The Invisible Man: The Dark Universe Reborn.

The Invisible Man is a science fiction horror film directed by Leigh Whannell. The plot follows Cecilia (Elizabeth Moss), a woman who escapes her abusive boyfriend, only for him to then kill himself, or appear to, and then continue stalking her only now he is invisible. Of course, people think that Cecilia is crazy, so she must set out on a mission to prove she is sane, as well as to finish off her abusive ex-boyfriend once and for all.

I thought this was a great film. After the rocky start Universal’s Dark Universe had all hope seemed to be lost, but then this came out. The reason why I think this film is so good and should be the template for future releases of Universal’s classic monster films, is because it is a horror film first. It is not an action film with horror elements, it is not a film hell bent of trying to force in an extended universe, it is simply a good horror film.

To that end, I found the premise to be quite unsettling, being stalked by someone you can’t see, and the film really does explore that in an interesting way. Furthermore, there were moments in the film where I thought for sure they would stuff in a cheap jump scare, but they didn’t and for that I tip my hat to Leigh Whannell. The horror elements in this film are strong, there were multiple times in the film that made me jump, which is something I rarely do these days as I have become use to watching horror films.

Moreover, I think the way the film handles domestic abuse is both in good taste and shocking at the same time, the domestic abuse is the heart of this film, therein lies the horror, The Invisible Man shines a light on this subject and shows how horrific it is, how a person can be isolated and tortured by the person they love the most. What’s more, Elizabeth Moss’s performance highlights the horror of domestic abuse as her character is unable to go outside at the start of the film as she is consumed by fear that her partner will be outside coming for her. For me this may be a career best for Moss.

Overall, this film far exceeded by expectations, as a stand-alone horror film it works very well, as a piece of a larger narrative equally so, other than being a little slow at times, this is a damn near perfect film.

Pros.

The horror.

Not using jump scares.

It actually made me jump.

Elizabeth Moss.

Con.

It is a bit slow at times, it could have done with a tighter edit.

4.5/5

Reviewed by Luke

Halloween (2018): Back In The Game

Halloween (2018) is a horror slasher film directed by David Gordon Green. This film acts as a soft reboot of the franchise, ignoring everything after the first John Carpenter Halloween film. The plot once again sees everyone’s favourite maniac breakout of the asylum and return to Haddonfield, to carry on his killing spree that he began 40 years ago. However, a face from his past has been waiting for him, Laurie Strode (Jamie Lee Curtis). Laurie is now battle hardened and suffering from PTSD, her whole life has been dedicated to finishing Michael off when he inevitably returns.

This film is a return to form for the franchise, by ignoring all of the terrible sequels, and doing away with the convoluted backstory for Michael Myers, the film returns to its root and is all the scarier for it. The idea that Strode has not been able to move on after what happened to her all those years ago and has now become obsessed, not only makes sense, but is also a really interesting concept.

Despite now being an old man, in the film’s timeline, Michael Myers has some genuinely great scares, he is still the killing machine we all remember him to be. When he drops the handful of teeth over the toilet stall wall, that stayed with me long after I saw it. My one issue with how this film handles Michael Myers is the fake out when it looks like someone else is going to take over the mantle; lucky they get their face stood on by the man himself.

The whole film builds towards the showdown between Myers and Strode and it is safe to say that the final showdown is fantastically well done. It is tense and suspenseful, and you can tell that both parties are giving it their all and that this is the defining moment in their lives. It is nice to see three generations of Strode women fighting back again this man that has been terrorising their family for almost half a century. The final shot of the film seeing Michael Myers trapped in a house that is burning down and it finally looks as though this is the end for him, but of course with this being a slasher film it can’t be, and two more films have been announced.

Overall, after all the harm that had been done to the franchise over the years, it is nice to see a Halloween film that actually cares about the characters that John Carpenter created back in 1978. I loved the Rob Zombie films, but this is definitely a return to form for the series. I can’t wait for Halloween Kills, but at the same time I would like to see the series end.

Pros.

A great return to form.

Michael Myers is still scary.

The PTSD angle is a cool way to take it.

The final showdown is great.

Cons.

