Velvet Buzzsaw: An Exercise In Pretension

‘Velvet Buzzsaw’ is a satirical supernatural horror film written and directed by Dan Gilroy. The plot of the film revolves around a collection of painting that is both captivating and deadly; there is something alive within the paintings that either kills people or makes them kill themselves. The film also serves to lambast and spoof the art world.

Before I get into this review, I want to say that ‘Nightcrawler’ Gilroy’s other work with Jake Gyllenhaal is a masterpiece, being able to really show off its dark sensibilities and mustering a fantastic performance from Gyllenhaal. There is something about ‘Nightcrawler’ that makes it alarming every time you see it, even though by that point you know how it ends.

The same can’t be said for ‘Velvet Buzzsaw’. My main issue with this film is how up its own arse it is, it seems to think it is the best film that you will see all year; which it isn’t. The satirical elements of the film fail so much so, that I wasn’t even aware it was supposed to be that way until I sat down to research this review. The only thing that might clue you into the fact that this is supposed to be satirical is the fact that all the characters are deeply unlikeable; though I thought that was just bad writing.

Rene Russo and Gyllenhaal try their best and give good performances, which serve as a saving grace for this film, but only barely. The rest of the cast are terrible, Toni Collette’s performance has zero energy and feels like she is trying to give a bad performance for whatever reason. Zawe Ashton has one facial expression for the whole film and to call her wooden would be generous and ‘Stranger Things’ own Natalia Dyer feels like she is only in the film on Netflix’s behest to try and get more people to be like, “oh she was in Stranger Things I should probably rewatch that”.

The horror concepts of this film are interesting and there are a few good scares peppered throughout. However, they just aren’t enough, this film is 20 per cent inspired horror and then 80 per cent lost up its own arse as to how good it is; which is a terrible shame as I was excited to watch a film from the writer-director behind Nightcrawler and his strange, but always excellent muse Jake Gyllenhaal.

Overall this is an exercise in pretension that falls flat whilst also being incredibly hollow.

Pros.

Jake Gyllenhaal Is Always Fantastic.

Some Good Horror Moments.

An Interesting Concept.

Cons.

The Terrible Cast.

The Smug Sense Of Self This Film Has.

2.5/5

Reviewed by Luke

Creep 2: Netflix, Give Mark Duplass All Your Money Please

‘Creep 2’ is a found footage psychological horror film directed by Patrick Brice. The plot this time sees online personality Sara (Desiree Akhavan), answer serial killer Josef (Mark Duplass), here called Aaron’s online ad, to film him for the day. He has lost his drive as a serial killer and is stuck in a rout: as such he wants Sara to make a documentary about him to try and relight the spark, he once had for killing.

This film does something very few other films can do, it manages to one-up its fantastic predecessor. ‘Creep 2’ plays up the more comedic elements of the film this time around and it makes for a hilarious experience that also has some great chilling moments: managing to not only do justice to these two elements but do them fantastically well.

Duplass is terrific once again, proving that comedians do horror really well, he manages to make this evil serial killer likeable and to an extent sympathetic. It turns out midway through the film that Aaron plans to kill himself at the end of the day and have Sara carry on his work, this is genuinely shocking and you don’t see it coming. The relationship between the two is simply fantastic it has shades of mentor-mentee, but also shades of a serial killer couple. The ending of the film is highly suggestive that there will be more for these two in the future.

From a dark comedy perspective, this film is a masterclass it compares being a serial killer to being a director who is on a downward spiral and to me that is incredibly funny. The humour works really well and meshes with the tone perfectly, both Akhavan and Duplass have moments of comic genius.

Akhavan is amazing, she has a fantastic repour with Duplass and the two do great things, I would like to see her come back in the future and maybe become a serial killer herself. She meets Duplass’s crazy and raises it.

Overall this film is a triumph and manages to one up a magnificent first entry, the relationship between Sara and Aaron is great and something I want to see explored more in a third film. If you like ‘What We Do In The Shadows’ you will like this, I guarantee it. By playing up the more comedic aspects ‘Creep 2’ is elevated to a whole new level.

Pros.

Akhavan Is Amazing.

So Is Duplass.

Serial Killer Couple?

The Ending.

Cons.

I Want More.

