Red Sonia: The Last Gasp f The Girlboss

Red Sonia the famous swords and sandals comic is brought to life in the worst possible fashion.

So this is as the trailer suggested a girl boss Red Sonia film. In many ways this film hates the source material it is based on and those who read those comic books. The Conan esque adventure vibes are replaced with a victim narrative that has Sonia herself seemingly constantly in a state of annoyance.

I won’t dwell on this too long, but the actress who is playing Sonia, Matilda Lutz, looks nothing like the Amazonian physique of comics Sonia and instead looks like a gust of wind could knock her over. If you were going to commit to doing a Red Sonia adaptation getting someone who looks the part is incredibly important.

The story is fairly generic, which is also quite shocking considering that they had decades of past comics runs to draw from. However, this seems to have been made by people who have never read an issue. They were vaguely aware of the IP and so thought they would make a very mid girl boss film and use the IP’s name to sell it rather than actually make a good Red Sonia film that is faithful to the source material.

Overall, a terrible waste of an IP made by people who hate it.

0.5/5

Pros.

Hannah John-Karmen is good

Cons.

It is boring

The lead doesn’t look the part

It hates the source material

It is badly paced

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Superman: Soy Boy Savior

Summary

James Gunn’s Superman arrives, but is it enough to save the DCU.

So for the purpose of this review we’ll try and keep politics out of it, after Sean Gunn really tried to centre it around that, and we’ll leave off any references to Man Of Steel, with one quick addendum to say that adjusted for inflation Man Of Steel made more on its opening domestic weekend.

The film itself is pretty meh. I went into it with low expectations, the marketing had done a horrible job of making the film look stupid, goofy and far too present day, and whilst there are elements of that in this to be sure I think the film managed to exceed by rock bottom expectations.

There were a few good Superman comic esque moments mainly in the third act that made me smile, and a number of funny lines. However, Superman is not the Guardians of The Galaxy and the humour quickly becomes clawing. There are perfectly good scenes that could stand on their own, but then they’ll force in a joke to make you retch a little bit and ruin the scene.

Moreover, the weakening of Superman is a little too on the nose for me. Previous Superman films have kept him macho and powerful whilst also showing his good nature and down to earth personality, look at Smallville. However, here they go out of their way to make him more effeminate and soft, whilst this could be argued to just be how modern Hollywood views masculinity, or an attempt to make him more sympathetic during the sequence where he is basically cancelled is unclear, but it does become noticeable for all the wrong reasons, including but not limited to the use of therapy speak.

The final thing to note is that this is a James Gunn vanity project of that you can have no doubt, and whilst I like him as a director I do think it gets a bit irritating as the film progresses. We already know Krypto was based off Gunn’s own dog, and that his wife and brother are in the film, but then when you look at the cast you see that it is stacked with Gunn’s personal friends as well as the aforementioned cancelling storyline being reflective of Gunn’s own experiences to a degree. When you think about this in totality it starts to become a bit sickening.

Overall, fairly mid-range.

2.5/5

Pros.

A few good moments

The third act is better than the other two

It world builds

Cons.

Clarke and Lois

They make Superman weak

How this is a Gunn vanity project

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Iron Heart Season Overview: Bargain Basement Iron Man

Summary

The MCU no longer wishes to make money, it has decided to go down with the ship of social justice and keep preaching at people until they cut Marvel out from their life. In many senses with all of its comments about quality over quantity and leaving the message behind Marvel has become like a drug addict telling you that this time they are off it for good, but by the way they need some money to eat can you help them out.

Now that Marvel is figuratively passed out in a gutter somewhere after injecting themselves with the last bits of social justice, critical race theory, pronoun nonsense and drag queens they can, we can assess the damage of the latest rampage, and talk about getting them committed.