It should be the end.

4/5

Reviewed by Luke

The Curse Of La Llorona: Behold The Horror!

The Curse Of La Llorona is a supernatural horror film directed by Michael Chaves and is the 6^th instalment in the Conjuring universe, though that fact is not marketed, for what reason you decide. The plot revolves around social worker Anna (Linda Cardellini), who after unwittingly letting a supernatural entity kill two kids, now has to face down the same entity, La Llorona (Marisol Ramirez), when her own kids become targets.

I am just going to say this once, the only reason this is a part of the Conjuring universe is because Warner Brothers know that without that title this film would flop, hard. What makes it even worse is the fact that its tie to said universe is so small and flimsy, most people won’t even recognise it. The way this film ties into the shared universe is by having the same actor who played a priest in the first Annabelle film return to his role for a blink and you will miss it cameo.

I understand that the folk tale of La Llorona is something that means a lot to people and that it was THE fear of their childhood, but that just makes this film sadder. Rather than give us a good film that explores La Llorona, the myth, the person, we have this forgettable bland excuse for a film. La Llorona could be swapped for any of the Conjuring universe baddies and the results would be the same. La Llorona in this film could easily be the nun from other entries, as they don’t bother to make her feel unique and different.

Moreover, the characters in this film are as dull and cliché filled as they can possibly be, these are characters that you have seen thousands of times before in this kind of film there is nothing to them and that makes them incredibly hard to care for. There were moments in this film when I was hoping La Llorona would kill one of them just to liven things up, but no. It is all just predictable and safe.

Don’t even get me started on the jump scares in this film, they are the most blatant and obvious ones I have ever seem in a film. Never has it been truer than in the case of this film where the creative team are putting in forced jump scares because there is no actually horror in their horror film. This is so un-scary it doesn’t deserve to be called a horror film, it could be shown in schools and even then, little kids wouldn’t find it scary, just tediously, aggressively, horrifically bad.

Pros.

The new priest guy is kind of cool.

Cons.

Oh, wait no they ruined him.

La Llorona herself is dull and repetitive.

It shows everything wrong with jump scares.

It is not in any way, in any shape or form a horror film.

0.5/5

Reviewed by Luke

My Favourite Films: It Follows

In this new series of pieces, I want to tell you about some of my favourite films and why I love them, hopefully with the aim of convincing you to give them a try if you haven’t already; first up is It Follows

It Follows is a supernatural physiological horror film directed by David Robert Marshall. The plot revolves around a curse that is being passed around through sex. When a person is infected with it an unknown entity will slowly follow them around wherever they go, getting closer and closer, this entity can take the form of anyone, someone you know and trust, or a stranger, but its goal remains the same when it catches up to you it will kill you and then move on to the next person down the line. We see this play out from the point of view of our protagonist Jay (Maika Monroe), who becomes infected with the curse and then has to do battle with the entity.

The reason why this film is so good is the inherent tension in the premise, a pretty much unstoppable creature is coming for you slowly, it never sleeps, never takes a break it is always getting closer and closer, it’s a terrifying idea to ponder. It Follows really dives into this sense of dread as well as we see Jay slowly losing her mind more and more as her battle becomes more and more futile. This film also asks some really riveting moral questions as well, posing is it better to just pass it on to someone else because then at least it will leave you alone until it kills the person you spread it to.

Another feather in It Follows cap is its beautifully done and implemented synth soundtrack, it has just enough 80’s esque charm to feel familiar, whilst also enough haunting emptiness to perfectly underpin the tone of the film as the non-diegetic music works perfectly as a mirror to the on-screen characters emotions.

One of the main reasons I love this film so much is because it relies on creating a tense atmosphere and a looming sense of dread to generate scares, rather than having a jump scares ever few minutes. I personally believe that It Follows approach to horror works better than something that features a lot of jump scares for the simple fact that jump scares are easy to spot and become predictable after a bit, whereas It Follows had me feeling uneasy throughout.

Written by Luke

The Mummy: One Of The Worst Films Ever Made!

