems to love giving lectures, there are multiple moments in multiple episodes where the Doctor looks into the camera and gives us a talking to about one thing or another and it just annoying, really annoying. Good science fiction is escapism, the audience doesn’t want to constantly be reminded how bad they are and how humans are destructive terrible creatures, yet Doctor Who never got the memo clearly.

Ps. This is only a minor thing compared to the other things I’ve talked about here, but can the Doctor go back to visiting other planets please? I understand they might not have the budget for it, but to set every episode on Earth, or Earth like locations is just lazy and it loses all the appeal of the Doctor being able to go anywhere in time or space.

*Also, I am not even going to go into the timeless child twist, because we would be here all day if I did.

Overall, a step up from the woeful season 11, but this show is still bad in a lot of ways, critical ways, and has a long, long way to go to even be half decent Who.

Pros.

Some strong episodes that actually feel like Doctor Who.

Whittaker has some moments of greatness.

Cons.

The companions other than Bradly Walsh, are annoying, devoid of personality and worse of all distracting.

Whittaker also has some terrible moments.

The lectures and the complete lack of subtly.

2/5

Reviewed by Luke

Godzilla, King Of The Monsters: A Weak And Ineffective King!

Godzilla: King Of The Monsters is a monster movie directed by Michael Dougherty. The film belongs to Legendry’s Monsterverse and follows on from the 2014 Godzilla film. The plot of the film revolves around humanities discovery of ‘the Titans’ and then their efforts to wake them up. Once they have been woken up, surprisingly they wreak havoc and then it is up to Godzilla to get them all in line.

I have been putting off this review for a long time, this is a film that a lot of people have strong feelings about, some love it, some don’t. The film didn’t do very well when it came out, which has affected the Monsterverse as a whole, but it has a dedicated cult following. For me, personally I liked Kong Skull Island, but both the Godzilla films have left me cold. Here is why.

My issue with the first film was that it didn’t have enough Godzilla in it, so when it looked as though the sequel was going to have more monsters fighting and less of the horrible human characters, I was excited, and yes there is far more monsters fighting, but now maybe it is too much. There is only so many times you can see a huge CGI creature hit another giant behemoth.

The human characters are dumb and bland, there is some strange eco-terrorism sub plot that is going on, that never really gets explained and their goals make no sense either. The twist that Vera Farmiga character has been working for them all along, isn’t hugely surprising, but you don’t care because she is boring and underdeveloped. Millie Bobbie Brown is only in this film because of Stranger Things she is probably the best of the human characters, but that’s not hard, a piece of wood could be better than all the human characters in this film.

The writing in this film is dumb, so, so dumb, unapologetically so, but that is half the fun. There is one bit in the film where they drop an oxygen bomb on Godzilla, which… how does that even work? If you’re one of those people that like things like The Fast and The Furious, were nothing makes sense and it is just pure spectacle then you might like this film.

Don’t even get me started on Kyle Chandler, who much like Annabelle Wallis can’t act. Seeing Chandler’s name on a casting sheet is a huge red flag for me, as he has never been good in anything.

Overall, this film is a disappointment as it managed to screw up both the human characters and the monsters, while also lacking the heart that made Skull Island so good.

Pros.

Millie Bobbie Brown is okay.

The first half an hour is entertaining.

Cons.

After that it becomes repetitive.

The human characters are terrible.

The plot is ridiculous.

2/5

Reviewed by Luke    

The Invisible Man: The Dark Universe Reborn.

The Invisible Man is a science fiction horror film directed by Leigh Whannell. The plot follows Cecilia (Elizabeth Moss), a woman who escapes her abusive boyfriend, only for him to then kill himself, or appear to, and then continue stalking her only now he is invisible. Of course, people think that Cecilia is crazy, so she must set out on a mission to prove she is sane, as well as to finish off her abusive ex-boyfriend once and for all.

