Luckiest Girl Alive: Exploiting Pain

1/5         

Written by Luke Barnes

Summary

The struggles of a young woman, played by Mila Kunis, as she makes her way in the world.

Netflix needs to take a long hard look in the mirror releasing this only a few weeks after Blonde, both films which can be viewed as exploitative and as fetishising sexual violence and female misery. I have read to a degree that some think this film could have done with a trigger warning, or to have not  gone as hard as it did, but I would argue that the real issue is that the subject matter wasn’t handled well at all, lacking any kind of grace rather being instead a brute force act of shock. I can understand to a degree the director choosing to do things the way they did to show the true horrors of life for a young woman but at the same time I would argue that this verges into a new form of torture porn along the way.

Additionally, unlike other reviewers I don’t think Mila Kunis was the right lead for this film. Though she does have some acting talent which has been shown more in her recent dramatic work I just don’t think it is strong enough to carry this film. If anything the weakness of Kunis’ acting abilities are only brought to the fore here and from that she is crushed under them.

Moreover, the pace moves so breezily by everything that nothing really has a chance to sink in or to mean anything at all. The film aims for these lofty high art goals of replicating the human condition but it comes nowhere close as the technical failings mean it is hamstrung from the opening minutes, the pacing is truly quite bad being both overly long and rushed at the same time.

Overall, yikes Netflix stop profiteering from other people’s grief and pain. Lets hope this new form of grief induced torture porn ends early so we aren’t subjected to more films like this.

Pros.

It tries to tell an important story

Cons.

It is bleak throughout

Kunis isn’t strong enough to carry it

The pacing is awful

It fixates and fetishizes grief and pain far too much

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The Curse Of Bridge Hallow: Marlon Wayans The Family Film Star

3/5         

Written by Luke Barnes

Summary

A family moving into the suburbs are surprised to find that Halloween decorations are coming to life all over town.

Marlon Wayans in a family comedy? The phrase seems wrong doesn’t it, when I think of Marlon Wayans I think of his plethora of adult focused parody films or perhaps some of his surprising dramatic turns, but never once do I think of him as being a family film star. That said I actually liked him in this and thought that he was the best part of the film, without him this film would have been a lot worse that’s for sure.

I think the premise of the film feels very familiar and nothing new is added to it here, for the most part everything is incredibly predictable and you know where it is heading. Obviously as this is a family film the scares are fairly light on the ground, but Wayans does bring one or two laughs to make up for it.

The wider cast outside of Wayans might as well not even be there because none of them even register. For the most part they are a collection of phoned in performances and cliches lacking anything even remotely resembling character or personality, this is why Wayans and his character anchor this film so well as they at least bring some charm to proceedings.

Overall, a fairly average film made slightly better by Marlon Wayans.

Pros.

Wayans

A few funny moments

It is watchable

Cons.

It is very familiar and predictable

Most of the cast here aren’t very good

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The Midnight Club Season Overview: The Horror Series That Forgot To Be Scary

2/5         

Written by Luke Barnes

Summary

A group of terminally ill teens spend their time telling each other scary stories and vowing to send each other signs from the afterlife.

What I am about to say might sound like horror heresy to some but stick with me, I think Mike Flanigan’s Netflix series have been on a downward spiral since Hill House, with this being quite clearly its lowest ebb.

I have quite a few issues with the season as a whole but I think the worst is just how teen angsty the whole thing is. You would be forgiven for thinking that what you are watching is a YA series rather than a horror one and really that is because very little time is spent actually trying to scare the audience and a lot more is spent having the kids make long speeches about how the adults just don’t understand them. This is accompanied by many, many long drawn out conversations about feelings.

Another fairly large issue with the season is how badly paced it is. For a start the whole thing could be cut down by a few episodes and be a lot better, a lot of the episodes are packed with filler and plot lines that just go nowhere which could easily be cut out at no expense to the show. Honestly in the back half of the season this show is a slog to watch.

I really do think the most damning piece of criticism I could give this show is that it is not what it claims to be, this is not a horror series in any way as it never sets out to scare you and the few scares it does include, to avoid claims of false advertising, don’t work at all.

Overall, Mike Flanigan should take a few years off from making horror content and go back to basics and really figure out what is working and what isn’t.

Pros.

It is watchable

Anya’s story is easily the best and is genuinely creepy

Cons.

