Lansky: Even Mass Murdering Gangsters Have A Sensitive Side

3/5

Written by Luke Barnes

In many ways this is a deeply average crime/biopic film. There is nothing about the rise to infamy story told here that you have not heard before. However, there is something of an emotional nuance here that really takes the film in an interesting direction. We see the character as not just a cold blooded gangster but also as a man who cared deeply for and ultimately was unable to help his disabled son. There is a duality here, the film allows us to see outside the black and white and see a more accurate grey in regard to the situation.

Sam Worthington has not been in something in a while, or at least that’s how it feels to me, the last time I remember seeing him on screen in a big way was Avatar. However, this is not the comeback film or performance fans of his would want. Worthington is entirely forgettable here, and just about anyone could have played his role. Harvey Keitel fares better as the titular Lansky, it is nice to see him on our screens again and he does manage to leave an impression with his performance: proving once again why he is such a big force in the genre even now.

Furthermore, the film has pacing issues but not the ones you would expect. Indeed, the issue with this film is that it feels rushed, there is a lot going on and then bang it’s the credits. It all just feels rather abrupt and skipped over, there are a lot of unanswered questions left behind and the whole thing feels sloppy pacing wise.

Overall, Keitel and some nuance manages to push this film into being a slightly above average gangster affair that fans of the genre will fine pleasing.

Pros.

The emotional nuance

Keitel

The ending and the emotion

Cons.

Worthington

It feels rushed

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The Bad Batch: Common Ground

2.5/5

Written by Luke Barnes

Summary

The Bad Batch finally get to set out on their own for a mission without Omega that takes them right into the heart of Separatists space.

I have been excited about the prospect of the clones setting off on an adventure of their own, without Omega, for a while. Sadly, the chosen adventure for this outing is one of the tamest and most boring of the series so far.

I think the group works better on missions without Omega, and here it is nice to see them back in their element again. Although the idea of having the clones have to help out their former enemy may look good on paper as a character growth storyline the emotional pay off here just doesn’t land at all and it all feels very inconsequential.

Whilst away from the Batch Omega has a side story about how she isn’t useless, though she is and the only reason she often saves the day is because of blind luck rather than skill. Anyway, this storyline finishes with her paying off the groups debts and having a bonding moment with Hunter, which as I have said before and will say again does not work, they are trying to do a Grogu esque father/child bond and it is not taking at all.

Overall, this is very much a miss-able episode.

Pros.

Seeing the Batch do what they do best

The idea of the clones having to help the Separatists

Cons.

The episode is dull and boring

The emotional pay off doesn’t work

Omega is still dragging the show down

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Black Widow: The Young Live To Right The Mistakes Of Their Parent’s Past

4/5

Written by Luke Barnes

Summary

Natasha Romanoff, Scarlet Johansson, returns to fix the mistakes on her past and finally undo the red in her ledger.

The first Marvel release back in cinemas had a lot riding on it, and I think it delivered.

Spoilers ahead.

The first thing I will say about this film is that it is very personal. If you are going in looking for the film that will set up the next Avengers this is not it. There is some connective tissue thrown in, but more or less this is quite self-contained. Which I feel is both a good thing and a bad thing, it is good as it allows for Natasha, her story and her world to stand on their own, but it is also bad as it can feel underwhelming at times especially if you go in with crossover expectations.

Moreover, those that did not like Falcon and the Winter Soldier because it was topical and was heavily influenced by racial issues will almost certainly not like this either- but who cares what they think? The beating heart of this film is an angry comment on women’s place not just within the MCU but also in the wider world to, the widows in this film have their literal free will taken away by the villains, they are entirely controlled by the evil man in charge. The commentary isn’t subtle, but it is strikingly accurate, and it does make you aware to how some men/parts of society treat women.

I felt as a swansong for Natasha within the MCU the film works well and gives her ‘final story’ a lot of power and impact to make sure the character goes out on a high. To that end I enjoyed her ‘family’, I thought Florence Pugh was terrific, I don’t like the notion that this is her breakout film as she has been doing great things for a while, but she really knocks it out of the park here and is a scene stealer. Furthermore, David Harbour’s Red Guardian is also a lot of fun and he gets the best jokes in the film. If I had to pick an odd one out of the family quartet it would be Rachel Weisz’s Melina who really doesn’t get much to do and spends a lot of the film as a glorified side character.

