American Horror Stories: BA’AL

2.5/5

Written by Luke Barnes

Summary

A woman finally gets pregnant after months of trying, however, once she has the baby things start to unravel as she begins to worry about otherworldly forces trying to take her baby away.

So this is basically just Rosemary’s Baby with a few tweaks. Rather than have a demon be the literal father of the child they have it be a fertility totem, though she does have a demon baby at the end of the episode. Moreover, rather than have those around her be part of some sinister demonic cult they are now instead trying to gaslight her into signing away all her money to her husband, those two things aside this is almost a carbon copy with a slightly different ending.

I like Billie Lourd and think that she has a lot to offer the right project, however, this isn’t it. Her talents go mostly wasted for a large part of the episode and when she finally gets to have some fun the episode soon ends, which is sad as that is when it is at its best. I thought the final scene when Lourd’s character had managed to control the demon and was using it to get her pregnant was hilarious and easily the best scene of the episode, sadly the rest wasn’t of the same quality.

Finally, more of a throw away point, but there is a line in this episode that feels really clunky and out of place. When Lourd’s character is searching for a way to rid herself of the demon she talks to a young woman who claims to be into magic and know a thing or two, she doesn’t and is trying to gaslight the lead, and when she starts discussing the various grimoires she has she comments how they are all written by ‘old white men’. Now why is this line needed? What social cause does is serve? Surely the answer to both of these questions is that it is not, and it does not, there is no point in hating on works of art or literature or whatever because the person who wrote it is not the same race as you or the same gender as you, it seems incredibly limiting to be this way. I would guess the line was just to stir the pot, but it really ends up derailing that scene.

Overall, a lazy episode that is a bit too familiar.

Pros.

Lourd is trying but they give her nothing to work with

It is watchable

Cons.

It is overly familiar

The ‘old white men’ line

The twist reveal

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Iron Man 2: Poison In The Heart

3/5

Written by Luke Barnes

Summary

Tony Stark, Robert Downey Jr, has to answer the sins of his father and hold off the US Government from stealing his property.

So to many this is one of the worst films in the MCU, however, I enjoy it. I enjoyed it when I first watched it in cinemas, I enjoyed it when I first watched the DVD and I enjoyed it when I rewatched it recently. There are a plethora of reasons for this.

Unlike a lot of people I actually find Mikey Rourke’s Whiplash to be an interesting villain and Sam Rockwell is a lot of fun as Tony’s jealous rival. Are they the best written of all the MCU villains? No of course not, but I enjoyed Rourke’s cartoonish evil performance, and Rockwell’s pathetic yet trying to pretend not to be character. I found both amusing.

Moreover, I really like what they do with Rhodey, Don Cheadle, here. I am a big War Machine fan and I like when they have the final showdown with the two of them just going to town on all those drones. I think across the tapestry of the MCU Rhodey has been deprived of anything even close to a cool moment, and this is as good as it gets for him. I thought the final scene of Tony, Rhodey and Pepper, Gwyneth Paltrow, on the roof together was hilarious and a good indication of things to come.

However, something that does become more uncomfortably apparent when rewatching is just how much of a creep Tony Stark is. As a kid watching these films in the cinema Tony was my favourite character but watching them again now you notice how he is around women. Not only is he a misogynist, but he also literally only sees the women around him as sexual objects, for an example of what I am talking about one simply has to look at how he treats Natasha Romanoff, Scarlett Johansson, when they first meet, and he thinks she is just one of his employees. He is a creep.

Overall, I like it a lot more than a lot of other people, but I can see its flaws.

Pros.

Rhodey

The final fight

The roof top scene

Cons.

Tony is a creep

How they introduce Black Widow  

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Rick And Morty: Gotron Jerrysis Rickvangelion

1.5/5

Written by Luke Barnes

Summary

Rick replaces Morty with Summer who decides to keep enabling her Grandfather’s bad behaviour as a means of connecting with him and getting approval. Meanwhile the family all become pilots of an interlocking space robot- think Voltron.

This is easily the worst episode of season five so far for a number of different reasons. Worst is the fact that this episode is very reference heavy, as have been several episodes this season, which quickly becomes an issue if you are not aware of what the show is spoofing, which was the fate that befell me. The problem with these kind of episodes is that they feel lazy, rather than come up with a fresh concept or gimmick, they just take preestablished films/cartoons/tv shows etc and make fun of them: which requires far less effort.

Moreover, I have been hoping for some kind of reference back to the cannon or to earlier seasons for this year’s whole run, and we finally got it in a big way here. Except, not quite. Rather than bring back an important or impactful storyline from seasons gone by, like Space Beth just off the top of my head, they instead decide to bring back the giant incest baby from a few episodes prior- because that’s a character we need more of right? Honestly, the giant incest baby character was just a throwaway joke in that episode and bringing it back here does not make it anymore impactful, rather it just feels like the writers were looking for an easy way to tie in previous episodes.

I also found the constant narration to be grating.

Overall, one of the worst episodes of the show to date, please don’t bring giant incest baby back again.

Pros.

It is watchable

There are a couple of funny lines

Cons.

