Nightbooks: We Need More Of Krysten Ritter In This Role

4/5

Written by Luke Barnes

Summary

A young boy, Winslow Fegley, obsessed with all things horror is kidnapped by an evil witch, Krysten Ritter, and forced to write her scary stories.

I enjoyed this film quite a lot, it turned out to be much more narly and hardcore than I was expecting it to be, and it managed to create some great horror visuals over the course of its runtime. In some ways this was more scary than a lot of the adult horrors out there.

The best thing about this film is easily the performance given by Ritter. By now you should all know that Ritter is an incredible talent, but if you didn’t know it for some reason this film proves it to you. She manages to pull off so many different emotions with just her face alone without even the need for words. She captures comedy, sadness and intense anger and rage completely, and manages to make her character both sympathetic and loathsome.

Even the child actors were fairly good, that in and off itself is a big deal as child actors are never good.

Overall, a lot of fun.

Pros.

Ritter

The scares

The ending

The characters

Cons.

The Hansel and Gretel twist was a bit too obvious

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The Obscure Life Of The Grand Duke Of Corsica: Madness Made Manifest

3.5/5

Written by Luke Barnes

Summary

An off kilter architect, Timothy Spall, begins working for an eccentric rich man, Peter Stormare, who calls himself The Grand Duke of Corsica.

I enjoyed this film far more than I thought I was going to. Yes, there are moments of abstractness that are so seemingly random and out of place that they don’t fit into the sequence, which becomes jarring, but on the whole the strangeness of the film really works and helps it to become something truly unique.

Both Spall and Stormare bring their A game thought I would say Stormare slightly pips it. Both men bring a lot of depth and nuance to their characters and explore them in interesting ways that makes you question your preconceived notions.

The flashback subplot, or was it a film, didn’t really work for me. I understand the parallel they were trying to create but there was not enough connective tissue there to really bring it together into a meaningful whole.

Overall, an interesting strange film that for the most part gets it right, though it does cross the line a few times.

Pros.
Spall

Stormare

The strangeness

The ending

Cons.

The flashback subplot

Occasionally the film felt like it was being strange for the sake of it  

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American Horror Story: Winter Kills

1.5/5

Written by Luke Barnes

Summary

The vampire like monsters finally meet their comeuppance and the black pills go nationwide.

Why? Why do you kill off your most interesting characters, Belle, Frances Conroy, and Austin, Evan Peters, within the first half of the episode without even giving them one strong final scene? Moreover, why do you keep the boring and unlikable characters alive? It makes no sense. If it was not for Leslie Grossman I would have just turned this episode off.

This program doesn’t even feel like AHS anymore, it feels like a poor imitation. Where once the show had strong writing that all fit together nicely and worked to enrich the whole now we are given plot holes and throw away characters just for the sake of it.

It becomes strikingly apparent during the second half of the episode that other than Grossman none of the actors playing the characters left alive can really act and their wooden performances become all the more glaring thanks to extra screen time. In that vein, the child actor playing Alma is shockingly bad in her performance and becomes almost cartoonishly evil by the end of the episode in a scene that is more than a little bit dumb.

Overall, this first half of the season was a train wreck that has forever tarnished AHS.

Pros.

Grossman

A few interesting scenes

Cons.

The performances aren’t good

The child actor

The ending

It taints the legacy of the show

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What If: Ultron Won?

4.5/5

Written by Luke Barnes

Summary

Ultron, voiced by Ross Marquand, is not defeated and has achieved his aim in removing life from the universe, now he has his sights set on the multiverse.

This was what I wanted from What If right from the beginning. Finally, after almost the entire season the show gets me to stand up and take notice. Why? Well for two important reasons. Firstly, this episode fixed one of my biggest issues with the show as a whole namely that Uatu, voiced by Jeffery Wright, is barely a character and has no purpose beyond reading out exposition. Here he had a central role, and we explored his character further. Secondly, this episode also bucks the trend of keeping things self-contained and brings in characters from other episodes.

