Sorry To Bother You: What Would You Do To Succeed?

Sorry To Bother You is a dark comedy film directed by Boots Riley. The plot follows Cash (Lakeith Stanfield), a young black telemarketer who adopts a white accent to be successful at his job. Once Cash is a success he must decide where his priorities lie and who his real friends are, as everything is not as it seems, and dangers lurk at every corner.

I love this film satirical take on the world, I think there are parts of it that are genuinely hilarious and parts that make you think, as good satire should. However, I do believe that the absurdity of this film reaches a point where it becomes silly and loses the point. I am of course referring to the horse people that show up in the films final act. I understand that they are acting as a metaphor and are part of the satire, but at that point in the film I had given up trying to understand it as it had ventured into silly territory. I think this film could have been even stronger without the horse people being in it. I do believe the horse people will be polarizing to people watching this, you will either love them and think they’re inspired, or think their inclusion is dumb and confusing.

The main positive of this film is Lakeith Stanfield’s marvellous breakout performance! Stanfield nails the performance on every level, he is warm and likeable, he is funny, and he also evokes real emotion from us the audience during some of the film’s heavier scenes. This was and has proven to be a Star making turn for him and I think it is fully deserved.

However, on the flip side I think all the scenes with Cash’s girlfriend Detroit (Tessa Thompson), drag on and on. I have yet to be impressed by Thompson in a single one of her performances, she is fine but she never blows me away, she was good in Thor Ragnarök, but that was a small part in a larger cast, not one of the main characters as she is in this film. I think many other actresses could have done a better job than Thompson in this role to name but a few off the top of my head, I think both Zazie Beetz and Lupia Nyong’o could have had interesting takes on the character, but ah well.

Overall, this is mostly a great dark comedy, Stanfield is terrific, and this film is worth watching for him alone, however a weak and strange third act and a less than average performance from Tessa Thompson stop this film from being a 5/5.

Pros.

Lakeith Stanfield.

A great dark comedy.

It makes you think and laugh.

Cons.

Tessa Thompson

The horse people.

4/5

Reviewed by Luke

Us: An Exercise In Failing To Live Up To Expectations.

Us is a horror film directed by Jordan Peele. The plot follows Adelaide (Lupita Nyong’o), who, as a girl, had a run in with a doppelganger version of herself in a Santa Cruz house of mirrors. Little did she know that everyone has a double, these doubles are called the Tethered and they live in underground tunnels everywhere, all across the USA, maybe even the world; for years they have been planning one thing, their revenge, this film chronicles them getting it.

The expectations for this film after Peele’s seminal breakout hit with Get Out were sky high, how was he going to top it? Well in my opinion, he didn’t. Whilst Peele’s earlier film had some cerebral elements to it, it was still a very straightforward narrative, by that I mean when the film ended you knew what had happened. However, Us likes to smell its own farts, the whole film seems to be up to your interoperation and the themes seem to be more important than the story itself, there are numerous scenes and plot holes, such as why the Tethered don’t always copy what their surface dwelling doubles do even though it is established early on that they do, which ruin the great concept the more you think about it.

For me the biggest issue with this film is it’s ending. There is a twist reveal that who we thought was Adelaide has actually been the evil Tethered version of the character all along, which is a good twist, but then the film just kind of ends. The way the film ends with the Tethered all linking up and joining hands across America, leaves more questions than answers and it doesn’t feel nicely wrapped up, like Get Out did, which to me makes the writing seem weaker.

I have to talk about Nyong’o’s performance which was fantastic. Was it Oscar nomination worthy, no it wasn’t. However, what Nyong’o did was create two characters that felt entirely different, but also similar enough that they could be switched over and we would believe it. Moreover, she also brought a great physicality to the role, the final fight scene between her and Red, (Or who we believe to be Red), was excellent and really well done.

Overall, this film fails to live up to expectations as it leaves us going what? Rather than feeling satisfied. I still think however, this is a good film and Nyong’o is great in it, just that the challenge of having to follow Get Out proved too much for it.

Pros.

Good premise.

Scares.

Nyong’o

Cons.

Far to up its own arse.

Unsatisfying.

