Renegade Nell Series Overview: The Most Tame Supposedly Edgy Show You Will Ever Watch

Summary

A young woman, Louisa Harland, is accused of a murder she didn’t commit so becomes a highwaywoman for some reason.

When you see headlines about Disney + still being far behind their subscriber targets, and still miles away from Netflix, this is why.

A series that is based around one thing, people being shocked that a highwayman is in fact a woman. There is a very memeable scene in the trailer where people audibly gasp because of the fact that she is a woman and they can’t handle it. Even in the more gender norm times of the past I cannot believe that this was that shocking, it is well documented that there were female pirates and female warriors throughout history, so the idea that people would be shocked at a female highwayman is ridiculous. It is all based out of this idea of oh these progressive shows are being edgy and challenging the patriarchy and all this, yet the fact of the matter is that the moment for these sort of shows was about 5-10 years ago, they have now both outstayed their welcome and are also behind the times. Most people would accept a show about a highwaywoman and not question it these days, you do not need to keep reminding the audience that she is a woman we are past that.

Moreover, much like with Disney’s other recent YA fare such as Percy Jackson and Spiderwick, this just feels like generic historical fantasy dross to try and get teens in the door. I would argue it is a bit too tame for that, if they wanted to get the teen audience in they need more sex, look at the CW that brought in teens, supposedly, and that was chocked full of it.

The narrative is just another boring girlboss story and Harland cannot bring the same charm to bear she did in Derry Girls, on a creative level this is a failure. The worst thing about this show is just how dated it feels, if it had come out in the era of Batwoman then it would have fit right in, but that age has past.

Overall, more wasted Disney money.

Pros.

It is unintentionally hilarious

Cons.

The girlboss narrative

It is not shocking or novel

The joke of but she is a woman and people fall over in disbelief doesn’t make sense and it is dumb

The acting isn’t good

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Ruby Gillman Teenage Kracken: The Tik Tok Generation Through The Lens Of Complete Misunderstanding

Written by Luke Barnes

Summary

Some creatives from DreamWorks who are all probably approaching middle age decide that they know what kids like based of watching one Tik Tok video once and so make this a film that speaks to only one group of people.

This film is made for terminally online teens the kind you would find with dyed hair and who have a series of different flags and causes in their bio, that is what this film thinks teens are. It cannot and will not understand that teens are more than just this crowd. If you need to see proof of my claims then see Ruby’s group of friends and how they talk and interact it is the most cringe thing you will ever see and feels in no way real or even human, maybe that was the point.

The message of be yourself has been told so many times that I question if it has any meaning anymore, surely kids don’t need to be told this lesson by every animated film that comes out every year in order to learn individualism surely they aren’t that dumb.

I struggled to care about any of the characters as I found them clawing stereotypes of what people view Gen Z and Millennials like, and in that sense I just found them more and more irritating as the film went on to such a point where I debated turning it off a few times and if I hadn’t been watching it for review I probably would have.

Overall, this is what happens when 40-50 year olds try to write something for kids they don’t understand.

1.5/5

Pros.

It is a neat concept

It had about two funny jokes

Cons.

It is cringe

It is mostly painfully unfunny

The characters are awful

It feels like a bargain basement version of Turning Red

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Damsel: Millie Bobby Brown Proves She Is A One Hit Wonder

Written by Luke Barnes

Summary

Netflix continues to try and make Millie Bobby Brown a thing, yet she continues to have as much charm as a true British great like Keira Knightly might have in one finger.

So if you needed a better example of what makes a modern Netflix film then look no further than this. Terrible CGI, a ridiculous and insulting girl boss story that makes little to no sense, and a world that feels like Bridgerton with dragons. Oh and it wastes the time of Angela Bassett and Ray Winstone giving them nothing to do and just using them as recognisable faces.

Do we need to go over the definition of a mary sue as it applies to cinematic archetypes? In case we do a mary sue is a character that has no progression and is great at whatever she tries for the fact that she is perfect and infallible. It is reductive girl power nonsense that strips away any humanity, flaws and character that a female lead can have and instead has her be this stoic, inhuman being. What sort of standard does this set for women? Again it is not empowering, they think it is with the idea that it is telling girls that they can be the dragon slayer, but girls already knew that, rather this film says that women have to be tough stoic and not feminine otherwise they are weak and part of the problem. It is incredibly reductive.

