The Fabelmans: Spielberg Takes On Boyhood

Summary

A semi-autobiographical take on the early years of Steven Spielberg told through a fictional family.

This film had a long way to go to shake off both the idea of it being blatant awards bait, in the insufferable smugness that conjures up, and also the notion of it being a director indulging in a vanity project and I think to a degree it does manage to shake off both of those labels, but not completely.

I found the coming of age angle to be quite effective, I was heavily invested in Sammy’s, played by Gabrielle LaBelle, journey into filmmaking an also adulthood and thought that the whole plot line was anchored by incredibly strong turns from Michelle Williams and Paul Dano. Even Seth Rogen brings his A game in a muted supporting role, which makes a nice change.

My big question for the film and in it my wider criticism is how is this film any different from the million other coming of age films out there? Yes it is somewhat of an origin story for Spielberg, but other than that this is incredibly by the numbers and doesn’t have anything to set it apart. The story as a whole is riddled with cliches and overly familiar plot beats, yes to a degree if this film is trying to be true to life than things were unchangeable but if it isn’t, if it is tenuous, then this needed to be changed as what we get feels like a rehash.

Overall, a compelling coming of age story with good performances, but an over-reliance on worn out cliches holds it back.

3/5

Pros

Strong performances across the board

You care about Sammy’s journey into filmmaking

The David Lynch cameo was nice

Cons.

It feels familiar

It has heavy pacing issues

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High Heat: Life After Miami Vice

Written by Luke Barnes

Summary

A chef, played by Olga Kurylenko, takes on the mob.

I put this on as the trailer made it look as though it was a relatively fun and silly hour and a half and I went in expecting bad puns and a general tongue in cheek attitudes. However, in all honesty all I was met by was an incredibly generic and forgettable action movie, that struggles to maintain your attention as you are watching it.

This is very much in that subcategory of action films that could be described as a John Wick clone, everything from the way the action is shot and presented to the mysterious past angle of the lead is reminiscent of the Wick films, however, unlike those films this does not have the world building or incredibly strong lead performance from Reeves to prop it up.

In that vein Kurylenko is fine but certainly isn’t breaking the mould. Looking at her recent filmography I worry somewhat that her career might take on a Bruce Willis like quality as she releases film after film like this wherein she gets paid for minimal effort. I suppose everyone needs to take work to keep the lights on, but she is so much better than this, this is a waste of her talents.

Overall, a deeply forgettable action film.

2/5

Pros.

It is watchable

It is unintentionally funny at times

Cons.

It wastes Kurylenko

The action is all very tame

It feels like a bargain basement John Wick clone.

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The Banshees Of Inisherin: Talk To Your Friends, Don’t Let It Get To This Point

Written by Luke Barnes

Summary

A friendship breaks down in rural Ireland.

I thought that this film was just the right amount of funny and sad, and shows how Martin McDonagh finally has his light side and his dark side under control, near perfect tonal balance.

The paring of Colin Farrell and Brendan Gleeson works tremendously well and the two play off each other really well. Additionally Kelly Condon and Barry Keoghan add a nice flavour to the film and do make their presence known despite only having relatively small roles. There is a lot of depth to both the world and the characters that inhabit it within this film.

I found the film to be quite funny, it made me laugh several times, however, I will say that the humour didn’t always land and sometimes the elevation and ramping up of the drama between the two men just felt silly rather than earned. Perhaps this was a deliberate intent to reinforce the futility of the feud to begin with, but rather than not I feel like a few of the twists and turns within the narrative are shoved in for cheap shock value, and that is to the films detriment.

Overall, a funny and well done film, that does border on the ridiculous at times

4/5

Pros.

Farrell and Gleeson

It is funny

The characters feel deep and the world feels aching to be explored

The supporting cast also have moments to shine

Cons.

The escalation at times feels done for shock value rather than in service of the story

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American Horror Story NYC: Requiem 1981- 1987 Part 1 and 2

Written by Luke Barnes

Summary

The AIDs epidemic finally begins as the season comes to an end.

I have bundled the last two episodes of this season together into one review as really they are one long continuous episode that is designed to be watched back to back.

In many regards I am deeply mixed on this episode. Certainly I admire it for tackling the AIDs epidemic in a serious grounded way, which is not something done very often by large mainstream shows, whilst also showing its effect on the LGBTQ+ community of people who were both losing friends and in some cases dying themselves. I think it is important for TV shows to show and highlight these somewhat forgotten about periods in history, not forgotten about by those effected or who lost people to it, but to the wider world who didn’t lose friends and to whom were only confronted by this in the form of nightly news reports.

