Christmas Land: A World Of Limited Imagination

Christmas Land is a Christmas romantic comedy directed by Sam Irvin. The plot sees a busy big city woman Jules (Nikki Deloach), inherit her Grandmothers Christmas themed farm, there is a debate as to whether she will sell it or not, but deep down she knows what her Grandmother would want.

So these generic Netflix/Hallmark/CBS Christmas films are starting to get to me. They are all very much the same in story and nature and you can guess the reveals coming from a mile off. I can no longer find things to enjoy about these films as they are just so tediously average.

The romance in this one was particularly wooden, sometimes these types of films can be made slightly more bearable by a strong lead romance, but not this. The two romantic leads act like strangers for most of the film and then all of a sudden they love each other at the end? Come on really? I can’t quite come up with the right word to describe their relationship, but whatever the opposite of chemistry is that is what they have.

The drama here once again, did not feel organic to the story it felt forced. That could be said for pretty much everything in these films, but this one especially had no need for the drama plotline beats, it added nothing and only served to needlessly complicate the narrative.

Pros.

It is watchable

Cons.

It is generic

It is lazy

The romance doesn’t work

The drama adds nothing

0.5/5

Reviewed by Luke

Sister Tempest: Watch Out For The Cannibal Cold This Winter

Sister Tempest is a comedy horror musical film directed by Joe Badon. The plot sees two sisters troubled relationship come under scrutiny from an Alien tribunal. Adjacent to this one of the sister’s new roommate’s illness leads her to become a cannibalistic murderer.

This one was a lot of fun; the premise is just as whacky as it sounds, and it never lets up for a second. I enjoyed how the film never went the way you were expecting it to go, where you thought it was going to zig it zagged. The more or less light hearted tone, also made it a nice breezy watch.

The acting was strong with Anne (Kali Russell), being my particular favourite. She was a strong lead and had just the right amount of rootability to keep me invested in the plot for the entire runtime. I have to give props to the script here as well, as Anne as a character is quite well fleshed out over the course of the film and you feel like you really get to know her and her sister.

I didn’t find the film scary, though I did appreciate its gore. The comedy and musical elements worked better for me, and I found myself being thoroughly entertained. Smiling the whole time.

Overall, this is a sight to behold, all of the elements work together in harmony to create something special.

Pros.

The comedy

The premise and committing to the wackiness

The acting

The musical elements

Cons.

I did find the horror lacking

4/5

Reviewed by Luke

Holidate: Netflix’s Sexist Holiday Film, ‘A Woman Can Only Be Happy If She Is In A Relationship’

Holidate is a Christmas themed romantic comedy directed by John Whitesell. The plot sees a couple of single people (Emma Roberts and Luke Bracey), start spending the holidays together, to throw off the bad societal conotation of spending the holidays alone. Obviously, as the film goes on they start expressing romantic feelings towards one another.

This film is awful it may be one of the worst films of 2020 in my opinion, it is offensive. So, not only does this film push almost every stereotype under the sun, it also has a lot of very troubling notions about women and their place in society. Firstly, a big deal is made because Robert’s character is not looking for a man and because she has been without one for 6 months, the horror. Secondly, the male lead pretty much cheats on her during the film and during the emotional resolution of the film she apologies to him for overreacting, pardon me what?

I understand this is a rom-com, but that narrative that you can’t be happy alone and that women, especially, need a man to be happy is toxic as hell and it is the central theme of this film. Whoever wrote this film should be fired and not allowed to work again.

Roberts if fun and likeable, she is the only positive note about this film. The male lead is incredibly bland and forgettable, I can’t remember his name right now.

Overall, this may be the most sexist out of touch Christmas movie I have ever seen.

Pros.

Emma Roberts

Cons.

It is sexist

It promotes bad messages

It furthers stereotypes

The ending is wrong

1/5

Reviewed by Luke

Operation Christmas Drop: Army Porn

Operation Christmas Drop is a romantic comedy Christmas film directed by Martin Wood. The plot sees congressional aid Erica (Kat Graham), travel to a US Army base in Guam to decide whether keeping it open is cost effective. Whilst there she falls in love with handsome, saintly, soldier Andrew (Alexander Ludwig). The two then help to give all the native islanders a great Christmas.

The biggest issue with this film is how into the army it is. I am by no means knocking the armed forces in America or anywhere in the world, but at the same time you don’t want to watch a film that sucks up to them for too long either, to a point this is basically an enlisting advert.

