Crappy Mother’s Day: Celebrating Women

Crappy Mother’s Day

3.5/5

Written by Luke Barnes

I think more films should be set on Mother’s Day, there are a few, but in the vast tide of Christmas, Halloween and even a few Easter offerings, Mother’s Day really doesn’t get its due in terms of film representation. I enjoyed the premise of three generations of women coming together to share a Mother’s Day, I thought there was a lot of unmined comedy potential there- luckily this film executed well on this.

The film is by no means a laugh a minute, I was entertained well enough and laughed a few times throughout, but it is not the funniest comedy film you will see all year. More hits than misses though, and considering this film defines itself as a comedy that seems like a win.

I enjoyed the performances across the board and thought that each performer brought something different and special to there role. I found all the characters likeable and there wasn’t any that became grating as the film progressed.

There are slight pacing issues especially within the first act as the feature attempts to set itself up and introduce us to the characters/story, however these are only fairly minor.

Overall, a charming comedy film that mostly nails its comedy.

Pros.

A few good laughs

Strong performances all round

An interesting and fruitful premise

Cons

Not all the jokes land

Slight pacing issues

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Interview With Bill Oberst Jr: Painkiller

I recently had the chance to interview Bill Oberst Jr for his latest film Painkiller, which you can find a review of on site now. The film sees a man plagued by personal lose try and reclaim the tatters of his life through violent retribution. During the interview we talk about stars of silent cinema, the immortal work of Ray Bradbury and the dark truths of the human heart.

Q: Who is your biggest inspiration?

A: A man who rarely spoke – a silent cinema actor named Lon Chaney. He was dead decades before I was born, but as a lonely boy in the woods I connected with him through the pages of Famous Monsters of Filmland magazine. I was so moved by, and attracted to, Chaney’s intention to portray the humanity in the monstrous that it drew me into performing. In Ray Bradbury paperbacks I found a similar sensibility, and The Wounded Monster became the serving metaphor of my life. There’s a line in a play by James Saunders: “There lies behind everything a certain quality which we may call grief.” That’s true. I think recognizing that truth is the beginning of a life’s wisdom. 

Q: How would you describe the film in a word?

A: Illuminating.

Q: Do you have funny on set stories?

A: Michael Paré, who stars, knew more about fight scenes and blood squibs than the rest of us combined. It was fun to watch Michael ask for more squibs (most actors want fewer) and to push to make the fight scenes more real. He knows action! Working with pros like Paré always reminds me who’s boss. 

Q: The film covers very real world issues; did you find a personal stake in the subject matter whilst filming?

A: Yes. Executive Producer, co-writer and co-star Tom Parnell actually lost a child to opioids (the film is dedicated to his son.) I did feel a responsibility to well represent the millions of parents who have suffered similarly. My character is also living out a revenge fantasy, murdering those he deems culpable, which forced me to morally strip down to my naked vengeful self. I believe in the redeeming power of love, but my first instinct is never love. Darkness often reigns.

Q: How did you manage to capture the loss and personal destruction the character feels?

A: Our director, Mark Savage, says that knowing what is in the dark makes it less dark. We master by knowing. And on camera you can only show what you know. I know that suffering is the core of life. I know that it is the core of my faith. Perhaps it’s just a peeling away of life’s lies that allow the showing of truth. 

Q: How would you describe your character?

A: He is hurting, and he is haunted, both by what he has done and by what he has left undone. 

Q: If you could go back in time to when you were first starting out what advice would you give yourself?

A: Go to the funeral of your importance. Forget fame – just say what your soul needs to say and let it be. 

Q: What is your favourite moment from the film? 

A: There is an interaction between my character and a dog. The dog steals the scene. I loved that dog! 

If you would like to check out Painkiller then you can find it on all good VOD platforms, and as always be sure to check out my review on site now.

https://www.patreon.com/AnotherMillennialReviewer

Spider Man 2: Spider-Man Forgets The Whole Secret Identity Thing In This One

Spider-Man 2

4.5/5

Written by Luke Barnes

Regarded by many as one of the best superhero films and certainly the best Spider-Man film there is something of an air of victory to this film. Whilst I agree it is certainly the best Peter Parker Spider-Man film, I would say Spiderverse is the best Spider-Man film of them all, I can’t say it is the best superhero film.

I enjoyed seeing the further developments of the awkward Spider-Man, who is very similar to the one we all know from the comics. His romance with Mary Jane, played by Kristen Dunst, his relationship with the Osbourn’s after the ending of the first film, etc- it takes them and ups them.

I think the reason why this film is so beloved is because it best encapsulates the Spider-Man spirit, the train scene when Spider-Man has his mask off and is almost broken, but he just can’t give up saving lives, shows the reason why the character is loved as he is: honestly it is a very powerful scene on a par with the best emotional moments from the MCU for sure.

