Inside Number 9: A Black Mirror Killer

Inside No.9 is a British black comedy anthology series created by Reese Shearsmith and Steve Pemberton. Each episode usually stars both men, plus a wide array of British celebrities and has a different premise, some of them are horror themed and some of them more standard drama, it is very much similar to Black Mirror in that regard.

I have recently started watching this show after I watched a Youtube video about it, and I have to say it may be one of the best shows I have watched recently. Each episode usually has a twist that completely changes how you view the it, making it a must re-watch kind of show. The tone of the show is usually pitch black, occasionally there is some black comedy, but normally it plays it straight.

The writing on the show is very smart and it does things I haven’t seen on screen before, it is certainly not afraid to take risks. The first episode Sardines, shows a family getting together to play the hide and seek esque game sardines, while more and more people join the cupboard where the majority of the family is hiding a dark secret is revealed; this leads directly into the twist and then the end of the episode.

The reason why this is so excellent is because it adds to the already built tension, all the way through the episode we know that there is something not quite right going on, but every time we think we understand what is going on the show takes it in another way and you are left saying wait what.

So far, there has been 5 seasons of the show, with the 5^th currently airing in the UK now, and I have to say each season is as strong as the others, there are standout episodes in each; such as the Krampus episode, the demon episode at the end of the first season and so on. As you can see, I really enjoy the horror themed episodes. I think the only reason this show isn’t as big as something like Black Mirror, despite being better than it in a lot of ways, is because it doesn’t have the power of someone like Netflix behind it which stops it from reaching a wider international audience.

Definitely something to check out if you haven’t seen it already!

Pros.

The twists.

The experimentation.

The re-watchability.

The great casts.

It does Black Mirror but better.

Cons.

None really.

5/5

Reviewed by Luke

The Office: Humour In The Day To Day

The Office is a British mockumentary sitcom created by Ricky Gervais and Stephen Merchant. The premise of the show is a film crew recording the day to day activities of an office in Slough, within the office we have larger than life characters such as David Brent (Gervais), as well as a will they won’t they romance centered around Tim (Martin Freeman), and Dawn (Lucy Davis).

For many of you reading this when I say The Office, you would think of the American TV show of the same name, but the Ricky Gervais version of the show was the one that inspired it. Recently I have been re-watching The UK Office, and it got me thinking, there is something special about this show, something that stands the test of time, and I am going to try and find out what it is.

I think the most obvious answer of what makes this show special is it relatability, working in an office is something that is very familiar to a lot of people, but I think it is more than that. The awkward cringe comedy the show is known for is again something a lot of people can relate to, we have all done something cringey in our lives, or we have all seen someone else do something cringey and thought to ourselves ‘please stop’, this again makes this show relatable, as we can see ourselves in the characters.

What’s more, Gervais seems to be very good at hiding emotion and depth behind cringey and unlikable characters. David Brent is not likeable, he wants to be, but he isn’t, that’s the joke. However, despite all the bad things he does across the run of the show you still want him to be happy, in the final episode when he finally seems like he is happy and other laugh at him and try and take it away, you feel for him, you feel connected to him in a way.

The romance of the show works in a similar way, you really root for Tim and Dawn to get together, even when it seems like they won’t. The show teases us the audience with the idea of them getting together many times, but it doesn’t give it to us; this then makes it all the more satisfying when they do.

Overall, I think the reason this is such a special show is because it isn’t outlandish or ridiculous, it is every day and ordinary.

Written by Luke

Watchmen: Nothing Ever Ends

Watchmen is a superhero drama series created by Damon Lindelöf, it continues the narrative of Alan Moore’s acclaimed graphic novel, rather than trying to remake it. Watchmen tells the story of Angela Abar (Regina King), a costumed detective of the Tulsa police department, who tries to stop the evil plans of far-right terrorist organisation the Seven Cavalry. Whilst doing this there is a wider mystery at play, that involves some of the original characters from the graphic novel.