Fails to live up to expectations.

3/5

Reviewed by Luke

Sonic The Hedgehog: The Hero We Need!

Sonic The Hedgehog is an action-adventure comedy film based off the beloved 90’s videogame figure. The plot follows Sonic after he flees his home world and takes up residency on Earth, there he meets Donut Lord (James Marsden), who accidentally tranquilisers him causing him to lose his rings, which Sonic needs to travel between worlds. While all of this is happening the US, government calls in a specialist to check out all the strange goings on, Dr Robotnik (Jim Carrey), who them seeks out Sonic to capture him and use him for his own odds and ends.

Can I just say that as someone who grew up playing Sonic in the early 2000’s this film is a triumph they nail Sonic (Ben Schwartz), Robotnik and the world, more over that post credits scene when they introduce Tails had me giddy with excitement. I am actively looking forward to a Sega shared universe and if all of the entries to the universe are as good as this, we might finally have something to rival the MCU.

My only complaint about this film is that occasionally it focused a bit too much on it’s human characters, while Marsden did a good job the same can’t be said for his in-film wife Maddie/ The Pretzel Lady (Tika Sumpter), who added nothing and was incredibly underdeveloped, the scenes that focused on her and her sister Rachel (Natasha Rothwell), dragged on and on and took away from the overall enjoyment of the film. The joke of Rachel not liking Donut Lord/Mike is used for all it is worth and it is never once funny.

However, Carrey’s turn as Robotnik more than makes up for the lack of comedy and he is phenomenal and hilarious. I didn’t realise until I was sat watching this film how much I had missed seeing Jim Carrey on the big screen, as he was a favourite of mine when I was growing up. Carrey brings some real menace to Robotnik, but also makes him super over the top in the best way, he perfectly walks that line between scary and funny.

Sonic himself looks great and reminds me of the Sonic from my youth, Ben Schwartz does a great job voicing him, he brings a lot of energy to the character and also makes him warm and likeable; there are elements of the latest iteration of Paddington mixed in the there I am sure.

Overall, there is a lot to love about this film, it is not only a great videogame movie, but also the perfect start to a wider universe. Loved it! If you’re a fan of Sonic or, a newcomer to the character I guarantee you will have a good time with this film.

Pros.

Setting up the world.

I missed Jim Carrey.

The post credits scene.

Sonic himself.

Cons.

Any scene with Maddie or her sister.

4.5/5

The Big Bang Theory: Life After The Singularity

The Big Bang Theory is a sitcom created by Chuck Lorre and Bill Prady. The plot follows a group of nerdy scientists as they have quirky adventures and misadventures and attempt to find love. The show ran for 12 series with the final series ending last year.

Carrying on from my post about Friends the other day I want to now look at some of that show’s successors one of which is The Big Bang Theory. Whether you love it or, you hate it this show has been around for a long time, longer even than Friends, and it has had an impact on pop culture, even inspiring a spin-off show in Young Sheldon.

I am of the mindset that this show never dipped in quality over it’s run, episodes from season 11 made me laugh just as much as episodes from season 1 or 2, but comedy is subjective. I think the ending of this show, Sheldon (Jim Parsons), winning the Nobel prize and thanking his friends and his wife is the perfect way to end it, the final scene of the show brought more than a few tears to my eyes.

Though some say that the comedy of the show shifted from laughing with the nerds to at them, I don’t agree. I think the characters were done justice to until the end, I think this show as well as some of it’s contemporaries helped in bringing nerd culture to the mainstream; it made being a nerd cool.

I liked how each character was developed over the course of the show and became more rounded, even background characters like Stuart (Kevin Sussman), had arcs and changed; we saw these characters grow as we ourselves did as well. The ending of the show gave all of these characters a sense of closure, except for Raj (Kunal Nayyar), who was left up in the air after his unsuccessful quest for love; I hope we don’t get a Joey esque spin-off for him, and this closure was just what we needed to move past this show.

Overall, I think The Big Bang Theory was less impactful than Friends, but that is not to say it wasn’t influential in its own way, it was. The Big Bang Theory reached out to all the geeks and nerds (myself included) out there who wanted to see a show they could relate to, where the characters aren’t going to parties every night and sleeping with different people near constantly and to them this show was a rallying cry, it made being a nerd cool; something that seemed like an impossibility.

