Mayhem: Corporate Is A Killer

Mayhem is horror comedy film directed by Joe Lynch. The plot sees hard working office worker Derek (Steven Yuen), trying to reclaim his job amidst a pandemic outbreak. This pathogen breaks down people’s inhibitions and makes them give into their baser impulses including lust and murder. In a very Raid esque way, Derek and pissed off client Melanie (Samara Weaving), have to beat/kill each one of the important office figures to get their key cards allowing them to get to the top of the building and plead their respective cases.

This film is excellent, it manages to tap into to that inner anger that anyone who has ever worked a job they hate has within them, pure rage. This becomes a nice undertone to the film that when coupled with the copious amounts of gore throughout the film feels almost primal.

The gore is top notch, it feels like punctuation to a bloody point, never does it feel needless or gratuitous it feels just right. My favourite kill in the whole film is when they disembowel ‘The Reaper’ when a handsaw, it is so unexpected and well done it made me laugh with gory glee.

Both Yuen and Weaving are on top form here, Yuen is believable as a man pushed to the edge. He manages to be easy to root for despite all the bad things he does throughout the film, more over Derek’s voice over also leads to many hilarious moments that are genuinely funny and sharp.

Weaving once again proves that not only is she a great upcoming talent, but also a budding action heroine. She has great on-screen chemistry with Yuen and the two make for a great pair, I would love to see them in more together. Weaving plays the role of Melanie with the same metal charm as she has shown in her other big screen performances thus far and every second of her performance here is magnificent.

Overall, this film has a really frustrated feel to it, it feels angry at the world and it is a hell of a watch. We go on a journey with these characters and the ending feels very satisfying definitely worth the watch.

Pros.

Yuen and Weaving are both fantastic.

It has a great angry energy to it.

The gore is spectacular.

The ending feels satisfying.

Cons.

It does get a little repetitive towards the end.

4/5

Reviewed by Luke

The Stepford Wives: The Perfect Spouse?

The Stepford Wives is a black comedy science fiction film directed by Frank Oz. The film revolves around former TV executive Joanne Eberhart (Nicole Kidman), who after a career mishap moves to a quaint little town in Connecticut to start anew. However, once she is there, she begins to become increasing alarmed at the strange goings on in Stepford Connecticut. The women are all subservient homemakers and the men spend all their time at the lodge, a place where business is conducted and people change, but what is going on? As it turns out, neural programming.

This film is a fascinating study of gender norms and what makes a woman a woman and what makes a man a man. The conversation proves to be illuminating, albeit a bit silly, as Joanne probes the depth of how far people are prepared to go to have the ‘perfect’ spouse.

Kidman is fantastic and manages to handle the more intense, scarier moments with a sense of weight and gravity as well as play off the other characters in the sillier, funnier moments. After all this is more of a wacky black comedy than a serious look at society. The film manages to walk the tightrope well never being too silly, nor being too serious; the tone is pitch perfect.

Christopher Walken plays Mike the leader of the Stepford men, or so you are led to believe, as always Walken is magnificent and oozes so much charisma it is hard to take you eyes off him. You buy him as this evil doctor/ cult leader figure, and he gives off palpable malice throughout.

Matthew Broderick as Walter Joanne’s husband proves to be the weak link in this film. This in my mind is all down to one scene, in the final act of the film there is a scene where it looks as though Walter has turned Joanne into one of the mindless Stepford wives, however he hasn’t. My issue with this is the character and Broderick plays him seems like the sort who would do it, the hero turn doesn’t suit the character and isn’t hugely believable. Broderick plays slimy well, so I find it hard to buy him as the hero.

Overall, despite a miscast Broderick, this film still manages to be both thought provoking and funny, something very few films achieve. Definitely worth a watch.

Pros.

Christopher Walken.

Nicole Kidman.

The underpinning social debate.

The good dark comedy.

Cons.

Matthew Broderick.

