The Banishing: Wait What?

The Banishing

2/5

Written by Luke Barnes

When I saw the trailer for this film I was intrigued. I viewed it in a similar vein as The Woman In Black, a damn fine British horror film, with the added bonus of Sean Harris, one of the best actors you have never heard of. So I went into this with fairly high expectations, and they were not met.

The issue with this film is very simple, it is too ambitious. This film tries to pull off a lot over its short runtime and it collapses in on itself as it goes along; reaching a point where the film becomes so convoluted that you have no real idea what is going on.

Sean Harris is a delight and sell his manic scenes well. Seeing Harris perform so well, almost makes you wish he was cast as the lead rather than as a supporting character, as he out performs everyone on screen.

The horror is mixed, the atmospheric haunted house scares unsettle you more than frighten, and then when the film tries to make you jump it often fails as it is very predictable in these moments.

Overall, this film is crushed under its own weight.

Pros.

The concept

Harris

Cons.

The leads have zero impact

The horror doesn’t always land

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Death Wish: America’s Love Affair With The Gun

Death Wish

0.5/5

Written by Luke Barnes

I have long defend the films of Eli Roth, a lot of people don’t like them or his style, but I defended him. Yet, this film is too much even for me. I think this film is symptomatic of everything wrong, with both modern action films as well as with gun culture in the States. There is nothing cool about a man who gets some weapons by iffy means and runs around and plays judge jury and executioner- those days have long past.

This film plays as somewhat of a wet dream for gun nuts, showing the ever present fear of what if it was your family? Asking the samey and egotistical question would you be ‘man enough’ to get the people who hurt your family, that whole idea feels deeply toxic and problematic now.

The gun violence/ vigilante stuff is fetishized to a point of being obscene, and with the rash of school shootings, and other shootings in the USA this feels more than a little icky and in bad taste. With something like the Punisher the violence is shown to be grim, unpleasant and crucially not glorified, whereas this goes the other way with it and ventures fully into bad taste.

Bruce Willis doesn’t care and isn’t trying, but then would you ever expect him to?

Overall, a far right fantasy and a stain on Roth’s career.

Pros.

It is at times laughably bad

Cons.

Its message

Willis

How it portrays gun culture

The violence

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Prince Of Persia: This Man Love Sand, The Inverse Of A Young Anakin Skywalker

Prince Of Persia: The Sands Of Time

4/5

Written by Luke Barnes

Video game films often get a bad rap, however, more often then not I find enjoyment in them- especially when they have fun with the games original premise. Assassins Creed, Resident Evil andthis all have more than enough campy, popcorn fun to make up for the fact they wont be winning any awards.

I think of the videogame films I’ve seen this is definitely on the better side of the genre, as the film works as an escapist action, adventure film that doesn’t require too much brain power. I thought the time mechanics, as yes this has time travel elements, are handled much better here then they are in the game. It is far more concise and obvious here, whereas in the games it varies and is never fully pinned down.

Jake Gyllenhaal can rarely take a step wrong, and that is again shown here, as he makes for a very likeable if not very realistic Prince of Persia. Gyllenhaal gives the role a light touch and has fun with it, he also shares great on-screen chemistry and rapport with Gemma Arterton who is the female lead. The two share a good amount of on-screen banter together that actually manages to be funny and hold up, which is an added pro.

Overall, this feels very much in a similar vein to the beloved Brenden Frasier Mummy films and does, in my opinion, deserve far more love than it receives.

Pros

Gyllenhaal

Arterton

Fun and breezy

Simplifies the games

Cons.

The CGI is distracting

Rather obvious white washing

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Concrete Cowboy: Would You Rather Be A Cowboy Or A Criminal, The Choice Is Obvious

Concrete Cowboy

2.5/5

Written by Luke Barnes

If nothing else this film made me aware of something I hadn’t been previously- the Fletcher Street Urban Cowboys of Pennsylvania. Reading into the organisation and the cause after the film, I am heartened by the fact that even though the film itself is very average maybe it can draw some attention to the youth outreach programs the Fletcher Street Urban Riding Club provide and maybe make a difference for the community.

