Batman The Caped Crusader: The Life And Times Of Oswalda Cobblepot

Written by Luke Barnes

Summary

Batman the much cancelled series finally finds a home, that it then proceeds to stink up.

So, as someone who enjoyed many Batman tv series as a kid particularly The Brave And The Bold I was excited for the idea of a new Batman series to get stuck into. However, little did I know that this series was made by the franchise destroyer himself J.J Abrams. After WBD didn’t want the series and sold it off there should have been red flags, but I was like maybe there was a good reason for it and the series is still good, but no.

Upon turning the show on the first thing that hits you is that this is made for modern audiences. We see every ethnicity, gender, ability level and what not on screen in the first episode and it only goes more over the top from there. There is nothing wrong with diversity when it is done for a reason or with a point in mind, particularly if it is organic to the show, but here it is clearly just ticking boxes in order to try and get as much virtue signalling as possible, it is tokenistic. The worst example of this is Oswalda Cobblepot, Batman has a long history of female villains why not feature one of them instead of forcing in a gender swap for no good reason. At times it felt like Abrams and co wanted to flip off the fans as much as possible

We also, perhaps in some sick homage to Snyder, have a scene wherein Batman is holding a gun, this to me and many fans just highlights how this series has no respect for the character or his lore, it is just more low grade slop wrapped in a Batman colouring.

Overall, if you want a new Batman the Animated Series this is not it.

1/5

Pros.

The animation was okay

Cons.

It doesn’t understand Batman

The series as a whole has a terrible pace

It doesn’t make sense at times

The tokenism and gender/race swaps

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X-Men 97: A Blast From The Past

Written by Luke Barnes

Summary

When scraping the bottom of the barrel what is there to do but move on to the next decade.

At first when I saw Disney were resurrecting this old and beloved series I thought to myself this would be little more than a cynical effort in brand exploitation. However, upon watching it I found there to be a lot of elements to like, in many senses this series felt like an X-Men comic book come to life. A number of iconic X-Men moments where depicted in the series for the first time and they were done justice to.

Personally the nostalgia factor was not there during my time with the show as whilst I grew up on X-Men cartoons for me it was Evolution that was my go to X-Men fix.

Something that hampered my enjoyment of the show was how it would jump around in structure, in one episode we would follow the main team but in the next a side story. To me this felt disjointed and often killed excitement I may have had between episodes.

Another thing that somewhat affected the series for me was its allegiance to current year identity politics. We had characters that were non binary, and I am no Morph expert but I do not believe the character was called this in the comics as this is a modern term. As such I believe it was included to tick a box which is the cheapest and laziest form of representation. The series also focuses heavily on the characters feelings towards Wolverine which as a side character this felt odd. The Scott and Jean relationship of which is central to the X-Men lore got less screen time and plot consideration, this could only be done in a tokenistic effort to show diversity on to appease bluehead people online.

Overall, whilst it was nice to see classic X-Men moments on the screen for the first time it was undercut by a need to appease identity politics and the structural issues with the episodes which I found jarring.

3/5

Pros.

Classic moments

A number of good action set pieces

Some fun to be hard

Cons.

Identity politics

Odd pacing and structure

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Despicable Me 4: Everybody Wants To Rule The World

Written by Luke Barnes

Summary

Gru, voiced by Steve Carrell, is back and this time he’s on the run.

In my opinion this is easily the best animated film of the summer and a template for what animated films should be. We had some laughs, we had some emotions and we had a good sing song at the end. There was no heavy themes no need to talk about real world politics, and no literal embodiment of Joy crying twice as there was just no hope left. My biggest take away post seeing this film is that it is for kids and Inside Out 2is for white middle class liberal women who want to relive their girlhood whilst drinking a wine cooler.

Would I say this film was up there with the second and third Despicable Me films no probably not, but I would place it ahead of the first film. My primary reason for this is that I found the plot whilst entertaining to be a little light of stakes. Yes, Cockroach man, voiced by Will Ferrell, is funny but do I buy him as this big bad threat to Gru and his family not really. I also thought that though the idea of Gru taking an apprentice has some good legs, the Poppy, voiced by Joey King, storyline didn’t really explore it, instead wanting to be far more of a genetic Gru is blackmailed storyline. I suppose when they do a sequel if they bring her back it could lead to some interesting moments for the character.

As for the minions, the most important characters in a Despicable Me film I would say they have some stuff to do and do have a number of funny moments but lack as much screen time as you would want or expect. The super minions is an interesting idea but they don’t do much with it.