Additionally, the film does feature Taskmaster as the film’s sub-villain and though I won’t spoil the identity reveal here, I will say the film flips the character on it’s head and it does not go the way you are expecting. Personally, as someone who is a fan of the comics Taskmaster character I found the new version this film gives us to be sorely lacking, but you know what they say about villains in the MCU.

In terms of the wider big bad of the film that role goes to Ray Winstone’s Dreykov. As a sleezy tough guy type the role is perfectly cast, Winstone doesn’t get a huge amount to do when he is on screen beyond generally being evil, but he does manage to leave an impact. In that regard I just want to say that this may be at times one of the darkest films in the MCU so far, and the opening sequence of the sisters early days in the Black Widow program is particularly troubling, child friendly? I honestly don’t think so.

There is a post credits scene at the end of the film, and it sees Julia Louise Dreyfus’s character from the aforementioned Falcon and the Winter Soldier return to recruit Pugh’s Yelena to go after ‘the man who murdered her sister’, as I predicted setting up for a clash between her and Hawkeye in his Disney + series later this year.

Overall, a strong return to the cinema for Marvel though one that is not without issues.

Pros.

The social commentary

The poignant emotional goodbye

The new characters established

The post credits scene

Cons.

Slightly underwhelming at times

Taskmaster and the return of Marvel’s issue with villains

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Ant-Man: The Hero Who Turned Thomas The Tank Engine Into A Weapon

3.5/5

Written by Luke Barnes

Summary

Cat Burglar Scott Lang, Paul Rudd, has his life change in ways he would never expect when he steals a suit that allows him to shrink down to the size of an ant on one of his jobs.

When I first watched this in cinemas years ago, I remember being unimpressed. This feeling is reflected on my ranking lists for best films of the MCU with this film always coming near the end. However, the other night I decided to give it another go to see if it was as lacklustre as I remember it being, and I found myself feeling entirely changed on it. I like this film a lot more now, it is no Ant-Man and the Wasp, which is one of my all-time favourite Marvel films, but it is good all the same.

I found this to be the beating heart of the MCU, the relationship between Scott and his daughter is touching and sweet and I also enjoyed the romance building between Scott and Hope van Dyne, Evangeline Lilly. There are enough warming character moments and interactions in this film to make it worth watching on its own without all the Marvel goodness thrown in as well.

Speaking off, I found this to easily be the most fun to rewatch of the MCU films as its light and breezy tone made it fun to watch and it was okay if you missed something here or there as you don’t really need to pay attention. Moreover, I found myself laughing quite a lot at the jokes as well as at some of the more silly slapstick action such as the Thomas the Tank Engine fight sequence.

Furthermore in terms of acting everyone is on top form, and the only thing I would say critically in this regard is that Yellow Jacket, played by Corey Stoll, is perhaps one of the weakest villains in the MCU and the film gets just a little bit worse whenever he is on screen. Stoll is trying his best he just has nothing to work with.

Overall, a rewatch greatly changed my mind on this film and made me see it for the breezy, funny, charming film it is.

Pros.

Rudd

The back and forth between Rudd and Lilly’s characters

The emotion

The jokes

Cons.
It has some pacing issues and a very bloated first act

Yellow Jacket is an awful villain

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Castaway: The Love Between A Man And His Ball

4/5

Written by Luke Barnes

I had never seen this film before, this was my first time watching it. I knew that it was a big deal and seen as one of Tom Hanks’ best films, but I couldn’t comment on it myself until now. After watching it I found this film to be fascinating, it ran the gambit of emotions, it moved me, it annoyed me, it made me cheer.

At times I found the character’s decisions to be woefully stupid, and that annoyed me, however reflecting on it now I am left asking maybe that was deliberate and done to show that the character wasn’t a natural born survivor and so of course he would make mistakes maybe even laughably dumb ones.