I thought this was a great film. After the rocky start Universal’s Dark Universe had all hope seemed to be lost, but then this came out. The reason why I think this film is so good and should be the template for future releases of Universal’s classic monster films, is because it is a horror film first. It is not an action film with horror elements, it is not a film hell bent of trying to force in an extended universe, it is simply a good horror film.

To that end, I found the premise to be quite unsettling, being stalked by someone you can’t see, and the film really does explore that in an interesting way. Furthermore, there were moments in the film where I thought for sure they would stuff in a cheap jump scare, but they didn’t and for that I tip my hat to Leigh Whannell. The horror elements in this film are strong, there were multiple times in the film that made me jump, which is something I rarely do these days as I have become use to watching horror films.

Moreover, I think the way the film handles domestic abuse is both in good taste and shocking at the same time, the domestic abuse is the heart of this film, therein lies the horror, The Invisible Man shines a light on this subject and shows how horrific it is, how a person can be isolated and tortured by the person they love the most. What’s more, Elizabeth Moss’s performance highlights the horror of domestic abuse as her character is unable to go outside at the start of the film as she is consumed by fear that her partner will be outside coming for her. For me this may be a career best for Moss.

Overall, this film far exceeded by expectations, as a stand-alone horror film it works very well, as a piece of a larger narrative equally so, other than being a little slow at times, this is a damn near perfect film.

Pros.

The horror.

Not using jump scares.

It actually made me jump.

Elizabeth Moss.

Con.

It is a bit slow at times, it could have done with a tighter edit.

4.5/5

Reviewed by Luke

Sorry To Bother You: What Would You Do To Succeed?

Sorry To Bother You is a dark comedy film directed by Boots Riley. The plot follows Cash (Lakeith Stanfield), a young black telemarketer who adopts a white accent to be successful at his job. Once Cash is a success he must decide where his priorities lie and who his real friends are, as everything is not as it seems, and dangers lurk at every corner.

I love this film satirical take on the world, I think there are parts of it that are genuinely hilarious and parts that make you think, as good satire should. However, I do believe that the absurdity of this film reaches a point where it becomes silly and loses the point. I am of course referring to the horse people that show up in the films final act. I understand that they are acting as a metaphor and are part of the satire, but at that point in the film I had given up trying to understand it as it had ventured into silly territory. I think this film could have been even stronger without the horse people being in it. I do believe the horse people will be polarizing to people watching this, you will either love them and think they’re inspired, or think their inclusion is dumb and confusing.

The main positive of this film is Lakeith Stanfield’s marvellous breakout performance! Stanfield nails the performance on every level, he is warm and likeable, he is funny, and he also evokes real emotion from us the audience during some of the film’s heavier scenes. This was and has proven to be a Star making turn for him and I think it is fully deserved.

However, on the flip side I think all the scenes with Cash’s girlfriend Detroit (Tessa Thompson), drag on and on. I have yet to be impressed by Thompson in a single one of her performances, she is fine but she never blows me away, she was good in Thor Ragnarök, but that was a small part in a larger cast, not one of the main characters as she is in this film. I think many other actresses could have done a better job than Thompson in this role to name but a few off the top of my head, I think both Zazie Beetz and Lupia Nyong’o could have had interesting takes on the character, but ah well.

Overall, this is mostly a great dark comedy, Stanfield is terrific, and this film is worth watching for him alone, however a weak and strange third act and a less than average performance from Tessa Thompson stop this film from being a 5/5.

Pros.

Lakeith Stanfield.

A great dark comedy.

It makes you think and laugh.

Cons.

Tessa Thompson

The horse people.

4/5

Reviewed by Luke

Us: An Exercise In Failing To Live Up To Expectations.

Us is a horror film directed by Jordan Peele. The plot follows Adelaide (Lupita Nyong’o), who, as a girl, had a run in with a doppelganger version of herself in a Santa Cruz house of mirrors. Little did she know that everyone has a double, these doubles are called the Tethered and they live in underground tunnels everywhere, all across the USA, maybe even the world; for years they have been planning one thing, their revenge, this film chronicles them getting it.