4.5/5

Reviewed By Luke

The Favourite: Gaining The Queen’s Favor

‘The Favourite’ is a period black comedy film directed by Yorgos Lanthimos. It revolves around two cousins Sarah (Rachel Weisz), and Abigail (Emma Stone), who are both vying to be the court favourite of Queen Anne (Olivia Colman), there is no extreme these cousins/ rivals will not go to in their quest to oust the other.

This is a pitch-black comedy film and it knows it, if you have that sort of comedy sensibilities then you will think that this film is hilarious. Both Weisz and Stone are hilarious proving that they both have great comedy chops. The film takes how bleak and depressing life was in this period and makes a joke out of it at every turn. Everything in this film is played up to an almost manic degree, an example of this would be the two rival factions that run the government that both want the Queen’s attention. One of these factions is lead by Harley (Nicholas Hoult), who is a delightfully over the top hammy sub-antagonist.

There are some moments in this film where the comedy ends and there are some moments that really tug on the heartstrings, an example of this would be when Queen Anne tells Abigail about all the children she has lost. This shows how ‘The Favourite’ can shoot on both fronts and do well, both in comedy as well as in drama. A lot of this drama is done to perfection by Colman, but more on here later.

My one issue with this film is that the ending isn’t very strong. The ending is quite introspective and almost trippy in a way which doesn’t quite fit with the rest of the film, but this didn’t really affect my overall enjoyment of the film.

Finally, I just want to say about the phenomenal job that Olivia Colman does, this is after all the film that won her an Oscar. Colman plays Anne as a broken soul, a person that has lost a lot and just wants to be loved, she has almost has a childlike innocence to her performance that makes it so tragic.

Overall, this film is a masterclass in dark comedy and if you like things like ‘The Death Of Stalin’ or ‘The Thick Of It’ you will find something to like here, the film is let down by it’s ending, but is fantastic in every other respect.

Pros.

Genuinely Funny.

Also Has Great Emotional Stakes.

Weisz And Stone Are Both Fantastic.

So Is Colman.

Cons.

The Ending Is Disappointing.

3.5/5

Reviewed By Luke

Creep: Another Comedian To Horror Maestro Success Story

‘Creep’ is an independent found footage psychological horror film directed by Patrick Brice. The narrative follows Aaron (Played by Brice), as a camera man who answers an online ad, to go and film Josef (Mark Duplass) for the day. As the day plays out Aaron quickly realises that Josef is not who he claims to be, and things take a turn for the worse.

I had heard praise for this film for quite some time, but for one reason or another I hadn’t got around to seeing it and now that I have, I can tell you it is terrific. Found footage as a genre as been done to death, no argument can be made that will convince me otherwise, with the likes of the Blair Witch revival and the continued Paranormal Activity franchise, I believed there was nothing left in this genre that could shock or perhaps scare me, I was wrong.

The reason why ‘Creep’ is scary is all down to the writing and the characterisation of Josef. When we are introduced to him, we are told he is a sick man with only a few weeks to live, this get us to feel sorry for him, as the film progress we see that he is a little odd, but crucially we still like him. Even in the films third act when everything has become very manic Josef is still treated like a sympathetic character that’s why Aaron goes to see him one last time.

The complete shifts in mood that Duplass so perfectly brings to the screen wherein we see Josef go from Sad to Manic to Evil are chilling. With the final reveal showing us that Aaron is not the first victim, but instead one of many, making you as an individual, question how you could be so wrong about a character as for the most part of the film you thought he was a likeable sympathetic character.

As I have said before in other reviews, I find mental illness and the threat humans poses to each other and man-made evil, much more frightening than a demon or a ghost. I believe 100% that it is this focus on a threat that is very real, something that could realistically happen to any of us at any time, that makes this film so scary.

A genuinely shocking horror film that showed me there was still some life in the found footage genre.

Pros.

The Novel Approach To Found Footage.

Duplass.

The Excellent Tension And Scares.

Making You Question Which Characters You Trust In Future.

Cons.

It’s A Little Bit Goofy At Times When It Shouldn’t Be.

Uncut Gems: Sandler’s Standout

‘Uncut Gems’ is a crime thriller film directed by the Safdie brothers. The plot revolves around a jeweler called Howard Ratner (Adam Sandler) who due to his gambling addiction get in debt over his head to a loan shark and has to rely on a precious gemstone to pay off his debts.

