Doctor Strange: A New Advance In Faith Healing

Written by Luke Barnes

Summary

World famous surgeon Stephen Strange, played by Benedict Cumberbatch, becomes a master of the mystic arts after suffering injuries in a car accident.

I think this is one of the slower MCU films but there is still a lot to enjoy here.

The world and characters are all interesting, Tilda Swinton is great as the Ancient One and Benedict Wong gives us a first fun look at Wong. However, I would say the opening of the film and Strange’s training takes far too much of the film, it feels as though you have been watching for quite a while before anything large scale happens.

Once we start getting the big magical set pieces and everything starts to look at bit more like Inception things pick up. I would say this film does enough visually to allow it to stand apart from a lot of the other Marvel films. I thought the big final battle against Dormammu in the time-loop was a lot of fun and quite inventive, sadly the other battle against Mads Mikkelsen’s Kaecillius was far less interesting and Kaecillius on the whole was quite wasted.

I go back and forth about how I feel about Christine Palmer, played by Rachel McAdams, on the one hand I think her and Cumberbatch have great chemistry together and there scenes do have a nice amount of energy, but on the other hand I do wish that they would have given her more to do or at least allowed her to tag along for more of the craziness rather than just staying at the hospital.

Overall, a serviceable to good Marvel film but one that does let down a few of its key characters.

Pros.

Cumberbatch

The time-loop sequence

Swinton and Wong

McAdams has good chemistry with Cumberbatch

Cons.

McAdams isn’t given enough to do

Kaecillius is wasted

The training takes far too long

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The Aviary: The Most Boring Movie About A Cult Ever Made

1/5

Written by Luke Barnes

Summary

Two women, played by Lorenza Izzo and Malin Akerman, escape a cult run by the love interest from the Mindy Project

Really there isn’t a whole lot to say about this film. Its narrative of self determination and the roads that lead lost people to join up with cults and other harmful organisations is nothing new. Indeed most aspects of this film have been well-mined before by other better projects and this just feels like it is trying to replicate them to justify its existence.

The saddest thing about this film is the fact that it wastes an incredibly talented cast. Izzo, Akerman, Messina and Holt have all been really good in previous projects so there is a well of talent to draw from, yet this film just ignores that and has them be boring, forgettable and beige.

They try and do a horror/thriller aspect to the film wherein the characters believe they are being pursued by their former cult, or are they? However, in the end this just leads to a trite predictable conclusion.

Overall, a generic snooze fest that wastes good talent.

Pros.

It is watchable if there are no other options and you can’t go and do something else

Cons.

It wastes the talent

It is incredibly generic

It is dull

The actors are given nothing to work with

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Alex Kurtzman And The Sorry State Of Modern Star Trek

Written by Luke Barnes

In this piece I want to talk about the current state of Star Trek, now I am not claiming to be a major fan or anything of the sort, but I did see the Pine fronted movies as a kid and have tried to get into the series that have come out since, whilst also going back and visiting the older series for a first time. Perhaps comparing the new to the old is not a favourable comparison, perhaps the bar is set too high, however, I really do find that these newer series just can’t hold a candle to the older shows and are noticeably weaker.

Why do I think Discovery and Piccard are so weak well that is an easy question dear reader, the problems of modern Star Trek can be traced back to one bad writer, Alex Kurtzman, the guy who brought you The Amazing Spider-Man sequel and The Mummy with Tom Cruise. Kurtzman is a hack by all accounts and has milked a relationship with J.J Abrams for all it is worth, hence his current position in the Star Trek universe.

Kurtzman doesn’t seem to understand a lot of the projects he is involved in, hence he thought a Silence Of The Lambs sequel series without Hannibal Lecter was a good idea, but nowhere is that more true than with Star Trek. Kurtzman turned Discovery into a platform to spout his political beliefs to anyone who would listen, and yes though the original series had a strong political centre it was handled far better than what Kurtzman did with Discovery, which seems purposefully divisive.

Piccard was a slightly different beast and at first had some promise, however, as the series continued it became clear that it was only created as a means for Kurtzman and co to milk nostalgia and to remind the fans of better times, only to then promptly screw them up. Piccard was less preachy but the issues of Discovery were there.

Discovery and Piccard have had very well published behind the scenes issues and poor ratings hence why Strange New Worlds is playing it safe and going back to basics, and so far I am only one episode deep into that show but it does seem better.

On the movie side of things, Tarantino was supposed to be involved with a Star Trek film for a while and then that got shot down, and now they are trying to get some more milage out of the Pine cast despite those films coming out a while ago now.

Honestly, if I had to give you a quick snap judgment as to the current state of Star Trek, from my perspective at least it seems as though the franchise is battling to stay relevant in the wider cultural and streaming landscape and possibly failing in that aim.

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The Sonic Shared Universe: The Real Challenge To The MCU

Written by Luke Barnes

In this piece I want to talk about The Sonic franchise and how I think it is the only shared universe that might rival Marvel, in time.

So for those of you that haven’t seen the Sonic sequel yet you might want to look away now, as there will be spoilers in this article.

