Despicable Me 3: Throwing In A Long Lost Brother When You Run Out Of Ideas

Written by Luke Barnes

Despicable Me 3 is an animated family film directed by Pierre Coffin and Kyle Balda. The plot sees Gru (Steve Carell), be fired from his job in the Anti-Villain League and have to find a way to prove to the new boss he has what it takes, to get his job back. The plot also sees Gru find out that he has a long lost twin brother called Dru (Steve Carell), who he never knew about.

All the same issues for the previous two films, that I have gone into detail about in my other reviews, are still here however, the new villain voiced by Trey Parker of South Park fame does provide a nice distraction.

Maybe I am bias, as I am a big South Park fan, but I really do think that Parker makes this film. He brings such an energy to his character of Balthazar Bratt, a faded 80’s child star who played the evil villain on TV and has tried to replicate it in his real adult life. Bratt is manic and zany and has some of the best lines in the series.

Overall, the sequels aren’t really any better or any worse for the most part they are of a consistent level, the good and bad factors still stay the same, so if you liked the other films you will like this to.

Pros.

Trey Parker

It is watchable

A few funny lines

Cons.

The character design

The needless side characters

Gru and Dru’s arc really goes nowhere

2.5/5  

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Friday The 13th Part 6: Jason Takes The Portal Gun

Written by Luke Barnes

Friday The 13th Part 6 is a slasher horror film directed by Tom McLoughlin. The plot sees Tommy Jarvis (Thom Matthews), be proven right to fear the return of Jason Voorhees (C.J Graham and Dan Bradley), as he inadvertently ends up resurrecting Jason after his death at the end of Part 4.

This is a lot of dumb fun, is it as good as Part 2 and 4? No, no it isn’t. However, unlike a lot of those other films this film seems to have an almost self-aware air to it, and it seems to revel in knowing how ridiculous its premise is, though without making the film overly silly.

In that vein, it is in this film we see Jason start to develop his superhuman abilities, putting him power wise in the same ball park as a few of the other major slashers. To me these powers don’t ruin the tension of the film, but I can understand how they would for some. Jason teleporting around the area, though that is never confirmed, does make for some unbelievable moments though again this doesn’t bother me as I was not taking the film seriously to begin with.

Finally, I just want to touch briefly on the end credits song. As the credits for this film roll we are treated to the song The Man Behind The Mask by Alice Cooper, and it might be one of the best film tie in songs I have ever heard. For fear of this becoming a music review, let me just say that since I watched this film I have been listening to that song on a near constant loop.

Overall, more solid Jason action, the supernatural elements do derail things somewhat, however, if you were not taking it seriously to begin with then it doesn’t hugely effect things.

Pros.

The end credits song

The dumb fun

Still very watchable

Cons.

The supernatural elements derail it somewhat

Tommy Jarvis has a weak ending

3/5   

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Despicable Me 2: Adding In Kristen Wiig And A Fair Few Cultural Stereotypes

Written by Luke Barnes

Despicable Me 2is an animated family film directed by Pierre Coffin and Chris Renaud. The plot follows the adventures of Gru (Steve Carell), as he now tries to fight for the otherside becoming a member of the Anti-Villain League. There is also a subplot about Gru searching for love.

The antisemitism of the character designs is still present here, but now only in Gru himself, however this film also adds in a number of hurtful cultural stereotypes which further puts me off the film.

I think in many ways, from story to execution, this film was weaker than the first. Really, it is just more of the same, the slight difference being now Gru makes Jam for half the film and there is a serum that turns the Minions evil. Neither of these plotlines are particularly interesting and that same can be said for the film as a whole.

I thought the introduction of Kristen Wiig’s Lucy Wilde helped the film somewhat. Wiig is not as cringey as she normally is here, though she is still to a degree, and her character pairs with Gru quite nicely. Do I buy their romance? No. Do I buy their snap immediate wedding? Again no, but I thought it was suitably sweet and easy to turn off your mind to.

My feelings towards the Minions themselves remain quite unchanged in many respects, my complaints from the previous film’s review still stand, however, I did find them slightly more entertaining this time around.

Overall, more of the same in both a good and bad sense, Wiig’s addition marginally improves the film, but it still lags behind its predecessor.

Pros.

Very watchable

Any scenes between Gru and his daughters

A strong emotional core

Cons.

Wiig’s character only marginally improves the film, and really the film did not need the subplot

The casual racism and continued antisemitism

3/5    

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Despicable Me: Troublesome Character Design

Written by Luke Barnes

Despicable Me is an animated family film directed by Pierre Coffin and Chris Renaud. The plot follows the adventures of Gru (Steve Carell), a supervillain who is trying to prove he still has what it takes.

