27 Dresses: Learning The Art Of Catching The Bouquet

Written by Luke Barnes

Summary

A habitual bridesmaid, played by Katherine Heigl finally gets her own love story.

In many ways this is an incredibly generic rom-com, all of the toxic and cliched elements are all present and everything happens the way you would expect it to. The surprises are kept to a minimum.

However, despite all of that there is a charm to this film, it is all of the bad things that I labelled it above, but there is also a warmth to it, the idea of junk food springs to mind in that sometimes we consume what we know is bad for us just because we want to satiate a craving, this is very much that we know it is toxic and problematic yet it is also a good rom-com.

Moreover, despite her reputation for being difficult this film made me miss the slightly awkward charm of Heigl especially as she has been absent from our screens for quite a long time now. I thought she had great chemistry with her leading man James Marsden and I believed the two of them as a couple. Really it is hard for Marsden to be bad in anything and that helped this film a lot.

Overall, though it is predictable, clichéd and toxic there is also something warm and familiar to enjoy.

Pros.

It feels like quality junk food

There is a warmth to it that is infectious

Heigl and Marsden both put in good turns

Cons.

It is cliched, toxic and predictable

It is badly paced.

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She-Hulk: Superhuman Law

3/5

Written by Luke Barnes

Summary

Jennifer Walters, played by Tatiana Maslany, is fired from her job after getting into a superhuman show down in the courtroom and must now look for other work.

I enjoyed this episode a lot more than the first and thought that it was a noticeable improvement. I thought the comedy landed a lot more and made me laugh a few times and I also like that they are quite clearly setting up the Planet Hulk and World War Hulk comics storylines, as we see Banner, played by Mark Ruffalo leave on a space ship in the episode. I also thought bringing back Tim Roth’s villain character from The Incredible Hulk was a smart move especially because it puts Jen in a morally questionable spot and also develops out the character more beyond just being a mindless evil Hulk creature.

However, this episode still has some noticeable issues. The worst of these is how this episode just moves on from the Titania, played by Jameela Jamil, introduction last week and doesn’t even bother to bring her character up again which gives that final interaction in the first episode an air of pointlessness and I think that whole sequence was a poor fit. Moreover, the lines at the start of the episode in the bar when Jen says how much she doesn’t want to be a superhero and how bad her super hero name is are irritating, worse yet is the line about billionaires and orphans which feels like they are dumping on what has gone before which isn’t a winning strategy.

Overall, certainly better but the writing still needs a lot of work.

Pros.

The humour is starting to land more

World War Hulk

Bringing back Tim Roth

Cons.

The early bar scene

Ignoring Titania

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Only Murders In The Building: I Know Who Did It

2.5/5

Written by Luke Barnes

Summary

The trio reveal who the killer is.

I worried last week that the show would swerve away from having Cinda, played by Tina Fey, be the main villain of the series, and then this episode proved that worry to be founded by having it be her assistant instead. I think this reveal was way less satisfying and felt quite anti-climactic.

Moreover, another thing I didn’t like about this episode, which has also been at the borders of this whole second season more broadly is a sense of smugness. I know the show has been nominated for a number of awards and has quite a devoted fanbase, but the series seems to be a little too into itself now, giving far too many knowing looks to the audience.

I will give the episode some praise for bringing back Cara Delevingne’s character, even if she is still being incredibly under used, I think Delevingne’s new arrival is probably the best thing about what is otherwise a very mixed season.

Overall, a decent end, but one that highlights the shows key issues, it’s long in the tooth continuation onwards, and its smugness.

Pros.

Bringing back Delevingne

It was watchable

A few funny moments

Cons.

The smugness

It ignored the best possible villain

It like the rest of the season was badly paced

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I Love My Dad: Taking Facebook Creeping Up A Notch

2/5

Written by Luke Barnes

Summary

A dad, played by Patton Oswald catfishes his emotionally vulnerable son, played by Jason Morosini, after he blocks him online.