I also enjoyed the film’s version of Doctor Octopus, played by Alfred Molina, and the tragic fall that this narrative takes him on, we see him as this great scientist driven to an extreme, and who ultimately pays a heavy price for it. The character is evil and loathsome, but also somewhat relatable and sympathetic and that is what makes him such a good villain; I am very interested to see what Marvel can do with him in the upcoming No Way Home.

Overall, a film that truly understands the Spider-Man character and is magnificent because of it.

Pros.

Tobey McGuire

Tying up the lose ends of the first film

Doctor Octopus

Developing Peter and Mary Jane’s relationship

Cons.

A little bloated.

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Painkiller: Fresh Blood Within The Revenge Sub-Genre

Painkiller

4/5

Written by Luke Barnes

The revenge genre has been done to death at this point, we have seen every single take on, man loses family and then goes to get payback, yet this film managed to surprise me. I enjoyed how the film brought the opioid epidemic, a very distressing real world issue, into the narrative as I felt it shed new light on it and how it effects people.

Bill Oberst Jr truly can do it all, he is the standout of the film here and makes every scene he is in. I think the acting across the board is top notch, as a result the film feels more believable and the world more like our own, as you stop seeing this as a fictional film and instead see it as real people dealing with very real world situations, or at least that’s how it felt for me.

My one issue with the film would be that it did not know when to end, as such the final act drags on and on. There are multiple times in the final half an hour where it looks like the film is ending, but then it carries on and on. A tighter edit was needed.

Overall, there is still fresh blood within the revenge film sub-genre.

Pros.

Bill Oberst Jr

Shedding light on the opioid epidemic

The emotions and the character work

The violence

Cons.

The ending and the bloat

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Steve Jobs: Seth Rogen Should Do More Dramatic Roles

Steve Jobs

4/5

Written by Luke Barnes

This film is a testament to the writing prowess of Aaron Sorkin. The film is simply two hours of Steve Jobs, here played by Michael Fassbender, having conversations with people, however what could easily have become boring and lost in a sea of tech speak actually sparkles and flies by. Sorkin perfects the art of the conversation, and as we see these moments in various different eras of Job’s life we are taken on an emotional rollercoaster and learn and feel far more about the former CEO of Apple then we ever have before.

Moreover, this film reminded me what a talent Michael Fassbender is, he perfectly sinks into the role of Jobs to such a point where I started to believe he was him. Furthermore, Seth Rogen is wonderfully muted and impactful in his performance as Jobs’ long-time friend and jilted business rival Steve Wozniak. Rogen plays the role straight, not going for dumb laughs, and manages to prove to us all that he can be a talented dramatic actor when he wants to be.

Though the film may have too slow of a pace for some, I do believe the film is near perfect in terms of pacing. The film does not feel like it is on for just over two hours and mostly flies by as you are so engaged with the subject matter

Overall, a riveting  film that will easily entertain those who appreciate its slower pace.

Pros.

The writing

The sparkling conversation

Michael Fassbender

The near perfect pace

Cons

A slow pace that some may find off putting

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Justice Society World War II: I Think I Feel Asleep During This

Justice Society World War II

2/5

Written by Luke Barnes

These days I am finding that a lot of the animated DC output is trapped in the meh zone, by that I mean it all just feels generic and samey, there is nothing to set one film apart from another. I used to love animated DC films when I was a kid, but recently I have been sorely disappointed, and this proves no exception.

None of the characters in this film felt likeable to me, and that is surprising considering that it is hard to make beloved superheroes unlikeable, yet they manage to find a way. The characters in this film range from boring and dull, to outright annoying.

The story feels uninspired also, are we not over the whole superheroes in history fad yet? Did Legends Of Tomorrow not entirely use up all the good ideas with the concept? Moreover, I felt myself getting so bored with this that my mind was starting to wander, and I was having a hard time paying attention.

Finally there are pacing issues galore here as well.

Overall, very meh, maybe if you were a DC diehard you might find something to enjoy here, but probably not.

Pros.

Matt Boomer is trying

Every scene with President Roosevelt

Cons.

The characters aren’t likeable

The premise is nothing we haven’t seen before

The animation feels samey

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Spider-Man: The Awkward Hero We All Need

Spider-Man

4/5

Written by Luke Barnes

A part of me will always view Tobey McGuire’s Spider-Man as the one Spider-Man for me, he was the one I grew up on, the one I saw at the cinema when I was young, and though I did enjoy the darker Andrew Garfield version, and Tom Holland is fine, they can never hope to match the awkward charm of McGuire’s Peter Parker.

Raimi brings his very unique stylings to this film and it really helps to keep it fresh all these years later, watching Spider-Man cage fight whilst Bruce Campbell plays a cooler version of Vince McMahon is something I never knew I needed.