The Mummy is an action adventure film, directed by the talentless hack Alex Kurtzman. The plot of this film revolved around Nick Morton (Tom Cruise), a solider who whilst on a mission in Egypt accidentally unleashes an ancient evil into the world. This was originally supposed to be the film that kick-started Universal’s Dark Universe, instead it was the film that ended up killing it.

First off, the abandoning of the horror roots of The Mummy series is a crime, but then replacing them with samey over the top generic action sequences is a crime against humanity. Whoever came up with the idea to turn The Mummy into an entirely action driven film deserves to be fired and never allowed to work in Hollywood again. Yes, I know the Brenden Frasier films exist, and yes, they were action focused as well, but there was also some horror in those films, there were many scenes that genuinely scared me the first time I saw them.

What makes this worse is the fact that they cast Tom Cruise in the lead role, he is horribly miscast and also brings no charm whatsoever to the film, he just plays a generic action hero type. The end of film sees him possessed by some kind of demonic force, yet he is still a good guy and the film still wants us to root for him. The film wants you to root for the devil, where was the moral outcry about that?

The supporting cast are all terrible, but for different reasons include some that aren’t their fault. Sofia Boutella as The Mummy does bring a great physicality to the role and she as a character is intriguing, however to the film’s bad luck, Suicide Squad was fresh in people’s minds as Boutella’s Mummy seemed all too familiar to the villain of that film. Also, the over reliance on CGI really shows with her character and the film could have been improved with more practical effects. Annabelle Wallis as the love interest (because that is all her character is), has absolutely nothing to do except be saved by Tom Cruise. It has to be said as well though that Wallis can’t act, she just can’t, wooden would be too nice of a word to describe her acting ability, her involvement in any film should be a huge red flag. Finally, we have Jake Johnson as the comedic sidekick character, who I actually liked, I thought he was funny, and I enjoyed what they did with his character. However, because this film was so poorly made his comedy stuck out like a sore thumb and didn’t mesh well with the overall tone of the film.

Overall, Jake Johnson is the best thing about this film, his character might be on screen for all of 20 minutes but hell you will miss him when he isn’t there. Tom Cruise is terrible, just terrible. This film deserves to rot in hell.

Pros.

Jake Johnson.

Cons.

Alex Kurtzman is a hack.

They ruined a great franchise.

Tom Cruise.

This film hates itself and the audience.

1/5

Reviewed by Luke

What Makes A Final Girl?

I am a huge fan of the horror genre and what I want to talk about today is pivotal to it, I am going to talk about the trope of ‘the final girl’.

The Slasher genre is an important sub-genre of horror itself. The Slasher genre was at its peak in the 1980’s and the early- to mid-1990’s, it was in this period we got things like Friday The 13^th, Halloween, Scream and A Nightmare on Elm Street. The basic premise of these films is the same whichever you look at, evil killer, sometimes supernatural sometimes not, hunting down and killing a group of teens, with one surviving at the end to fight the killer and win. This is ‘the final girl’.

Many different actresses over the years have put their own spin on ‘the final girl’, we’ve had Sidney Prescott (Neve Campbell), Nancy (Heather Langenkamp), Laurie Strode (Jamie Lee Curtis) and Alice (Adrienne King). All of these characters and performances aren’t exactly the same, they would be boring if they were, but they do all share certain qualities and it is these qualities that I want to look at it in further detail.

Not just anyone can be a ‘final girl’, usually to be one you have to be pure (a virgin), have suffered some kind of past trauma, be of good moral character etc. That is a very specific set of characteristics. With these slasher films a very conservative life message was being spread around subtly, sex kills, if you engage in any kind of sexual activity the killer will get you and it isn’t just sex if you behave in anyway in these films that isn’t morally to the rigid standard of the time you would be cut down as well.

Were these films trying to make a point out of the moral purity of society at the time? Was it done with comical intent? We don’t know really is the answer to those questions, so by today’s standard the idea of a ‘final girl’ is quiet an antiquated concept. The stigma on sex isn’t as strong as it was back then, the older generation is more relaxed about these things as they grew up during times like the summer of love and so it isn’t the same.

Can there still be a ‘final girl’ in a 2020 film? Yes of course there can, but it would serve the film better if the more puritanical moral message behind the trope was left in the sands of time.