For the most part this show is more of a teen drama then it is a horror series

It is not scary

It has horrible pacing

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Lou: Netflix Needs To Learn That Having The Most Bad Action Films Isn’t A Good Thing

2/5         

Written by Luke Barnes

Summary

Because it is still so fresh and novel, sarcasm, an old person has surprising skills and helps prevent a kidnapping.

So when I saw the trailer for this action thriller film starring Alison Janney I was intrigued, I wanted to see how this film would be different from the hundreds of other films in the genre that share the same premise, and the honest answer is that it isn’t.

This film was a slog to get through because the more it went on the more obvious it became just how generic it is. Nothing happens that you don’t already know is going to happen, in that regard it is certainly one of the most predictable action thrillers I have ever seen. This fact is not even made up for by the action, which is pretty bog standard again.

The performances across the board are instantly forgettable and the film does not use its talented cast in anyway to bring out their skill.

Overall, yet another boring Netflix action film.

Pros.

It has mildly appealing premise

It is sometimes quite unintentionally funny

Cons.

It is boring and bland and so is the action

It wastes a fairly talented cast

It is predictable

It has pacing issues

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The Sandman: Bring Me A Dream

4/5         

Written by Luke Barnes

Summary

Morpheus, played by Tom Sturridge, the Lord of the Dreaming is captured and kept in isolation for a century, once he escapes he finds things have fallen apart in his kingdom and need to be restored.

I am a big, big, big fan of the Sandman comic, and also of its author Neil Gaiman as such I have been eagerly awaiting this show for a long time. The reason this review is quite past the time of the series release is because I wanted to reread the comic run along side watching the episode of the show, as such things were slowed down but I don’t regret it for a second.

Never before have I seen an adaptation which so perfectly brings the comic book it is based on to life. As I was reading the comics in between watching episode I saw whole series of panels be brough to life almost identically and I think that is one hell of an achievement. Likewise the casting is spot on, Sturridge is a fantastic Dream, Boyd Holbrook perfectly captures the Corinthian and Jenna Coleman and Gwendolyn Christie bring fantastic new takes on characters that I was really quite attached to in Sandman but also their own Vertigo comic runs.

My only criticism of this show, and it is minor, is that some of the new additions for the show that veer ever so slightly away from the comic do produce somewhat of a jarring effect. Like I said before most of the changes, updates and swaps work incredibly well but a few don’t luckily I could ignore it for the most part. Furthermore, the first episode is quite slow, but I suppose it had to be to be able to bring in a casual audience that knew nothing going in, I was expecting it to hit the road at full speed but that was perhaps a little rash of me.

Overall, easily the best thing on Netflix in years.

Pros

The casting

A new take

Bringing over panels seamlessly

The ending and things to come

Cons.

Some of the changes don’t work

The first episode is quite slow

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End Of The Road: A Sorry Endeavor For All Involved

1/5         

Written by Luke Barnes

Summary

A family on a cross country road trip get on the wrong side of a sketchy group of dudes, and a cat and mouse game begins.

This film sucked hard. The social commentary of this film is so on the nose that it feels like it reaches over and hits you in the face. Nothing new is being said here and it is once again the narrative of white people are bad and are inherently out to get POC, honestly this narrative really annoys me as it is both lazy and such a broad generalisation that it kills any kind of nuanced conversation dead. I don’t doubt that there are evil groups of white people such as the ones this film present, I am sure there are many all over the world, but the way this film goes about tackling this issue never gets out of a place of race-baiting.

The performances are fairly weak across the board, I don’t think anyone in the film thinks this is going to be the film they get an Oscar for. No one hugely stood out though I would say Queen Latifah comes closest, it is nice to see her back as a headline billing, however, she can do far better than this schlock.

Overall, a thriller that goes far too hard on the racial aspect of its narrative and that doesn’t actually deliver many thrills.

Pros.

A few unintentionally funny moments

Cons.

The performances are weak

The race-baiting

The pacing is awful

It is schlock without any charm

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Me Time: Hart Brings The Heart

3/5         

Written by Luke Barnes

Summary

Kevin Hart is an untight family man you needs to learn to cut lose, enter his old friend Huck, played by Mark Wahlberg.

On this the face of it this is an incredibly by the numbers comedy film, in almost everyway you have seen this before, Mark Wahlberg himself has made this exact same film before in fact. However, no one ever said a comedy film had to be the height of originality, the real question is, is it funny?