Before I get into it I just want to point something out. Personally, I thought it was a little suspect that all the characters in this film who are supposed to be supervillains, including Gru, have stereotypically over the top Jewish features in their designs. Now, I don’t know if this was done deliberately and I have asked others what they think and not everyone seems to notice it, but to me it reeks of cheap and fairly blatant antisemitism; if interested I advise you to look into the racism of the Despicable Me series as there is a fair bit written about it.

Setting that to one side for a minute, the film can actually be quite charming when it wants to be: the scenes between Gru and his adoptive daughters, particularly the scenes when he is reading to them with the cat finger print book are adorable and heart-warming.

The minions themselves seem to be love them or hate them, at least in terms of the online discussion. I found myself mixed. I did not like the fact they talk in gibberish, it reminded me of something like Shaun The Sheep which I also didn’t like for a similar reason- I prefer characters that talk. They do have some moments that allow you to warm toward them, but I was still indifferent to them by the end of the film.

Overall, there is some promise here, sadly the rather overt antisemitism spoils it.

Pros.

Some warm scenes between Gru and his daughters

The Minions have a few strong comedic moments

It is easy enough to watch

Cons.

The clear anti-Semitism

The Minions

3/5

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Will Reading: Helping Your Dead Friends Wife Cheat The IRS

Written by Luke Barnes

Will Reading is a comedy film directed by Jamie Insalaco. The plot sees a group of friends gather together after the death of one of their number, to help the deceased widow find money that her husband had hidden from the IRS.

I think there is something so earnest and pure about this film. It captures friendship in such a realistic and warm way, the friendships within this film feel genuine, it reminds you off those you are closest to and it feels like a warm security blanket.

I found the laughter from a sad origin idea to be quite ingenious, and I thought seeing this group come together to help out after the death of their friend only really added to the wholesome appeal of the film.

Though this film is not a laugh a minute, there are a good amount of laughs scattered throughout and many more moments to smile to.

Overall, a delightfully funny comedy with a winning personality and a wholesome appeal.

Pros

The wholesome appeal

The focus on friendship

A few good laughs

A lively pace

Cons.

Somewhat predictable

3.5/5

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Last Chancers: Even The Countryside Is Rife With Gangsters

Written by Luke Barnes

Last Chancers is a British crime comedy film directed by Phil Stubbs. The plot sees two friend Flynn (Ellis J. Wells) and Aiden (Harry Dyer) become indebted to an old school nasty after a hapless mistake, together they must come up with a way out of their situation.

There is something of an early Guy Ritchie with this film, though obviously with more of a comedic leaning, it is a stylistic decision that greatly helps this film and allows it to feel snappy and sharp and more importantly slick.

Though the premise was nothing new, I though it was done well, and it served to be quite entertaining. The film wasn’t a laugh out loud, laugh a minute kind of film but it did have more than enough moments that made me chuckle or at least smile.

I think the film mainly gets its tone right, managing to mix dramatic tension with levity. The tone does skew to one extreme a few times at the expense of the other, which hurts the film, but does not happen often.

My main issue with this film is that I think it needs to be tighter. This is a good film, by and large however, it really suffers from bloat and quite a few scenes could do with being chopped down to better add to the flow.

Overall, despite a few structural problems there is a lot of promise to this film, and I would be excited to see what the filmmaker does next.

Pros.

The comedy, for the most part works

The premise is well executed

Moments of early Guy Ritchie

Cons.

Slight tonal issues

Pacing problems

4/5

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Getting It: Modern Love

Written by Luke Barnes

Getting It is a romance film directed by Tom Heard. The plot sees a previously selfish man, who only ever cared about himself, opening his heart to others and finding love in the process.

I think there is something so needed about this film, I won’t go on at length about it as I have already covered the point I am about to make in other reviews, but there just aren’t enough romance films that feature solid LGBTQ+ representation. It is shocking to think that in 2021, in the society we live in, where all kinds of romances are common place, that the romantic genre is so heavily dominated by heterosexual romance.

Moreover, the romance in this film felt very real and personal. By that I mean, it doesn’t feel like you are watching a film it feels like you are just observing life around you and seeing people fall in love. Again, that speaks to the charisma and the believability of the leads who sell the romance entirely, and palpable their on screen chemistry.

This film really does run the emotional gambit, having moments to laugh with, moments to cheer to, and moments that will make you cry, it excels at all 3 which is a real testament to the power of the writing.