First off, I just want to say that yes, this show is political, but unlike a lot of other entertainment shows and films it doesn’t ram it philosophy down your throat, the writing is far too subtle for that.

I think this show was criminally under watched when it was on, as someone who is a huge fan of the graphic novel, I have often wondered what life would be like in a post-squid world and this show scratched that itch for me. It was fun seeing Silk Specter (Jean Smart) and Ozymandias (Jeremy Irons) again, I liked what the show did with there characters and thought that all of the Ozymandias scenes when he was off world were really intriguing.

What the show did with Doctor Manhattan (Yahya Abdul-Mateen II) was good, I liked the romance angle between him and Angela, my only issue with his character was that we didn’t really get a good look at his powers, but that is probably because it was confined to a TV show budget. My other little gripe is, because the show brought back all these classic characters the new characters they introduced really needed to standout and in the case of Angela this was a detriment. Though Angela had some interesting scenes a lot of the time I was begging the show to return to Ozymandias or show me more of other characters as I found her to be a bit dull.

However, the best character on the show was one of the new characters, Looking Glass (Tim Blake Nelson). Looking Glass or Wade, is a fascinating character to watch on screen, as he has been emotionally and psychologically scarred by the events of squid night and watching him deal with that over the course of the season and then seeing him learn it was all one big plot is one of the best things I have seen on television recently.

Overall, this is a masterpiece of a show, it successfully follows up the great graphic novel in a way that feels new and fresh, adding something to the world overall. I am glad it is not coming back for season two as it works better as a one of thing. Must See TV!

Pros.

Looking Glass.

How it deals with returning characters.

The world it sets up.

Fascinating character work.

Cons.

Angela isn’t the best lead character and is often out shadowed by others.

4.5/5

Reviewed by Luke

After Life: Life After Death

After Life is a British black comedy-drama series created by Ricky Gervais. The premise for the show revolves around a man who has recently lost his wife and is trying to find a reason to not kill himself and to carry on. Through the season Tony (Ricky Gervais), comes to terms with what he has lost and tries to find the ability to be happy again.

Tonally this show is pitch dark, almost uncomfortably so at times, but that is the point. If you’re previous expose to Gervais was in something like The Office or Extras then you will be familiar with the style of comedy this show aims for, though I would say for the most part this program is more of a drama then a comedy. As the subject matter is quite extreme it won’t be for everyone, but if you stick with it, there is something wonderful being said.

This show approaches the character of Tony as having already died, not in a literal sense, the worst possible thing in life has already happened to him and he is just waiting until he can die for real, as such he has no cares left in the word and sets out to tell it like it is because what does anything matter. There is a good example of this early on when the character is mugged and he says he won’t give them his wallet and when the mugger threatens to stab him he says go on then or something to that end, this shows a man with nothing left to lose, just trying to think of a reason to carry on.

The first and last episodes nicely juxtapose each other, as in the last episode, for reasons I am not going to say for the sake of spoilers, he finds a reason to be happy again. He falls out of the all-consuming depression he has been in and does something to make himself happy again. I love the tightness of the writing, his arc is wrapped up in a season; obviously he is not fully moved on from his wife, but he has grown a hell of a lot as a character since the beginning of the show.

All of this makes me beg the question why are they doing a second season? There is nothing left to tell.

Overall, if this sounds like the sort of thing you would enjoy then I recommend you check it out as there is a lot of good on offer here, do I think there is no need for a second season and that it will inevitably be worse? Yes, a thousand times so, but I will just have to wait and see on that front.

Pros.

Asks some important questions.

How it deals with loss.

The heart.

The comedy.

Cons.

It can be quite hard to watch at times certainly not for everyone.

4.5/5

Reviewed by Luke

The Big Bang Theory: Life After The Singularity

The Big Bang Theory is a sitcom created by Chuck Lorre and Bill Prady. The plot follows a group of nerdy scientists as they have quirky adventures and misadventures and attempt to find love. The show ran for 12 series with the final series ending last year.