This film has more in common with a tragedy than anything else, things always seem to go from bad to worse for Howard and though he is a despicable character in a lot of ways you still want to see him win- even if it is just once. As the film progress, Howard becomes a pathetically sympathetic character and you can’t help but root for him; this makes the abrupt and depressing ending both heart-breaking and unexpected.

‘Uncut Gems’ is a testament to Sandler as an actor. Yes, he is often the butt of the joke, but this film proves that when he is trying and has something good to work with, he can deliver a magnificent performance. Sandler loses himself in the role and other than one moment with a brief crass joke, that didn’t fit the tone, I viewed him as the character rather than Adam Sandler the actor playing a character.

Some sequences in this film possess a hypnotic dreamlike quality to them, which feels like something from a Nicolas Winding Refn film, whenever we get a sequence like this we are in for a treat. These sequences add a sense of very light fantasy to what is otherwise a deeply gritty film; they hint at a higher mythology.

The greatest asset of this film is its ability to create tension which it uses often and to great effect. There are some scenes where you will be on the edge of your seat, to use that rather trite bit of hyperbole. You will feel yourself tighten up as you know something bad is about to happen it is just a matter of what and when.

Overall, this film is a triumph of filmmaking, it is a damn shame it wasn’t nominated for anything at the Oscars as this film is truly deserving. Hopefully, this film will convince Adam Sandler to dedicate more of his time to serious film project rather than films where he talks about poo; admittedly these can be good look at ‘Big Daddy’, but they are also typecasting him as an actor. I think this film should be seen as it is a joy to watch- prepare to cry at the end though.

Pros.

The Direction.

The More Dreamlike Sequences.

Sandler.

The Great Sense Of Tension.

The Heart-Breaking Ending.

Cons.

None

5/5

Reviewed by Luke

Mr Right: A New Type Of Killer Clown

‘Mr Right’ is a romantic comedy, action film. The plot follows Martha (Anna Kendrick), a recently single women who meets Francis (Sam Rockwell), a man who seems perfect for her, until she finds out that he is a hitman. From there the story goes down the lines of Francis’s old partner wants to get him back in the game, a gang hires Francis, but then tries to kill him; as Francis has a rule of killing those that hire him after a shift in his morals, as well as the will they wont they romance of Martha and Francis.

I have to say this film was far more enjoyable than I thought it would be, this is mainly due to the fact that Rockwell is a terrific and naturally charming lead. There is a real heart to this film that prevails all the killing and the shooting and at the end of the film you are glad to see the pair end up together.

The action scenes of the film are mostly fun there are some good moments that have strong choreography, but the rest are just either Rockwell or Kendrick shooting someone which after a while gets boring.

I’m not saying Anna Kendrick can’t act but, she is playing the same character she always plays the loveable goofy oddball. The opening act of this film that sees her crying in a closest and being drunk rambling about her ex could be from any of her films. That is not to say she isn’t good in this film she is fine, but it would be interesting to see her play a different type of character.

The humour of the film I found to be a mixed bag, at times it made me smile and elevated the scene it was used in, other times it made me groan and felt like bad cringe. I would say that a lot of Rockwell’s comedy lands as he has very good delivery and timing and seems to know when to play it straight and when to crack a joke. The same can’t be said for everyone else, however.

Finally, it is nice to see Anson Mount in something, it has been too long, and he always gives a good performance even if he is only on scene for a matter of minutes.

Overall, this film is on the better side of average this is owed wholly to Rockwell. He elevates this film past the mediocrity that it could easily have fallen into. Kendrick is serviceable and the romance is sweet, it’s good but, you won’t remember it.

Pros.

Rockwell.

Some Of The Action Sequences.

The Humour.

Cons.

The Humour.

Kendrick Is Playing The Same Character As Always.

3/5

Reviewed by Luke

True Romance:A Story Of Love and Crime

‘True Romance’ is a romantic crime film, written by Quentin Tarantino and directed by Tony Scott. The plot follows an ex call-girl called Alabama (Patricia Arquette), and her husband Clarence (Christian Slater), as they go on the run from the mob after Clarence accidentally steals a large amount of cocaine from Alabama’s ex pimp.