The expectations for this film after Peele’s seminal breakout hit with Get Out were sky high, how was he going to top it? Well in my opinion, he didn’t. Whilst Peele’s earlier film had some cerebral elements to it, it was still a very straightforward narrative, by that I mean when the film ended you knew what had happened. However, Us likes to smell its own farts, the whole film seems to be up to your interoperation and the themes seem to be more important than the story itself, there are numerous scenes and plot holes, such as why the Tethered don’t always copy what their surface dwelling doubles do even though it is established early on that they do, which ruin the great concept the more you think about it.

For me the biggest issue with this film is it’s ending. There is a twist reveal that who we thought was Adelaide has actually been the evil Tethered version of the character all along, which is a good twist, but then the film just kind of ends. The way the film ends with the Tethered all linking up and joining hands across America, leaves more questions than answers and it doesn’t feel nicely wrapped up, like Get Out did, which to me makes the writing seem weaker.

I have to talk about Nyong’o’s performance which was fantastic. Was it Oscar nomination worthy, no it wasn’t. However, what Nyong’o did was create two characters that felt entirely different, but also similar enough that they could be switched over and we would believe it. Moreover, she also brought a great physicality to the role, the final fight scene between her and Red, (Or who we believe to be Red), was excellent and really well done.

Overall, this film fails to live up to expectations as it leaves us going what? Rather than feeling satisfied. I still think however, this is a good film and Nyong’o is great in it, just that the challenge of having to follow Get Out proved too much for it.

Pros.

Good premise.

Scares.

Nyong’o

Cons.

Far to up its own arse.

Unsatisfying.

Fails to live up to expectations.

3/5

Reviewed by Luke

 

Sonic The Hedgehog: The Hero We Need!

Sonic The Hedgehog is an action-adventure comedy film based off the beloved 90’s videogame figure. The plot follows Sonic after he flees his home world and takes up residency on Earth, there he meets Donut Lord (James Marsden), who accidentally tranquilisers him causing him to lose his rings, which Sonic needs to travel between worlds. While all of this is happening the US, government calls in a specialist to check out all the strange goings on, Dr Robotnik (Jim Carrey), who them seeks out Sonic to capture him and use him for his own odds and ends.

Can I just say that as someone who grew up playing Sonic in the early 2000’s this film is a triumph they nail Sonic (Ben Schwartz), Robotnik and the world, more over that post credits scene when they introduce Tails had me giddy with excitement. I am actively looking forward to a Sega shared universe and if all of the entries to the universe are as good as this, we might finally have something to rival the MCU.

My only complaint about this film is that occasionally it focused a bit too much on it’s human characters, while Marsden did a good job the same can’t be said for his in-film wife Maddie/ The Pretzel Lady (Tika Sumpter), who added nothing and was incredibly underdeveloped, the scenes that focused on her and her sister Rachel (Natasha Rothwell), dragged on and on and took away from the overall enjoyment of the film. The joke of Rachel not liking Donut Lord/Mike is used for all it is worth and it is never once funny.

However, Carrey’s turn as Robotnik more than makes up for the lack of comedy and he is phenomenal and hilarious. I didn’t realise until I was sat watching this film how much I had missed seeing Jim Carrey on the big screen, as he was a favourite of mine when I was growing up. Carrey brings some real menace to Robotnik, but also makes him super over the top in the best way, he perfectly walks that line between scary and funny.

Sonic himself looks great and reminds me of the Sonic from my youth, Ben Schwartz does a great job voicing him, he brings a lot of energy to the character and also makes him warm and likeable; there are elements of the latest iteration of Paddington mixed in the there I am sure.

Overall, there is a lot to love about this film, it is not only a great videogame movie, but also the perfect start to a wider universe. Loved it! If you’re a fan of Sonic or, a newcomer to the character I guarantee you will have a good time with this film.

Pros.

Setting up the world.

I missed Jim Carrey.

The post credits scene.

Sonic himself.

Cons.

Any scene with Maddie or her sister.