So Brown’s character is thrown by the evil male prince into a dragons lair as sacrifice, and even though we are not shown her sword fighting even for a scene in the film she is able to go toe to toe with it whereas a platoon of knights just got destroyed. Again this is cheap, rather than give her character an arc and make her human and fall and have to rise to the occasion the writers can’t be bothered to actually develop the female lead just having her immediately be perfect. It speaks to male writers that want to appear progressive but don’t actually care about their female characters so just use surface level girl boss tropes rather than make Elodie a developed character that you can actually care about.

Moreover, Brown is clearly a graduate of the Alaqua Cox school of acting as rather than try and make Elodie feel more human and real, Brown just plays the character with a constant layer of indignation ready to go on a lecture at any second. Though she is only young as we see her do more and more projects it is becoming clearer that she isn’t a good actor by any means and has clear limitations, maybe she is a one hit wonder, this would make sense why she hasn’t been cast in more Hollywood projects, outside of King Of The Monsters, and is largely now being propped up by Netflix.

Overall, just trash made by an algorithm with no care.

0.5/5

Pros.

It is unintentionally funny at times

Cons.

The CGI

It wastes Angela Bassett and Ray Winstone

The character is poorly written

The girl boss/mary sue qualities

It doesn’t actually update the trope it just recycles it and goes yes we know its bad

The American Society Of Magical: Race Hate The Movie

Written by Luke Barnes

Summary

A film meant to stand up an archaic racist trope, becomes just as racist.

If a filmmaker made a film wherein the plot line said there was nothing worse than an upset or threatened man of colour and tried to release it in the contemporary market it would be rightly condemned as hugely racist. However, the idiotic idea that you cannot be racist towards white people is tested to the limit here and proven that you actually can. The way this film generalises about white people and uses blatant caricatures, even for the purpose of comedy, is racist there is no other way to describe it. If as I laid out at the beginning the tables where turned this film would not have been made, yet this film sees the light of day despite an almost pathological hatred of white people seeing them all as villains out to oppress the lead.

Racist humour exists of course one only needs to tune into an episode of Family Guy to see an outdated stereotype of some kind, yet there the difference is that the show doesn’t get up on a soapbox and tell you it is progressive and righteous, it knows it said a racist joke and rolls with it rightly or wrongly. Here however the film thinks it can be as racist as it likes towards white people, making them out to be lazy, stupid, violent and incapable of doing anything other than steal the hard work of those they oppress, and then wants to say it is progressive, when it is actually regressive and divisive.

The most stupid thing about this film is that it doesn’t understand the trope it is trying to comment on. Within films about said trope, it is in the title, the character has no agency other than to serve and help the white characters yet the characters here have no agency and only exist to serve, they don’t want to change the status quo. As such what is this film challenging? What is it updating? It is just repeating the trope again but saying ‘oh look guys we can see its wrong’, but do they do anything new with it? Nope, they just have a character point out how messed up the trope is something that everyone with a brain already knew.

Finally the lecture at the end of the film where the main character finally stands up for himself just feels like hate speech, it boils down to white people are bad, again sub out that for any other race and this film wouldn’t be made, but this film seems to have a bee in its bonnet.

Overall, there is a reason that this film has underperformed and been ravaged by critics it is race baiting plain and simple, the creatives clearly have some prejudice towards white people, in my opinion, and wants to inject that into the film seemingly unaware that it will alienate a large part of the audience. A well deserved flop that hopefully kills the careers of those involved with it.

0/5

Pros.

None

Cons.

It is disgustingly racist

It hates its audience

It preaches and lectures rather than try to be entertaining

It is tonally all over the show

It doesn’t actually update the trope it just recycles it and goes yes we know its bad

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Orion And The Dark: One For The Anxious Kids

Written by Luke Barnes

Summary

A young boy realises that the dark is nothing to be afraid of.

