The Witches Of Eastwick: The Powers Of Liberation

The Witches Of Eastwick is a dark fantasy comedy film directed by George Miller. The film sees 3 suburban women go on a voyage of self-discovery and sexual exploration after a mysterious man (Jack Nicholson), comes to town and tempts them out of their boring lives.

I enjoyed the more overt references to the supernatural and the implication that Nicholson’s character was the Devil (or a demon of some kind), I thought it added a nice extra something to the film and really enriched Nicholson’s character.

I thought the performances were strong from everyone involved, Cher, Sarandon and Pfeiffer all gave great performance and I liked seeing their journey over the course of the film, when they became ‘witches’ the character transformation felt earned.

My one complaint would be that at nearly two hours the film is far too long. The film definitely could be improved by being shortened as a lot of the scenes have very obvious bloating and plot padding, the latter of which takes away from the drama of events after they have happened and effectively derails the film.

The monster CGI form the film’s final moments is laughable at best and does not feel in any way tense, but this was probably good for the time, so I won’t be too harsh.

Overall, an interesting premise boosted by some strong performances is let down by poor pacing and an inability to form meaningful tension.

Pros.

Strong performances

An interesting premise

Hints of the supernatural

Cons.

Poorly paced

Lacking in tension

2.5/5

Reviewed by Luke

Jack Frost: A New Specter To Haunt Your Dreams

Jack Frost is a dark fantasy drama film directed by Troy Miller. The plot follows the aftermath of the death of Jack Frost (Michael Keaton), a musician and family man who dies during the Holiday season. As his family tries to move on with their lives, Jack resurrects with the help of seasonal magic into the body of a snowman to see his son, one last time.

This is a horrifying film for a lot of different reasons. So, I went into this thinking it was a family Christmas film, and though it does share some of those elements: mainly the over sentimental moments and the family focus, it is actually far darker and sadder then that.

I have seen a lot of people who say that the snowman itself is nightmare fuel, and personally though I think it looks bad I would not go that far with it. I think viewed in a contemporary context for the time period it is about on par with a lot of the other CGI puppetry hybrid that existed at the same time.

I enjoyed the films focus on father and son dynamics and thought the ultimate message of the film was sweet and dearly earned, the ending was particularly touching. I think Keaton did a lot to make this freaky looking snowman feel human and allow us to empathise with him.

Overall, I think the core of this film is sweet, well thought out and well intentioned. Though the Snowman himself might not be the easiest to look at thanks to a great performance from Keaton it does touch our hearts.

Pros.

Keaton

The emotion

The ending

Cons.

The snowman itself is off putting

It crosses over into overly sentimental

3/5

Reviewed by Luke

Godmothered: Too Safe Even For Kids, Sickly

Godmothered is a family comedy film directed by Sharon Maguire. The plot sees trainee fairy godmother Eleanor (Jillian Bell), venture out in the mortal world to try and find a child that needs her and through whom she might restore a little faith in happily ever after thereby saving ‘The Motherland’. However, when she finds her new ward Mackenzie Walsh (Isla Fisher), she finds out that she is a bit older than she was expecting her to be.

This is off the same quality as Disney +’s other Christmas offering Noelle, which is to say it is poor quality, cheaply made, and overly safe. The latter of these three issue is proving to be a real issue with Disney +, I understand that as a streaming service they are targeting families but come on these are so market tested and safe that even a U (the lowest rating here in the UK), seems harsh. Furthermore, Bell’s comedic sensibilities feel restrained here, maybe it is because I am use to seeing her in more adult fare, but I did not find Bell’s character funny at all if anything I found her increasingly annoying over the course of the film.

Moreover, this film looks cheap, and considering the films budget that is very much the insult. A lot of the locations and things that happen in the film reflect this, the amount of magic, time in ‘The Motherland’ and CGI effects are all lowered and the amount of time we see with them just sat around in Mackenzie’s house or walking the street is upped. This is would expect from something that was a made for TV film, or maybe even direct to DVD, but not from Disney and thier premium steaming service.

Overall, it is more mass-produced slop being offered up by Disney to families to make a quick buck, there is no care or soul there and it shows.

Pros.

It is watchable

Cons.

Bell becomes annoying

The film looks cheap

It is confusing and poorly throughout

It is overly safe

1/5

Reviewed by Luke

Nanny McPhee: The Magic Of A Rushed Proposal And An Arranged Marriage

Nanny McPhee is a comedy, fantasy, family film directed by Christianna Brand. The plot sees the titular nanny (Emma Thompson), arrive to save a family on the brink of destruction. The father (Colin Firth), is about to lose everything his house, his pride, his kids that is of course if Nanny McPhee’s magic can’t just save the day.