Carrying on from my post about Friends the other day I want to now look at some of that show’s successors one of which is The Big Bang Theory. Whether you love it or, you hate it this show has been around for a long time, longer even than Friends, and it has had an impact on pop culture, even inspiring a spin-off show in Young Sheldon.

I am of the mindset that this show never dipped in quality over it’s run, episodes from season 11 made me laugh just as much as episodes from season 1 or 2, but comedy is subjective. I think the ending of this show, Sheldon (Jim Parsons), winning the Nobel prize and thanking his friends and his wife is the perfect way to end it, the final scene of the show brought more than a few tears to my eyes.

Though some say that the comedy of the show shifted from laughing with the nerds to at them, I don’t agree. I think the characters were done justice to until the end, I think this show as well as some of it’s contemporaries helped in bringing nerd culture to the mainstream; it made being a nerd cool.

I liked how each character was developed over the course of the show and became more rounded, even background characters like Stuart (Kevin Sussman), had arcs and changed; we saw these characters grow as we ourselves did as well. The ending of the show gave all of these characters a sense of closure, except for Raj (Kunal Nayyar), who was left up in the air after his unsuccessful quest for love; I hope we don’t get a Joey esque spin-off for him, and this closure was just what we needed to move past this show.

Overall, I think The Big Bang Theory was less impactful than Friends, but that is not to say it wasn’t influential in its own way, it was. The Big Bang Theory reached out to all the geeks and nerds (myself included) out there who wanted to see a show they could relate to, where the characters aren’t going to parties every night and sleeping with different people near constantly and to them this show was a rallying cry, it made being a nerd cool; something that seemed like an impossibility.

Written by Luke

Narcos Mexico (Season 2): Once Upon A Time In Mexico.

Narcos Mexico (Season 2) is a crime TV series which focuses on the war on drugs. More specifically how it all started, the rise of the Mexican Cartels and the fall of of Miguel Gallardo (Diego Luna), the fallout from the kidnapping of Kiki Camarena and the US response to capture those involved.

Well done! That is what I would say if I could talk to the creative team behind this season, not only have they laid to rest all my fears about this show from the first season, but they managed to create a genuinely tense throughout excellent to watch crime show. Each episode the stakes get raised higher and higher as the DEA and the Cartel, go to further extreme lengths to get what they want. My one complaint with this side of things is that I would have liked to see them to a little further with things sink further into extremes, though I suppose they are hamstrung by real life history.

The performances are top notch here as well, I had issues with Michael Pena’s performance last season, I think his character is incredibly dull and as a result you don’t really care when he dies. However, season 2 remedies this by giving us Walt (Scoot McNairy), a morally complex character who is far more engaging and interesting than last season’s protagonist ever was.

The best thing this season does in my opinion is set up the war to come. One of my issues with season one is that it felt drawn out, season 2 however, feel just long enough: it shows us Gallardo’s last year on top and then teases us with the coming war between Tijuana and Sinaloa cartels. Anyone who keeps up to date on the war on drugs/ or watches Netflix’s El Chapo series will know of the madness to come and the ending monologue of this season ties it all together nicely, “the animals are out of their cage now”.

Overall, a huge step-up in my opinion, a thrill ride through which is helped greatly by a new and better lead and the promise of something big to come. This should definitely be your next Netflix binge.

Pros.

Scoot McNairy.

Diego Luna.

Perfect pacing.

Thrilling throughout.

The tease of wars to come.

Cons.

None.

5/5

Reviewed by Luke

American Horror Story 1984: Summer Killing, Happened So Fast!

American Horror Story 1984 is the latest iteration of Ryan Murphy’s beloved horror TV series. The plot this time around is inspired by 80’s slashers like Friday The 13^th and Sleepaway Camp and sees a group of camp councillors, each with their own mysterious past, travel to Camp Redwood for the summer, only to be hunted down by various slashers; twists and turns ensue.