Written by Luke

Happy Death Day 2U: No One Remembers Their Second Birthday

Happy Death Day 2 is a science fiction slasher film directed by Christopher Landon. This film again follows Tree (Jessica Rothe), as she becomes stuck in parallel dimensions, which all feature the time-loop from the first film and to escape she must discover who the new evil killer is and stop the loop.

I was a huge fan of the first film, It is one of my favourite films of all time and I went into this really excited to see how they were going to carry on this story, but sadly I was pretty badly disappointed with this film; it is however, still a good film, just not what I wanted.

Once again Rothe steals the show, she is fantastic as Tree and the fact that she isn’t a bigger star is nothing short of a cosmic crime. Her chemistry with Carter (Israel Broussard), is still fantastic and they are still the cutest couple in the horror genre; my romantic heart is still warmed by them.

The multi-dimensional storyline allows for some neat alternative situations which are fun to watch, albeit they do get a little stale after a while, but for the most part they’re entertaining. This ties into my main issue with this film, the director Christopher Landon has said that he wants to make every Happy Death Day film in a different genre: hence why this one focuses so heavily on science fiction. Therein lies the problem for me, I fell in love with this property as a horror slasher franchise I thought it did slasher in a smart and novel way, however, as a science fiction film that doesn’t really have any horror elements it doesn’t really work for me and comes off as boring; to many genre diehards this would be seen as a very weak and a very bad science fiction.

Overall, I admire the director for what he was trying to do, the different genre idea could have been cool, but how it is used here leads to a very generic, very bland science fiction film that leaves a lot to be desired. Maybe if you went into this with lower expectations than I did you would like it more, as there are still things to like such as the characters, but for me this film was deeply lacking.

Pros.

The Characters.

The Humour.

Jessica Rothe’s Performance.

The concept.

Cons.

The concept is poorly executed which leads to a boring and bland final product.

4/5

Reviewed by Luke

Avengers Endgame: The MCU Reigns Supreme

Avengers Endgame is a marvel superhero film that serves as the culmination to the Infinity Saga and previous 23 films of the MCU. The plot of the film follows our defeated heroes after half of their numbers were decimated by Thanos (Josh Brolin), in the infamous snap, the heroes have to find away to undo the damage done and bring back their fallen friends.

First of the bat I just want to say that it is possible to watch this film without having seen the previous films, or even Infinity War which acted as a part 1 to this film. However, it will be a lot easier to follow and will mean a whole lot more to you if you have seen the previous instalments.

As a film that brings together everything that the MCU has been building towards for years this film is a triumph. Characters that have been with us since the beginning are wrapped up in the most pleasing and emotionally satisfying way and new characters are introduced and remind us of the bright future the MCU has.

The one issue this film has is that it is too good of an ending. By that I mean this feels like the end of the MCU and when you realise that it isn’t it takes away from it a little bit, as well as reducing the importance of upcoming films. If the franchise had ended with Robert Downy Jr’s Iron Man saying, “I am Iron Man” and saving the universe as he dies, it would have beautifully book ended the series, but sadly it kept going.

I think this film achieves something very few other films have, or ever will, and that is have a huge supporting cast that gives each one of their characters a chance to shine. Whether you like Thor (Chris Hemsworth), or Spider-man (Tom Holland), each character is moved forward in a meaningful way and given fantastic development.

The villains bar Thanos are crucially underdeveloped, which is an issue that has afflicted a lot of MCU films over the years, they’re defeated far too easily and don’t actually feel like a threat to the heroes. Thanos however, is a great villain as he isn’t just the evil for evils sake kind of villain, he thinks that what he wants to do will make the universe a better place which adds a great sense of moral ambiguity to this character.

Overall, for better or for worse this film has had a huge impact on the film landscape and beautifully shows what the MCU was building to, it would have worked well as an ending, but we will just have to wait and see how they follow it up.

Pros.

A beautiful culmination.

“I Am Iron Man”.

Wrapping up characters in a great way.

Cons.

Cheap villains.