The Dark Universe, The DCEU, The Power Rangers Universe all failed, in several cases horribly. Now why they failed is up for debate, but most agree that they either didn’t need to exist or were trying too hard to compete with the MCU and so rushed things out of the gate. I don’t think Sonic has either of these issues as firstly there is a strong fan base, as has been reflected by the box office for both films, but also the creatives seem to be in good communication with the fans and listen to what they want. Moreover, the Sonic films have not rushed to have all their characters appear on screen together as such audiences will have to wait a few years before they get their first taste of Shadow. In other climates at different studios this would have already happened, we would have got twelve spin off films and fifty streaming series to set everything up but for the most part Paramount has been fairly sparing, the most we are getting is a Knuckles tv show.

It is for these reasons that I think the Sonic universe can rival the MCU, as they still have a lot of cool and crucially popular characters left to introduce and there are a number of projects and places where this universe could go next, it is quite exciting. I am obviously a big Sonic fan, I have enjoyed the games, the animated series and now the films so I want them to keep coming and maybe that is making me look at this shared universe future with pre-emptive rose tinted glasses, but hey I think the Knuckles show will be cool and I’d love a Shadow prequel so I won’t be complaining when we get them.

We can all just hope that Paramount keeps up the quality, the heart and the fan commitment that has made the films so far good.

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Fantastic Beasts The Secrets Of Dumbledore: Surprisingly Progressive For Hollywood

3/5

Written by Luke Barnes

Summary

A love story between two wizards, wherein the drama is turned up to the maximum.

I will preface this review by saying that I did not want to see this film, I have issues with the removal of Johnny Depp and the casting of Ezra Miller, however, a friend of mine bought us tickets to see it and really wanted me to go so out of a sense of obligation I went. I want to put my bias right up front there.

However, despite going in expecting the worst the film was actually not bad. I was impressed with the romantic intimacy WB gave Dumbledore, played by Jude Law, and Grindelwald, played by Mads Mikkelsen, in that they felt like a real couple. Rather than just force in a same sex kiss for the sake of appearing progressive this film actually built the characters and went for it.

Again I think this film owes a lot to Law and Mikkelsen, with both adding a lot to the project. In the case of the former he brings an easy charm to proceedings but also a dramatic weight when required, and in the case of the latter he brings a strong villainous presence as well as the petulance of someone broken hearted and looking to spite their ex.

I think where the film falls down is once again in the fantastic beasts department. Newt, played by Eddie Redmayne is again fine, but nothing more than that and he basically acts as a passenger within his own film. Moreover, the magical creatures felt quite redundant to this film for the most part with the only exception to this being a few scenes towards the end wherein they are forced in for plot reasons.

In addition, I did not like how kill happy this film was with its magical creatures. They are CGI I know, but some of the scenes especially early on in the film wherein creatures are killed in quite graphic ways on screen just feels needless and done to try and appear edgy.

Overall, not as bad as I was expecting but certainly not great either.

Pros.

Committing to the Dumbledore Grindelwald relationship

Folger

The sense of scope and adventure

Cons.

The graphic creature death

Redmayne

It doesn’t need to exist and doesn’t justify itself

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The Silverton Siege: What The Mummy Gets Up To On His Off Days

3/5

Written by Luke Barnes

Summary

Loosely based on real world events, this film sees 3 young South African self-described freedom fighters hold a bank hostage whilst demanding the release of Nelson Mandela.

I thought for the most part this film was quite strong. It had good stakes and never let the tension slow down, by not having any respites or lulls in side stories or God forbid comedic relief this film allowed itself to be constantly engaging and intriguing.

Moreover, I thought the performances across the board were strong, I would not say there was a single weak performer. Thabo Rametsi was a compelling lead who really sold the struggle and inner turmoil of the character he was playing. Arnold Vosloo was also magnificent in his role and really brought something to the film.

I thought the social commentary of the film worked for the most part, however, in some areas it was laid on pretty heavily and as such felt a little clumsy. It certainly raised awareness and made me think a lot more about that time and place in world history, but I do think the writing could have been a bit stronger in this regard.

Overall, an above average Netflix film but certainly not something that will set the world on fire.

Pros.

Rametsi

Vosloo

The tension

Cons.

The social commentary is a bit too in your face and obvious

Pacing issues

Moon Knight: Gods And Monsters

4/5

Written by Luke Barnes

Summary

Moon Knight must stop an undead Egyptian God from coming back to life.

By no means was this a perfect finale, however, I thought on the whole it was a lot better than most of the series and was a step in the right direction.

I liked that we finally got Jake Lockley, played by Oscar Issac, though I thought if they always intended to keep him until the post credits they should have teased him less in the wider series as it gave the impression that we might get him sooner than we actually did. Also I am not quite sure how I feel to the changes made to the character in terms of him speaking Spanish and not being much like the cabbie we remember from the comics, but hey maybe season 2 will address that.

I thought it was cool to see Layla, played by May Calamawy, get her own superpowered suit by becoming a different Gods avatar. I thought she paired nicely with Moon Knight and I liked their final battle action sequence together, even if Mr Knight suddenly just becomes great at fighting for no real reason after being terrible before that point.