In terms of humour the film is more hit than miss, there are a number of memorable gags but for the most part its fairly weak stuff. For those of you out there who might be hoping for some raunchy material the film is far more family friendly than I was expecting it to be.

I think the best thing about this film and its biggest selling point is Kevin Hart. Hart is doing very well in this family comedy circuit where he plays a dorky family man looking to break loose, I think Hart brings a real sense of heart and soul to these roles that makes it hard not to root for him, with a different actor in the lead this film would be a lot worse for sure.

Overall, nothing revolutionary but watchable with a boost from Hart

Pros.

Hart

It is watchable

It has some wholesome charm

Cons.

Fairly low energy Wahlberg

It is nothing you haven’t seen before   

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Day Shift: Ruining A Perfectly Nice Pair Of Pants

3/5         

Written by Luke Barnes

Summary

Jamie Foxx is a vampire hunter and Dave Franco is a man who consistently ruins his slacks.

For the most part I enjoyed this film. I think tongue in cheek action is where Netflix really shines, not when they are trying to be serious. The comedy of this film mostly landed for me and I found myself laughing quite a few times. Likewise I was impressed by most of the action sequences, but I would expect nothing less with Chad Stathelski’s hand in producing this film.

The world building here was nice to see, even if it did feel like a plagiarised version of the John Wick set up with the Union being a very obvious stand in for the High Table and or the world of the Continental. It was nice to see the film explore different types of vampires with different powers and abilities as it gave the various enemies some nice variety.

I think in terms of performance Jamie Foxx is very take him or leave him, he’s fine but anyone could have done his role and many would have done a better job of it. Franco easily upstages his on-screen partner and has a number of memorable lines. However, I think the scene stealer of the film is Natasha Liu Bordizzo’s Heather as she brings a real presence to the film and also has great chemistry with both Foxx and Franco.

Overall, a moderately entertaining picture.

Pros.

Franco

Bordizzo  

The action

Cons.

It feels a little too similar to John Wick

Foxx is a miscast lead

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Spiderhead: Chris Hemsworth Might Be The Next Anthony Hopkins

4/5         

Written by Luke Barnes

Summary

Prisoners in a luxury prison are used as guineapigs for mind-altering pharmaceuticals.

It has been a long, long time since a Netflix original film has managed to impress me, however, this film managed to buck that trend.

I thought though the premise has been explored before, I enjoyed where this film took it. The twists and turns keep you guessing and it didn’t end up going in the way I was expecting it to. I thought Chris Hemsworth was a completely inspired villain, Hemsworth needs to take more of these sort of roles, he was not downright sinister but rather slightly unsettling and I thought he was very effective in the role.

Miles Teller on the other hand was a fairly forgettable lead and he wasn’t really able to blow me away in any significant way. Many other actors could have had that role and would probably have been better able to do more with it then what Teller can muster up. Comparing Hemsworth to Teller, really highlights the flaws in Teller’s performance.

Overall, a fun film with a good performance from Hemsworth.

Pros.

Hemsworth

The premise

The twists and turns

The ending

Cons

Teller  

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365 Days: Netflix Should Be Ashamed

0/5         

Written by Luke Barnes

Summary

A film that romanticises sexual abuse.

This might be one of the grossest films Netflix has ever released. The fact that despite all of the controversy and calls for Netflix to remove it from their platform that they instead pushed ahead with a sequel is honestly sickening to me. I don’t believe in media censorship and feel like everyone should be able to make the art they want to make, however, I do think there are limits, I do think that some films are so vile they deserve to be sued and they deserve to be taken down in disgrace. This is one of them.

The basic plot for this film is that a mobster kidnaps a woman, played by Anna-Marie Sieklucka, and then proceeds to torture her sexually and abuse her, yet the film wants you to think that all this is fine and that it is some hot kinky sex. The film goes out of its way to have you not think too much about the darker implications here, or to suggest notions of Stockholm Syndrome, no it abandons any trace of that to try and have this film rival Fifty Shades.

Honestly if Netflix keeps producing trash like this I am done. I hope someone sues them over this.

Overall, Netflix should be ashamed of themselves.

Pros.

None

Cons.

It made me feel angry throughout

It glorifies sexual violence

The characters are awful

It feels like a rip-off of Fifty Shades

It shouldn’t have been made    

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