It makes the upcoming films feel less important.

4/5

Reviewed by Luke

The Current State Of Star Trek: There Is Hope Out There

Star Trek is an iconic science fiction brand that has existed for decades, generation after generation have boldly gone where no man has gone before. Over the years we have had many different series and films based on this legendary franchise. What I want to talk about is where the franchise is in 2020 and does the future look bright?

I remember growing up, my dad used to love Star Trek and science fictions shows like it, but it was never for me I preferred things like The Lord Of The Rings, a different type of fantasy. However, as I got older, I started enjoying the series as well. I have seen all 3 of the Bad Robot era Star Trek films and personally I liked them all; even Into Darkness which was controversial to say the least. I have been eagerly awaiting a 4^th film, but it doesn’t look like we are going to get one; at least anytime soon. The Noah Hawley film has gone through a lot of behind the scenes problems, including losing both Chris Pine and Chris Hemsworth, so it looks like it is burning in development hell. Then the Tarantino film seems like a throw away idea, if Tarantino sticks to his planned 10 films that would make this Star Trek film his last and I just can’t see that.

So, if we shift our focus to the TV side of things horizons look brighter. Star Trek Discovery was the first of the modern TV series, now Discovery has had its fair share of problems, including story issues and making episodes overly political and personally I found it very hard to watch, but there is hope there. A lot of the more classic elements work well in this series and I hear that the second season of the show works a lot better. However, it is the other Star Trek series that I think is deserving of praise that series is Picard. This show revisits Patrick Stewarts’ Jean Luc from earlier TV efforts, as of the time of writing this series has only had 3 episodes out, but so far, I am hooked, and I would love to see more content like this.

Overall, Star Trek as a brand needs a firm hand, it needs to decide on what it wants it future to look like, once it has done that then it can decide how to proceed. Personally, I think they will end up rebooting the films as the Pine timeline has too many issues with it at this point, while also keeping the TV side of things alive to fill in the blanks in the universe as well as satiate audiences’ hunger for more from this universe, or at least that is what I would recommend.

Luke

Captain Marvel: Hire Better Writers!

Captain Marvel is a Marvel Comics Superhero film directed by Anne Boden and Ryan Fleck. The plot revolves around air force pilot Carol Danvers (Brie Larson), who loses her memory and gains a new identity as Kree Solider Vers. Once Vers ends up back on Earth her two identities clash together causing the creation of Captain Marvel

A lot has been said about this film, but fear not, I won’t get into that side of it, I will analyse this for what it is, a film, not the political message some people think it is. When I first saw this film, I fell asleep in the cinema, however, that is not an indictment on the film, as I was massively sleep deprived. I rewatched this film recently and found it to be quite an enjoyable experience, it is good as far as dumb fun popcorn film can be.

First things first I thought Larson was serviceable as Danvers, her performance had moments of goodness scattered in there, however I think the writing was criminally weak and lead to her not being all that likeable in her own film. I think if you look at how she was written in Endgame you can see how the writing was to blame as her character is much much better there.

I love what this film does in terms of world building it sets up Krees and Skrulls in the MCU, hopefully leading to a Secret Invasion storyline. What’s more the ending that see the Skrulls turn out to be the good guys, nicely flips the narrative of the film and was genuinely surprising. Moreover, Ben Mendelsohn is fantastic in this film, once again proving that he should be cast in more films, he is a great scene chewing villain and is also hilarious.

I thought a lot of the side characters were underdone and might as well have not been included, Samuel Jackson’s Nick Fury doesn’t need to be in this film as his buddy cop relationship with Carol doesn’t really work and I for one would have liked to see him not be in it and then let his time be used giving Carol more development/ personality. Likewise, Jude Law’s Yon-Rogg is necessary in that he is Carol’s ultimate antagonist, but he to feels underdeveloped.

Overall, I think the crimes of this film are because of the weak writing, I think Brie Larson and Captain Marvel the character can be done well, see Endgame, and hopefully we will see more of that in the future with a new and better writing team. There is potential here. Takeaway for Marvel/Disney hire better writers.

Pros.

The Kree Skrull War.

Brie Larson.

The potential for the future.