Anyway, the key issue with this film is that it is slow, there is a lot of emotions and interpersonal drama, but in actual events that move the plot forward there is a shortage. By the hour mark of the film I was finding myself bored and starting to switch off, the characters had not really progressed much from the opening few minutes despite over half the film being gone. The ending furthers this problem, as any growth that can be seen feels rushed to.

The acting is a mixed bag Caleb Laughlin, of Stranger Things fame, is very good and throws off the child like confines of his performance on that show to give a rousing dramatic performance that clearly bares both heart and soul. However, Idris Elba who plays Laughlin’s characters estranged father is not as strong. I am a big fan of Elba, I even enjoyed Turn Up Charlie which many didn’t, but he is not on good form here, his accent is patchy at best and noticeably fake at worst and he is frequently distracting.

Overall, though Laughlin gives one hell of a performance this film is destined to be forgotten about.

Pros.
The cause

Laughlin

Cons.

It is incredibly slow

Elba

The ending

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Pride: Fight For The Change You Want To See In The World

Pride

3/5

Written by Luke Barnes

This film made me both happy and sad, as paradoxical as that might be. On the one hand it was hopeful to see the miners embrace the LGBTQ+ activists, but on the other, seeing the horrible homophobia made me sad. I left the film feeling conflicted towards humanity.

This film can beautifully play with your emotions, as it did to me, and that is a testament to the writing, but also the real events that inspired the film. The film feels empowering to watch, inspiring you to make a change for the betterment of society.

The acting talent on display here is undeniable, Joe Gilgun, Dominic West, Andrew Scott and an always reliable Paddy Considine all perform well and leave an impression long after the film ends. George McKay is a little less strong and does drag down some of the scenes he is in, but thankfully he is not given much of the heavy lifting to do.

Furthermore, Pride does struggle with pacing and ends up feeling overly long and a little indulgent, by the time we reach the end the film is already starting to outstay its welcome.

A final note before concluding, Faye Marsay is terrific and should be cast in more films- a staggering young talent.

Overall, a good film that suffers with pace.

Pros.

The acting, bare McKay

The message

The empowering tone

Cons.

The Pace

George McKay

The Seventh Day: The Devil In The White Collar

The Seventh Day

2.5/5

Written by Luke Barnes

A lot of possession or exorcism films play a lot of lip service to the Church, as such it is nice to see a film that takes a different approach and asks the question what if the monster/demon was the priest? It is an interesting idea as yes, if a demon was possessing people why wouldn’t they possess priests, figures that are trusted by thousands of people. It reminded me a lot of Robert Kirkman’s terrific comic Outcast.

That said, despite the twist being interesting it is not executed well. It is clear which of the priests is evil almost from the get-go, and the film does not subvert your expectations in anyway, the one you think is bad is.

I thought the ending was a little too sequel baity for my taste, and I don’t think this film is really good enough to warrant sequels. The horror was very iffy, some moments were strong and had real promise and other moments were painfully by the numbers and played out.

Guy Pearce brings a lot to the film, but even he cant save this film from mediocrity.

Overall, a few good moments but for the most part very average.

Pros.

Guy Pearce

A few good scares

Cons.

It is painfully obvious

The ending teases an unearned sequel

More than a few bad/ generic scares

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Thunder Force: Seal Is Overplayed

Thunder Force

2.5/5

Written by Luke Barnes

The team-ups between Melissa McCarthy and her director husband Ben Falcone, have so far produced bad film after bad film. Many would tell you that this film is yet another in that line, however, I have to say it is not as bad as I thought it was going to be.

The world of the film, and the characters other than McCarthy’s lead, are all entertaining and fun enough that you happily watch them for the duration. Jason Bateman as the likeable sub villain turned hero has a lot of great moments on screen and steals the show ultimately. Likewise Octavia Spenser as one of the founding members of the Thunder Force brings a lot of class and presence to the role and makes the most out of it.

The thing that lets this film down is Melissa McCarthy. As many of you know I am no fan of McCarthy or her humour, she is frequently the worst part of the films she is in, and this is a near perfect example of that. Her dated references aren’t funny, the jokes aimed at her being fat or odd aren’t funny and feel needlessly mean, and don’t even get me started on the slapstick.

Overall, not as bad as you have heard, but I still can’t recommend it.

Pros.

Bateman

The world

Cons.