In the horror TV genre American Horror Story is a staple, I personally rewatch old seasons of the show quite often, it can be both horrifying and entertaining to watch like nothing else can. However, it is also a bi-polar show at times, as the seasons vary quite a bit in quality, different people will love different seasons of the show, but some are definitely better than others.

For me, this was a step up from something like Cult or Roanoke but was also a step down from the previous season of Apocalypse, but that was always going to be a hard season to follow. I think the big issue with 1984 was twofold. Firstly and most dire of the issues, is the fact that there really wasn’t enough story here to fill out the episode count, it could have worked for a few episodes and it did, but as the season went on it just got more and more ridiculous and they tried to stretch it out. The second issue is the fact that series veterans Sarah Paulson and Evan Peters both sat this season out, both of these actors are incredibly talent and bring a lot to the show, which is why their absences from this season leaves such a vacuum.

That isn’t to say the cast that are there don’t do a good job, Emma Roberts is okay, and Billie Lourd is superb, one greatly upstaging the other. What’s more returning actor Dylan McDermott does a lot with very little and makes the most out of his time on screen, he has great on-screen serial killer chemistry with Zach Villa who plays Richard Ramirez; I would have loved to see McDermott’s character be a young Bloody face but I guess it just wasn’t meant to happen. Also, Villa was terrific and would be a great new addition to the cast moving forward.

Overall, the season was good, not to the same level as some of the other seasons, by no means is it great, but it is also not terrible either it is very in-between, it most certainly isn’t rush out and watch it TV.

Pros.

Slasher horror.

Interesting take.

Zach Villa and Billie Lourd are fantastic.

Cons.

Not enough story there.

Missing veteran actors.

3.5/5

Reviewed by Luke

Friends: Do We Need A Reunion?

Friends was a sitcom that ran between 1994- 2004 and it had a monumental effect on Pop Culture and influenced countless other shows. The premise of the show revolved around a group of twenty something friends who all live together in New York, each week they get into different funny situations and a few of the more serious plot lines carry throughout the show.

It is near impossible when talking about this show to not mention the cultural phenomenon that it was at the time, whether you love it or you hate it, it shaped network television for a long time. The premise if it was released now would sound uninspired and samey, but at the time it was novel. When you watch shows like The Big Bang Theory or, How I Met Your Mother you can see the lifeblood of Friends still alive, serving in many ways as a perennial force to both modern sitcoms.

Friends was very much a product of it’s time, it was undeniably 90’s in many ways and that is clear to see when you watch an episode of it. I think when Friends was released on Netflix and everyone was upset and saying how offensive it was; that it was a tad ridiculous. By modern standards there are multiple jokes and situations that seems sketchy, but that is true of any shows that weren’t made in the last 5 years, in another 5 years the shows we are watching now will seem widely not up to standard, so you can’t be too harsh on the show in that respect.

The reason why this show was so successful, is because it is nice to watch a group of friends get into silly situations there is something comforting about it, because at the end of the day it is relatable. Most people have at least one friend that they enjoy hanging out with so they can relate. This is helped by all the characters being likeable, there isn’t a character that ruins the ensemble by being a dick, yes there is Ross (David Schwimmer), but even he isn’t out and out hateable.

Overall, I think this is a very important show for better or for worse, I was inspired to write this when I heard that they were doing a reunion show for HBO Max and in regard to that I wanted to say please don’t. Yes, I know it will be seen by millions of people, but do we really truly want to see a 2020 episode of Friends? It has it’s place in the mid to late 90’s and early 2000s, but as sad as it is to say, it doesn’t really have one now, people have moved on; plus other beloved hits that have tried to comeback have a long track record of not being well liked and I would hate to see Friends end a similar way.

Written By Luke

Locke & Key (Season 1): Do Doors Need To Be Opened?