I am very excited to see where the show can go from here because with it now becoming a whole narrative rather than separate individual tales it means we could see a new team arise in the final episode, a defenders of the multiverse perhaps; that will of course carry over to live action.

Furthermore, I think this episode does justice to Ultron. The threat is very present here and Ultron becomes a rival to Uatu himself which highlights just how powerful and intriguing the character can be when Joss Whedon is not writing him.

Overall, a stellar episode and one which has me excited for what is to come next week.

Pros.

Getting Ultron right

Having characters crossover

The ending

Giving Uatu focus and exploration

A strong sense of threat

Cons.

The human story was less interesting and felt like a distraction

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Best Sellers: Urinating On Books, The Hallmark Of A Good Writer

3/5

Written by Luke Barnes

Summary

A publishing house on the edge of ruin finds solace in an anarchistic old writer, Michael Cain, can his new book be the thing to save them?

I find this film has moments of heart and genuine emotion but then it pushes too far into oversentimental territory. When the film becomes overly sentimental the problems with the script become increasingly apparent to a point where it almost feels emotionally manipulative.

However, the film does have its moments and I think Caine does a very good job here, his character is layered and multifaceted and grows on you over the course of the film. He has a good amount of on screen chemistry with Aubrey Plaza’s character and the two have excellent rapport. Plaza is as always very good; she does a lot with the little she is given, and she makes for a very relatable and likeable lead.

Overall, though this film wanders into the realm of the cliched and overly sentimental it still has enough heart and warmth to keep it on track.

Pros.

Plaza

Caine

The emotion for the most part

Cons.

The over sentimentality

A weak script

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Comes A Day: Never Go To A Jewellery Shop They Just Aren’t Safe, Learn From Films

3/5

Written by Luke Barnes

Summary

A group of people become trapped in a jewellery shop during a robbery.

This film doesn’t seem to quite know what it wants to be, on the one hand it wants to be a dark comedy and on the other a pure crime film. However, the film brings over elements of each which end up complimenting each other nicely to produce a comedy crime film that will bring a smile to your face.

I have been a big fan of Craig Roberts for a while now, ever since I first watched Young Dracula on CBBC, and he continues to impress me across his career. I found his lead to be likeable and more than a little relatable, he feels human and reflects how most would be in that situation: I thought it was a masterstroke to have him not be the action hero sort as it would have thrown off the whole vibe of the film.

Furthermore, he is also supported by a very strong cast with Imogen Poots and Timothy Spall shining in every second of screen time. I appreciated the amount of character development Roberts’ and Spall’s characters get and think it was well done, however, it needed to be applied to Poots’ character who remained underdeveloped throughout. The same can also be said for the villains.

I think this films greatest weakness is that it is overly ambitious: it starts a lot of ideas and themes that it then doesn’t finish which cheapens the impact.

Overall, a very enjoyable crime film that could have just done with stronger villains and more development for Poots’ character.

Pros.

Spall

Roberts

The ending

Cons.

Poots is underserved

The villains need more personality

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Anchorman: Wearing Underpants To Work Before It Was Fashionable

2.5/5

Written by Luke Barnes

Summary

The world of early morning news is thrown into disarray by the arrival of a female reporter.

I find something about early to mid-noughties Will Ferrell films oddly calming, they are very easy to watch and switch off to. This belief stems from the fact that this was before the shouty era of Ferrell wherein every line was made funnier by him screaming them a second time.

The humour of this film was very hit or miss for me, there were a few jokes that made me laugh but for the most part they left me cold. Of course there are a lot of off colour jokes in here where the characters make troublesome comments, but I didn’t find it to be done maliciously or with such vulgar unpleasantness as to take me out of it.

Christina Applegate is the real star of the show here and her character of Veronica Corningstone is terrific. She gets all the best lines, and plays off Ferrell’s Burgundy well, often matching him in terms of energy and heart.