Overall, good but not the best in the series

4/5

Pros.

The sing song at the end

It is fun

It has some emotional moments

It is well paced

Cons.

Poppy needs to do more

We need more time with the minions

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Velma Season 2 Overview: Please God Let It Stay Dead

Written by Luke Barnes

Summary

The Scooby Doo franchise is once again vandalised.

There is nothing that can be said about this show that hasn’t already been said. This show is the most clear cut example of a film or tv show that hates its IP, not only is this a self-insert for Mindy Kaling, the woman who joked about how she had forced a man to kiss her which is sexual harassment, but it just hates the Scooby Doo brand.

Velma, voiced by Kailing, could only be more annoying if she did everything in a high pitch squeaky voice, she is hateful towards men, towards women, toward anyone that is not like her. Honestly in real life she would be the villain, despite her saying on the show she’s so progressive she is actually really horrible and judgemental to everyone around her, the show thinks it can get around this by going oh but we acknowledge she’s a bad person so its fine. Nope having horrible unlikeable characters is all on the writers.

They pull out all the cards to make this edgy, with the sex and the violence but they need to realise the reason other adult animations can get away with that sort of thing is because people care about the characters, no one cares about Velma. I was honestly surprised there wasn’t a scene of Velma having sexual relations with the well-known great dane, but hey Warner Brothers Discovery said she can’t have the dog appear in the show. The fact I expected to see that shows you just how low and gutter trash this show is, it will do anything for a cheap shock laugh.

They also made Scrappy Doo the villain of the season, which because of how the show is made him the hero of the season instead, which is an odd feeling when it comes to Scrappy, but hey ho. Velma dies in the final battle so hopefully she and the series never come back.

Overall, just as bad as the first season but now a little bit extra stale.

0/5

Pros.

None, this was a few hours of my life I’ll never get back

Cons.

Kailing

It is not funny

It hates the IP

It is frequently gross for no rhyme or reason

Velma is an awful person

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Garfield The Movie: A Tale Of Two Kitties This Is Not

Written by Luke Barnes

Summary

Garfield, voiced by Chris Pratt, is back on the big screen.

So I am a big Garfield fan, I grew up watching the films and have watched every episode of Garfield and Friends many and I mean many times over. As such I was very excited for this film and it was the film I was the most excited to watch this year. Sadly, this wasn’t really a Garfield film.

Yes, you have John and Odie, him liking food and even his teddy, but really that is where it ends. Garfield may get into zany adventures but he is not some sort of heist/action character. Think about the films, in the first he took down someone who wanted to use Odie for evil, but he did it in a very Garfield way, lazy and sarcastic. In the second he saved a manor from being sold off, again he did this by teaching the animals about goofing off and eating. You see in both cases the problem is solved by him being himself, not him being something he isn’t. Here we see Garfield have to become a cat of action and learn to live in the real world and go on heists for some reason. Why is it that every film now must be about a heist.

There are some okay moments here don’t get me wrong I don’t think its awful, I just don’t think its Garfield.

The father and son stuff really for was whatever as we have seen it all before in other films, and you know exactly where each beat is going. They do nothing new with it.

My only positive for the film really is that the beginning stuff with kitten Garfield and how he first met John is adorable and heart-warming. That was a really good way to start the film it is just a shame the rest of it was so very eh.

Overall, fine but this is not a Garfield film.

2/5

Pros.

A few nice moments

A really strong beginning

Cons.

It isn’t Garfield

The father son stuff didn’t work

It was incredibly predictable

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Inside Out 2: The Increasingly Depressing Life Of Riley

Written by Luke Barnes

Summary

Riley, voiced by Kensington Tallman, is going through changes.

Please believe me that won’t be the only reference I make to Big Mouth during this review.

So  before we get into this I want to head off the complaint of ‘oh this film wasn’t for you’, films are made for everyone they are made for a mass audience, so yes it is. People of all ages can enjoy any film they want and take different things from it. My question is who was this film made for, because in the audience when I saw it there may have been one child but by and large it was an adult crowd.

Anyway moving along, I thought this was a decidedly average sort of film, it had a few good moments, namely whenever Pouchy showed up, and it had a number of odd choices and messages that I think ruined the film in a number of ways. Widely, both mostly cancel each other out, but I would say that this film is probably below average in terms of Pixar’s wider output.

