Holiday Rush: Moving From A Mansion To A Large House, A Tale Of Poverty

Written by Luke Barnes

Summary

A single father, played by Romany Malco, must get his family through a tough time in the lead up to Christmas as they go from haves to have nots.

A lot of these low budget Christmas films that I have been watching recently have mostly left me cold, but this one was slightly, and I do mean slightly, above the rest.

The main reason for this elevation is Malco as the leading man, not only do we root for him but we also really buy into his struggles. Part of the reason why Malco’s character in this film works is because he is so relatable and humble. He never comes off as smug or self-righteous as often many of the characters in these sorts of films do, but instead he feels like a family man who will do anything for his kids.

The plot has been done before and there are no new surprises or subversions thrown in, it very much is what you see is what you get. The ending is also exactly what you would think it would be and in that regard I am not complaining as I thought it was fairly fitting, but throughout the rest of the film it does become somewhat tediously obvious.

Overall, a slightly better than average low budget Christmas film.

Pros.

Malco

The ending

A few funny moments

Cons.

It is predictable

The child actors/ teen actors are awful

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Big Mouth Season Six Overview: The Lows Of Life

3.5/5

Written by Luke Barnes

Summary

Hearts are broken, families are changed forever, and a new hormone monster is born.

I was eagerly awaiting the new season of Big Mouth, it is one of my favourite adult animated shows and is usually consistently good. This season is good however, it is also far sadder than I was expecting it to be, yes primarily the comedy is still there and the jokes are funny enough to keep you laughing through all the sad, but I thought there was quite a lot of heaviness to this season of the show. Though I suppose that is reflective of life.

I enjoyed the theme of change and reconciliation this season, I thought that in a lot of ways it felt very natural and worked in many of the characters arcs. I think the show continues to delve to new emotional depths despite all of the rather gross out gags.

I only had two real issues with this season, firstly that Lola had way too much screen time and secondly that the Nick’s Grandfather storyline was given far too easy a tying up. Regarding the former, I think that though Lola has interesting moments and certainly still has some areas of exploration open to her character’s journey, often she is used in far too one note a way and the storyline she is given here shows this to the nth degree. In terms of the Nick’s Grandfather storyline I think that for the most part it is very bare bones and lacks a lot of the nuance and depth the show is known for, but also I thought wrapping it up simply by having the characters saying I love you to fix everything is lazy writing.

Overall, a good season on the whole but one that is surprisingly sad.

Pros.

The nuance

The sombre tone

Jay’s storyline

Andrew’s storyline

Cons.

Nick’s Grandfather is overused and underexplored

Lola is given too much screen time

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Henry Cavill Leaves The Witcher: Netflix Can’t Seem To Do Anything Right

Written by Luke Barnes

I want to use this piece to talk about the recent news of Henry Cavill stepping away from playing the role of Geralt in the Witcher tv series and the fact that the series is carrying on without him. I believe it is terrible news and that Netflix should and probably will after the fourth series cancel the show.

I want to be up front with you all, I stopped watching this show after the midpoint of season two, it had no resemblance to the books and games and treated the characters with an irreverence that bordered on contempt for the source material. In many scenes I dislike this show, however, one of the few things I could give it was the fact that Henry Cavill was well suited to the role and genuinely seemed to care about the character. However with his departure, which is almost certainly due to the fact that he is back as Superman, and the fact the show is just going to recast and pretend like nothing has happened the show loses one of its key assets. Now I am not saying that Liam Hemsworth will be a bad Geralt, or that he won’t care about the character in the same way Cavill did but I will say I have seen nothing in Hemsworth’s filmography this far that suggests that this is in anyway something he would be well suited for. I don’t think he has the right physicality for it either.

I think if Netflix were smart they would shift focus now that Cavill is out to animation for the Witcher universe wherein shifting voice actors wouldn’t be so noticed and were acting in it would be a lot less of a commitment. They could even hire the voice actor who played Geralt in the games to voice the character here as well, a move that would definitely please many parts of the fandom. However, because Netflix aren’t smart, and have proven this time and again, they will carry on with the show with Hemsworth under the notion that they can just replace one handsome man with another and no one will notice, ignore the fact that the fans are annoyed and angry about it and then be surprised when the fourth series tanks ratings wise. No doubt toxic fandoms will be blamed, but really this is all on Netflix, they should have given Cavill more money or whatever he wanted to stick around at least until the end of season four where they could have rushed to wrap up

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Dahmer-Monster, The Jeffery Dahmer Story: Netflix Should Be Ashamed And The Victims Families Should Sue

3/5

Written by Luke Barnes

Summary

A dramatic retelling of the life and crimes of Jeffery Dahmer, played by Evan Peters.