The narration

Bringing back giant incest baby

Another lazy spoof episode

Most of the jokes don’t land

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The Visit: The Grandparents Aren’t All Right

4/5

Written by Luke Barnes

Summary

Two children who have never met their grandparents before are send to go and stay with them for a week, however, once they get their they start noticing their Grandparents behaving strangely- this quickly escalates.

In my mind this is Shyamalan’s best film, easily. Yes, there will be many out there that will make a case for Signs or The Sixth Sense, but I truly believe this is the man at his finest. Every aspect of the film works in perfect harmony, with the film feeling like something other than the twist is being built to. This is a common issue with Shyamalan’s work as often the films feel built around the twist and as such can’t function without it, which is bad writing, however, here the events of the film could work without the twist and the twist itself feels like it only enhances the strangeness further.

I enjoyed the tension and the slowly growing unease throughout. I thought the film showed great promise when it made seemingly every day activities that anyone would do with their elderly relatives feel some how off-kilter, this is of course ramped up as the film continues but never ends up feeling over the top.

The performances are mostly good. With Child actors one never goes in expecting much, but I thought both leads were passable. The one thing I will say is Ed Oxenbould does have moments where he becomes annoying, such as the rapping scenes or when he has to call out a female singers name instead of swearing, though there is some unintentional comedy in there to.

Overall, probably my favourite Shyamalan film.

Pros.

The twist

The tension in the seemingly ordinary

The ending

A few solid jokes

Cons.

The rapping is annoying   

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American Horror Stories: The Naughty List

2.5/5

Written by Luke Barnes

Summary

A group of Youtube influencers, who are almost certainly supposed to be stand-ins for Team 10/ The Paul Brothers, find themselves on the wrong side of a demented mall Santa Claus who hunts them down after they publicly embarrass him.

So……….. What to say about this episode? Well it certainly wasn’t the strong episode of either this series or AHS in general and is in fact probably one of the worst. The gimmick of this episode, ‘man aren’t influencers annoying’, is funny and mildly interesting for all of a few minutes and then it starts to become grating.

Moreover, the episode spends far, far too much time dealing with the Youtube drama before the killer even shows up to hunt them down, essentially about a quarter of this episode is pointless filler where you get to see the guys worry over losing followers as a result of their bad behaviour- who cares?

Furthermore, when the always excellent Danny Trejo shows up to kill them it has no impact, this is because the characters are so deeply unlikeable that you don’t care if they get killed, in fact a part of you is probably gleeful about it after they have stolen so much of your time.  

The worst thing about this episode is the fact that it is Trejo’s introduction to the series and the universe. Trejo is always great, and he is a personal favourite of mine, what’s sad is that this will be the episode of AHS he is remembered for, if the series was going to use him they should have given him so much more to work with and do. Ultimately they waste him and his talent and that is the biggest crime of this episode.

Overall, we get it influencers are annoying.

Pros.

Trejo

The gore

Cons.

They waste Trejo and give him nothing to do

The gimmick quickly becomes played out

It is annoying

It has some of the worst dialogue I have ever heard

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The Incredible Hulk: The Black Sheep Of The MCU

2.5

Written by Luke Barnes

Summary

Bruce Banner, Edward Norton, is on a quest to calm the beast inside whilst being perused by the US government who is keen to experiment on him.

Yes, I finally got around to watching this.

For many it is a toss up between this film and Thor The Dark World for worst film in the MCU, with some even going so far as to want this be made noncanonical and though I think that is a slight over reaction I can see where they are coming from.

Now though this film is not terrible, it is also by no means good. It lacks a lot of the things that make a Marvel film good, the heart, the likeable characters, the cameos. These missing elements are only made worse by the fact the every time the Hulk is on-screen you are horrified by how poor the effects look.

It is not the worst film I have ever seen and there are even moments where the film is watchable, but these are too few and far between. I liked seeing Hulk on the run, but then we just get bombarded with scene after lifeless scene of Hulk fighting generic army tropes throughout the film and it doesn’t get any more interesting if anything it goes the other way.

Overall, a lesser quality to what came before and after.

Pros.

It is watchable

The fight Hulk fight scene is interesting and cool and then after that it all just becomes more of the same

Cons.

It is boring

None of the characters are hugely likeable

Plot holes on top of plot holes

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13 Going On 30: Taking Advantage

1.5/5

Written by Luke Barnes

Summary

A young uncool teen wishes themselves into the body of a thirty year old so that they can finally have the life they always wanted.

The premise of this film is icky as hell. This film places this girl in the body of a woman in many sexual situations where she is uncomfortable and does not know what to do and then plays it off as a joke. Worse yet it gives her a romance arc, where the thirty year old version of her friend who has a crush on her, pursues a romantic relationship with her, despite her being the younger version of herself: and the film wants us to cheer for this……..

How exactly is this film supposed to be a classic?

I think these glaring issues are made all the worse by the fact that Jennifer Garner plays the character with such a sense of childlike innocents and naivety, which only compounds the problematic elements further.

The only reason this film doesn’t get lower from me is the fact that there are a few funny lines, albeit unintentionally. I found myself laughing quite a few times during the film which helped me get through the horror show that the rest of it is. A very poorly thought out idea.