I found the performance from Hank’s to be the one of his best. I quickly warmed to his character and felt invested in his journey as he tried to get off the island. I found the actual process of him getting off the island to be incredibly tense, seeing him almost get washed away with the waves multiple times. However, I found the double tragedy of Wilson’s death and his wife moving on to be the most effecting part of the film- truly heart-breaking.

Another thing I noticed was a similarity in the music here with Hanks’s other late nineties project Saving Private Ryan. At first I found the similarity in music choice to be jarring and even a little insulting to what it was used to symbolise in the other film, but as the film went on I found it to be fitting and even well picked.

Overall, a very entertaining film that moved me multiple times.

Pros.

Hanks

The music choice

The fight for survival

The comedic moments/ Wilson

Cons.

Pacing issues, it is on for slightly too long

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Ritchie Rich: Kevin McAllister’s Adventures After Home Alone

3/5

Written by Luke Barnes

This film almost feels like a spiritual follow up to Home Alone. That is not just because Culkin is basically playing the same character, but also because it continues America’s fascination of stopping those who are after their wealth, and the idea that if you’re rich you will have to defend your fortune at least once.

I felt that this film was sweet and heart-warming, not Home Alone charming but still fairly feel good. Though the film can feel overly sentimental at times, it also still feels fun to watch. For the most part I enjoyed the story, I found it entertaining to watch this little kid use gadgets to defeat an evil corporate man intent on stealing his families fortune: it really is Home Alone.

We do manage to feel some sympathy for this incredibly privileged character and though he could have felt somewhat unrelatable or even cold if it were an adult in the same role, Culkin makes the character easy to like and we do root for him to befriend the local children and be able to be a normal kid just like everyone else.

I found the plot of the film to fall apart the more I thought about it, but I won’t overly analyse this as it is a kids film, and they are not known for their air tight logic or quick wits.

Overall, fun and breezy, but not something that you will think about again once it is over.
Pros.

Culkin

The fun

It is basically Home Alone all over again

Cons.

The plot falls apart

It is insanely predictable

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Gaia: Keep Those Mushrooms Away From Me

3.5/5

Written by Luke Barnes

It is nice to see the horror genre become more diverse with us now seeing films like this wherein we get to see more of an African influence. This film’s horror is eco centric, and its messages are clear and chilling.

We are never really clear what is going on, or what sort of state the world outside this jungle is in, but the implications we hear throughout dialogue over the course of the film doesn’t paint a pretty picture. Moreover, this film imagines the battle for climate survival, that we are currently fighting, as more of a literally war between two sides: the Old Gods of nature and the industrially demanding modern human.

The monsters of this film will be familiar to anyone who has ever played The Last Of Us before. The film manages to have its monsters feel and look very real which adds to their menace, moreover, the virus we know they spread makes every confrontation with them even more tense and thrilling.

However, where the film starts to let itself down is with the human characters, who never truly feel realised and there are a lot of odd or missing details about these characters that makes their story hard to understand. I understand the desire for ambiguity, but I also refuse to believe that the rangers would not have been aware that there was something going on in the woods prior to going on the survey. In short the plot holes and contrivances hold this films narrative back.

Adding to the description of this films horror as eco centric, I would say it does not feel scary rather disgusting and skin crawling. This film taps into the fear of eggs under your skin or worms burrowing inside you that words fail to describe but it does elicit a physical response.

Overall, though not entirely scary it does make you feel uncomfortable and the acting across the board is quite strong.

Pros.

The African influence on the horror

Tapping into a skin-crawling sense of fear

The acting

The design of the creatures

Cons.

Pacing issues

Plot holes and narratives fumbles

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Tuca And Bertie: Nighttime Friend

2.5/5

Written by Luke Barnes

Summary

Bertie deals with her TV induced narcolepsy and Tuca tries to find something to do at night as she can’t sleep.

Man, I watched this back to back with the recent Rick and Morty episode and that was a bad choice. Both episodes are incredibly sad, and I came away from the viewing wanting a cry.

Considering this series is a comedy I was expecting a few laughs, however there is nothing even remotely funny about this episode. The show doesn’t have to be silly or cracking out a joke a minute, but it also shouldn’t be depressing.