Who was this show for? A comics character with several failed runs, who is notoriously unpopular and who has the charm of the previously mentioned drug addict if you refuse to give them some money. Of course Marvel thinks simply by making a show about a black character, and they use rap music to let you know it’s a black character, that the black audience will show up. However, I think most people know that even though Ryan Coogler is producing this show, Black Panther it is not. Throughout the whole show the black experience is stereotyped and put into boxes, the victim mentality of black excellence being kept down by whitey society is on full display and honestly it is just cringe. Riri is entitled and thinks she should get everything now and that is not how life works no matter your skin colour.

Moreover, by adding a drag queen to a show clearly aimed at young audiences, nothing particularly mature happens here, it highlights how once again Disney is trying to force sexuality onto young kids. Drag is inherently sexual and has no place on a show that kids could be watching. The fact there is a drag queen playing a villain in this show is yet another reason that the MCU deserves all the failure that is coming its way these days.

Dominque Thorne once again takes acting lessons from the Aliqua Cox school of acting which is to say she has no facial expression beyond looking like she is holding in a steamer for the whole time and has a personality so badly developed it is hard to call it anything other than one dimensional.

Overall, this is just garbage.

0/5

Pros.

None

Cons.

Thorne

The drag queen

The preaching

It didn’t need to be made

The pacing

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Daredevil Born Again Season One: Netflix Beats Disney

Summary

Disney continues one of the greatest superhero TV shows of all time.

So as many of you know, I believe that marvel is currently in a death spiral I think that a lot of the things that are coming out now were greenlit and shot years ago and so are unable for marvel to fix or turn around in a meaningful way. There are rumours surrounding this Daredevil series that production was shut down midway through and the whole thing was retooled. Upon watching it this seems evidently true, as the first free quarters of episodes feel like a different show now there are still some darker elements in these earlier episodes which were clearly added post the original episodes as we know they wanted to go for a legal comedy series originally. However, were the problem arises is that they have also kept in these more comedic lighter tone plot beats and they can clash horribly with the darker elements feeling schizophrenic. Take for example episode 5 it’s a bank robbery episode with broadly comedic themes and Kamala Khan’s Dad, who was accused of some heinous things in real life, is there providing comedic support. If you compare this to episode 4 wherein you got to see Muse killing people and draining them off their blood you get immediate whiplash.

Then you have the character assassination as Marvel is becoming known for with Matt, Charlie Cox, seemingly a punching bag for everyone else in the show. He goes from being a leading man who commanded respect in the Netflix run to being screamed at by a criminal for not getting him a lighter sentence, despite him being a repeat offender, and having the problems of the legal system hung around his neck. What does Matt do, does he tell the man don’t do the crime if you can’t do the time? No he takes it and says it is his fault as this series wants to make Matt as weak and subservient as possible. Couple this with Kingpin, Vincent D’Onofrio, who goes from a one man killing machine who ruled with an iron grip to someone who gets cheated on and then goes to couples counselling wherein he learns it was all his fault. After what Hawkeye and Echo did to Kingpin I thought the series couldn’t drag the character any further down, and yet it still managed to do it. It does do a little to bring him back by the end of the series but it is too little too late in my opinion.

Another curious choice is the fact that Matt doesn’t fully suit up and become Daredevil again until episode 6 of a 9 episode series with a massive amount of filler in those first few episodes, as it sets things up as though it is Game Of Thrones. However, the issue with this is not only is it boring but most of these things are then never executed upon or just don’t happen making all the set up feel extra annoying. Episode 5 ends with Matt being offered dinner at the Khan’s and yet that never happens.

They get rid of Karen, Deborah Ann Woll, and Foggy, Elden Hensen, and replace them with a new staff on legal characters for Matt to interact with none of which can hold a candle to Karen or Foggy, who they killed off only to bring back next season. Also Kingpin now has an entourage which are also annoying and serve little purpose, Michael Gandolfini in particular is terrible.

The central villain of the series Muse is killed off without much fuss so that they can have the real villain be Kingpin and his corrupt police force, which Daredevil could easily beat in an episode, but they need to draw it out in order for it to be more timely. As we all know who makes for the best comic book villain ah yes the police, we should defund them yes great idea. Stupid and dumb.

