When Did Cinema Get So Tame: Quantity Over Quality, A Modern Cinema Issue

I write this piece as I look ahead to what is coming out over the next few months and think to myself that there are precious few films that look good on the horizon. When did cinema become so average? Or am I just jaded?

So the idea that there was ever a great period in cinema history where nothing but fantastic films were coming out is a fallacy, a romantic idea that never held any weight. Even in great years for cinema where we would get several films that would later be called classic there would be a titdlewave of garbage as well. However, these days it seems that the ratios are becoming ever more extreme we are getting fewer and fewer modern classics and more and more trash, and the question I am asking today is why is that.

Some say that audiences are dumber and like less the idea of being challenged at the cinema, therefore studios have pushed filmmakers to make easier films, obviously there are still changeling films coming out but these are rarely in the multiplexes. Another argument is that Hollywood has become obsessed with brands and doesn’t want to take a chance on original ideas anymore, this has more than a grain of truth to it, with studios cranking out sequels, prequels and reboots all the time. Within this school of thought there is the idea that if the audience comes out for a certain IP then it doesn’t matter if the film is good, maybe this is why there is so little quality these days. There certainly is a safety in a perceived sure thing.

A final idea to ponder is that making good films is no longer the aim for some studios and filmmakers. Through this idea the notion of making a good film that is held up on its technical merits is less important than completing another objective such as getting across an idea, political point, or an element of social commentary. Certainly a good film can include these ideas they aren’t mutually exclusive, however, if pursued ham-fistedly enough they can take over the film and make it bad. All things in moderation.

I suppose there is no clear cut answer for why there is so few truly excellent films out these days and more trash by the week, perhaps it is a little of all of the above, but one thing is for sure if cinema continues in this odious manner it will destroy itself before our very eyes.

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Honk For Jesus, Save Your Soul: Tax The Church

3/5

Written by Luke Barnes

Summary

A mockumentary following a preacher, played by Sterling K. Brown, and his wife, played by Regina Hall, as they try to save their ministry after a sex abuse scandal.

I thought this film quite cleverly satirised religion and the stereotypical idea of the faith preacher, deconstructing both into their base elements. I think the film raises a number of good points about the follies of organised religion and how power and trust corrupts.

Both of the leads give strong performances, though I would probably say that Hall is the better of the two, she really brings an authentic air to her character of a devoted wife who tries even in face of knowing that there husband is far from a perfect man, I feel there is a real sense of earnestness to her character.

Where this film falls down for me is with the pacing, I think the film doesn’t have enough going on for it to be feature length, I think a lot of the things that happen in the narrative feel like playing for time and I think the film would have worked much better at the hour mark. Moreover, I think some of the more surreal elements the film tries to incorporate come off more as out of place than anything else, which could work in an absurdist sense but I found to be quite try hardy.

Overall, better than average but let down by a bad pace and some odd creative choices.

Pros.

Hall

Brown

A few good laughs

Cons.

The pace

The surreal elements

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End Of The Road: A Sorry Endeavor For All Involved

1/5

Written by Luke Barnes

Summary

A family on a cross country road trip get on the wrong side of a sketchy group of dudes, and a cat and mouse game begins.

This film sucked hard. The social commentary of this film is so on the nose that it feels like it reaches over and hits you in the face. Nothing new is being said here and it is once again the narrative of white people are bad and are inherently out to get POC, honestly this narrative really annoys me as it is both lazy and such a broad generalisation that it kills any kind of nuanced conversation dead. I don’t doubt that there are evil groups of white people such as the ones this film present, I am sure there are many all over the world, but the way this film goes about tackling this issue never gets out of a place of race-baiting.

The performances are fairly weak across the board, I don’t think anyone in the film thinks this is going to be the film they get an Oscar for. No one hugely stood out though I would say Queen Latifah comes closest, it is nice to see her back as a headline billing, however, she can do far better than this schlock.

Overall, a thriller that goes far too hard on the racial aspect of its narrative and that doesn’t actually deliver many thrills.

Pros.

A few unintentionally funny moments

Cons.

The performances are weak

The race-baiting

The pacing is awful

It is schlock without any charm

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American Horror Stories: Lake

2/5

Written by Luke Barnes

Summary

After losing her child a grief stricken mother, played by Alicia Silverstone, decides that she can’t rest until she finds the body.