4/5

Reviewed by Luke

Keeping Mum: Maggie Smith As A Cold Blooded Killer

Keeping Mum is a comedy crime film directed by Niall Johnson. The plot sees the Goodfellow family get a new housekeeper Grace (Maggie Smith), who seems to be able to fix all of the family’s problems. However, it is revealed that Grace is harbouring a dark secret, she is a murderer, from there hilarity and heart ensue.

This film has one of the biggest hearts I have ever seen, Maggie Smith is terrific as always, she plays a craziest murderer well, but one that is only killing to help her family. She plays the character like a kindly old lady with a dark streak. The rest of the good fellow family is also perfect, Rowan Atkinson as Vicar Goodfellow is sweet and bumbling and his romance with his wife that is cheating on him, but then comes around to see the light, is really nice and wholesome.

What’s more Gloria Goodfellow (Kristen Scott Thomas), relationship with her mum Grace is also incredibly well done, and the ending that shows that Gloria has carried on her mother murderous legacy is a nice way to end it.

I think this film is also a triumph for British comedy as it is genuinely funny through and through, there are a lot of laughs in this film’s hour and a half runtime. Most of these hilarious lines come from Maggie Smith, who is easily one of the funniest British performers.

The kills aren’t very gory, so if you are going into this film for the horror or the gore side of things then the film probably won’t do much for you. This film is far more of a heartfelt comedy than anything else.

Overall, this might be one of the best, funniest British dark comedies out there, Smith and Atkinson are both doing a great job and the message of the film is surprisingly heartfelt and sweet. More likely to make you laugh than give you chills this is a must see!

Pros.

It is genuinely funny.

It has great heart.

All of the actors are doing great jobs.

Patrick Swayze is in it.

Cons.

The kills aren’t very gory.

3.5/5.

Reviewed by Luke

The Hunt: Politics In America

The Hunt is a satirical horror film directed by Craig Zobel. The plot sees a group of far-left extremists gather together a group of people who have written mean stuff about them online and then hunt them down. They perceive the people they are hunting as right wing and as a scourge to society; the film goes out of its way to satirise the current political climate making a joke out of both sides.

Before I get into the review let me just say that this film is incredibly political, it rams politics down your throat, so if you don’t like that sort of thing don’t watch it. When I first started the film, I didn’t like the politics of the film, I thought it felt jarring and dated, however as the film went on and I saw more of it and crucially more of the satire, I realised that it was actually really well done and funny.

This isn’t a horror film that is the pivotal misconception it is far more of a dark comedy; the film is actually really funny at times and has some great laugh out loud moments. Betty Gilpin who plays Snowball has the majority of these funny lines and is by far the standout performer in this film, she is a great action heroine.

The gore and action of the film is also surprisingly good, these sequences are both tense, but also humorous. The bit when two shopkeepers kill three of the captives at the beginning of the film, is really well done it is tight and exciting.

Hilary Swank plays the films villain Athena and she to is excellent. She plays the manic cult leader type so well it seems eerily real; she is a great love to hate the villain. The fight scene she shares with Gilpin in the final act is fantastic it is well choreographed and Swank brings a great physicality to the role which is matched perfectly by Gilpin.

Overall, this film is not going to be to everyone’s taste, but if you stick with it and let the satire work on you it will make you laugh, Gilpin and Swank are both giving it their all and it makes for a great overall experience.

Pros.

It’s funny.

Gilpin and Swank are both great.

The action scenes are superb.

The premise is intriguing.

Cons.

The politics will be off putting for some.

4/5

Reviewed by Luke

Monster Party: Addicting

Monster Party is a horror thriller film directed by Chris Von Hoffmann. The plot revolves around a group of thieves that are looking for their next big payday, they decide to rob a house that one of their number works at thinking that the home owners will be easy marks; little do they know that the family that live there are recovering murders.