I think the most baffling decision about this film is how it is not fun in anyway. Riley is going through a hard time and is sad in a lot of the film having to find a way to fit in, dealing with her friends leaving her, and the emotions are going on a quest to save the old pre-puberty Riley. However, as Big Mouth teaches us you cannot stop changes, you cannot go back to the happier and more innocent days of your childhood, and the emotions realise this over the course of the film with them having a heavy time of it. Joy, voiced by Amy Poehler, literally cries several times over the course of the film. A fun time at the movies for the whole family.

Speaking off Joy is quite irritating here, so the central conflict of the film happens as the new puberty emotions show up and take over with Joy and co sent away, she then goes on a quest to get the old Riley back. However, not only is this futile but has a terrible message, the film seems to suggest for the most part that one should not accept change and must always be a good person and be positive otherwise they are inherently bad. This makes little sense and lacks any idea of nuance. Though Anxiety, voiced by Maya Hawke, does go a little crazy by the end people need anxiety to get anywhere in life, having anxiety is normal. The film does try and have Joy learn a lesson and learn that she needs to be less of a control freak but it then rewards this by letting her be in charge again. Joy at times has a karen like mentality in how she treats almost all of the other emotions, which is to say badly.

Moreover, another thing I thought was weird was that the film spends a lot of time, and I mean a lot, showing how Riley wants to be a hockey player. Now this is normal however, whenever the film seems to think that Riley is being a bit too masculine, in a traditional gender norms sort of way, it has to go out of its way to make her goofy or silly. To me this is problematic, as what would be so wrong with her being tough and wanting to be a hockey player and doing it earnestly, why does she need to have all the goofy I’m a teen girl shenanigans unless they are worried about how she will present from a gender norms point of view. I could understand if these moments were supposed to be for comedy and that’s why she’s goofy but the whole rest of the film entirely neglects comedy for the most part so that doesn’t make sense. It felt very traditional in how it wanted to show gender norms and in some ways a bit patronising, as rather than let her be competitive and wanting to be the best hockey player there, it had to tie into a narrative of oh is she a good team player, what about her friends, oh it’s just girls having fun. One has to think if it was a male lead would it be the same or would they have allowed him to be competitive and want to be the best and not made it about him and his friends. In this sense the film can be seen to reinforce very traditional gender roles and be regressive towards female athletes.

Finally, and you know we couldn’t talk about current year Disney and not bring up the w word. For the most part this film is fairly devoid of the identity politics you would expect of current year Disney. However, there is one scene so cringe in this regard that I knew I had to include it in the review, during a part of the film where the emotions are going through a part of Riley’s mind showing dream jobs she had as a child one of them is a supreme court justice. This to me stood out because what kid is that politically aware, most kids want to be a dinosaur, a princess, an adventurer or some other sort of thing like that no kid has ever said they want to be a supreme court justice, I don’t believe that. The fact it was included in the film screams to me of the obsession that liberal women seem to have with RBG again not all liberal women but a lot of the Hollywood ones for sure. Look at the ham-fisted inclusion they did in Book Smart, again just because these Hollywood people are political they should not assume that teens or kids are, as most aren’t. It is just such an odd and out of touch sort of inclusion that it made me roll my eyes.

Overall, it is fine but not really an enjoyable trip to the cinema.

2/5

Pros.

Pouchy

It is not as woke as it could have been

Cons.

It does not let Riley be competitive or fully into hockey, it lessens it to not scare people off

The supreme court justice line

It is very sad

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Thelma The Unicorn: Netflix Just Doesn’t Care At This Point, They’ll Just Put Out Any Old Garbage

Written by Luke Barnes

Summary

A pony, voiced by Brittany Howard, decides to be a unicorn for reasons.

This is why Netflix will never be taken seriously as a film studio. This is why when the CEO is saying oh Barbie and Oppenheimer would have been just as big if they were released on Netflix no one believes him. Because for every good film Netflix puts out accidentally, there are 100 of these and films like Atlas, by that I mean utterly trash soulless pieces of garbage made as some sort of way to get a clever tax write off or maybe clean some cash, in my opinion.

So is there any heart or charm to this? Do you even need to ask me? Nope it is entirely soulless hollow 3D animation that looks just like everything else and that honestly for the amount of money Netflix likely put into this looks terrible.

The message of it is better to be yourself than be someone or something you are not is pretty on the nose here, I understand it is a kids film but you don’t have to treat the audience like they are dumb. Outside of that is there anything of good substance for your kids to mull over, or for you to mull over, not really there are some horrible references to things people over at Netflix think kids like, but it is all just the usual cringe.

Overall, if Netflix want to be taken seriously they need to cut production in half, they need to stop pumping out garbage all the time and take stock of what and who they have and try and retool anything they can’t cancel and cancel anything that is not locked down to try and turn these projects around. Netflix needs to start caring about quality over quantity.