American Horror Stories is developing somewhat of a curse for itself of always closing out on a sour note, the last season did it and this season is much the same. However, I suppose if you are being glass half full about things you would say that whilst this season finale is boring and a wet blanket it is better than last season’s which was actively insulting to the fanbase.

Though this episode is watchable and not objectionably bad it does criminally waste the talents of Alicia Silverstone. She is clearly trying her best in the scenes she is given here, but there just isn’t enough in the script to help her give a good performance.

In terms of the episode itself the whole thing is rather dull and predictable, there are few surprises and you will find it hard to root for anyone or even to stay off your phone. In truth this episode is a snoozefest.

Overall, deeply average and uninspired.

Pros.

It is watchable

Silverstone is trying her best

Cons.

It is boring

It is predictable

It wastes Alicia Silverstone

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She-Hulk: Mean, Green And Straight Poured Into These Jeans

1.5/5

Written by Luke Barnes

Summary

Titania, played by Jameela Jamil, is fully ruined and dragged through the mud so that the writers can make some mom jokes about the youth culture.

Honestly, I don’t know why I am still watching this show. I will say that I am doing it so that I can give all you who read these reviews a complete picture of the series, in truth maybe I am masochistic. This series is just awful at this point and is getting steadily worse by the episode. The one positive I will say about this episode is that Griffin Matthews totally crushes the scenes he is in and brings a hell of a presence to the MCU, one that it has been sorely lacking, the whole side story about She-Hulk’s new clothes was the most entertaining part about this episode.

Countering that the whole courtroom sequences with influencer Titania were terrible, the jokes didn’t land, staying firmly in the wine mom category of humour, and Titania was fully ruined as a character as yet another of Marvel’s classic villains are reduced to nothing more than a bad joke.

Something else I didn’t like about this episode was the line wherein She-Hulk, played by Tatiana Maslany, says how one of the benefits of being She-Hulk is that she can walk home wearing headphones at night and not have to worry about attackers. Now I know this is a huge problem but I am really getting sick of She-Hulk as a show inserting these forced in political points, for the most part the MCU has remained apolitical and that is how it should be. I watch these films and shows to escape the grim realities of the real world, and all these sort of lines do is drag me back in to the bleakness.

They do tease Daredevil, played by Charlie Cox for the next episode but it feels more desperate than exciting, they need something to keep you around for.

Overall, this is certainly the worst MCU project yet.

Pros.

Matthews

I like that the superheroes now have an outfitter

Cons.

They ruin Titania

The mom jokes

The forced social commentary

It is not funny

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American Horror Stories: Necro

2/5

Written by Luke Barnes

Summary

A mortician, played by Madison Iseman, becomes attracted to dead bodies. Really we have come to this.

Honestly there was nothing even remotely scary about this episode, to even call it an episode of American Horror Stories feels disingenuous. In everything that Ryan Murphy does there is a level or eroticism some might say that is his style or even auteur signature, and that has always been very true for AHS. However, here it feels like it is taken to an extreme for no real reason at all, in truth what wants to be shocking is in fact very tame, it is the same thing as always traditionally good looking actors going at it. That is not shocking.

Really if anything this episode is fairly boring because other than the fact that the lead saw her family killed when she was a child and now has sexual feelings towards dead bodies, nothing of any real note happens. If I were to describe this episode in a word it would almost certainly be humdrum, it feels like midseason filler which it likely is.

Overall, nowhere near as shocking as it thinks it is, rather instead boring and tame.

Pros.

It is watchable

There are moments so silly that they are unintentionally hilarious

Cons.

It is tame

It is boring

It is badly paced

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American Horror Stories: Facelift

3/5

Written by Luke Barnes

Summary

An ageing woman, played by Judith Light, becomes obsessed with the idea of plastic surgery, however after she gets it she learns to be careful what you wish for.

This certainly wasn’t a new concept, I think I have seen it done at least a dozen times before. However, what I will give this credit for is that it is one of the first times American Horror Story or indeed American Horror Stories has really dived into the realm of body horror. I think for the most part they manage to competently scratch at the surface of this rich sub-genre but don’t go as far as you would like them too.