Locke & Key (Season 1) is a supernatural horror drama TV show developed by Carlton Cuse, Meredith Averill and Aron Eli Coleite. The show is based off the Joe Hill comic series of the same name. The premise is that a family move back to their ancestral home after their father is murdered, once they arrive they begin to find a series of keys that grant magical and dangerous abilities, however, all is not well as a demon is also trapped on the property and it too is looking for the keys to open the Black Door.

As someone who is quite a big Joe Hill fan, when I heard this series was announced I was very excited for it and for the most part it met my expectations. I have not read the comic series so I can’t say how well this works as an adaptation of those books, or how accurate it is.

I think at it’s core this show has some good horror bones, there are quite a few menacing and scary moments scattered throughout, although something to note is that this isn’t the same kind of horror you would find in something like The Conjuring, this is more child friendly horror; think a cross between the previously mentioned film and the Jack Black Goosebumps film. It is because of this that I personally didn’t think this show is scary.

Moreover, this TV show is defiantly aiming at a younger/teenage audience: because as well as the more family friendly scares, you also have a lot and I mean a lot of teenage angst and high school politics thrown in for good measure. For the most part these sections are used sparingly and spread amongst the horror elements well, however, sometimes we get one really long bit of relationship drama and it made me groan every time. I think it is this focus on teen angst that stops this show from being great.

My big complaint with the show is that you can’t have you cake and eat it, by that I mean it can’t be a good horror show if every 5 seconds we need to cut away to a will they won’t they relationship and by the same token we can’t have a good teen drama if it plays too much into horror, this show needs to pick a side and stick to it, it needs to decide what it wants to be.

Overall, it has potential to be great, but it needs to commit to the horror and get better writers.

Pros.

Solid concept.

Some interesting mythology.

It has potential.

Cons.

Paper thin characters.

Too much teen drama.

3/5

Reviewed by Luke

Vikings Season 6 Part 1: Ragnarok

Vikings season 6 is a historical drama series created by Michael Hirst. As with many other seasons of this show it is split into 2 parts, so this review will just be of the first half of the season. The plot for this part of the series revolves around Bjorn’s (Alexander Ludwig), reign over Kattegat as well as Ivar’s (Alex Hogh Anderson), adventures in Rus and his plans to retake his homeland.

Most seasons of Vikings follow the same pattern: the first part of the season will end on a sad note and then the second half will see the characters set it right and fix the sadness. That formula is very true here, the ending of this first half is beyond depressing, Bjorn dies, the Vikings are defeated, and the Rus take Scandinavia, this coupled with them killing off Lagertha (Katheryn Winnick), earlier in the season, makes for a bleak start to season 6.

However, that said I admire them for their choices this season. I think killing off main characters like Lagertha and Bjorn is an inspired choice, it keeps you guessing as to what is going to happen in the second half of the season, as well as pushes other characters to the front of the narrative; who is the series going to focus on now that Bjorn is dead?

My main issue with this season is that it feels long and drawn out. Clearly these episodes are building towards the invasion by the Rus, but we don’t actually get to see this until half an hour into the final episode. This means we have 9 episodes of build up and there is something interesting stuff in them like the King’s Moot, and Lagertha defending her village, but everything else just feels like padding; it gets really stretched out.

What’s more when you finally get the big battle scene at the end, it is underwhelming. Compared to other battle scenes on the show before this one is a let-down, it keeps cutting between shots of Bjorn and Ivar having a conversation and shots of Bjorn staring out angrily to sea, which really take you out of the tense adrenaline fueled atmosphere of the battle sequence.

Overall, this first half of the season suffers from some pacing issues and the tenth episode battle is a little anticlimactic, but mostly I will commend this half of the series from some incredibly bold story decisions and for giving beloved characters a fitting end.

Pros.

Killing of characters.

Nice endings for beloved characters.

Sets up for a great second half.

Cons.

Pacing issues.

Anti-Climatic battles.

3.5/5

Reviewed by Luke