I have to say upon rewatching these film recently something because very clear to me, with regard to this series, and that is when it comes to Nanny McPhee films less is more. The second film, The Big Bang, which I have recently reviewed benefits from being much more streamlined plot wise everything serves a purpose. In this film however, it seems to be a free for all of plot threads, with a romance plot there, an inheritance plot there and Nanny McPhee and her magic being crammed somewhere in there as well: it makes for a confused viewing experience.

Moreover, Colin Firth is not very good here. He is playing the dad who fails to control his kids and who is too proud to go after what or more adeptly who he wants to be with type of character; one that is no way original to this film. Maggie Gyllenhaal played a similar character, albeit without the unacted upon romance in the sequel, and I have to say she played it much better. You bought that she was struggling and desperate for help, Firth on the other hand doesn’t seem all that bothered, with the exception of when he chases after the carriage.

Overall, this might be one of the few cases where the sequel is better than the original.

Pros.

Thompson

It is watchable

Cons.

It is confused

The plots don’t come together well

Firth isn’t very good

It is less fun than the sequel

2/5

Reviewed by Luke

Nanny McPhee And The Big Bang: The Nanny You Need Is Nanny McPhee

Nanny McPhee And The Big Bang is a family fantasy film directed by Susanna White. The plot sees Nanny McPhee (Emma Thompson), return to help the Green Family, as matriarch Isabel (Maggie Gyllenhaal) is overwhelmed having to run the farm and run after her kids whilst her husband is away fighting in the war.

What a charming film this is. Whilst watching it I had a near permanent smile on my face. It is whimsically inventive fun and the fact it fully embraces its eccentricities is only a bonus in my book. Though the two are quite similar I found myself enjoying this film far more than the recent Mary Poppins film.

That was mainly due to the performance of Emma Thompson as the titular Nanny. Though the character seems tough and foreboding, Thompson puts such a warmth into the character that it is impossible not to love her by the end of the film. I also enjoyed the fact that the film did not go out of its way to explain who Nanny McPhee was, or how her magic work; it allows for imagination.

Moreover, and this may be the most key achievement of all the films victories, is that the children in this film are bearable. Usually, child actors ruin whatever film they are in, but here they are actually okay and because they aren’t so damn annoying you actually end up caring for them. A testament to the performances.

Overall, this is a delight for all the family.

Pros.

Thompson

Gyllenhaal

The children

Not explaining the powers

Maggie Smith

Cons.

The ending was a bit too overly sentimental

4.5/5

Reviewed by Luke

Nutcracker And The Four Realms: Stay In The Uncanny Valley, Please

The Nutcracker And The Four Realms is a fantasy adventure film directed by Lasse Hallstrom and Joe Johnson. The plot sees troubled outsider Clara (Mackenzie Foy), venture into a strange world in search of a key to one of her late mother’s possessions.

This film is bizarre, it is like it too a good look at Alice In Wonderland and decided to copy it but make it even more convoluted and odd. There is an underlying sinisterness to this world and this film in generally that I can’t quite put my finger on, but there is definitely something off about it.

The CGI does not help the film at all, it ends up looking all a bit too obviously fake and the uncanniness of it all becomes jarring and off-putting the more you are exposed to it.

The only positive I have for the film is that its basic premise and world feel interesting, like there is a fascinating tale to tell there. However, the film as a whole fails to delivery on this and instead churns out yet another mindless, soulless, big-screen CGI fest. The acting is likewise as wooden, with several big-name actors clearly only here for the money.

The big third act twist where one of the key characters turns out to be evil is one of the most obvious reveals I have ever seen in all my years watching films, and I understand the audience for this would be mostly children but come on Disney have some respect for your audience. They are not all mindless and as the final numbers show they refuse to eat your off brand, out of date, cliché riddled, fantasy slop anymore. Do better!

Overall, though there is a sliver of promise here, it is quickly crushed under a mountain of awful CGI, pay check performances and disturbing feeling. Utter trash.

Pros.

There is some promise

It is watchable

Cons.

There is something wrong with it

The CGI is overused and off-putting

The performances are awful

The plot assumes that the audience are brain dead

The twist

1/5

Reviewed by Luke

Scared Stiff: How Many Faces Does Your Husband Have?

Scared Stiff is a horror film directed by Richard Friedman. The plot sees the spirit of a slave owner posses a man in modern times. The spirit then forces the man to try and kill his family.

This film could have been incredibly generic if not for the 80’s charm of the effects and the storytelling. Said charm makes this film hilarious, yes it is not scary in any way but it is funny and that counts for something; at least for me.

I thought the flashbacks were actually quite eerie and unsettling, the opening scene where the slave master murders all of those defenceless slaves is harrowing and it gives the film a very solid horror opening.

The mythology of the mask is quite convoluted and seems to change around as the film goes on, I gave up trying to understand the plot somewhere around the 50-minute mark. After that point it just became a wild ride of odd effects and character moments, which aren’t as bad as you might expect.

Overall, if you want a horror film this is not it. If you want a hilariously 80s horror comedy film that will make you laugh, albeit unintentionally, then this is the film for you.

