James Gunn’s Superman arrives, but is it enough to save the DCU.
So for the purpose of this review we’ll try and keep politics out of it, after Sean Gunn really tried to centre it around that, and we’ll leave off any references to Man Of Steel, with one quick addendum to say that adjusted for inflation Man Of Steel made more on its opening domestic weekend.
The film itself is pretty meh. I went into it with low expectations, the marketing had done a horrible job of making the film look stupid, goofy and far too present day, and whilst there are elements of that in this to be sure I think the film managed to exceed by rock bottom expectations.
There were a few good Superman comic esque moments mainly in the third act that made me smile, and a number of funny lines. However, Superman is not the Guardians of The Galaxy and the humour quickly becomes clawing. There are perfectly good scenes that could stand on their own, but then they’ll force in a joke to make you retch a little bit and ruin the scene.
Moreover, the weakening of Superman is a little too on the nose for me. Previous Superman films have kept him macho and powerful whilst also showing his good nature and down to earth personality, look at Smallville. However, here they go out of their way to make him more effeminate and soft, whilst this could be argued to just be how modern Hollywood views masculinity, or an attempt to make him more sympathetic during the sequence where he is basically cancelled is unclear, but it does become noticeable for all the wrong reasons, including but not limited to the use of therapy speak.
The final thing to note is that this is a James Gunn vanity project of that you can have no doubt, and whilst I like him as a director I do think it gets a bit irritating as the film progresses. We already know Krypto was based off Gunn’s own dog, and that his wife and brother are in the film, but then when you look at the cast you see that it is stacked with Gunn’s personal friends as well as the aforementioned cancelling storyline being reflective of Gunn’s own experiences to a degree. When you think about this in totality it starts to become a bit sickening.
Overall, fairly mid-range.
2.5/5
Pros.
A few good moments
The third act is better than the other two
It world builds
Cons.
Clarke and Lois
They make Superman weak
How this is a Gunn vanity project
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