The romance is sweet, not to a sickening point, but it is also nothing special. You have seen this love story before, a lot of times before and believe me it hasn’t gotten any fresher. The odd thing about this film is how conservative it is with the romance, opting to not even have the characters really kiss. I get it is trying to be family friendly but come on.

Overall, this is passably watchable, no Knight Before Christmas or a Christmas Prince, but still worth your time if you have nothing better on.

Pros.

It is watchable

It is fairly upbeat

Cons.

The romance is predictable and familiar

It feels like an army recruitment ad

It is too safe and family friendly

2/5

Reviewed by Luke

Love And Monster: Love In The Time Of Monsters

Love And Monsters is a post-apocalyptic adventure film directed by Michael Matthews. The plot follows Joel (Dylan O’ Brien), a survivor who doesn’t seem to be very good at surviving as he leaves his bunker hideaway in pursuit of his lost love Aimee (Jessica Henwick), after they reconnect over the radio.

So, if you had any doubt about Dylan O’ Brien’s career as a Hollywood leading man this film come as a comfort. Not only is O’ Brien a terrific leading man here, he is also perfectly cast and suited to the part. He has the physicality to pull off the action scenes, but also the awkwardness to not see like the standard action hero ‘type’.

I think the world and the tongue in cheek tone is a strength to the film. The mythology is present, but is not overly explored which allows there to be a degree of your own imagination set to the proceedings. The humour of the film resonated with me and often made me laugh.

I think the supporting cast all do great jobs with their limited screen time; they help the world to feel lived in and set up perfectly crafted emotional moments that will hit you. Henwick struggles somewhat in a leading role, but does have a few strong moments. I enjoyed that she was the inverse of Joel in almost every way and that their romance often subverted my expectations.

Overall, a gem of 2020 that you can’t afford to sleep on

Pros.

Dylan O’ Brien

The romance

The world

The supporting characters

The tone and the humour

Cons.

Jessica Henwick is a weak link, but has redeeming moments

5/5

Reviewed by Luke

The Wedding Ringer: Hire Your Best Man Today!

The Wedding Ringer is a buddy romantic comedy film directed by Jeremey Garelick. The plot sees friendless Doug (Josh Gad), lie to his fiancé Gretchen (Kaley Cuoco) and say he has a best man arranged for the wedding, this leads him to seek the services of Jimmy Callahan (Kevin Hart), a best man for hire.

Once again I find myself finding Kevin Hart hilarious, he threw me off with those terrible Ride Along movies, but I am now fully back on the Hart train. He made me laugh several times during this film and he brought a hell of a lot of heart, pardon the pun, to the role. I think the film would be a lot worse without him in it.

The buddy relationship between Hart and Gad works well, both nail the emotional beats and make for a very convincing on-screen friendship. Despite being a romantic comedy film for the most part of the film I was rooting for their friendship over the central romance of the narrative.

In regard to said romance, I think this film sorely underused Cuoco’s proven comedic talents and instead relegates her to playing the gold-digging finance that the film goes out of its way to encourage you to hate, which feels like a huge waste. She is given no good moments of her own to shine.

Overall, a solid buddy film, not really a romantic comedy at all. Strong chemistry between Gad and Hart, but Cuoco gets snubbed at every turn. Mixed to positive.

Pros.

Hart

The buddy dynamic

It is quite funny

Cons.

It is not a romantic comedy

Cuoco is wasted

3/5

Reviewed by Luke

IRL: Modern Dating, Pandemic Adjacent

IRL is a romantic drama film directed by Ricardo Perez-Selsky. The plot serves as an observation on our modern online dating culture. Telling the story of one long distance couple who meet online and their struggle to stay together despite not having met.

Frankly, it is refreshing to see a romantic drama/ comedy film tell it like it is, with no fluff, no ignoring the hard parts, and crucially no over idealisation. This film feels real, and though that is an overused turn of phrase it is nevertheless true here. Most people will be able to find at least one moment that they will be able to relate to.

I applaud this film for not being afraid to get dark when it needs to. It shows how you never really know what is going to happen in life, the best laid plans often come awry. It adds to the realism which is crucial to this film.

The acting is strong and the romance between the two leads is likewise despite mainly happening over the phone. You want the two to be together desperately. However, my one critique of the film would be when Ian (Chase Hinton), very nearly (or does depending on your definition) cheats on his so far online girlfriend when he goes back home to visit his parents. Yes, I understand why structurally from a character point of view why he does this, but it then causes him as a character to become far less likeable and rootable; which maybe is the point?

Overall, this film will punch you in the face with real earned genuine emotional impact and you will thank it for it.

Pros.

The acting, especially Hinton

The romance

The real take on love and relationships

Relatability

Cons.