I have two key issues with this film. Firstly, the end of the film shows the son being warm towards the dad and even goes so far as to almost celebrate the dad at the end when in actual fact the dad is cruel, unethical and deeply controlling. This normalisation is not undone by the fact the film points out these issues in the father’s personality as in the end these criticisms don’t matter. Secondly, the film tries to bill itself as the ultimate cringe comedy, but instead just comes off as deeply depressing and leaves you feeling sad.

There are a handful of sparse laughs to be had here, but for the most part this film leaves you cold. Honestly the context of the son’s mental state makes the film uncomfortable viewing, in a different film the father’s catfish could come off as funny or even as a prank but as here he knows his son has suicidal tendencies it just comes across as messed up and wrong.

Overall, not particularly enjoyable.

Pros.

A few laughs to be had

It is mercifully short

Cons.

The father doesn’t deserve to be redeemed at the end

It is not as deep as it thinks it is

It makes for uncomfortable viewing

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Day Shift: Ruining A Perfectly Nice Pair Of Pants

3/5

Written by Luke Barnes

Summary

Jamie Foxx is a vampire hunter and Dave Franco is a man who consistently ruins his slacks.

For the most part I enjoyed this film. I think tongue in cheek action is where Netflix really shines, not when they are trying to be serious. The comedy of this film mostly landed for me and I found myself laughing quite a few times. Likewise I was impressed by most of the action sequences, but I would expect nothing less with Chad Stathelski’s hand in producing this film.

The world building here was nice to see, even if it did feel like a plagiarised version of the John Wick set up with the Union being a very obvious stand in for the High Table and or the world of the Continental. It was nice to see the film explore different types of vampires with different powers and abilities as it gave the various enemies some nice variety.

I think in terms of performance Jamie Foxx is very take him or leave him, he’s fine but anyone could have done his role and many would have done a better job of it. Franco easily upstages his on-screen partner and has a number of memorable lines. However, I think the scene stealer of the film is Natasha Liu Bordizzo’s Heather as she brings a real presence to the film and also has great chemistry with both Foxx and Franco.

Overall, a moderately entertaining picture.

Pros.

Franco

Bordizzo

The action

Cons.

It feels a little too similar to John Wick

Foxx is a miscast lead

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Only Murders In The Building Sparring Partners

3/5

Written by Luke Barnes

Summary

An old enemy rears their head as the gang home in on a murderer.

So I think this episode was again a mixed bag, for the most part it is filler and padding, however the final twist reveal more than makes up for it. By pointing the finger at Cinda, played by Tina Fey, the show really capitalises on the dislike the audience has for her and creates a satisfying ‘it all makes sense now’ sort of moment. I will say however, that if the show doesn’t go with Fey’s character being the villain of this season then it will feel like a huge missed opportunity.

Again the Oliver, played by Martin Short, parenting subplot continues to not even remotely interest me, as we all know the secret will come out it is just inevitable. I think some of the side stories this season has done has expanded and deepened the character of a lot of our favourite Arconia residents however, in other cases such as this it has just ended up feeling like filler.

I liked that Cara Delevingne’s character returned and that it looks like she won’t be the villain, hopefully in the next episode we can have her origins explored a bit more so that her character can start to feel less two dimensional.

Overall, a fairly standard episode made a lot better by a great and satisfying twist ending.

Pros.

The ending

Delevingne’s return

The sparing sequence

Cons.

The Oliver parentage side story

The pace is really quite off

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Only Murders In The Building: Hello Darkness

3.5/5

Written by Luke Barnes

Summary

The trio must race back to the Arconia in order to save Lucy, played by Zoe Colletti, who faces down a killer in a blackout.

I was right the prospect of a blackout did lead to interesting things. I think the idea of Lucy genuinely being in danger of dying and the sort of ticking clock narrative of all that really helped to bring me back on board for this episode and to care again. I thought this episode often nailed the tension it was going for and had genuinely worried for the characters.

I also really enjoyed the Nina, played by Christine Ko, side story in which she chats to the buildings doorman, played by Teddy Coluca, during the blackout. I thought it was nice to see a more human side to Nina as parts of this season have set her up as some what of a cold character or even a possible future antagonist. I thought the scene the two shared was sweet and it brought a smile to my face.

