Fallout: Good Actors Locked Underground In A Vault Of Bad Writing

Summary

Lucy, Ella Purnell, emerges from an underground vault to find the world is quite different after a nuclear apocalypse.

For the record I have played several of the Fallout games over the years, so I am very familiar with the franchise. Whilst I wouldn’t consider myself a massive fan I do have some regard for the game series, and so went into this sceptically.

In many senses this is an Amazon series in everything you would think that entails, you have the tokenistic diversity, which could add an interesting lens if it was not just done to tick off a box, the overtly left wing political themes, and of course the quasi feminist stans of the lead with elements of all the modern tropes of both the quirky girl and also the girl boss. It goes without saying that you can have a compelling lead in a TV series that is empowered and a feminist without having to use these tropes see Delores in Nolan’s other show Westworld. No in contemporary Hollywood there are pre-sets for a feminist and empowered woman, and they can only be that and if they aren’t then its sexist. It’s dumb.

It is a shame as Lucy is an interesting character who you do care about and want to go on this journey with, however, her characterisation is just widely off as she flits back and forth between the girl boss trope and the quirky I am so random girl trope as well. In many senses I view this writing as a disservice to Purnell who was great on Yellowjackets, but here she is reduced to acting out tropes. Not too go too off topic but have you noticed that when female directors and writers handle empowered female leads there is much more nuance to them they aren’t tropes, at least not often, and they are allowed to exist as they are. Whereas when its men writing them or directing them no no they can only be girl bosses or quirky I am so random type of girls, not always but most of the time, it is almost as though they are worried if they don’t show women in what they view a correct light they will be called sexist and cancelled. However, by reducing female characters to tropes they are still being sexist without wanting to appear sexist as they don’t take proper time to write them.Apparently a female writer handled some of the episodes but if that is the case then she again is propagating outdated tropes and cliches and limiting her own female lead, perhaps suggesting she has some internal sexism going on.

Anyway moving on, Walton Goggins is also terrific as the rodeo star turned ghoul who has lost his family, you really buy his lack of humanity and how this world has shaped him. As always Goggins does a great job with the material and brings a certain level of gravitas to the role that is sorely needed across the board here. The Brotherhood of Steel guy, Aaron Clifford Moten, is weak and feminised to such a point that at times he seems kind of pathetic, I understand the show wants us to root for him so it has to present him as being someone you root for but this isn’t the way. They try and be like oh what are his motivations what does he want and set up some moral ambiguity there but there really isn’t, it is perfectly clear the character is just self-serving. The key difference between him and Goggin’s character is that Goggin’s character is bad morally as he has been corrupted by the world, however, due to the opening sequence you can still see his humanity and root for him, whereas with Moten’s character there is never a scene that makes you root for or care for the character in anyway.

Finally, if you are a fan of the games then don’t watch this. It is at times wildly out of synch with any of the lore, and it doesn’t care about that which in an off itself is a problem. Many praise this show for caring so much about the games but if it did then it would have stuck to the lore, it has set dressing to pay lip service to the games and to get that praise but where it counts this series doesn’t care about them at all. The general road movie let’s explore the world style plot to the series narrative is fine it goes exactly how you would expect it too and unlike the first season of Westworld there are no real twists, there are a few things that it thinks are twists such as the raiders leader actually being misunderstood, but in contemporary Hollywood you could see those sort of reveals coming from the opening minutes of the series.

Overall, Purnell and Goggin’s try their best to elevate what is otherwise a very hollow adaption of a game series. For season two they need new writers.

1.5/5

Pros.

Purnell

Goggins

Cons.

It is preachy

Maximus is awful

The plot is stupid and obvious

It doesn’t care about the lore

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Spy X Family Season 2: Overview

Written by Luke Barnes

Summary

A spy, an assassin and a telepath pretend to be a happy family this time with added cruises.

I think this second season is even better than the first, in many senses the series really hits its stride here and gets into what you want to see from it.

The world building on display is solid and we get to find out a lot more about the lives of the characters we met in the first season and though there isn’t as much high stakes action as in the first season I think the character work here is stronger and that makes up for it. Also Yor’s fights on the boat more than match any of the action scenes we got in the first season.

The family boat trip is easily the best part of the entire second season, not only do the a and b storylines work really well together, it feels like an epic event as it spills out over so many episodes, and the final of the mini arc where they get to enjoy a nice family day out at the island is one of the most wholesome things I have seen on tv in a long time.