This is one of the best dark comedies I’ve seen in a long time, the premise itself is hilarious recovering murders trying to deny the urge to kill and failing miserably. The film boils down to a showdown between Casper (Sam Strike), Alexis (Erin Moriarty) and Iris (Virginia Gardner) and Elliot (Kian Lawley), with bloody results.

This is a film that is not afraid to get gory, it does so often and to great effect, the patriarch of the family gets disembowelled and you see his guts hangout of him, like wise Elliot spends some of the film with a recently cut off hand; it is not for the faint of heart.

This film seems to revel in violence and spectacle, as that the main selling point of this film, the characters are thin and underdeveloped, but they do a lot of cool things. I would be very interested to see more of the cult/ program that is working in the shadows to rehabilitate killers and of course more of Lance Reddick.

Reddick is great in anything he turns up in, but he plays the cult master to a tee here and is as per usual fantastic, it is a shame he doesn’t stick around for more of the film, but at well at least he had a few great scenes.

I thought the ending was a little odd, I get that Casper had now become a killer and isn’t the shy wall flower he used to be, but to see him just go into a strip club and start slicing and dicing makes me question whether we are still suppose to root for him at this point. I also would have liked Alexis and Casper to have ended up together as this was teased a good few time throughout the film, but maybe if they do a sequel they will, who knows.

Overall, a good time, nice and easy to watch with a few good laughs and scares peppered in there.

Pros.

It’s funny.

It’s scary.

It has an intriguing premise.

I liked the cast for the most part.

Cons.

The characters were thin and underdeveloped.

4.5/5

Reviewed by Luke

Kidding: The Perils Of Kids TV

Kidding is a comedy drama series created by Dave Holstein. The series revolves around a kid’s TV presenter Jeff Pickles (Jim Carrey), who loses his son in a road traffic accident before the events of the series. He carries on working, but his mental health deteriorates, and we the audience watch his breakdown.

I love Jim Carrey, I think he is one of the best actors working today, over the years he has proven he can do both drama and comedy really well and this show is proof of that. Carrey excels himself here, he is the perfect actor to play a Mr Rogers type gone bad. He plays the character with a degree of wholesomeness, but a wholesomeness that feels like it has been taught more than existing naturally. Furthermore, he also conveys the characters breakdown really well, becoming almost frightening at times, he manages to be both loveable and menacing; which is something only Jim Carrey could do.

Moreover, all of the characters on the show are imperfect, they have done bad things of varying degrees, but they are still loveable, and you still root for them to succeed. Later in the series we learn that Jeff’s pen pal is a death row inmate who has killed several people, however, when Jeff meets up with the man’s son and hears the story from his point of view it is shown to be far more nuanced. That is the perfect description for this show, nuanced.

Kidding isn’t always the easiest show to watch, as there are a lot of deeply uncomfortable moments scattered throughout, but despite this you can’t tear your eyes away and you want to watch it all at once. There are as many happy moments as there are sad ones and they balance each other out very nicely, making the show feel very well balanced.

Overall, this is a damn near perfect show, it is easily one of the best shows I have seen in recent years and proves that Jim Carrey is a fantastic actor. Season 2 comes out here in the UK next week and I can’t wait. If you haven’t seen it yet, you defiantly should make it your next binge!

Pros.

Jim Carrey.

Maintaining the balance between happy and sad.

The songs and the imagination.

The emotional moments.

The ending, that I won’t ruin here.

5/5.

Reviewed by Luke

Housebound: The Boy Before Brahms

Housebound is a New Zealand horror comedy film directed by Gerard Johnstone. The plot follows criminal Kylie (Morgana O’ Riley), who is sentenced to house arrest in her childhood home, once she arrives back home, she realises that something is wrong, there are supernatural goings on, or at least that is how it first appears.

This film is a horror comedy, that I don’t think works hugely well as either, the horror isn’t very scary; though there are a few good moments that will make you jump. The comedy is defiantly the central focus of this film and that didn’t work for me either, I didn’t find myself laughing and as I watched it, I wished they had focused on one for the other.