4.5/5

The Big Bang Theory: Life After The Singularity

The Big Bang Theory is a sitcom created by Chuck Lorre and Bill Prady. The plot follows a group of nerdy scientists as they have quirky adventures and misadventures and attempt to find love. The show ran for 12 series with the final series ending last year.

Carrying on from my post about Friends the other day I want to now look at some of that show’s successors one of which is The Big Bang Theory. Whether you love it or, you hate it this show has been around for a long time, longer even than Friends, and it has had an impact on pop culture, even inspiring a spin-off show in Young Sheldon.

I am of the mindset that this show never dipped in quality over it’s run, episodes from season 11 made me laugh just as much as episodes from season 1 or 2, but comedy is subjective. I think the ending of this show, Sheldon (Jim Parsons), winning the Nobel prize and thanking his friends and his wife is the perfect way to end it, the final scene of the show brought more than a few tears to my eyes.

Though some say that the comedy of the show shifted from laughing with the nerds to at them, I don’t agree. I think the characters were done justice to until the end, I think this show as well as some of it’s contemporaries helped in bringing nerd culture to the mainstream; it made being a nerd cool.

I liked how each character was developed over the course of the show and became more rounded, even background characters like Stuart (Kevin Sussman), had arcs and changed; we saw these characters grow as we ourselves did as well. The ending of the show gave all of these characters a sense of closure, except for Raj (Kunal Nayyar), who was left up in the air after his unsuccessful quest for love; I hope we don’t get a Joey esque spin-off for him, and this closure was just what we needed to move past this show.

Overall, I think The Big Bang Theory was less impactful than Friends, but that is not to say it wasn’t influential in its own way, it was. The Big Bang Theory reached out to all the geeks and nerds (myself included) out there who wanted to see a show they could relate to, where the characters aren’t going to parties every night and sleeping with different people near constantly and to them this show was a rallying cry, it made being a nerd cool; something that seemed like an impossibility.

Written by Luke  

Happy Death Day 2U: No One Remembers Their Second Birthday

Happy Death Day 2 is a science fiction slasher film directed by Christopher Landon.  This film again follows Tree (Jessica Rothe), as she becomes stuck in parallel dimensions, which all feature the time-loop from the first film and to escape she must discover who the new evil killer is and stop the loop.

I was a huge fan of the first film, It is one of my favourite films of all time and I went into this really excited to see how they were going to carry on this story, but sadly I was pretty badly disappointed with this film; it is however, still a good film, just not what I wanted.

Once again Rothe steals the show, she is fantastic as Tree and the fact that she isn’t a bigger star is nothing short of a cosmic crime. Her chemistry with Carter (Israel Broussard), is still fantastic and they are still the cutest couple in the horror genre; my romantic heart is still warmed by them.

The multi-dimensional storyline allows for some neat alternative situations which are fun to watch, albeit they do get a little stale after a while, but for the most part they’re entertaining. This ties into my main issue with this film, the director Christopher Landon has said that he wants to make every Happy Death Day film in a different genre: hence why this one focuses so heavily on science fiction. Therein lies the problem for me, I fell in love with this property as a horror slasher franchise I thought it did slasher in a smart and novel way, however, as a science fiction film that doesn’t really have any horror elements it doesn’t really work for me and comes off as boring; to many genre diehards this would be seen as a very weak and a very bad science fiction.

Overall, I admire the director for what he was trying to do, the different genre idea could have been cool, but how it is used here leads to a very generic, very bland science fiction film that leaves a lot to be desired. Maybe if you went into this with lower expectations than I did you would like it more, as there are still things to like such as the characters, but for me this film was deeply lacking.

Pros.

The Characters.

The Humour.

Jessica Rothe’s Performance.

The concept.

Cons.

The concept is poorly executed which leads to a boring and bland final product.