However, nothing can ever be without flaw. I didn’t like the Oliver, played by Martin Short, subplot wherein he questions his son’s parentage. It felt almost soap opera esque and entirely needless, I would have rather the series be shorter and we don’t have to get overly indulgent filler like that.

Overall, certainly a lot better than the last few episodes but not without its issues.

Pros.

The tension

How the episode uses the blackout

The scenes with Nina

It makes you care about the characters

Cons.

The Oliver subplot

It feels like the ending of the season should be closer than it is

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She Hulk: A Normal Amount Of Rage

2.5/5

Written by Luke Barnes

Summary

Jennifer Walters, played by Tatiana Maslany, gets into a car accident with her giant green cousin and accidentally becomes a Hulk.

Yikes, I think of all the Marvel series thus far that this was the worst opening episode. This first episode really doesn’t seem to understand the Marvel beat, whilst being so try hard in its almost parody of Fleabag it presents a very confused identity.

To add to this there is some really quite jarring editing choices that make the episode feel choppy and not quite right. The choice of flashbacks taking place just before and then in the middle of a trial which then features a random fight, all without much explanation at all, makes things difficult to follow.

In addition this first episode is very heavy handed on the social commentary, far more so then anything else we have seen from Marvel to this point. I have no issue with films and TV shows making comments on political/social issues as long as they have a fresh take and don’t feel like they are just repeating talking points, this does the latter.

Finally, I understand needing to shorten things for the sake of the episode’s narrative, but having She-Hulk immediately being able to control her powers and not needing to train much at all, beyond one montage, again feels unearned.

Overall, I had heard the first episode was rough and that things get better, let’s all hope that’s true.

Pros.

The Hulk fight was cool

Maslany is trying

It is watchable

Cons.

It is preachy

The CGI still looks bad

She-Hulk immediately being great is bad story telling

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Hey Bro A Sneak Peak From The Feature Film The Hard Life And Times Of Clownie: Clowns Have Problems Too

3/5

Written by Luke Barnes

Summary

Clownie, played by Josh Rutgers, must face down a dark night of the soul after being kicked out of the clowning association.

I enjoyed the raw passion of this film and the clear enthusiasm that was on display in every frame. It wasn’t a perfect film, but it has a lot of heart and really that is what I liked about this film, it knew what it was and it was just a group of people having fun and at the very heart of the matter that is what all films should be.

My main complaint of this film would be that it isn’t on long enough for us to become properly attached to Clownie, or to buy his emotional journey. However, I suppose that is what sequels are for, there is always more ground to cover in the future. In terms of short films this is definitely on the shorter side.

For the short time it was on I found the film quite compelling, and I was interested to see how it would play out. I think the ending raised the stakes for the film and left us with some questions about where things can go from here.

Overall, a film that has clearly been made with a lot of passion, love and talent.

Pros.

Clownie as a character

The ending

The passion is clear to see

Cons.

It is too short

It is a little messy in places

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Mack And Rita: Maybe Its Time To Retire

1/5

Written by Luke Barnes

Summary

A thirty year old wakes up in her seventy year old body.

How many times have we seen this before? Far, far too many that’s the answer most of us will come to. The idea of a vain and entitled girl becoming old to learn that there is more to life, is neither new nor welcome. When approached with the charm of a Freaky Friday the premise at least has a chance, but this is the furthest thing from charming.

Moreover, if this film is proof of anything it is that it is better to go out on top than to keep acting well past your prime when you have to politely poo all over your reputation and past glories by staring in schlock that makes you come across as more than a little desperate. It happened to DeNiro with Dirty Grandpa and I’d dare say this is that same moment for Diane Keaton.

The humour this film aims for comes across as try hard, and often falls into the category of going out of its way to explain/signpost a joke which as we all know kills it almost every time.

My biggest question in relation to this film is who is it for? Is it for young audiences, who likely wouldn’t know who Diane Keaton is, is it for middle age or older audiences, who may be put off by the goofy humour, or is it for Keaton die hards, who will feel some sadness at seeing her reduced to this. The question remains unanswered.

Overall, a waste of time and money.

Pros.

If you are struggling to sleep this might be just the ticket.

Cons.

Keaton

The humour

The premise has been done much better before

There is no reason for this film to exist

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