The cheating scene derails Ian as a character somewhat
4.5/5

Reviewed by Luke

Leaving Las Vegas: The Life Of A Hollywood Screen Writer

Leaving Las Vegas is a romantic drama film directed by Mike Figgis. The plot sees disgraced, alcoholic screen writer Ben Sanderson (Nicolas Cage), retire to Las Vegas to drink himself to death. While there he meets prostitute Sera (Elisabeth Shue), and the two form a doomed romance.

For those looking for a wild Nicolas Cage film you won’t be disappointed here. There is plenty of Cage’s trademark strange sensibilities, but in a more subdue way. Cage delivers quite a dramatic powerhouse performance here; he is utterly captivating to watch.

The same can be said for Shue. This might be by favourite performance from her so far, (that I’ve seen), I truly bought that her character loved Ben and was just desperate to find someone who cared about here and didn’t just want to use her. I thought the romance between Ben and Sera was the definition of bittersweet, it was touching and felt like a slap to the face but one that you were happy to receive.

My one note would be that though it is brilliantly done it is incredibly, unrelentingly bleak. This film is a tragedy through and through and is quite upsetting. A warning to you there. I would say it is the sort of film that you need to watch something happy afterwards for sure.

Overall a heart-breaking masterpiece that deserves to be experienced as it has so much to say about the human condition, even if it is depressing in the highest degree.

Pros.

Cage

Shue

The comments on the human condition

The romance

Cons.

It is hard to watch at times and it does not apologies for that

4.5/5

Reviewed by Luke

The Lobster: To Love Or To Transform?

The Lobster is an absurdist dystopian dark comedy film directed by Yorgos Lanthimos. The plot follows David (Colin Farrell), a man who moves to a special singles hotel once he finds out that his wife is cheating on him. Said hotel gives singles a set amount of time to find ‘the one’ or face being killed and turned into an animal.

This is truly a bizarre sort of film and I mean that as a compliment. The dystopian ideas herein, I have never seen imagined before and as a result of that this film feels wholly fresh and original, praise that I can’t give to many films these days.

This film has a wonderfully off-kilter sense of tension and threat that seems to reveal itself at the most unexpected of times. It can be quite a mild breakfast scene, that yes is a little strange but is not that out of the ordinary, but then someone gets their hand burnt in a toaster for touching themselves, just out of nowhere.

Farrell is strong here his performance easily makes the film. His David is a character who is hard to form a mind on, sometimes he is the stereotypical protagonist, a rootable figure that you want to see do well, but then sometimes he seems to far darker and more loathsome than that.

My one complaint of this film would be that the second act, when David runs away, stretches out for a bit too much and feels poorly paced. This isn’t helped by the fact the second act of the film also stuffs in a lot of information that somewhat ruins the genius simple premise.

Overall, a must watch for the sheer originality alone.

Pros.

Colin Farrell

The premise

The originality

Olivia Coleman

Cons.

The second act has far too much going on and also far too much bloat.

4.5/5

Reviewed by Luke

Juliet, Naked: Always Check Your Email Because A Famous Singer Might Have Emailed You

Juliet, Naked is a romantic comedy film directed by Jesse Peretez. The plot follows Annie (Rose Byrne), a woman who is in an unhappy marriage and who is bored with her life. Her husband Duncan (Chris O’ Dowd), spends every waking minute obsessing over a has been singer from decades prior.

One day after commenting on her husband’s blog, Annie receives an email from said has been singer Tucker Crowe (Ethan Hawke), and he and Annie strike up and unlikely romance.

I have seen a lot of romantic comedy films in my time and I have to say that this was on the better end of that scale. It has no icky or troublesome moments; it had good wholesome themes and ideas and was underpinned by a sweet starting over again romance that you couldn’t help but cheer on at every turn.

Byrne had the right amount of Bridget Jones in her performance to make her be instantly rootable and loveable to the audience. I thought the narration of the emails was a nice touch as it allowed us more access into both Annie and Tucker’s headspaces, it was very You’ve Got Mail.

O’Dowd has the right amount of pompous annoyance as to pull off the obsessed fanboy well. Right from the off we know that he and Annie are poorly suited, to put it mildly, and it is plain to see he neglects her making him a very easy to hate antagonist. O’Dowd is really coming into his own playing petty jerk villains in British films.

Overall, a sweet wholesome romance film that is destined to become a classic of the genre.

Pros.

The romance

The wholesomeness

Rose Byrne

Ethan Hawke

Cons.

O’ Dowd is a bit too annoying

4.5/5

Reviewed by Luke