This film feels very Tarantino esque despite only being written by him, all the hallmarks by which we would come to know his work are all present here; much like all of his pictures this film is glorious. Yes, my thoughts on current Tarantino have been noted in previous reviews, I don’t think he has made a film that was of the same caliber as his early works since ‘Django Unchained’ back in 2012; I think he is on the decline as a director.

The tone of the film again is familiar to Tarantino fans as it has moments of extreme darkness and moments of levity, it has moments of gritty realism and moments of fantasy oddness. One such odd detail which also happens to be one of my favourite bits of the film is how Clarence has Elvis (Val Kilmer) as an imaginary friend; a lot of these wacky details add to the film’s manic sensibilities.

That said the film also pulls off slow meaningful moments well, there are a lot of scenes between Alabama and Clarence that have genuine warmth and emotion to them. The relationship between the two grows throughout the runtime of the film in a real and organic way; you can feel the love they have for each other.

The performances in this film are also excellent, Slater and Arquette do a great job as the leads, but the supporting cast also give great turns. The late James Gandolfini is terrific as a mob hitman called Virgil, though his character isn’t in it a huge amount he shines with what he has. There is a brutal fight scene between his character and Alabama and the monologue that Gandolfini delivers before and during it can only be described as chilling.

Christopher Walken is also instantly memorable as Don Vincenzo Coccotti. Though Walken’s character only has a scene he brings such a presence to the screen such as sense of gravitas that he is immediately captivating.

Overall, this film is phenomenal it a testament to Tarantino as a screen writer as it is a film that features a lot of characters, but each one feels unique and special.

Pros.

Tarantino Magic.

Great Leads In Slater And Arquette.

Gandolfini Is A Scene Stealer.

So Is Walken.

Cons.

A Little Slow At Times.

4.5/5

Reviewed by Luke

Jojo Rabbit: A Film Like No Other

‘Jojo Rabbit’ is a comedy-drama film about a young boy called Jojo (Roman Griffin Davis), in Nazi Germany who has an imaginary friend. His imaginary friend is non-other than the infamous tyrant Adolph Hitler (Taika Waititi). When one day Jojo finds Elsa (Thomasin McKenzie), a young Jewish girl living in his attic and, his life is turned upside down. The film is based on the book ‘Caging Skies’ by Christine Leunens.

Jojo worships Hitler, though it is portrayed more like he is brainwashed, and he dreams of being the perfect German Nazi. However, as the film progress, we learn that Jojo isn’t a monster, rather he is a young boy who wants to belong and, is deeply naive.

However, where this film could have been very dark, it is played for laughs at every turn; with Waititi’s signature blend of humour. This is best shown in the relationship between Jojo and Hitler, Hitler himself is basically a big kid and, likes playing silly games with Jojo; who is often the more mature of the two. This film takes all the lies and, propaganda about Hitler, that paint him as a mythical being and laughs at each one, making them the butt of the joke.

The relationships that Jojo forms with both Elsa, as well as with his mother Rosie (Scarlett Johansson), are both moving and well done. With his relationship with Elsa, you can see Jojo realise more and more that his worldview is incredibly false as he grows to care for her. They look out for each other and, the familial bond they develop is quite touching. However, the scene-stealer in this film is Johansson she plays both the loving mother, as well as someone who is fighting against tyranny really well. When she dies, it is both abrupt and heartbreaking; reflective of the horrors of war.

Another thing this film does so well is it shows the humanity on both sides of the war as it humanises some of the Nazi characters. We should all hate Captain Klenzendorf as he is a Nazi officer but, the film goes for a more nuanced approach and, shows him help to save Jojo and Elsa on two separate occasions, making him far more layered than other Nazi characters previously in cinema.

Overall this is a beautiful film about love and learning to be a better person. It doesn’t paint in absolute of good and bad, rather it serves to try and show the best in everyone and, have a good laugh at the absurdness of the whole situation.

Pros.
The Message.
The Acting.
The Humor.
Johansson’s Performance.

Cons.
This Isn’t Going To Be Everyone’s Cup Of Tea.

5/5

Reviewed by Luke

Better Watch Out: A Master Killer In The Making

Better Watch Out is a psychological horror film about a babysitter who is taken, hostage by the child she is babysitting.

I had this on my list of Christmas films to watch, though now having watched it I can safely say it has absolutely nothing to do with the season itself, apart from being set around that time, so this really isn’t a Christmas film.