I can’t give this episode higher as really it is just so predictable. Everything that happens has been signposted every step of the way and this episode can’t shock you for the life of it. I found the ending to be sad but altogether obvious. The acting also wasn’t anything to write home about.

Overall, it is nice to see the AHS universe consider body horror, however, this was rather shallow and trite and could be bettered in a number of obvious ways.

Pros.

AHS taking on body horror

It is watchable

Some gnarly visuals

Cons.

It was incredibly predictable

I feel like I’ve seen it done much better before

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See How They Run: The Theater Is A Dangerous Place

4/5

Written by Luke Barnes

Summary

The set of a production of Agatha Christie’s The Mousetrap turns into a crime scene.

For those looking for a serious straight laced murder mystery film look elsewhere. Though I am not saying this film is inherently a comedy, I do think there is a degree of metaness to the film and a commentary on the Whodunit genre more broadly, which worked well for me. Many scenes of this film almost serve as a parody of the genre’s tropes and seeks to subvert and deconstruct. I think these aspects of the film really enhance it and add a sense of quirky charm that will endear this film to a lot of people. I also think the film is very funny and frequently made me laugh as I was watching it.

The performances across the board are great but the main duo of Sam Rockwell and Saoirse Ronan are by far the best, they play off each other well and both become your favourite character at different parts of the film. If I had to edge it out I would say that Ronan gives the best performance of the two as her plucky spirit feels infectious throughout.

Overall, a fun whodunit that proves there is still life in the genre, and to a lesser extent in British cinema.

Pros.

Ronan

Rockwell

The charm

The mystery

Cons.

The pacing is a little off, it could have been shortened

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Pinocchio: Chapek Is Spitting On The Disney Vault

1/5

Written by Luke Barnes

Summary

Yet another unwanted live-action remake of a classic Disney movie.

As soon as this was announced I knew it was going to be bad, but boy howdy did I not realise just how bad it was going to be. Disney has been churning out these soulless remake for a while now and for some reason people are still watching them, maybe it is part of a masochistic new TikTok trend.

I think the worst thing about this film is that its CGI looks straight up horrible, it looks like something from several decades ago and is frequently distracting. I understand that Disney and their various studios are having a hard time with VFX talent, but come on these effects are nowhere near finished and it shows. This is probably why they dumped this on streaming because they know it wouldn’t fly in cinemas.

Moreover, this film reflects the continued downswing of Tom Hank’s career with his performance here being almost as bad as his one in Elvis earlier this year. It is not just Hanks as no one seems to be turning up for this film and it really shows, the cast just don’t care.

I won’t bother saying how this film never does anything to justify its existence as I find that to be self-explanatory.

Overall, if it is a Disney live action remake it is best avoided.

Pros.

It makes you appreciate the original film

Cons.

It has some of the worst effects of the year

The performances are awful

It feels rushed and unready for release

The pacing is noticeably bad in many parts of the film

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Beast: Man Vs Nature

4/5

Written by Luke Barnes

Summary

Idris Elba fights a lion.

So the survival thriller subgenre or more aptly for this the man vs beast category of the survival thriller subgenre is like I often say overstuffed. I feel like somewhere with the annuls of the films featuring in this area there must have been a man vs lion film before, however, if there was I can’t remember it or haven’t seen it as such this was a fairly new gimmick to me.

The plot is rather uninspired and very predictable, the lion terrorises the family and kills a dear family friend, played by the ever excellent Sharlto Copley, and then finally the father kills it in a hectic showdown. So much so cliched. However, despite all of this the film still feels compelling there is still enough about it to get you to care for the characters and want to see them make it out the otherside.

I thought both Idris Elba and Sharlto Copley brought a lot to the film, and both of their characters were both complex and surprisingly nuanced, whereas the kids were both incredibly whiny and irritating. I won’t spend much time ragging on child actors as they are low hanging fruit, but suffice it to say that the two we meet here are not very talented.

Overall, despite being quite generic there is more than enough to keep you entertained here.

Pros.

It is compelling

It felt fresh to me, but if you have seen other man vs lion films then it might be less so to you

Elba

Copley

Cons.

The child actors are really bad and quite distracting

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