Melissa McCarthy

The humour

The plot/premise and the over familiarity

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Falcon And The Winter Soldier: Truth

Falcon And The Winter Solider Episode 5: Truth

4/5

Written by Luke Barnes

I think that this may have been the best episode of TFTWS, so far, though not a lot happened in terms of action, which would usually be a complaint for me, the episode was incredibly impactful both in terms of the wider MCU as well as to dissect and discuss real world issues and there implication in this fictional world.

The easily angered sort, who complain about the show every week yet keep coming back, will not be happy with this episode as it is the most ‘woke’, to borrow their phrase, so far. Personally, I think this show has felt far more personally impactful and meaningful because it has addressed these racial issues rather than ignoring them as previous films and tv shows within the same universe have done.

I thought the character journey of Anthony Mackie’s Sam was near perfect, not only do we entirely understand the trouble his character is having in taking up the mantle of Captain America, but we can also see why it is important that he does. I think the scenes between Sam and Carl Lumley’s Isaiah Bradley are perhaps some of the most moving in the entire MCU.

There is a cameo in this episode, that has been hyped up since last week, that really isn’t as big as you would hope or expect it to be. Julia Louise-Dreyfus feels shoehorned in, it feels akin to the Ed Sheeran cameo in Game Of Thrones, awkward and clunky, and I hope they bring her back and use her in the future or this has been a big misstep for Marvel.

I thought the continuing descent of Wyatt Russell’s evil Captain America was fascinating to watch, he truly believes he is Captain America despite everyone agreeing he is not right for the role. I see him heading up a future Thunderbolts team possibly as soon as the end of the final episode.

Overall, though the episode does not push the boat out in terms of action, it is an incredibly moving episode that makes you feel, question and appreciate the world of the MCU and those behind it that bit more. Just ignore the cameo.

Pros.

The history of the shield

Sam and Isaiah

The opening fight scene

The post-credits tease

Cons.

The awful cameo

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Held: After The First Hour Turn It Off, That Way You Might See A Good Film

Held

1.5/5

Written by Luke Barnes

If I was just reviewing the first hour of this film I would give it higher. The first hour of this film poses an interesting concept, a married couple is forced to do the bidding of an omnipotent stranger- with the goal of purifying their marriage. However, after the hour mark this film falls apart.

With the reveal of what is really going on in the third act, the film ceases to be anything good or original and instead becomes a very blatant and obvious attempt to rip off The Stepford Wives into an inferior product. Moreover, you are annoyed with your self for liking the first hour of this film and feel almost tricked for not having seen the similarities before.

I think the subject matter and ideas that this film discusses are very important, however, the way the film conveys these ideas is in the least subtle and most tasteless way you possibly can. There is a heavy Me Too aspect to this film that translates into their being a constant rape threat throughout that I found uncomfortable, and thought could have been handled a lot better.

Overall, this film is lazy and in your face- a very off putting combination.

Pros.

The premise is interesting

The acting is serviceable

Cons.

The constant rape threat

The reveal and the fact that this film is a discount Stepford Wives

It is annoying at times

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Rams: Shaun The Sheep’s Depressing Cousin

Written by Luke Barnes

Rams is an Australian comedy drama film directed by Jeremey Sims. The plot sees two ram breeder brothers, long estranged, come together to save their way of life when all of their livestock catches a deadly disease.

I think once again this is a classic example of miscategorisation, I don’t know if it is a national sense of humour that I just don’t get but this to me is in no way a comedy film. If you find scenes of animals being put down and then a mass burning grave of said animals anything other than wildly depressing then I am worried for you.

As such the film did not meet my expectations but viewed as a dramatic piece then it is a different conversation. I think as a drama film about the plight of farmers and how easily they can lose it all, this film has real merit. The film goes out of its way to really highlight the bond between these men and their animals as well as the bond between them as people. I found myself caring a lot about the characters as the film went on.

I thought Sam Neil was damn near perfect in the lead role, and this film proves to be yet another impressive feather in his cap.

Overall, miscategorised, this is not a comedy film, but it is a surprisingly emotional drama.

Pros.

Sam Neill

The emotions

The cinematography

Cons.

It is distressing

It is deeply depressing

3/5

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