Written by Luke

Us: An Exercise In Failing To Live Up To Expectations.

Us is a horror film directed by Jordan Peele. The plot follows Adelaide (Lupita Nyong’o), who, as a girl, had a run in with a doppelganger version of herself in a Santa Cruz house of mirrors. Little did she know that everyone has a double, these doubles are called the Tethered and they live in underground tunnels everywhere, all across the USA, maybe even the world; for years they have been planning one thing, their revenge, this film chronicles them getting it.

The expectations for this film after Peele’s seminal breakout hit with Get Out were sky high, how was he going to top it? Well in my opinion, he didn’t. Whilst Peele’s earlier film had some cerebral elements to it, it was still a very straightforward narrative, by that I mean when the film ended you knew what had happened. However, Us likes to smell its own farts, the whole film seems to be up to your interoperation and the themes seem to be more important than the story itself, there are numerous scenes and plot holes, such as why the Tethered don’t always copy what their surface dwelling doubles do even though it is established early on that they do, which ruin the great concept the more you think about it.

For me the biggest issue with this film is it’s ending. There is a twist reveal that who we thought was Adelaide has actually been the evil Tethered version of the character all along, which is a good twist, but then the film just kind of ends. The way the film ends with the Tethered all linking up and joining hands across America, leaves more questions than answers and it doesn’t feel nicely wrapped up, like Get Out did, which to me makes the writing seem weaker.

I have to talk about Nyong’o’s performance which was fantastic. Was it Oscar nomination worthy, no it wasn’t. However, what Nyong’o did was create two characters that felt entirely different, but also similar enough that they could be switched over and we would believe it. Moreover, she also brought a great physicality to the role, the final fight scene between her and Red, (Or who we believe to be Red), was excellent and really well done.

Overall, this film fails to live up to expectations as it leaves us going what? Rather than feeling satisfied. I still think however, this is a good film and Nyong’o is great in it, just that the challenge of having to follow Get Out proved too much for it.

Pros.

Good premise.

Scares.

Nyong’o

Cons.

Far to up its own arse.

Unsatisfying.

Fails to live up to expectations.

3/5

Reviewed by Luke

American Horror Story 1984: Summer Killing, Happened So Fast!

American Horror Story 1984 is the latest iteration of Ryan Murphy’s beloved horror TV series. The plot this time around is inspired by 80’s slashers like Friday The 13^th and Sleepaway Camp and sees a group of camp councillors, each with their own mysterious past, travel to Camp Redwood for the summer, only to be hunted down by various slashers; twists and turns ensue.

In the horror TV genre American Horror Story is a staple, I personally rewatch old seasons of the show quite often, it can be both horrifying and entertaining to watch like nothing else can. However, it is also a bi-polar show at times, as the seasons vary quite a bit in quality, different people will love different seasons of the show, but some are definitely better than others.

For me, this was a step up from something like Cult or Roanoke but was also a step down from the previous season of Apocalypse, but that was always going to be a hard season to follow. I think the big issue with 1984 was twofold. Firstly and most dire of the issues, is the fact that there really wasn’t enough story here to fill out the episode count, it could have worked for a few episodes and it did, but as the season went on it just got more and more ridiculous and they tried to stretch it out. The second issue is the fact that series veterans Sarah Paulson and Evan Peters both sat this season out, both of these actors are incredibly talent and bring a lot to the show, which is why their absences from this season leaves such a vacuum.

That isn’t to say the cast that are there don’t do a good job, Emma Roberts is okay, and Billie Lourd is superb, one greatly upstaging the other. What’s more returning actor Dylan McDermott does a lot with very little and makes the most out of his time on screen, he has great on-screen serial killer chemistry with Zach Villa who plays Richard Ramirez; I would have loved to see McDermott’s character be a young Bloody face but I guess it just wasn’t meant to happen. Also, Villa was terrific and would be a great new addition to the cast moving forward.

Overall, the season was good, not to the same level as some of the other seasons, by no means is it great, but it is also not terrible either it is very in-between, it most certainly isn’t rush out and watch it TV.

Pros.