I think this series would have been a lot better if Ryan Murphy hadn’t been involved in it. Murphy brings his trademark soft core porn feel to this series and we have a lot of scenes of Jeff touching himself or of him and his victims, sometimes during and sometimes after death. To say this show fetishizes the crimes committed by Dahmer for cheap thrills would be an understatement. There was no need for half of the intimate scenes we got, in the context of the show and considering as well that Dahmer’s victims families are in some cases still alive it felt to be the height of bad taste.

I think Evan Peters fit well in the role, he brought the right level of detachment and coldness to it. However, in many other ways his performance was quite limited and felt very reminiscent of Peters’ performances elsewhere. I think very much like Jack Black, Dwayne Johnson and Michael Cain Peters is a one note actor.

Overall, a good and at times very compelling series, however, after watching it you will feel like you need a shower and be angry at Netflix for sexualising a series of brutal murders.

Pros.

It is compelling

Peters

It is watchable

Cons.

It fetishizes events

Peters hits his limits

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Luckiest Girl Alive: Exploiting Pain

1/5

Written by Luke Barnes

Summary

The struggles of a young woman, played by Mila Kunis, as she makes her way in the world.

Netflix needs to take a long hard look in the mirror releasing this only a few weeks after Blonde, both films which can be viewed as exploitative and as fetishising sexual violence and female misery. I have read to a degree that some think this film could have done with a trigger warning, or to have not gone as hard as it did, but I would argue that the real issue is that the subject matter wasn’t handled well at all, lacking any kind of grace rather being instead a brute force act of shock. I can understand to a degree the director choosing to do things the way they did to show the true horrors of life for a young woman but at the same time I would argue that this verges into a new form of torture porn along the way.

Additionally, unlike other reviewers I don’t think Mila Kunis was the right lead for this film. Though she does have some acting talent which has been shown more in her recent dramatic work I just don’t think it is strong enough to carry this film. If anything the weakness of Kunis’ acting abilities are only brought to the fore here and from that she is crushed under them.

Moreover, the pace moves so breezily by everything that nothing really has a chance to sink in or to mean anything at all. The film aims for these lofty high art goals of replicating the human condition but it comes nowhere close as the technical failings mean it is hamstrung from the opening minutes, the pacing is truly quite bad being both overly long and rushed at the same time.

Overall, yikes Netflix stop profiteering from other people’s grief and pain. Lets hope this new form of grief induced torture porn ends early so we aren’t subjected to more films like this.

Pros.

It tries to tell an important story

Cons.

It is bleak throughout

Kunis isn’t strong enough to carry it

The pacing is awful

It fixates and fetishizes grief and pain far too much

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The Curse Of Bridge Hallow: Marlon Wayans The Family Film Star

3/5

Written by Luke Barnes

Summary

A family moving into the suburbs are surprised to find that Halloween decorations are coming to life all over town.

Marlon Wayans in a family comedy? The phrase seems wrong doesn’t it, when I think of Marlon Wayans I think of his plethora of adult focused parody films or perhaps some of his surprising dramatic turns, but never once do I think of him as being a family film star. That said I actually liked him in this and thought that he was the best part of the film, without him this film would have been a lot worse that’s for sure.

I think the premise of the film feels very familiar and nothing new is added to it here, for the most part everything is incredibly predictable and you know where it is heading. Obviously as this is a family film the scares are fairly light on the ground, but Wayans does bring one or two laughs to make up for it.

The wider cast outside of Wayans might as well not even be there because none of them even register. For the most part they are a collection of phoned in performances and cliches lacking anything even remotely resembling character or personality, this is why Wayans and his character anchor this film so well as they at least bring some charm to proceedings.

Overall, a fairly average film made slightly better by Marlon Wayans.

Pros.

Wayans

A few funny moments

It is watchable

Cons.

It is very familiar and predictable

Most of the cast here aren’t very good

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The Midnight Club Season Overview: The Horror Series That Forgot To Be Scary

2/5

Written by Luke Barnes

Summary

A group of terminally ill teens spend their time telling each other scary stories and vowing to send each other signs from the afterlife.

What I am about to say might sound like horror heresy to some but stick with me, I think Mike Flanigan’s Netflix series have been on a downward spiral since Hill House, with this being quite clearly its lowest ebb.

I have quite a few issues with the season as a whole but I think the worst is just how teen angsty the whole thing is. You would be forgiven for thinking that what you are watching is a YA series rather than a horror one and really that is because very little time is spent actually trying to scare the audience and a lot more is spent having the kids make long speeches about how the adults just don’t understand them. This is accompanied by many, many long drawn out conversations about feelings.