Pros.

The 80s aesthetic and effects

The campy charm

It has a strong opening

Cons.

It is not scary

The story doesn’t make sense

It wastes the mythology it tries so hard to create

2.5/5

Reviewed by Luke

Wolfwalkers: Never Cage Something That Is Wild

Wolfwalkers is an animated fantasy film directed by Tomm Moore and Ross Stewart. The plot sees a girl and her father move to an Irish hamlet in the 1600’s to kill wolves and to start a new life. However said girl Robyn (Honour Kneafsey), finds that there is more to the wolves than any of the towns people know and that the pack is being controlled by a mother daughter Wolfwalker duo, who she soon makes friends with.

This film is a heartbreaker, the plot won’t leave a dry line in the house. It has so many layers to it many of them deeply sad it makes for a very melancholic watch. The later scenes between Robyn and her Dad (Sean Bean), are particularly hard to watch, when he keeps making the situation worse and worse before he realises the error of his ways.

I enjoyed the friendship between Robyn and Mebh ‘Og Mac Tire (Eva Whittaker), I thought it was nice to see their friendship develop over the course of the film and to watch them grow up during such a difficult time period, I’m sure there was a metaphor in there somewhere. I thought this part of the story and its innocence nicely contrasted with the more adult moments.

Finally, I thought it was nice to see a return to 2D animation. It has been too long, and it looked really beautiful throughout, you could tell a lot of work had gone into it and it really helped the film to standout amongst the 2020 animation landscape.

Overall, a beautifully thoughtful and heart breakingly sad animated film that you owe it to yourself to see.

Pros.

A return to 2D animation

The friendship between the two girls

The emotional beats

The father daughter relationship

The look at Irish/Celtic mythology

Cons.

It is desperately sad

4.5/5

Reviewed by Luke

Horns: Where Brooding Meets Teen Angst

Horns is a fantasy horror romance film directed by Alexandre Aja, based on the Joe Hill book of the same name. The plot sees Ig (Daniel Radcliffe), have to clear his name after the brutal death of his girlfriend, aiding him in that effect is the fact that he has started to grow horns. These horns allow people to be completely honest with Ig and tell him their darkest thoughts and desires.

Having for once read the book, before viewing, I can honestly say that this film is a pale imitation. In the process of turning a novel into a film obviously a lot of things will be left out, there has to be some degree of translation, but this film misses out keys themes and plot lines from the book whilst also shoe horning in moments to act as a kind of fan service to book readers.

The obvious demonic metaphor is more easily conveyed here, as we can see his transformation. Though said change is interesting initially, it soon becomes a bit repetitive. Ig is surprised that people don’t seem bothered by his horns, this makes sense the first time not the 30^th. The final devil design is okay it is a little underwhelming as I was hoping for something grander.

The acting is okay, Radcliffe manages just about to keep an accent for the entirety of the runtime, but he is not as strong an actor here as he is today. For me this film just felt a bit too teen angsty, trying too hard to be edgy, I don’t know maybe I have just outgrown it.

Overall, it is perfectly serviceable, but it does not fully embrace the concept of the book and it feels too broody which becomes cringey the longer the film goes on.

Pros.

A few strong moments

The transformation

Cons.

It beats plot points over the head

It leaves key details out

It feels very teen angsty

2/5

Reviewed by Luke

Over The Moon: Emotionally Prepare Yourself For This One

Over The Moon is an animated fantasy film directed by Glen Keane. The plot sees Fei Fei (Cathy Ang), struggle with her father moving on after the death of her mum, so she ventures to the moon to prove that love is eternal and forever, based on the notion of the Chinese Folktale of the moon goddess and her lost love.

Comparing this to Pearl Studios other recent feature Abominable, this is the worse of the two. My main complaint of the film is that it is just too sad, it is depressing especially for a kid’s film and I left it feeling bummed out. I understand a lot of kid’s films deal with dark themes but this one fails to balance the tone; the songs and the bright colourful characters aren’t enough.

That said the songs are probably the best part of this film, moon goddess Chang’e (Phillipa Soo), has a number of great songs that are really fun and lively; and also impossible not to dance along to. Chang’e is probably the best of the supporting cast, who are mostly wasted in forgettable minor roles. This film has people like Sandra O, Ken Jeong and John Cho in it, but it barely uses them.

Also there is something about the animation style that I just don’t like, I think the character models look a bit too CGI, a bit too clean, there is something quite uncanny about them that I found disconcerting over time.

Overall, quite an emotional story that will connect with some more than other, though it doesn’t balance its tone and ends up feeling depressing. Likewise it wastes its talented cast and has some iffy animation.

Pros.

The songs

Chang’e/ Philippa Soo

Trying to have a mature conversation in a kid’s film

Cons.

The animation is off

It is depressing

It wastes its talented cast

2.5/5

Reviewed by Luke