Slasher horror.

Interesting take.

Zach Villa and Billie Lourd are fantastic.

Cons.

Not enough story there.

Missing veteran actors.

3.5/5

Reviewed by Luke

The Final Girls: Your New Favourite Summer Movie!

Final Girls is a comedy slasher film directed by Todd Strauss-Schulson. The plot involves a group of friends who get sucked into a summer slasher film and have to survive until the end. Along with this there is a subplot about the main girl Max (Taissa Farmiga), getting to meet a younger version of her mother, who appears as an actress in the in-film film, which is important as she has recently lost her, so there is an element of personal journey their as well.

I think the best praise I can give this film is that it is effortlessly charming, to describe it in as few words as possible it is the best kind of 80’s inspired B movie. I have always had a soft spot in my heart for parody film, Scary Movie, Cabin In The Woods, The Cornetto Trilogy and it carries on here, I think the reason I enjoy this film so much is because it is such a good take on the slasher genre, the mockery is so spot on, but also done with a heaping table spoon of love.

Another thing I commend this film for is using TV actors who don’t/ or at least haven’t yet had the chance to do a lot of film work. This is mainly true of Taissa Farmiga, who unlike her sister hasn’t really translated to film, she has been in a few minor roles here and there and there was of course The Nun, but overall she has been underutilised, she has proven time and again with American Horror Story that she is a fantastic young actor. This film also features Alexander Ludwig, of Vikings fame, who again shines when given the opportunity to be on the big screen. I think both of the young stars prove they have potential and talent in spades with the performances they give in this film.

What’s more I liked the mother daughter dynamic the film has going, I think it nicely adds emotional stakes to the film, without being too melodramatic. The same can be said of the film’s comedy it is a nice compliment to the film rather than being fully focused on, thereby taking away from the excellent slasher horror.

Overall, if you like Slasher films or just Horror in general then you will like this film, it is smart and an excellent parody, boosted by some genuinely fantastic performances; don’t let this one slip under your radar, check it out!

Pros.

It is smart.

It is an excellent parody.

It takes chances on unproven actors.

They pay off, by giving great performances.

The ending is a thing of beauty.

Cons.

Non.

5/5

Reviewed by Luke

Locke & Key (Season 1): Do Doors Need To Be Opened?

Locke & Key (Season 1) is a supernatural horror drama TV show developed by Carlton Cuse, Meredith Averill and Aron Eli Coleite. The show is based off the Joe Hill comic series of the same name. The premise is that a family move back to their ancestral home after their father is murdered, once they arrive they begin to find a series of keys that grant magical and dangerous abilities, however, all is not well as a demon is also trapped on the property and it too is looking for the keys to open the Black Door.

As someone who is quite a big Joe Hill fan, when I heard this series was announced I was very excited for it and for the most part it met my expectations. I have not read the comic series so I can’t say how well this works as an adaptation of those books, or how accurate it is.

I think at it’s core this show has some good horror bones, there are quite a few menacing and scary moments scattered throughout, although something to note is that this isn’t the same kind of horror you would find in something like The Conjuring, this is more child friendly horror; think a cross between the previously mentioned film and the Jack Black Goosebumps film. It is because of this that I personally didn’t think this show is scary.

Moreover, this TV show is defiantly aiming at a younger/teenage audience: because as well as the more family friendly scares, you also have a lot and I mean a lot of teenage angst and high school politics thrown in for good measure. For the most part these sections are used sparingly and spread amongst the horror elements well, however, sometimes we get one really long bit of relationship drama and it made me groan every time. I think it is this focus on teen angst that stops this show from being great.

My big complaint with the show is that you can’t have you cake and eat it, by that I mean it can’t be a good horror show if every 5 seconds we need to cut away to a will they won’t they relationship and by the same token we can’t have a good teen drama if it plays too much into horror, this show needs to pick a side and stick to it, it needs to decide what it wants to be.

Overall, it has potential to be great, but it needs to commit to the horror and get better writers.

Pros.

Solid concept.

Some interesting mythology.

It has potential.

Cons.

Paper thin characters.

Too much teen drama.

3/5

Reviewed by Luke