Another fairly large issue with the season is how badly paced it is. For a start the whole thing could be cut down by a few episodes and be a lot better, a lot of the episodes are packed with filler and plot lines that just go nowhere which could easily be cut out at no expense to the show. Honestly in the back half of the season this show is a slog to watch.

I really do think the most damning piece of criticism I could give this show is that it is not what it claims to be, this is not a horror series in any way as it never sets out to scare you and the few scares it does include, to avoid claims of false advertising, don’t work at all.

Overall, Mike Flanigan should take a few years off from making horror content and go back to basics and really figure out what is working and what isn’t.

Pros.

It is watchable

Anya’s story is easily the best and is genuinely creepy

Cons.

For the most part this show is more of a teen drama then it is a horror series

It is not scary

It has horrible pacing

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Lou: Netflix Needs To Learn That Having The Most Bad Action Films Isn’t A Good Thing

2/5

Written by Luke Barnes

Summary

Because it is still so fresh and novel, sarcasm, an old person has surprising skills and helps prevent a kidnapping.

So when I saw the trailer for this action thriller film starring Alison Janney I was intrigued, I wanted to see how this film would be different from the hundreds of other films in the genre that share the same premise, and the honest answer is that it isn’t.

This film was a slog to get through because the more it went on the more obvious it became just how generic it is. Nothing happens that you don’t already know is going to happen, in that regard it is certainly one of the most predictable action thrillers I have ever seen. This fact is not even made up for by the action, which is pretty bog standard again.

The performances across the board are instantly forgettable and the film does not use its talented cast in anyway to bring out their skill.

Overall, yet another boring Netflix action film.

Pros.

It has mildly appealing premise

It is sometimes quite unintentionally funny

Cons.

It is boring and bland and so is the action

It wastes a fairly talented cast

It is predictable

It has pacing issues

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The Sandman: Bring Me A Dream

4/5

Written by Luke Barnes

Summary

Morpheus, played by Tom Sturridge, the Lord of the Dreaming is captured and kept in isolation for a century, once he escapes he finds things have fallen apart in his kingdom and need to be restored.

I am a big, big, big fan of the Sandman comic, and also of its author Neil Gaiman as such I have been eagerly awaiting this show for a long time. The reason this review is quite past the time of the series release is because I wanted to reread the comic run along side watching the episode of the show, as such things were slowed down but I don’t regret it for a second.

Never before have I seen an adaptation which so perfectly brings the comic book it is based on to life. As I was reading the comics in between watching episode I saw whole series of panels be brough to life almost identically and I think that is one hell of an achievement. Likewise the casting is spot on, Sturridge is a fantastic Dream, Boyd Holbrook perfectly captures the Corinthian and Jenna Coleman and Gwendolyn Christie bring fantastic new takes on characters that I was really quite attached to in Sandman but also their own Vertigo comic runs.

My only criticism of this show, and it is minor, is that some of the new additions for the show that veer ever so slightly away from the comic do produce somewhat of a jarring effect. Like I said before most of the changes, updates and swaps work incredibly well but a few don’t luckily I could ignore it for the most part. Furthermore, the first episode is quite slow, but I suppose it had to be to be able to bring in a casual audience that knew nothing going in, I was expecting it to hit the road at full speed but that was perhaps a little rash of me.

Overall, easily the best thing on Netflix in years.

Pros

The casting

A new take

Bringing over panels seamlessly

The ending and things to come

Cons.

Some of the changes don’t work

The first episode is quite slow

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End Of The Road: A Sorry Endeavor For All Involved

1/5

Written by Luke Barnes

Summary

A family on a cross country road trip get on the wrong side of a sketchy group of dudes, and a cat and mouse game begins.

This film sucked hard. The social commentary of this film is so on the nose that it feels like it reaches over and hits you in the face. Nothing new is being said here and it is once again the narrative of white people are bad and are inherently out to get POC, honestly this narrative really annoys me as it is both lazy and such a broad generalisation that it kills any kind of nuanced conversation dead. I don’t doubt that there are evil groups of white people such as the ones this film present, I am sure there are many all over the world, but the way this film goes about tackling this issue never gets out of a place of race-baiting.

The performances are fairly weak across the board, I don’t think anyone in the film thinks this is going to be the film they get an Oscar for. No one hugely stood out though I would say Queen Latifah comes closest, it is nice to see her back as a headline billing, however, she can do far better than this schlock.

Overall, a thriller that goes far too hard on the racial aspect of its narrative and that doesn’t actually deliver many thrills.

Pros.

A few unintentionally funny moments

Cons.

The performances are weak

The race-baiting

The pacing is awful

It is schlock without any charm

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