One thing I will point to and say I didn’t like is that the defeat of Ethan Hawke’s character happened pretty much off screen, presumably during a Lockley episode, and that the episode as a whole was far shorter than what we got in the rest of the series. If it had such been 10 minutes longer it could have given them more time to properly do justice to everything they set up.

Overall, I think they did bring the series back with the last two episode but even in this final episode there were some noticeable issues that stopped it being perfect.

Pros.

Layla becoming her own superhero

The finale battle worked well and gave us some much needed action

Lockley

The return of Khonsu

Cons.

It was too short

A few little issues with the plot

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iCarly: iCupid

3.5/5

Written by Luke Barnes

Summary

Feeling as though she has held back Spencer, played by Jerry Trainor, from finding love Carly, played by Miranda Cosgrove, decides to try and set him up.

I will give this episode praise for calling out several things that needed to be. Firstly it points out how weirdly close Spencer and Carly are and then secondly it has Freddie, played by Nathan Kress, standing up to the women in his life and stop being a doormat who is easily pushed around by other people.

Within the a plot I liked that Spencer and Carly’s relationship was front and centre and that they developed it in a meaningful way, with Carly saying that Spencer was like a father to her. Rachel Bloom as Mckenna the matchmaker was okay, but bordered on the side of annoying, also I thought some of the ideas put forward by her character in the episode as to what constitutes a red flag were problematic and sent a bad message. Labelling being short as a red flag seems inherently discriminatory and is clearly example of heightism.

Within the b plot Freddie had to stand up to his mother, played by Mary Scheer, and his adoptive daughter, played by Jaidyn Triplett, and tell them they don’t get a say in his dating life. I found this to be a very cathartic character moment for Freddie as for a while he has done whatever those around him tell him to do and it is nice to see him asserting himself.

Overall, some good character, only made slightly worse by an annoying matchmaker and some questionable morals.

Pros.

Good character work

Carly acknowledging Spencer as a stand-in father

Freddie finally standing up for himself

Cons.

The heightism

Bloom’s whole character

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Peaky Blinders: A Fundamental Misunderstanding, Perception Vs Reality

Written by Luke Barnes

In this piece I want to talk about why I believe the final series of Peaky Blinders was not only a great series in its own right but also how it was a fitting end point for the program, as well as how some of the criticism on social media seems to lack a fundamental understanding of what the series was as well as the style of its creator.

I watched the most recent series of this show through a number of trips to a friend of mine’s house, we both enjoyed it, but after most of the episodes I would check online and see a lot of negative buzz and hate, with the finale being the only real exception. The criticism would all say base things like ‘oh remember when this was a gangster show’, or ‘when did the show become so boring’. To these complaints I would say you were watching a different show altogether, Peaky Blinders did have gang aspects to it, but the fundamental drive of the series was Thomas Shelby, played by Cillian Murphy, as a character and exploring his psyche. For every street set gun battle, there was a quite conversation done to execute a subtle social twist.

The shows broad themes are a huge reflection of that, with the ideas of the pursuit for power and the supernatural steering the series towards more philosophical fare. Yes, within this drift the series featured a gun battle or two, but I would never say it was just a ‘gangster show’, or even that that was the show’s main focus, some people it seems got far too hung up on these aspects.

To further prove my point one needs only look at the series creator Steven Knight who is known for introspective fare like Locke and Hummingbird, which in the latter’s case does feature some action thriller elements, but is front and centre a drama, as is Locke. Fundamentally, I think many thought of Peaky Blinders simply as a badass action show that gave them a reason to wear a flat cap in real life to try and be a part of it, when it reality it was always a drama series that featured action elements. In that vein I can’t see how the final series was anything other than a fitting conclusion as it delivered on all aspects of what it was striving to be as a show.

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Moon Knight: The Asylum

4/5

Written by Luke Barnes

Summary

Steven, played by Oscar Isaac, uncovers his origins, and Marc’s past is revealed as the two battle their way out of the asylum.

I think that this was a strong episode of Moon Knight, not in the regard that we got any more action or at they finally revealed the Jake Lockley persona, but on the emotional character development side of things. I thought in terms of establishing Steven and Marc as characters this episode did a hell of a lot of good work, by highlighting their deeply depressing backstory the show gives us its best look yet at their fractured psyche.

Moreover, I enjoyed the boat set piece and though visually it was very distinct and interesting. When Marc and Steven started fighting off the forces of the undead things got very intriguing especially in a sense of where the supernatural side of the MCU is heading.

My main criticisms of this episode would be that yet again we get very little suited up Moon Knight action, and that despite perhaps the most blatant tease yet we still have not had the Jake Lockley reveal, a move which I now believe Marvel is deliberately doing to troll the fans.

Overall, a lot of great character work and worldbuilding, slightly undercut by a distinct lack of in costume Moon Knight action.

Pros.

The emotional backstory

The boat set piece

The ending

The promise of what is to come

Cons.

The lack of suited Moon Knight once again

Stop teasing Jake Lockley

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