4/5

Reviewed by Luke

Avengers Endgame: The MCU Reigns Supreme

Avengers Endgame is a marvel superhero film that serves as the culmination to the Infinity Saga and previous 23 films of the MCU. The plot of the film follows our defeated heroes after half of their numbers were decimated by Thanos (Josh Brolin), in the infamous snap, the heroes have to find away to undo the damage done and bring back their fallen friends.

First of the bat I just want to say that it is possible to watch this film without having seen the previous films, or even Infinity War which acted as a part 1 to this film. However, it will be a lot easier to follow and will mean a whole lot more to you if you have seen the previous instalments.

As a film that brings together everything that the MCU has been building towards for years this film is a triumph. Characters that have been with us since the beginning are wrapped up in the most pleasing and emotionally satisfying way and new characters are introduced and remind us of the bright future the MCU has.

The one issue this film has is that it is too good of an ending. By that I mean this feels like the end of the MCU and when you realise that it isn’t it takes away from it a little bit, as well as reducing the importance of upcoming films. If the franchise had ended with Robert Downy Jr’s Iron Man saying, “I am Iron Man” and saving the universe as he dies, it would have beautifully book ended the series, but sadly it kept going.

I think this film achieves something very few other films have, or ever will, and that is have a huge supporting cast that gives each one of their characters a chance to shine. Whether you like Thor (Chris Hemsworth), or Spider-man (Tom Holland), each character is moved forward in a meaningful way and given fantastic development.

The villains bar Thanos are crucially underdeveloped, which is an issue that has afflicted a lot of MCU films over the years, they’re defeated far too easily and don’t actually feel like a threat to the heroes. Thanos however, is a great villain as he isn’t just the evil for evils sake kind of villain, he thinks that what he wants to do will make the universe a better place which adds a great sense of moral ambiguity to this character.

Overall, for better or for worse this film has had a huge impact on the film landscape and beautifully shows what the MCU was building to, it would have worked well as an ending, but we will just have to wait and see how they follow it up.

Pros.

A beautiful culmination.

“I Am Iron Man”.

Wrapping up characters in a great way.

Cons.

Cheap villains.

It makes the upcoming films feel less important.

4/5

Reviewed by Luke

The Current State Of Star Trek: There Is Hope Out There

Star Trek is an iconic science fiction brand that has existed for decades, generation after generation have boldly gone where no man has gone before. Over the years we have had many different series and films based on this legendary franchise. What I want to talk about is where the franchise is in 2020 and does the future look bright?

I remember growing up, my dad used to love Star Trek and science fictions shows like it, but it was never for me I preferred things like The Lord Of The Rings, a different type of fantasy. However, as I got older, I started enjoying the series as well. I have seen all 3 of the Bad Robot era Star Trek films and personally I liked them all; even Into Darkness which was controversial to say the least. I have been eagerly awaiting a 4th film, but it doesn’t look like we are going to get one; at least anytime soon. The Noah Hawley film has gone through a lot of behind the scenes problems, including losing both Chris Pine and Chris Hemsworth, so it looks like it is burning in development hell. Then the Tarantino film seems like a throw away idea, if Tarantino sticks to his planned 10 films that would make this Star Trek film his last and I just can’t see that.

So, if we shift our focus to the TV side of things horizons look brighter. Star Trek Discovery was the first of the modern TV series, now Discovery has had its fair share of problems, including story issues and making episodes overly political and personally I found it very hard to watch, but there is hope there. A lot of the more classic elements work well in this series and I hear that the second season of the show works a lot better. However, it is the other Star Trek series that I think is deserving of praise that series is Picard. This show revisits Patrick Stewarts’ Jean Luc from earlier TV efforts, as of the time of writing this series has only had 3 episodes out, but so far, I am hooked, and I would love to see more content like this.

Overall, Star Trek as a brand needs a firm hand, it needs to decide on what it wants it future to look like, once it has done that then it can decide how to proceed. Personally, I think they will end up rebooting the films as the Pine timeline has too many issues with it at this point, while also keeping the TV side of things alive to fill in the blanks in the universe as well as satiate audiences’ hunger for more from this universe, or at least that is what I would recommend.

Luke