Overall, a fantastic follow up season with my only real complaint being that it is a lot shorter but hey at least we are getting a film fairly soon.

4.5/5

Pros

It is wholesome

It ups everything that worked from the first season

It has great action

The boat mini arc is my favourite so far

It is a lot of fun

Cons.

It is too short

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Spy X Family: Season One Overview

Written by Luke Barnes

Summary

A spy, an assassin and a telepath pretend to be a happy family.

This is one of the best animes I have watched in a while, and easily replaced some of my favourite animes in my all-time ranking. I would put it up there with Way of the Househusband, and Demon Slayer for sure.

I think what works so well about the first season of Spy X Family is how wholesome and sweet it is, but rather than have it be so soft that there are no stakes and nothing to care about and move the story forward, you have the action and the comedy elements as well which provide for a nice contrast. I think the three areas mesh well together as the healing aspects, action and comedy work together to create a well rounded package that does have something for everyone.

My one criticism of the first season would be that some of the B stories drag. Often you get an episode with an A and B story that both work well together and that provides the contrast I was talking about earlier, but sometimes you just get a random tacked on feeling B story that doesn’t add much and just feels like a way to pad out an episode which can then hamper even the most well done A plot.

Overall, a delightful time and an anime that I would say truly for everyone.

4/5

Pros.

The wholesomeness

The action

The comedy

The character work

Cons.

Some weak B-Plots

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Flying Witch: Anime Overview

Written by Luke Barnes

Summary

A new witch moves to town and gets lost frequently along the way.

I discovered this series as I was looking for a replacement after Way Of The Househusband and this fulfilled the same sort of wholesome and at times comedic sensibility. I would argue it is far more wholesome than comedic and more often than not it is just a good show to watch if you are feeling down as the relentless positivity will make you feel better.

I liked most of the characters though I would say the lead herself is quite bland. I think blandness on the whole is an issue for this show as though it is very wholesome and that is nice the problem arises from the fact that there are no real stakes or drama or threat of any kind and that doesn’t lead to the most interesting of stories.

However, something this series does well is its worldbuilding which feel unique and special in a way I have not seen from other animes. There is such a sense of wonder here as the supernatural crosses over with the regular that it is a shame the show didn’t get picked up for more seasons as there is far more exploring to be done in this world, ah well that’s what the manga is for.

Overall, wholesome and inoffensive but lacking enough punch to keep you engaged.

3/5

Pros.

It is wholesome and sweet

The wider cast of characters are quite entertaining

The worldbuilding is well done

Cons.

The lead is bland

There are no real stakes and that makes caring about things hard

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Echo Series Overview: Who Cares

Written by Luke Barnes

Summary

Echo, Alaqua Cox, has an origin story before the Fantastic Four and the X-Men.

I am a big comics fan, and I like some other people knew of Echo long before she appeared in Hawkeye, I had remembered her from the pages of a Daredevil comic I had long since read. Within said comic she was a side character, important to the plot sure but a bit player overall, it was Daredevil’s book. Then you get around to Hawkeye a show that didn’t really need to exist, but that aside the clear breakout character of that show is Kate Bishop, Hailee Steinfeld, she should have been the one to get a spin off. In both of these cases Echo was a side character, no one at the end of that series said I wanted more Echo, no one, but hey Disney pushed ahead with a Disney + series. Was it because it was good optics for Marvel studios to be like we are so progressive look at how inclusive our projects are we are up lifting this disabled minority character and giving her a platform aren’t we magnificent, I’ll let you decide.

Anyway they dropped the series all at once because they had a lot of faith in it, not, Disney claim it broke records but then they always say that don’t they. Anyway, the series as it was had moments of interest, I liked seeing a superhero story take place outside of New York and I like the Native American Mythology that was woven into the series, both of these things helped to give the series some flavour.

However, I think the single biggest problem with this series is the lead, Cox cannot act and is not a believable action hero either. Whether she is hearing a touching personal speech about how loved she is, or being punched in the face she has the same look of being irritated throughout. I don’t know if this was poor direction or instruction for her but the character she looked angry all the time even when she wasn’t supposed to be it was jarring to say the least. Moreover, I just don’t believe her as an action hero taking down guys three times her size, it pushes the boundaries of believability to such a point that it is laughable.

Again the violence wants to be shocking but it just isn’t, it is still tame and boring and if this is what r rated Marvel looks like then its just more of the same we have already grown to hate. In the comics you get blood it feels real, here it just feels like watching a soap opera.