Overall, troublesome.

Pros.

Unintentionally funny

Cons.

It is problematic

The central romance is icky and weird

The ending

Garner

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The Bad Batch: War Mantle

3.5/5

Written by Luke Barnes

Summary

The Batch go on a rescue mission, to horrific results.

This was a sad episode on multiple fronts, but also one that feels like it has real stakes.

My first thought after finishing the episode is that it is good they finally have Hunter and Crosshair in the same location with no way out. The confrontation between the two characters has been needed for some time, it feels very much that since the first episode the Batch has pretty much turned their backs on their former brother, even when they realised that he was being mind controlled: as such there always needed to be an explanation for why Hunter and co acted this way- and it looks like we will get it next episode.

Moreover, the Clone rebellions are starting to feel more and more like something we will see on the show, as we are now being shown the Empire phasing out its Clone forces in favor of Storm Troopers. I am excited by this prospect and would like to see what is going to happen to all the captive clones, will the Empire wipe them out, will they escape, will they start a doomed rebellion: these are all questions that the series could and should answer.

I thought for the most part the story of this episode was tight and interesting however I could have done without the cut back to Omega and Wrecker where she complains that she is worried about the other members of the group and he makes a joke. This scene does nothing for the episode, but kill time, the joke is not needed and undoes the well built up tension and Omega once again adds nothing to the episode. I feel like unless the writers have some big endgame for her character she should just be written off as clearly they are struggling on a weekly basis to find things for her to do.

Overall, a strong episode with good tension and an intriguing ending.

Pros.

The ending

Setting up the Clone Rebellions

Where will the series go from here?

The tension

Cons.

The Omega cut away

The slow start, with the first five minutes being dull  

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Guardians Of The Galaxy: The Quest For The Ultimate Mix Tape

3.5/5

Written by Luke Barnes

Summary

Peter Quill, Chris Pratt, is abducted as a child and taken into space. Years later he has become a rogue of the galaxy going by the name Star Lord, this all changes when his quest for an infinity stone brings him into contact with a group of people who would go on to become his family.

I think the often complained about, even by myself, Marvel sense of humour really helps these films on a rewatch. This is my first time rewatching Guardians Of The Galaxy since I first saw it in the cinema all those years ago, and you know what it actually holds up fairly well.

I think the strongest element of the film is certainly the family dynamic between the characters with each having key emotional moments along the way that really help to open them up as characters and help us the audience relate to them. Each character is loveable in their own way, each has the potential to easily be someone’s favourite.

Sadly however, the same can’t be said for the films antagonists who are left fairly cookie cutter generic. I don’t think anyone will ever say that Ronan is their favourite Marvel villain because he just has no personality beyond being evil and wanting to commit genocide. The oversimplification of the villain’s motivations really is the issue here and with a lot of early Marvel films. To have an interesting film you need an interesting and compelling villain.

The jokes I thought worked mostly well here, though I would say the film isn’t as funny as something like Antman, certainly there were more misses here and a few scenes that should have been played for laughs really weren’t.

Overall, a good Marvel film though one let down my a poor villain and not always hilarious jokes.

Pros.

The emotion

The family dynamic

Yondu

The soundtrack

Cons.

A weak villain

Inconsistent jokes

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The Suicide Squad: Rats Save The Day

4/5

Written by Luke Barnes

Summary

Taskforce X are back with another suicide mission to shave some time off their prison sentences, this time looking to destroy a research project being conducted by a non US friendly Southern American Country.

Some out there on the internet are trying to create a moral outcry about this film, whilst others are loving it, so, where do I fall? Closer to the latter but with notes.

Firstly and lets just get this out of the way, this is not a family film, this is not a film you can watch at a family party or all gathered round the TV; the age rating really should have given that away. Many people online seem shocked by what they are hearing about the content in this film, and clearly they have never red a Suicide Squad comic book in their lives.

Yes, this film is very true to the comics featuring all the death, gore and general unpleasantness that you would expect. However, in my mind it does go too far but only in one respect: that is of course the birds. This film does not like birds, in the opening scene we see one mashed with a ball and then later on we see a bunch of them set on fire, now obviously this is all fake, but still as someone who likes animals this was a little uncomfortable to watch and I felt like the film lingered on it for a bit too long each time.

In terms of characters Daniela Melchior as Ratcatcher 2 was my favourite, I thought she perfectly embodied the hopeful silliness of the film down to the bone. Moreover, I liked the relationship between her and Idris Elba’s Bloodsport. I thought the surrogate father daughter dynamic worked well and helped to push both of their character arcs along nicely. Margot Robbie’s Harley Quinn is better here, and less obnoxiously all over the place as she was in Birds Of Prey, I do think Harley works best as part of a team, rather than being the centre of basically a solo film.

Overall, a good film and certainly one of DC’s best, it would have been getting five from me if it weren’t for the birds; but that is a personal thing to me.

Pros.

Melchior

The jokes

The character moments/ growth

The violence

Cons.

I don’t like seeing a bird mushed by a ball and then having the shot linger on it

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