However, my question is, is American Horror Story really the place for this conversation? As though this series was horrifying, it didn’t feel like American Horror Story which usually deals with the supernatural, when you think about it like that this could have easily been a different show as very little supernatural goings on were happening here. I didn’t find a lot of this season scary I found it to be depressing, and that really isn’t what you want from your horror shows.

Overall, whilst I appreciate the show trying to deal more in gritty reality this season I would say that it is the worse for it, as the campy dark charm of the show is lost in the pursuit and what we get is fairly unrecognisable to AHS.

3/5

Pros.

Tackling issues that aren’t often covered

The way the show highlights the effects of AIDs on the LGBTQ+ community

It is very watchable

Cons,

It doesn’t feel like AHS

It is depressing

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White Christmas: Frighteningly Pro-Military

Written by Luke Barnes

Summary

A Christmas classic featuring one of the most well known Christmas songs of all time.

Personally I can see why people like this film, but for me it left me cold. Maybe it is the outdated views which make parts of it feel problematic or just how into the Army this film is but there was something about it that I just didn’t like.

Moreover, a lot of the songs, outside of the obviously fantastic titular song, ended up sounding the same and in the end the musical numbers became tedious because it was just constantly more of the same rather than any form of variety or range.

I did enjoy the sentimentality of the story, however, and thought that the central kind deed feels very in-keeping with the meaning of the season.

Overall, not a Christmas film that I believe ages well.

2/5

Pros.

The sentimentality

It is watchable

Cons.

The songs

It ages poorly

It is very pro-Army

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American Horror Story NYC: Fire Island

Written by Luke Barnes

Summary

Some of the characters take a trip out to Fire Island to get over the trauma that they have been through but all the while a spector is gaining strength in the background.

Honestly I think outside of the serial killer premise, now that the show has killed that off, there really isn’t a lot of substance left. A lot of the scares just seem to be random images and vaguely through ideas, this can be seen with all the visons and when Big Daddy comes in with the save at the end of the episode, none of it seems to follow a rhyme or reason rather it is just thrown together.

Moreover, regarding the obvious Aids epidemic that is right on the precipice the show again eludes to it but doesn’t commit. At this point with all these episodes showing the signs and symptoms the show needs to stop beating around the bush and directly address it. I know that is the plan for the season finale but the season feels too long getting to it.

In addition this episode really hammered home and issue I have been having with this season and that is that it doesn’t feel like American Horror Story anymore, it feels like a different show wearing its skin. This is mainly because the supernatural is such a small part of the season as well as the show instead trying to deal with more of a real world issue than a fictional and out there idea. In many senses this season reminds me of Cult and that is not a compliment.

Overall, the season is starting to lose its way and drag on.

2/5

Pros.

It is watchable

Big Daddy continues to be interesting

Cons.

It has lost its way and seems content to limp on

It doesn’t feel like AHS

It is depressing and far too abstract

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Matilda The Musical: Netflix Doesn’t Seem To Understand How To Adapt Books

Written by Luke Barnes

Summary

A reimaging of the classic Roald Dahl story.

Yes, this is yet another case wherein the original is vastly better than the remake, and I don’t even mean book to film, no what I mean is that the original Matilda film with Danny DeVito was vastly, and I do mean vastly better than this film.

My main issue with this film is that it loses a lot of the cheeky sense of fun from both the original film and the book, this film fundamentally isn’t fun but is instead depressing. Within the DeVito version we never really got a sense that Matilda’s parents were outrightly abusive towards her, yet we get that here. In addition Miss Trunchbull in the original film is a sinister villain at times but also has a core of cartoonish silliness to her that makes her actions seem less outrightly sociopathic and cruel, again this is missing here.

Another thing I disliked about this version of Matilda is the songs. There is no getting around the fact that the songs in this film are not strong, worse yet the film goes out of its way to repeat the same songs or lines from them over and over again to the point wherein you question whether the film is trying to force you to like them.

I will give this film praise for a stellar performance from Lashana Lynch who does make a great Miss Honey, but her performance isn’t enough to save this film.

2.5/5

Pros.

Lynch

It is watchable

It has one or two funny moments, but it is by far not enough

Cons.