Overall, this is what I get for getting my hopes up about a Marvel project.

1/5

Pros.

There are a few cool moments

Cons.

These are promptly undermined by the destruction of Matt and Wilson as characters

Matt is treated like a joke on his own show

The ungodly amount of filler

The marriage counselling scenes with Kingpin

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The Electric State: Milly Bobby Brown Enters Her Trying To Look Older Than Her Years Phase

Summary

Netflix decides to burn 300 + million dollars.

I am beginning to question what voodoo magic Millie Bobby Brown or her parents have performed on the Netflix executives. She is given chance after chance, and simply repays them with mediocrity, how many times will they try and make her a star despite the public rejection.

However, this graphic novel adaptation fails not just because of Brown’s poor acting ability, but also because the Russo Brothers, of Marvel fame, do not seem able to direct anything that is not set in that world. What is delivered is an incredibly bland bloated mess, with two charmless leads that have no chemistry between them, and a story that aimlessly meanders to the end.

Overall, this is just a tedious waste of your time.

1/5

Pros.

It is not offensively bad it is just dull

Cons.

Brown cannot act

It is bloated

There is nothing really to be excited about and there is no stakes

Brown and Pratt have no chemistry

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Kraven The Hunter: One So Bad Not Even The Critics Could Pretend To Like It

Summary

With a whimper the SSU dies.

I think everyone could tell you that this film was going to bomb before it came out, it had disaster written all over it from its moment of announcement.

Sony needs to answer a very simple question, why do we need villain films without Spider-Man? The answer is we don’t.

This film once again is a villain origin story that tries to make the villain cool and likeable, as it is too afraid to have them be anything other than an anti-hero as who wants a true crime film that shows the rise of one of Spider-Man’s greatest foes and has him always be evil. No they have to be made into the good guy in some way even though that means the idea of them later banding together to form the Sinister Six to fight Spider-Man another good guy makes no sense at all.

The drugs must be in plentiful supply over at Sony for them to make such an unenforced error like this, or maybe they just don’t realise what audiences want. Remember gang Madame Web was a great film it only flopped as the critics hated it.

It also features other Spider-Man adjacent characters and messes with their origins and backgrounds too, as who watching this will care about the comics right.

Overall, a necessary death.

2/5

Pros.

It has some fun moments

The action is good

Cons.

It gets the source material wrong

It feels the need to make Kraven a hero

It is too long

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Creature Commandos Season 1 Overview: James Gunn’s Fragile Ego

Summary

The DCU is born.

Right from the off something about this series struck a bad chord with me. It’s taken me a while to really think about what’s wrong with it and be able to articulate that, here is my best attempt.

Firstly, this feels like a spin off of the Harley Quinn animated show, and by that I mean the humour is exactly the same, however, where that show allows its characters to have serious moments this shows allergic to that. Whenever there will be a tragic or sad moment the writer will feel the need to undercut with a quippy joke or some sort of absurdist visuals.

Secondly, and relating to the first point, each of the Creature Commandos has tragic back stories, and this is bad for two key reasons. Chiefly, it shows a lack of any genuine villains in the show, which is supposed to be about a team of villains going on missions, as well as a fear of anti-heroes and not having everyone be sympathetic. Moreover, these back stories are often quite depressing, so the show feels the need to overcompensate by having it side by side with the present timeline in which something absurd or silly will be happening in order to get away from the sadness. This cheapens it.

Thirdly, the humour as I’ve mentioned in my previous two points is really what ruins this show and runs through all of the criticism, It is juvenile, gross out, and often edgy for shock value. I don’t think I laughed once during the entire run of the show.

Fourthly, and perhaps worst of all, is the fact that one of the sub antagonists of the show are the Sons of Themyscira, who are portrayed as incel online nerds. Not only does this feel like screw the audience, but also feels like Gunn personally taking shots at his critics. This is potentially catastrophically bad as it shows that Gunn is a reactionary and shows how even mild criticism of him can find its way into his projects and affect them in a major way, hence he’ll get more of it. It also destroys any kind of confidence one may have in his upcoming Superman film, and you have already seem him coming out to attack haters on that and to respond to criticism. The Sons are of course horribly cringe and die off in humiliating ways in order for Gunn to own his critics.