What’s more the film is oddly paced, there is a twist, that I will talk about in a minute, but rather than have the twist near the end of the film, it happens midway through. The reason this is an issue is it makes the film feel like two separate features and both seem to drag on.

The twist of the film is that their house use to be a halfway house that was the site of a horrific murder, however there is no ghost, rather all of the strange goings on are a result of a man from the halfway house who still lives in the walls; yes it is The Boy, about two years before it.

For me I liked the twist, I think it fitted perfectly into the manic absurd nature of the film, I didn’t see it coming.

Furthermore, I think O’ Riley makes this film, she is fantastic throughout and you get to watch her character develop throughout the course of the film. She starts off the film as a troubled youth who doesn’t really care about anyone but herself, but by the end of the film she rises to the occasion as the hero and proves she does care about those around her.

Overall, I think that this film has moments of greatness and O’ Riley is superb, however, for me the comedy and the horror don’t work together and instead clash horribly, which heighten the already bad pacing issues.

Pros.

Morgana O’ Riley is great.

The twist is good.

There are some good scares scattered throughout.

Cons.

The two styles don’t mash.

The pacing issues ruin it.

3/5.

Reviewed by Luke

Hellboy: Hell On Earth

Hellboy (2019) is a superhero film directed by Neil Marshall, based on the Dark Horse comic character of the same name. This film entirely ignores the Del Toro films that came before it and instead acts as a reboot of the series, moving away from family friendly territory and into Deadpool esque R-rated waters. The plot sees Hellboy, (David Harbour), try and stop a centuries old witch Vivienne Nimue (Mila Jovovich) from unleashing Hell on Earth.

I know this film was a bomb and a lot of people didn’t like it and the Del Toro films are better in a lot of ways, but I actually enjoyed this film; controversial I know. Before I get into why I liked it, I just want to say yeah I know this film has a lot of problems, the CGI ghost people that come out of Alice’s (Sasha Lane), throat are terrible and look like a child made them on After Effects and yes the plot line that Hellboy knew Alice as a child, but now she is kind of like his love interest for some reason, is creepy. That aside this is why I liked the film.

I like how this film sets up a larger world, you feel like there is more at play here than meets the eye, I like how it brings fantasy to a 21^st century version of London. I am also a massive Hellboy comics fan as well as the B.P.R.D so to see characters and elements of that world that the Del Toro films didn’t cover on screen was a blast for me.

I liked the fact that we got new characters rather than seeing the same team from the previous films, made up of Liz, Hellboy and Abe Saipan. Daniel Day Kim’s Ben Daimio is so cool, and the scene when he turns into a Werejugar is easily my favourite scene of the whole film, Alice is also a cool character, even if her powers look terrible.

Moreover, though it might sound heretical to say I like David Harbour as Hellboy. I think the film overdoes it with the jokes and the quips, trying far too hard to be like Deadpool, just like a certain superhero film that came out in 2020, despite this I like his take on the character and I would have liked to see more of him. Harbour plays the character with a lot of charm and warmth, he isn’t as brooding as Pearlman was with the character, but I think it is a good thing that this film tried to take the character in a new direction.

Finally, the practical effects on Baba Yaga were great, this was another highlight of the film for me. I am not going to get into the Pig monster thing: because I think the whole character was needless and the film could have done without that sub-plot.

Overall, this film is nothing like the Del Toro films, but I think that’s the point. If you can appreciate it for the dumb, schlocky fun that it is then there is a lot to like about this film. If not, you can take comfort in the fact their most certainly won’t be a sequel.

Pros.

Fresh take.

David Harbour.

New team with a tease of the old.

The practical effect on Baba Yaga.

Cons.

Terrible visual effects/icky subplots.