Overall, despite some problematic lines this is still watchable, and Applegate makes it better.

Pros.

Applegate

Ferrell

A few funny jokes

Cons.

Not all the jokes land

A few troublesome comments

A lot of the side characters are deeply unlikeable

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What If: Thor Were An Only Child

3/5

Written by Luke Barnes

Summary

Thor, Chris Hemsworth, comes to Earth to party.

This was a very watchable episode of What If, it was by no means the best, but it had its moments. I found this to be the funniest of all the episodes so far and it made me laugh quite a few times, Jane Foster, Natalie Portman, and Darcy Lewis, Kat Dennings have all the best lines.

Moreover, I enjoyed the back and forth battle scenes between Thor and Captain Marvel, Alexandra Daniels, they were very reminiscent of Tom and Jerry or Looney Tunes and had a good escalation. I found Captain Marvel to again be too self-righteous and dower to be any real fun, the only time I found her character amusing was during the final scene when she has the joke about helping Thor study. The MCU really needs to go out of its way to make the Captain Marvel character more fun and likeable because right now she is a buzzkill, though maybe that was the point of the episode.

I did not like the ending and I felt like it came out of nowhere, indeed having Ultron show up with a completed infinity gauntlet simply to end the episode seems like a silly and needless decision, they could have just ended it neatly at the wrap up of the party sequence.

Overall, a fun episode but not one without its fair share of issues.

Pros.

Thor

The comedy

It’s fun

Cons.

The ending

Captain Marvel

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My Son: James McAvoy Doesn’t Need A Script

3.5/5

Written by Luke Barnes

Summary

A man, James McAvoy, goes on the hunt for answers after his son goes missing. Based on the French film Mon garcon.

My, my this is a bleak film. This is certainly one that you will need to watch something happy after to wash away that sense of despair and hopelessness.

I enjoyed my time with this film, maybe enjoyed is the wrong word. McAvoy was magnificent here truly. Rumour has it that for the shooting of this film McAvoy did not have any lines and instead just responded to the other characters on screen, if this is true it is a testament to McAvoy’s skills as a performer as you truly believe him as this manic, panicked father who would move heaven and earth to see his son home safely.

I found the final reveal, which I won’t spoil here, to be chilling and frightening in a very real way which stayed with me for days after watching it. I think what makes the reveal so impactful is the truth of it and how that kind of thing probably does happen in our world under our noses.

Overall, not a film for everyone the subject matter and the reveal will make this one hard to watch for some but if you do find yourself watching it you will be rewarded with a masterclass in acting from McAvoy.

Pros.

McAvoy

The ending

The reveal

The tension

Cons.

The bleakness

Clare Foy should have been given more to do   

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Star Wars Visions: The Twins

2.5/5

Written by Luke Barnes

Summary

A pair of Sith twins work to create a weapon that can destroy entire star systems but then turn on one another.

This episode was disappointing. It was not bad so much as it was deeply average, and I feel like they could have done so much more with it. I am a big fan of Studio Trigger and so I was very excited for this episode which only made the disappointment worse.

I think the issue with this episode is that the plot is played out. How many times have we seen two siblings turn on each other and battle now? To many times to count, and that goes outside of Star Wars as well. It was entirely obvious that the brother was going to turn out to be the hero.

Moreover, there were also weird gaps in logic that I found to be jarring. An example of this would be that the twins can breathe in space, but their robot butler can’t? It makes no sense and when you start thinking about it, it just ruins the episode more and more.

The one thing I will compliment this episode on is that I enjoyed how into exploring kyber crystals it was, and I think that we need more of this from the Star Wars universe.

Overall, I was expecting a lot more and was deeply disappointed.

Pros.

Exploring kyber crystals

The battle scenes

The ending

Cons.

It was predictable

The plot was cliched

The gaps in logic  

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