I also think McGuire is fantastic in the role, he feels like a believable nerd, which Garfield and Holland never did or do, and there is something of the awkward outsider in him that we can all relate to. Moreover, McGuire has a good deal of chemistry with Kristen Dunst who plays his on screen love interest Mary Jane Watson. Now say what you like about Sue Storm and Reed Richard, or the love triangle between Cyclops, Jean Gray and Wolverine, but when I think of romance in a Marvel story I think of Peter Parker and Mary Jane, this is why the chemistry is crucial- luckily this film has it covered.

Finally, whoever decided to cast odd ball Willem Dafoe as Green Goblin deserves an award, as he is the perfect version of that character: unrepentantly evil whilst also strange and darkly funny- perfect.

Overall, a fun goodtime that reminds us all of what is so lacking in today’s Spider-Man.

Pros.

McGuire

Raimi

Bruce Campbell

Willem Dafoe

Cons.

Uncle Ben dies yet again

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

Pet Semetary: Toddlers With Top Hats

Pet Semetary

3.5/5

Written by Luke Barnes

Of all the older versions of Stephen Kings films this is probably the best, I won’t even bother to mention a lot of the newer adaptations of King’s work as they are mostly meh at best: I never wanted to see Pennywise dance or lick a piece of glass, but hey that’s me. By comparison to the remake this version of Pet Semetary might just be a masterpiece.

In terms of scares there is something of a fever dream quality to the film, where things never seem quite right. I enjoyed the gothic world the film creates where those we love can come back as evil versions of themselves, I think the premise is rife for exploration into the human condition and for the most part this film does that. There were a few unsettling moments that were made scary by the atmosphere the film had built, sadly in this regard the film also has an oddly comedic, campy charm to it that often takes away from a lot of the scares- on the plus side it does make the film hilarious.

I think the ending of this film is much better to what we got in the remake as well, as it ends with the hint of bad things to come, but it doesn’t go out of its way to show you, it leaves it to your imagination and there is defiantly something to be said for that approach.

Overall, a lot of goofy fun, not perfect but a damn sight better than what would follow it. PS. The Ramones tie in song rules and still holds up today.

Pros.

The end credits song

The ending

The scares

The unintentional comedy, though this does take away from the scares

Cons.

A little dated now

Quite slow pace

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out! https://www.patreon.com/AnotherMillennialReviewer

The Virtuoso: The Best Hitman Film We Have Ever Had

The Virtuoso

4.5/5

Written by Luke Barnes

I wrote a tweet whilst watching this film in which I said something to the extent of this is the Hitman, as in the game, film that we never got. Though it has nothing to do with that IP beyond having a similar premise, it just feels so much in the spirit of those games, with a very similar aesthetic so it had to be mentioned.

I have been a fan of Anson Mount for some time, and I am glad to see him getting lead roles- he is very talented, and he really sells the character here. Whether it is the fake smiling scenes where the character forces himself to smile to blend in, or the scenes where he is having a breakdown for the collateral damage left in his wake Mount really pulls off the emotion in a convincing way.

Mount is perfectly matched by Abbie Cornish and Anthony Hopkins, who though feature less prominently both have significant characters that make an impression on you. I thought the monologue with Hopkin’s character when he was talking about committing a war crime during his days in Vietnam was particularly disturbing and well done.

I enjoyed both the action as well as the twists and turns of the plot, I think as an action thriller film this film excels. My one complaint would be the ending however, as I felt the betrayal came out of nowhere and I didn’t like how easily this expert assassin character was killed, it felt disappointing and more than a little cheap.

Overall, a very solid action film, well worth a watch.   

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer

The Grey: A Wild And Savage Soul

The Grey

3/5

Written by Luke Barnes

 This film separates itself from the wider bulk of Liam Neeson’s work, by having a more soulful, philosophical edge- contemplating the human condition, and the reasons why we carry on. Yes, there is brutal action as well, as you would expect from a Neeson flick, but here it is done more thoughtfully. I think for the most part, the emotional themes and the action blend together well, however it does lead to a few pacing issues.

The pacing issues really come into effect in the film’s second act which starts to drag. This section really needed more action than it has and is the only real time where the weighty themes start to get in the way of the actual fight for survival.

I think as a character piece this works well, the struggle of Neeson’s lead is not only familiar but also deeply personal, many who have gone through a similar situation can understand and connect. Moreover, the final scene where Neeson’s character embraces his death and stands proud ready to fight the wolf pack that has been pursuing the band over the course of the film feels right, as well as earnt. The desperate futility of the situation is beautifully macabre

Overall, a surprisingly deep Neeson flick.

Pros.

Neeson

The character work

The ending

Cons.

The pacing

A slight clash between themes and what’s on screen

If you enjoyed this review, then please head over to my Patreon to support me, I offer personalized shoutouts, one on one Q and As and the ability for you to tell me what to review next. Check it out!

https://www.patreon.com/AnotherMillennialReviewer