Overall, if I was Disney I would stop all these Disney + shows they are really truly hurting the brand, do you think Agatha later in the year will get people to care about the MCU again, let me tell you it won’t.

1.5/5

Pros.

It is only 5 episodes

It has a unique flavour

Cons.

Cox cannot act

The series didn’t need to exist

It is dull

It adds nothing to the MCU

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Loki Season Two Overview

Written by Luke Barnes

Summary

Loki, Tom Hiddleston, is back as the multiverse’s repair man.

This was much better than the slog that was Secret Invasion but even so I am left questioning is this what we have come to? What I mean by that is that this is fine, but can’t we hope for better?

I think the last few months has seen Marvel and Disney realise that they need to make less and better shows and films, because cranking them out just because you can is not getting audiences to care. I liked the first season of this show, but did I think it needed a season two no. Again they try and do some stuff with Kang, Jonathan Majors, which now seems doomed to be scrapped, and make Loki some sort of multiversal God but is any of it needed does any of it fill you with the same excitement as when you watched the first Avengers film, no. Maybe I am burnt out perhaps that is it, but for me all of this recent Disney + Marvel stuff has been like did we really need that.

I think that instead of being a mark of quality Marvel shows on Disney + are just fine and filler until the next big film which you actually care about, a drastic overhaul is needed.

Overall, whilst season two has a few good moments I think that it is diminishing returns and I think the show as a whole cannot reach the same entertaining hights it did in the first season, they should stop putting Marvel shows on Disney + as the watering down of the brand is clear to see.

2.5/5

Pros.

Owen Wilson

It has a few good moments

It can be entertaining when it wants to be

Cons.

It is filler

It doesn’t need to exist

A lot of it is for the cutting room floor

Sylve is incredibly irritating and doesn’t stop shouting at Loki for the whole season

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Demon Slayer: Swordsmith Village Arc

Written by Luke Barnes

Summary

The Demon Slayer gang head for the Swordsmith Village to rest and repair following the battle in the Entertainment District.

I think that in some ways this is a step up from the Entertainment District Arc and in other ways a step back or a continuation. I liked the story more here I thought it had a lot of good moments such as Nezuko being able to move in the sun, and the introduction of the love Hashira Mitsuri Kanroji who is a scene stealer. Moreover, I thought the threat of the demons themselves were felt more accurately here as the scale of their attack felt larger, in the last arc it was an entire district sure, but here it is the whole village doing battle against the demon attacks which makes the scope feel more epic.

However, I didn’t like that again their was more filler, you could argue that what I call filler is actually backstory for the characters and what not, but I would say a lot of it is largely needless and doesn’t inform much of how we see the characters going forward. It just feels like they don’t want to get on with the main storyline quick enough so they have to pad it out in order to meet the episode count. I also thought the other new Hashira was quite dull and the arc spent a lot of time trying to give him more of a personality but even then you still didn’t like him, one could argue that it is a poor story telling decision to centre so much of your season around an aloof character and expect audiences to them like them or not want to skip through it.

Overall, though it had some cheer worthy moments this is another step backwards and if the filler issue doesn’t get addressed one could foresee that the next arc will be an even further slip in quality.

3/5

Pros.

Some cheer worthy moments

The scale of the final battle

The love Hashira

Cons.

The other Hashira

Far too much filler

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Demon Slayer: Entertainment District Arc

Written by Luke Barnes

Summary

The Demon Slayer gang head for the big city.

I preferred the more individual style of the first batch of episodes wherein they would be less serialised and more loosely connected, like some episodes would carry over but for the most part it felt more like they were going on individual adventures. Anyway, I liked this batch of episodes on the whole, I thought that the new Hashira and his wives were fun and worthwhile additions to the cast, I hope they come back again the future.

I think my major gripe with this arc is that it is a very slow start, the build up to the show down with the siblings takes far too long, there are multiple episodes that almost drag by as though they are killing time, filler I know. In terms of pushing things forward, I think this arc does a lot of good character work and improvements on the main cast as characters in a number of ways. I will say here that making Nezuko into a woman in demon form and giving her a rather low cut top and what not feels a little icky when it is clear that she is clearly a little girl at other points in the show, but maybe there is something cultural I am missing there.

Overall, a little slow in parts but for the most part another fun arc with a lot of entertaining moments.

4/5

Pros.