Overall, it is nice to see a more mature tone and some of the ideas were good, but the humour, the lack of meaningful emotion and Gunn’s fragile attempt to own the haters all result in this being a damaging start for the DCU, and a red flag for this summers Superman. :

2/5

Pros.

The mature tone

A few good ideas

Cons.

The humour

The backstories

Gunn’s fragile ego

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Venom The Last Dance: Going Down Dancing

Summary

Venom goes out with a bang.

I liked this more than Let There Be Carnage in a number of ways, I thought the Eddie, Tom Hardy, and Venom relationship was better here and felt less clawing with the humour. You do believe the bond between the two and in the end when it looks like Venom dies you do feel that emotional gut punch.

I also liked seeing Knull, Andy Serkis, and the threat posed by him. I know Venom isn’t really dead but I would genuinely like a fourth film where Venom has to rally the SSU Avengers and get them together with a Spider-person in order to fight Knull. It would be a spectacle not on the level of Endgame but certainly on the level of Days Of Future Past.

I think the human villain played by Baron Mordo, is a bit one note and week. I would argue that Chiwetel Ejiofor is wasted in the role, and that his character is not given much in terms of character, he hates symbiotes and then he doesn’t. Its very night and day and reeks of a bad script.

Overall, a slight sad ending that sets up genuinely interesting things for the future.

3/5

Pros.

Eddie and Venom

The emotion

Knull

Cons.

The human villain

A weak script

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The Penguin Season One Overview

Summary

Colin Farrell is the Penguin.

This was a near perfect show in a lot of ways. Farrell was fantastic as was Milioti. However, there were some issues.

Broadly these can be boiled down to two things, firstly it was stupid that Batman was not mentioned on the show, realistically in that world he would have shown up and tried to end the gang war, but to not even mention him is just silly. Secondly, the tone of the show was a bit all over the place, at times it was incredibly dark and gritty such as when Sofia gassed her family, however, there were also lighter scenes such as the end of episode one that felt tonally mismatched.

That aside this is a fantastic crime show, I wouldn’t go so far as to call it a fantastic superhero show as really it has very little to do with them, but as far as a mob show this is right up there. The show is well written which is becoming increasingly rare these days and has a show don’t tell approach to storytelling. You can see and imagine Oz’s machinations but they are never spelled out to you.

I also appreciated how brutal this series got at times and that it wasn’t afraid to be bloody when it needed to be, despite some folks thinking of it as a comic book show and hence inherently for kids.

Overall, one of the best DC projects in years.

4/5

Pros.

The grit

The lore

Farrell

Milioti

Cons.

The uneven tone

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Hellboy The Crooked Man: Rivaling del Toro

Summary

Hellboy, Jack Kesy, is back.

Despite this film coming and going and getting zero fanfare at all I actually rather enjoyed it. This film set itself apart from previous iterations of Hellboy in two key ways, firstly rather than being a fantasy action film this was straight horror, and secondly rather than focusing on Hellboy’s destiny as the right hand of doom it instead focused on his mother. Both of these things helped the film to feel fresh.

In terms of horror, this film’s low-fi feel add it to the horror by making it feel more gritty and real, the practical effects work also went a long way to giving the film an atmosphere and a more realistic edge. The film’s villain I would say is the most effective of all of the iterations and has some genuinely creepy moments.

My one complaint of the film would be that it felt like a sequel, by that I mean the film assumed a certain level of knowledge around Hellboy’s origins and back story, and starts you off in the middle of an adventure. Personally, I think for people unfamiliar with the character this could be quite confusing.

Overall, a novel new direction.

4/5

Pros.

The horror

The practical effects

The tone

It feels like a Hellboy adventure ripped straight out of the comic

Cons.

It is not very accessible for new watchers

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