Pacing issues

It is depressing and no fun

The songs make everything worse

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Troll: A Very Norwegian Kaiju

Written by Luke Barnes

Summary

An unearthed Troll begins to cause havoc in Norway.

In many senses this is a monster movie, or perhaps even a kaiju movie, it is about a big creature going around wrecking things and causing lots of damage and then humans having to come up with a way to stop it. Maybe that is what I should have expected, but I was thinking this was going to follow more in line with something like Troll Hunter and be about Trolls and explore the Troll legends of Scandinavia, but not have it devolve into CGI destruction. I was disappointed with what I got in the end.

Moreover, this film is in a sense also quite comedic and I don’t really understand whether that was on purpose or entirely unintentional, as the film takes itself very seriously but every now and again there will be a line that is very silly and that you can’t help but laugh at, it is quite odd.

Additionally, I found the CGI of this film to be quite distracting for all the wrong reasons. Now I am not going to go after the film too harshly for this as though it has some Netflix money, it isn’t like it has a Hollywood style budget so a little shoddiness in the CGI department is to be expected, but this film really takes the cake. It frequently shows it’s CGI Troll and my word does it look fake and jarringly so.

Overall, another dumb monster rampage movie with sub-optimal CGI.

2.5/5

Pros.

It is watchable

It has an interesting premise

It is funny but I don’t know if that is intentional

Cons.

The oddness in humour and tone

The lackings in the CGI

It is dumb and squanders its premise

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The Eternal Daughter: You Can Guess The Twist Just From The Title Of The Film

Written by Luke Barnes

Summary

A mother and daughter, both played by Tilda Swinton, head to an old manor house that has familial significance to both of them and slowly mysteries begin to unravel and things plunge towards the gothic.

I was very disappointed by this film. From the trailer I was expecting a classic British ghost story, with maybe a few modern twists thrown in to update things, however, what I got instead was a suitably creepy film that then delivers one of the most obvious twists used far too frequently within horror cinema which then puts the kiss of death on any hopes of the film being good. The twist, which is that the mother is actually dead and the whole time she and the daughter are interacting it is only in the daughter’s head is incredibly obvious and I could have guessed it from the title alone, I was hoping the film wouldn’t go in that direction and would instead do something more clever and creepy but clearly that was too much to ask for.

It is a shame as the film boasts quite a creepy atmosphere for most of its runtime that does deliver some unsettling moments and leaves a lot of unanswered questions to go over after the film ends, both of which are why this film hasn’t scored lower.

To briefly comment on performance, Tilda Swinton is very capable as usual, but I would say she is hamming things up just a little too much at times here and there are moments wherein you could claim she is overacting.

Overall, a sore disappointment.

2/5

Pros.

The creepy atmosphere

The unanswered questions

Cons.

The twists is incredibly obvious

Swinton goes a little too hammy in her performances

Pacing issues

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Chucky: Chucky Actually

Written by Luke Barnes

Summary

Dr Mixter, played by Rosemary Dunsmore, gets her karmic payback and the kids start to heal.

I think the last episode would have worked a lot better for an ending to the season as this one feels as though it was just tacked on at the end in order to meet episode quotas. I suppose you could argue that this episode is a sort of epilogue for the season but really it just feels like filler.

I think my big problem with this episode is that I just don’t care about the central trio of teens, as such all of their healing and their big emotional breakthroughs within the episode don’t hit for me as the teen characters are easily the weakest bit of the show. The more interesting plot points of this episode for me is seeing that Nica, played by Fiona Dourif, is now on the course of revenge and that things look all over for Tiffany, played by Jennifer Tilly. Again the episode is guilty of teasing things that are yet to come, but you would expect that from a season finale.

The gore and seeing Lexy, played by Alyvia Alyn Lind, finally snap and kill Chucky, played by Brad Dourif, in a really bloody way feels satisfying and Lexy’s dealing with this new found urge to kill could be something worth exploring come the next season. I would like the next season to separate the teens and have them go on their own journeys as the idea of them all together again in a new location which Chucky can then invade just seems a little old hat and played out at this point.

Overall, a fine epilogue to the series that sets up some interesting ideas and things to explore next time around, however, it is a big step back from the heights of the penultimate episode.

3/5

Pros.

The gore

The set up for Nica and Tiffany

Lexy snapping and bloodily dispatching Chucky

Cons.

The focus on the teens is dull

It feels like a step back from the previous episode

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