It advances the characters

The new Hashira and his wives are interesting and good new additions to the cast

The fights are epic

It pushes the story forward in a meaningful way

Cons.

It is a slow start

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i Carly: The End Of An Era/Season Overview

Written by Luke Barnes

Summary

Whilst I had reviewed some of the episodes of this third season this is to cover the final few episodes and generally my thoughts on the whole season.

So whilst I liked what they did with Carly, Miranda Cosgrove, and Freddie, Nathan Kress, I thought it all felt a bit rushed. I thought if they had spent more time in the two previous seasons getting to this and setting it up maybe it wouldn’t have been as it was, but as it stands their impromptu wedding just felt a bit flat.

Now knowing as we do that this is the end of the show I think they could have made it much more of an emotional send off then it was, as it stands it doesn’t feel like a proper goodbye to these characters. I mean it is so obvious that in the future they will bring iCarly back for a third revival centred around Carly’s child and it becoming a famous star of whatever the internet is in 5-10 years, maybe sooner if Paramount Plus gets desperate enough.

Don’t get me wrong this last season was nice comfort viewing but I don’t think it, or the rest of the show, will be remembered in the same way as the original show was as this never could reach the same hights. I think the issue with this show was that it made things a little edgier in terms of the hijinks but I think they should have gone more mature yet still, more like Friends or The Big Bang Theory than say something like Girls. Still I think that it felt too safe and family friendly at times in a way that limited the show from growing its audience beyond pre-teens and fans of the original show.

Overall, fine but not the ending the show deserved

3/5

Pros.

Carly and Freddie

A few good laughs

It was enjoyable enough

Cons.

It felt too safe at times

The b plot were incredibly boring at times

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Ahsoka: Season Overview

Written by Luke Barnes

Summary

Rebels gets a meaningful wrap up.

Whilst Kathleen Kennedy lives out her days proving South Park right and thinks that forcing another chapter in the much hated sequel trilogy is the right way to go with a director who wants to make a large part of the audience ‘uncomfortable’, Dave Filoni proves that he is the one sane voice left in Star Wars.

I will admit this isn’t a perfect series, the pacing is really all over the place and it takes far too long to get good but once it does it really does. I think it is nice to see the Rebels family back together again and I think seeing Ezra, Eman Esfandi, is still carrying on with the force in his self-imposed exile is a nice parallel to Luke, Mark Hamill, who wanted the Jedi to die.

I think that Rosario Dawson did an okay job as Ahsoka, I am still not sold, but her scenes with Anakin, played by Hayden Christensen, where interesting and compelling especially if you have watched a lot of the previous animated material. However, I thought the best characters here by a country mile are Mary Elizabeth Winstead as Hera and Natasha Liu Bordizzo as Sabine. Winstead plays Hera with the right amounts of maternal feeling but also military prowess that both aspects of the character are realised well, I think the scene in the finale where she gets to meet Ezra again is particularly touching. Bordizzo’s Sabine on the other hand really is the anchor of the series, I think she is a great audience surrogate character and you really buy her quest to save Ezra, I also thought that turning her into a Mandalorian jedi, padawan for now, was a nice touch. I would be interested to see if the show keeps Sabine and Ezra as just friends, I have a feeling there may be another force baby on the way in the coming seasons.

The villains are strong, Thrawn, Lars Mikkelsen, is probably the least strong of the bunch maybe it was just because I didn’t get to see much of him but I thought that he just didn’t have the same menace he did in the shows. Elsbeth, Diana Lee Inosanto, was cool it is night to see more from the Nightsisters hopefully we get to see more of them in the next season. Baylan, played by Rey Stevenson, and Shin, played by Ivanna Sakhno, were both very interesting, I found Baylan’s quest to be very interesting and it is a shame we didn’t get a more definitive answer as to what he was looking for in the final episode. I would like to see flashbacks to his time in the order in the next season, they could do that to get around the tragic real world passing of Stevenson. Shin has a lot of potential to rise to be a Sith Lord in the post original trilogy pre sequel trilogy era, though I think they will have her turn to the light instead.

The plot is mainly just a quest to find Ezra and then to find Thrawn which really isn’t very much, hence the need to pad it out, but I think the season ends off on an interesting note.

Overall, there is still some hope left out there in the Star Wars universe

4/5

Pros.

Hera, Sabine

Seeing the characters reunited

Where the season ends off

More Nightsisters

Cons.

Pacing
Bad costumes/effects at times

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