1/5

Pros.

It is not offensively bad

Cons.

It is soulless

It is hollow

It is vapid

It message is obvious

It is ugly to look at

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Tales Of The Empire: A Further Glimpse Into The Inquisitors

Written by Luke Barnes

Summary

Morgan Elsbeth and Barriss Offee, have their lives explored.

So for the most part I thought this was a really good anthology series. I liked that we got to see more of two groups that I am really interested in The Nightsisters and The Inquisitors, I think both are fascinating and would watch a solo show about either in a heartbeat.

I thought that Offee’s story was by far the better of the two, the majority of my complaints with the series come from the Morgan side of things but we will get there. It was interesting to see Offee go to the dark side, and see how easy it was for young Jedi’s to come to believe that the order was in fact evil and turn their backs on it. It was fairly predictable that she was going to go back to the light and she did, however, it led to her death and personally I would have liked to have seen her survive. Mainly because another Star Wars series I would like to watch is a The Path show that talks about the Jedi Underground and brings back some MIA Jedi’s such as Quinlan Vos and possible Kal Kestis and Merrin.

The Morgan Elsbeth episodes started out promising with a wider exploration of Dathomir but then got bogged down in Imperial intrigue and the vague set up of Thrawn. I understand why they choose her for the other half as she is important in the Ashoka show however I would have given them to someone else as I think watching her become mad with power felt a little boring.

Overall, more good than bad and some very welcome exploration.

3.5/5

Pros.

Offee’s journey

An exploration of the Inquisitors and The Nightsisters

It sets up a lot of interesting things

The animation is really well done

Cons.

The Morgan Elsbeth plotline gets bogged down

It has an iffy pace at times   

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Transformers 40th Anniversary Event: A Glorified DVD Extra

Written by Luke Barnes

Summary

Most of the original cast from the very first Transformers series get back together to rerecord the first few episodes, and you get to watch them do it.

This experience made me realise I am not as big a Transformers fan as I thought I was. It also made me realise the dire state that the Transformers IP is in. Before the proceedings began we got a new look at the upcoming Chris Hemsworth film, which looks awful just awful who wants Megatron and Optimus Prime as slacker pals- no one is the answer. Then we saw a look at some children’s show which looked equally awful, my main takeaway from that was what a horrible to look that sight 3D animation is.

To me this experience which was just the first few episodes stitched back together again just stank of desperation. Paramount knows that it is in trouble, it is considering being bought out, so what does it do to make money it releases this. There is no artistry in this, no need to see it at the cinema, it is just like watching DVD extras at home. The irritating thing about it is that the first few episodes are split-screen between seeing what is happening in the episode and seeing the voice actors reading it out, this is incredibly distracting and I wish they had done it either with just them reading it, no cartoon, or with just the cartoon as is.

The most interesting bit of it was hearing some interviews with the original voice actors but again that was maybe 5 minutes of the wider runtime,

Overall, this feels like Paramount trying to fleece a cinema ticket out of die hard fans, and is nothing more than a glorified DVD extra.

1/5

Pros.

The interviews are entertaining

Cons.

There is not enough time spent talking to the original cast

The episodes are poorly spliced together, they should take out the ad break section to make it feel more cinematic

It is a glorified DVD extra

The split-screen is a bad choice

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The Bad Batch Season 3 Overview: One Last Time Into The Fire

Written by Luke Barnes

Summary

The Batch are back for one last fight against the Empire.

I would say that this is the best Star Wars related piece of media in a long while. Now I am not saying season 3 is perfect, because there is still a little fat that could have been trimmed off it and a new episodes that felt like filler, such as when they brought back Ventress for no real reason.

However, that aside I thought this season was the best one yet, I think that though we did get some filler, it was far, far less than we had in previous seasons. For the most part the season kept to a terrific pace which kept the tension going throughout, episode double acts such as the one at Rex’s base were incredibly well done and were the best thing I have seen out of Star Wars in a long time.

Moreover, the emotional stakes they managed to create over the course of the season were incredible, I didn’t think they would be able to top the heartbreak that was Tech’s death last season, but they came damn close here. I think the final scene of the series between Hunter and Omega is incredibly powerful and will spark even the toughest Star Wars fan to have a tear in their eye.

Overall, the series ended on a high.

4.5/5

Pros.

The action

The stakes

Where it leaves off

The final charge of the clones

It pays off in so many ways

Cons.

I would have liked to see Rex arrive in the final episode

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