4/5

Reviewed by Luke

My Favourite Films: You’re Next

In this new series of pieces, I want to tell you about some of my favourite films and why I love them, hopefully with the aim of convincing you to give them a try if you haven’t already; today I am going to talk about You’re Next.

You’re Next is a black comedy horror film directed by Adam Wingard. The plot centres around a family gathering that goes to hell when a group of masked, armed assailants, try to break in and kill everyone. There are plenty of twists and turns along the way that keep you guessing until the very last minute.

The easiest way I could define this film for you would be to say it is a smart slasher film. By that I mean it is self-aware as well as written in a smart way, You’re Next is keenly aware of how slasher films go, and it plays off that. By having Erin (Sharni Vinson), not be the typical final girl it makes the film far more interesting. When I say she isn’t the typical final girl what I mean is that she doesn’t spend the first 45 minutes of the film scared out of her mind, right from the off she takes charge of the situation and leads the fight back.

Therein lies another thing I like about this film. Many times, I have been watching slasher films and I have asked myself why do the victims never fight back? Or why do they wait until the last 20 minutes of the film to do something? This film bucks the trend of the killer hunting down the victims and killing them for the first 2 acts of the film, only to have the final girl turn the table on them in the 3^rd act and it presents the struggle between Erin and the masked men as far more even; far more war like. As the masked men kill the people around her, she kills them.

What’s more, there is some fantastic gore in this film that is wince inducing. There is a larger scale version of the nail scene from A Quiet Place, years before it I might add, as well as a grisly scene with a blender which I will leave up to your imagination. The level of violence feels just right for the tone of the film and its black comedy sensibilities, never feeling unnecessary, or unpleasant.

Overall, this is a fantastic film, that when under watched and underappreciated when it came out, it is probably my favourite slasher film ever and I think that it deserves to be seen as it does something fresh and smart with the genre.

Written by Luke

Prevenge: The Mother-Child Bond

Prevenge is a British comedy slasher film directed by Alice Lowe. The plot revolves around a grieving pregnant woman, who is commanded to kill by her unborn baby; all of the people she kills are related to the very recent death of her husband and the child’s father in one way or another. The film has a lot to say about motherhood and the act of being pregnant, using the over the top premise to take a deeper look at the actual notion of having a child and the mother child-bond.

In many ways this film could be a spiritual sequel to Ben Wheatly’s film, also staring Alice Lowe, Sightseers, the two films are very similar in a lot of ways, including having a very similar sensibility around murder and death, treating it as a darkly comic thing. I think the two films would make for a very interesting double feature.

That said let’s get into the review.

Did I enjoy this film? That is a hard question to answer, there is a lot going on and a lot to unpack, so it might not be as simple as that. I think this film raises a lot of interesting questions about how we as a society view pregnant women and how far we should go for our children; as this film takes that to an extreme. Furthermore, the ending of the film when Ruth (Alice Lowe) realises that her unborn child wasn’t the thing telling her to kill all along, and that it was her, is very interesting because it leaves us with the question of how is she going to deal with that?

The scares are also very good in this film, it is certainly more of a dark comedy than a horror, but whenever we have a moment where ‘the child’ is talking to her’, it makes the hairs stand-up on the back of your neck. We also get a lot of good gore from some of the kills, so gore fans will find something to enjoy.

The issue with this film for me, is that fact that it is very slow, there are a lot of scenes that feel longer than she should be. Said scenes are probably going for a meditative feeling, but instead they just feel a little pretentious. What’s more Prevenge is a very oppressive film to watch, it is bleak very bleak; there are moments of dark comedy mixed in, but these are few and far between; for the most part it is very hard to watch.

Overall, this is a very interesting and unique film, but it is undeniably niche, this certainly isn’t going to everyone’s taste.

Pros.

Unique.

Novel approach.

Good scares and gore.

Cons.

It’s hard to watch.

It does feel a bit pretentious at times.

2.5/5

Reviewed by Luke