Cons.

The underdeveloped characters.

The weak writing.

3/5

Reviewed by Luke

The Mandalorian: A New Hope For Star Wars

The Mandalorian is a space western TV show set in the Star Wars universe created by Jon Favreau. The series follows a Mandalorian known as Din Djarin (Pedro Pascal), who is a bounty hunter and mercenary for hire, one day Din is hired to bring a package to the last remnant of the Empire, but once he learns what the cargo is, a baby, he changes his mind and the rest of the series is Din trying to protect the baby.

First off, my feelings towards Star Wars especially newer Star Wars have been well documented, For the most part I don’t care for it; sure, Rogue One and Solo were okay, but the main instalment films weren’t for me. On the TV side of things, I loved Star Wars The Clone Wars, but I could never get into Rebels, so it was a mixed bag for me. So, I went into this show with relatively low expectations and I am pleased to say I was actually blown away.

This series has real heart and you do end up caring a lot about the characters. The relationship between Mando and the character that the internet has dubbed ‘Baby Yoda’ is not only adorable, but also heart-warming. It is so nice to see it develop over the course of the series. Not only that but this series actually has supporting characters that are not only impactful on the overall story but are also well written. Said characters come in the form of a Resistance shock trooper named Cara Dune (Gina Carano), and a droid called IG-11 (Taika Waititi). Cara starts off as a minor character who grows into a huge part of the team by the end, she is kickass and easily has some of the best action moments on the show, but she also has great chemistry with Mando which I would like to see explored more down the line. IG-11 starts off the series as a villain who is intent on killing ‘Baby Yoda’, but then gets reprogrammed to be a good guy. To that, the moment when IG-11 sacrifices himself so the heroes can get away had me feeling emotions I hadn’t felt since T2.

Overall, despite the poor quality of modern Star Wars there is something special about this show, maybe it is because they have given us characters that you can actually care about, or maybe it’s because it is just so damn cool it’s hard to say, one thing I will say is I can’t wait for season 2 in October.

Pros.

Great characters/dynamics.

Baby Yoda.

Great stakes both in terms of action and emotions.

A fantastic ending.

It made me excited for season 2.

Cons.

None

5/5

Reviewed by Luke

Horse Girl: One Of Netflix’s Worst

Horse Girl is a drama film directed by Jeff Baena. The plot follows Sarah (Alison Brie), a woman whose normal life starts to unravel, and she becomes more and more unhinged; the later parts of the film get into things like alien abduction, cloning and mental health, with a lot of the film being up to your interoperation of events.

When I sat down to watch this on Netflix the description for it made it sound like a horror film, that is what I was expecting and my oh my it is not that. Well it isn’t in a literally sense, but it does show the horrors of mental health and how someone can easily slip into a manic episode and that is a pretty terrifying thing to think about.

That said thinking about this film is more fun than actually watching it. Large sequences of this film are dull and drawn out, most likely in an effort to make you care about the main character which you never actually end up doing. What makes this worse is that a lot of the film’s abstract elements, come across at best as confusing and at worst as a deluded sense of self; as this film seems to think it is far deeper than it actually is. This is an art film in very much the worst way.

Alison Brie gives a good performance, especially with what she has to work with, she makes Sarah both a vulnerable and frightening character at the same time and easily carries a lot of the film’s dramatic scenes. However, everyone else in the film with no exceptions are the most unlikable group of human beings ever assembled. By that I mean none of the characters have any warmth or likeability, maybe that was a conscious choice who knows; Debby Ryan’s character perfectly captures my point.

It is films like this that have given Netflix the reputation that they will make anything, Horse Girl adds yet another weird unpleasant title to Netflix’s already growing stable of bad films. Though I think this film has some good elements and Alison Brie is okay overall it is tripped up by its huge ego, that is clear in near every scene, as this film isn’t deep it’s pretentious.

That is an hour forty-five minutes of my life I am not going to get back.

Pros.

It is neat to think about.

Alison Brie is okay.

Cons.

It is the worst type of Art film.

It’s not deep it just thinks it is.

It’s dull.

You end up hating most, if not all, of the characters.

1/5

Reviewed by Luke