I enjoyed finally getting to see Tuca have the spotlight for the episode. Often Bertie gets the focus, so it is nice to see Tuca have the limelight for once. I thought exploring the idea of Tuca and responsibility was interesting, usually the character tries to remain breezy and actively avoids intense situations, but you can’t always escape them and sometimes you have to do the grown up thing. Moreover, I thought the relationship between Tuca, and her user Aunt was heart-breaking. Seeing her Aunt use her and then turn on her when she refuses to bring her anymore alcohol is powerful and shows the uncomfortable positions of being trapped in a toxic familial relationship.

I thought Bertie’s B storyline was fine, clearly it was set up as comedic relief, but I didn’t really find it funny: though I did appreciate the break.

Overall, I don’t think this series is a comedy anymore, and that is both a good and a bad thing.

Pros.

Seeing Tuca have to deal with adult responsibility

Bertie’s B story provided a nice break

Cons.

It is sad

It is not funny

It is hard to get through

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Rick And Morty: A Rickconvenient Mort

2.5/5

Written by Luke Barnes

Summary

Morty falls in love with an elemental being, and Rick and Summer go on an end of the world sex binge.

Man this episode bummed me out. This might be the most depressing episode of Rick and Morty yet, forget the ending of season four, or when Rick gets arrested, this episode is heart breaking. Both the A and B plots are just sad, I hope you have something happy lined up after this.

I enjoy the episodes of Rick and Morty that explore the duo as people and as individuals, and this does that but proves that I need to be careful what I wish for. The character work is strong but honestly it is hard to watch. Morty seems to be all over the place in this episode, murdering people like they are nothing maybe he has been spending too much time with Rick. I thought his relationship with Plaentina was icky and twisted as it implies the two sleep together and he is below the age of consent. It was nice having Alison Brie provide her voice to the episode, she certainly brings a memorable performance and hopefully the character will return in the future.

The Rick and Summer storyline is odd, and the emotion of it doesn’t land in the way they would like it to. Straight off the bat it is a little strange how cool Rick is with going on a sex rampage with his granddaughter. Secondly the jealously angle with Summer preventing an apocalypse to prove that Rick’s happy relationship is false also feels somewhat jarring and maybe even a bit creepy. Widely this storyline is forgettable.

The stuff with Beth was probably the highpoint of the episode and it was nice to see her as a concerned and nurturing parent even if the episode takes its sweet time getting to it.

Overall, a depressing and maybe even upsetting episode of Rick and Morty and one I might skip on my next rewatch.

Pros.

Summer has a few funny lines

Alison Brie is a good guest star, and her character is interesting

Cons.

It is depressing

The Rick and Summer storyline has no point

Morty just flips out and kills a bunch of people and other than one throw away line it is never mentioned or reacted to

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America The Motion Picture: Free Bird

2/5

Written by Luke Barnes

Summary

A mash up origin story for The United States Of America.

I want to preface this review by saying I am a big fan of Archer the animated series. Though many who are involved in that series clearly lent their hand to this project, the charm, wit and nuance of that show is woefully abandoned to produce one of the dumbest films I have ever seen.

Netflix animation is clearly betting on some of the big name talent involved with this film to sell it, as their animation studio is far behind the likes of Pixar and DreamWorks. The animation itself is good, that is not the problem, the issue is the non-sensical, lets throw ideas at the wall and see what sticks approach to storytelling that makes this film feel like a fever dream.

The voice cast is made up of some talented people, sadly not one of them is given anything memorable or interesting to work with and instead they just spout garbage that almost makes being poorly informed and unintelligent seem like the preferred way to be, almost as if it is trying to bash people who will be smart enough to see this film is bad.

The one moment of the film that I enjoyed that I gave the film one whole bonus point from what I was going to give it was having Free Bird by Lynyrd Skynyrd be America’s nation anthem: that scene was very enjoyable.

Overall, this film proves once again why Netflix shouldn’t let a machine green light its projects.

Pros.

Free Bird

I liked Benedict Arnold being a werewolf

Cons.

It is so dumb

None of it makes sense

The characters are unlikeable

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