The plot of the film is incredibly obvious, the audience, as well as Ashley, (Olivia DeJonge), in the film, are supposed to believe that a mysterious unseen force is trying to break into the house to kill Ashley and, the young teen she is babysitting Luke, (Levi Miller). However, it is clear to see from the moment he is introduced that Luke is a bad apple, it is also clear to see that he has an unhealthy fixation with Ashley; making multiple attempts to seduce her.

So when the inevitable twist happens and, it turns out the break-in was staged by Luke and his friend Garrett, (Ed Oxenbould), to once again try and, seduce Ashley it is in no way surprising. What follows then is a series of events that simply couldn’t happen and, the way the film explains Luke getting away with them all is that he is super smart; yet he commits a series of murders without wearing gloves, so he is leaving fingerprints everywhere, and then gets away with it at the end of the film. This to me just reeks of bad, convenient writing.

Whats more Miller is very hateable as a child psychopath who thinks he is the best thing since sliced bread, almost too much so. However, we as an audience are trained to want to see these kinds of people fail and, be punished for there evil ways, but the end of this film subverts, that expectation. Not in a good way that is clever but, rather in a way that is incredibly frustrating and, anti-climatic. The ending is that he gets away with everything because he is so smart; there is a tease of maybe he will get found out, but that is all it is a tease. This film seems to want you to root for Luke, showing how smart he is and, how perfectly planned out he has everything, this feels off especially when the character you should be rooting for Ashley is barely developed, her plot worthy characteristics are who she use to date.

Overall this film is frustrating as it set’s rules and, then 5 minutes later it breaks them. It seems to glorify a budding serial killer, and completely ignore its main character.

Pros
Good Gore
It Is Nice To See The Kid From The Visit Again

Cons
Logic
Miller Is Too Good
The Way The Film Treats Its Main Character

1/5

Reviewed By Luke

Bad Santa 2: Santa Is Back In Town

‘Bad Santa 2′ is a Christmas black comedy, crime film. The plot this time around follows on from that of the first film, after an undetermined amount of time, Willie, (Billy Bob Thornton), is back at the end of his rope, quite literally, and the thing that saves him is getting a call from his old friend Marcus, (Tony Cox), offering him a chance to make 2 million dollars. The job this time around sees the pair stealing from a charity, what’s more seasonally wholesome than that, which is run by Diane, (Christina Hendricks) and her Husband Regent, (Ryan Hansen). The pair are also joined on this job by Willie’s mother Sunny, (Kathy Bates), who has a strained, to say the least relationship with her son.

This film isn’t as good as the first film, don’t get me wrong I still like it, but like many other needless belated sequels this film doesn’t ever really justify its existence, Moreover, though the new characters provide for some good laughs, Hendricks’ especially, they water the film down to a degree; spreading it too thin.

The carrying over relationships from the first film are expanded upon here, Willie and Marcus are still warring brothers this time around both being there for one another and, also prepared to double-cross the other at every turn. Marcus gets his own subplot this time around about him trying to sleep with security guard Gina, (Jenny Zigrino), which makes for interesting viewing and, a few good humorous scenes. Also, Thurman, (Brett Kelly), returns he is now grown up and, seemingly unable to live his own life; literally moving halfway across the country to find Willie and, then proceeding to live at a homeless shelter because Willie won’t put him up. The ending of this film gives us a nice happy resolution for the pair as Willie basically adopts him and, finally sees Thurman as family; which is sweet.

In terms of the newer characters, not a whole lot is done with them, Kathy Bates is mostly wasted, she gives a little bit of colour to Willie’s earlier life and, then in a twist everyone saw coming ends up being the real villain of the film. Hendricks, on the other hand, is charming and, funny as a wife in a loveless marriage who starts sleeping with Willie on the side, if they did a third film which it looks like they won’t, but if they did it would be nice to see her return.

Overall this film is still the same charming, black-hearted, Christmas comedy film that the first one was, but maybe to a lesser degree. The newer characters seem short-changed but, the returning characters get satisfying resolutions.

Pros.
Hendricks.
Tieing Up The Character Arcs From The First Film.
Still Hilarious.
Still Has A Strong Heart.

Cons.
The Newer Characters Are Mostly Short Changed.

4/5

Reviewed by Luke