I really liked this film for the most part. I thought that Orion was super relatable, and that anyone who was ever an anxious kid will immediately remember feeling his anxieties, it is like a shared collective trauma. I thought it was a bit weird when we stepped away from Orion and it was about his kid and then her kid, I thought this seemed a little confused and messed with the flow of the film it would have worked better narratively if it had just stuck with him.

I thought Orion’s interactions with and friendships with Dark and the other night entities was all quite sweet. You really believed the friendship between Orion and Dark and when they save each other from death throughout the course of the film at different points you can see they care about each other. It is very wholesome. Plus it was nice seeing Natasia Demetriou get some work she is always great. My one complaint on the character side of things would be that the film had too many and as such some of the side characters came off as wanting and lacking in the personality department, we could see them on-screen but knew very little about them.

Overall, a solid Netflix animated film.

4/5

Pros.

The lead is super relatable

The friendship between Dark and Orion is nice

It is very wholesome

The animation is nice

Cons.

The side characters are underdeveloped

Swapping to Orion’s kid and then his kid’s kid is a bit jarring

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The Boy And The Heron: Ornithophobia

Written by Luke Barnes

Summary

A boy enters a mythical world in order to save his surrogate mother figure whilst also investigating the death of his actual mother.

I thought this was a beautiful film to look at every ounce of it had the Ghibli magic that we have all come to know the studio for. The world is so dense and rich and easily explorable, and as you go on this adventure there are so many interesting little side stories established but not fully explored allowing your imagination to fill in the blanks.

The actual plot relating to motherhood family and generations feels very personal, and you care about the character’s journey and want to find out what happened to the mums, and the families connection to this other realm. Though the film doesn’t give away all the answers I would say the ending we got was satisfying and feels weighty.

The one thing I would say about this film, and it didn’t bother me personally but I would be remiss not to say it, is that at times it can be very unsettling, especially in the early parts of the film wherein the heron seems like an almost demonic force intent on harming the kid. As such my point is that this aspect of the film clashes with the wider family friendly tone of the film and if you are considering watching this one with your kids it is something to bear in mind, there are a few frights.

Overall, a lovely swan song for a true titan.

4/5

Pros.

It is a fantastic world

The story is impactful

It leaves a lot to your imagination

It is a sweet film

Cons.

It is not always the most family friendly

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The Little Mermaid: The Opening Salvo Of The Summer Movie Season

Written by Luke Barnes

Summary

The Little Mermaid gets the live action remake treatment.

So I went into this with pretty low expectations and thinking it wasn’t really going to be my sort of thing but I ended up enjoying it a lot more than I thought I would. I will preface this review by saying that I haven’t seen the animated original so I wasn’t attached to one version of this story.

I want to say right off the bat that Halle Bailey is a great Ariel and really helps the character to feel likeable and rounded in a live action format. On top of that she also has a very believable and strong romantic chemistry with the male lead, played by Jonah Hauer-King, which helps the film to really work as a date movie. Bailey of course also has a great singing voice and pulls off all the songs truly very well, or as well as can be done with the woeful new songs.

However, the strong cast doesn’t extend across the board Awkwafina is terribly miscast as Scuttle and has a groan inducing rap sequence that also doubles as one of the terrible new songs I mentioned earlier. It is such as a shame the film felt the need to introduce a few new songs as the old ones are still great and are what the audience want, but hey they have to have new songs to try and enter them into awards races later in the year. Awkwafina’s miscasting is somewhat offset by Daveed Diggs as Sebastian who is damn near perfect casting and who makes that Crab the stand out character of the whole film, bring on the Sebastian Disney + show I say.

A final point I want to flag up is that the effects and pacing of this film are both noticeably off and that on a technical level these things hold back the film. The underwater effects look bad and unfinished and I know Disney has bad relations with effect houses but they clearly needed to fix this if they want to improve their CGI, because at times the CGI hear was shocking, especially compared to what The Way of The Water was doing at the end of last year. Moreover, the extra story for Eric and a few other characters is nice but it really doesn’t need the film to be an extra half an hour longer than the original, at the length it is being shown at this film has a second act that drags by at a glacial pace.