Overall, a sorely needed and well executed romance film.

Pros.

The chemistry

The believability of the story and the romance

The emotional resonance

The ending

Cons.

The side characters

A few pacing issues.

3/5

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Happily: That Couples That Annoys You With How Perfect They Are, Aren’t So Perfect

Written by Luke Barnes

Happily is a dark comedy thriller film directed by BenDavid Grabinski. The film follows a perfect couple (Kerry Bishe and Joel McHale), who never argue, always agree and never cease to irritate those around them. However, one day a stranger (Stephen Root) arrives at their door to tell them that they are genetic abnormalities, and that he won’t leave until they take a syringe of fluid that will make them just like everyone else. Naturally they kill this man and then go on a staycation with their friends.

This was a bizarre film, and you only begin to understand and appreciate a lot of its subtler details if you watch it a few times as there is a lot going on. I think this is a bold stylistic piece with all kinds of visual influences on display, and a plot that defies genre categorisation; I gave it a try, but it is so much more.

That is not to say this film is perfect, as it isn’t, the ending didn’t ring true to me and felt like an anti-climax; especially after the emotionally charged scenes that lead up to it. Furthermore, the tone frequently clashes as the film struggles to find how to approach its narrative. There will be scenes with levity in them that really don’t need it, and then scenes that do need a line to lighten the mood go without; it is an odd mishmash a lot of the time. Tonally this film is a quagmire.
I thought the wider world of this film and its concepts were riveting and I would love to see a follow up film, or other films set within this same universe, to explore these ideas in further detail. The idea of this agent, or god like character, who can’t die and who works for a higher authority is very tantalising and is begging for further exploration.

Overall, a hell of a concept and an idea, sadly the execution is lacking. However, a follow up in this universe could fix a lot of this films ills.

Pros.

The concept

The world

The characters

Cons.

The inconsistent tone

The ending

3/5

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Friday The 13th Part 5: Will Summers Ever Be Safe Again?

Written by Luke Barnes

Friday The 13th part 5 is a slasher horror film directed by Danny Steinmann. The plot continues the saga of Tommy Jarvis (John Shepard, now playing an older Tommy), who has been left scarred after the brutal end of Jason (Tom Morga), in the previous film and now lives in fear of the killer’s return from beyond the grave.

I will applaud this film for what it was trying to do, it was trying to exist without Jason; an errand that was always fated to fail as the series lives because of Jason, but that is also bold and interesting. I also thought the decision to focus on the after effects of a final showdown with Jason on Tommy was inspired.

However, ultimately I think this film is disappointing. Mainly because it squanders the chance for where this series could have gone without being reliant on Jason, by introducing a newer and blander version of basically the same character who has nothing noteworthy about him at all.

Moreover, other than Tommy, who benefited from having a previous, good, film to set him up, the rest of the cast of slasher fodder were all very forgettable as were the kills.

Overall, what began as a project of promise ended up being very generic.

Pros.

The mental health focus

The gutsy decision to try and move the series beyond Jason

Tommy Jarvis as a character

Cons.

It is dull

It is more than a little repetitive

It squanders its promise

2.5/5

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Godzilla Vs Kong: A Pretender To The Throne

Written by Luke Barnes

Godzilla Vs Kong is a science fiction film directed by Adam Wingard and set in the Monsterverse. The plot sees the two Kings do battle, as there can only be one.

As many of you know, I was not a fan of King Of The Monsters, I thought it was loud, dumb and devoid of charm. However, whilst to a point that is still applicable here, I am please to say I enjoyed this film far more.

The logic of the film is still very dumb, the humans turn on Godzilla almost immediately despite realising how much they liked him at the end of the last film- only to later realise they like him again. There are a ton of plot holes, and broken plot threads that go nowhere, but you aren’t watching this for the plot.

The monsters fighting is quite well done and does not become repetitive as I had feared it might do. I think that this was far more of a Kong film with the odd appearance from Godzilla here and there, and I didn’t mind that.

I thought the emotion was spot on; that is my biggest compliment of the film. Firstly, you cared about the human characters, which is shocking, and not only that but they have impactful emotional arcs both between themselves and with the titans which greatly enhances the film as a whole.

Overall, a step up from the previous film that manages to do the impossible and make you care about the human characters.

Pros.

The human characters

The emotion

Fun monster fights

Cons.

It is dumb and the logic doesn’t make sense

It feels a little underwhelming after all the titans featured in the previous film

3.5/5

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