Overall, a better live action remake than most of Disney’s others

3.5/5

Bailey

The classic songs

The romance

Digg’s Sebastian

Cons.

The effects and pacing

Awkwafina

The new songs

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The Princess Bride: Your Princess Is In Another Castle

Written by Luke Barnes

Summary

A story within a story about a young farmhand, played by Cary Elwes, who must go on a quest to save the love of his life, played by Robin Wright, after she is kidnapped.

For the most part I enjoyed this film. Yes, the damsel in distress plot line is played out, but I suppose when the film came out maybe it felt more fresh. That aside I found this to be an entertaining ride.

The comedy was the thing that caught me off guard, I had been expecting more of a straightforward adventure/fantasy film and as such wasn’t really expecting many jokes, but this film does have a lot of them and most of them work well. It certainly made me smile more often than not.

Additionally, I liked the meta aspects of the narrative wherein the story knows it is a story and as such is a bit more playful and knowing both within its narrative as well as its presentation towards the audience.

I think as well that Elwes and Wright have great chemistry and them together as a couple in this feel incredibly natural and rightly paired.

Overall, a lot of fun.

4/5

Pros.

The great chemistry

The jokes

The metaness

It is a lot of fun

Cons.

Some aspects of the film feel quite dated now

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The NeverEnding Story: A Fantasy Classic?

Written by Luke Barnes

Summary

A young boy, played by Barrett Oliver, soon finds himself on a quest in a magical fantasy land.

Before watching this I had never seen The Never Ending Story before, I had long heard tale of it being one of the best fantasy films ever made, but it remained a mystery to me. However, now after having watched it I can safely say that Peter Jackson’s original trilogy of trips to the Shire are safe in their spot as the best fantasy films ever made.

Now the film does have some good areas, such as the effects which hold up reasonably well, and the characters which manage to feel different enough to stand out from the generic masses of mythical beings that pad out the rest of the fantasy film genre.

However, where the film falls down for me is within it’s plot. I understand that it is adapting a book so can only do so much, but the premise is just one I have seen so many times before in a cross media context, and that genericness made me start to tune out when I realised the direction the film was heading in. Moreover, the film also suffers from pacing issues which makes it feel far longer than it is and as such far more of a chore to get through.

Overall, a serviceable film but definitely not the classic it is thought as by some.

3/5

Pros.

The effects hold up well

Some interesting and memorable characters

A good score

Cons.

The premise feels very generic

Pacing issues

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Dungeons and Dragons Honor Amongst Thieves: Rolling Hard For Charisma

Written by Luke Barnes

Summary

A motley crew of thieves, sorcerers and resistance fighters set out on a quest to steal a magical artifact that has the power to resurrect the dead and reunite one of the band with his dead wife.

I enjoyed this film more than I thought I would. I will admit here relatively up front that I am fairly inexperienced when it comes to Dungeons and Dragons and the wider lore of the game, I have played a few sessions of it in my time but I have never been overly into it. So that said I was coming into this world fairly fresh.

I thought that the cast of characters we meet are all fairly charming, Michelle Rodriguez and Justice Smith really shine in their roles as a fearless warrior and a hapless sorcerer, but are probably out pipped by Chris Pine as the master planner extraordinaire. I bought into their motivations and thought that they nicely engaged me over the course of the film’s runtime, so much so that if there were to be a sequel I would say they should return.

The real strength of this film is its comedy, which for the most part really did land for me. Yes, there were one or two jokes that didn’t land or that were out and out bad but for the most part this film was fairly funny. First impressions may suggest that this film is more of an action and adventure epic in the same vein as a Pirates Of The Caribbean, but I would argue that in actuality this film is far more of a comedy then anything else.

Overall, funny and charming, only held back by a weak villain and pacing issues.

3.5/5

Pros.

Pine, Rodriguez and Smith

It has charm, heart and laughs

You engage with the character and buy their motivation

It is fun

Cons.

It has pacing issues

The villain is weak and forgettable

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