Phineas And Ferb The Movie, Candace Against The Universe: Ashley Tisdale’s Finest Performance

Phineas and Ferb The Movie: Candace Against The Universe is an animated family film directed by Bob Bowen. The plot sees Candace (Ashley Tisdale), get abducted by aliens whilst trying to bust her brothers, naturally Phineas (Vincent Martella) and Ferb (David Errigo Jr.), mount a rescue mission. However, once they find her, they find that she is no prisoner and has finally found people who appreciate her. Or has she.

I assume this film is the end the series, I don’t know as I haven’t kept up with the series for over 5 years, but if this was a conclusion to it then it works well to end things. If this is a just a film that will lead into the next series ignore this point. It did have an air of finality to it.

The humour of this film reminded me of more adult fare like Family Guy, which is either a pro or a con depending on how you view that show. The humour for the most part left me cold, but it did manage to get a laugh out of me a few times.

I enjoyed seeing things work out for Candance for once, it was nice to see her side of things as I felt it carried a nice duality to the series.

Overall, a nice flipped perspective that showed the series can still hit the highs it used to.

Pros.

The flipped perspective

I enjoyed the finality to it

It made me laugh a few times

Cons.

More often than not the humour left me cold

It wasn’t as strong as a lot of the classic episodes

3/5

Reviewed by Luke

Lucy In The Sky: The Reason Why Noah Hawley’s Star Trek Film Is ‘On Hold’

Lucy In The Sky is a drama film directed by Noah Hawley. The plot follows Lucy Cola (Natalie Portman), an astronaut who has a great deal of trouble returning to normal life on earth.

This film is the definition of the word pretentious; Hawley thinks that by using some cool transitions and fancy cuts that he can disguise the fact that he has a stinker of a film on his hands. I found the smugness or more aptly the self-importance of this film to be incredibly off-putting. I like Hawley’s TV projects, but yeah this bad, put your Star Trek film on indefinite hold kind of bad.

Portman is okay, she is clearly trying a lot with her performance, but her character come off right from the start of the film as loathsome. The film goes out of its way to try and make her sympathetic, but she just not. By the end of the film you want her to go to prison, she deserves it.

The worst crime of this film is how long it feels, yes it is on for just over two hours which is already quite long, but it feels double that. A lot of the section just feel needless drawn out as though they’re trying to kill time.

Overall, this may be the worst film of Natalie Portman’s career

Pros.

The artsy transitions are cool for five minutes

Cons.

It is boring

The lead is incredibly unlikable

It is smug and in your face with it

It has severe pacing issues

0.5/5

Reviewed by Luke

Scooby Doo And The Alien Invaders: Shaggy Wants To Have Sex With An Alien, In Not So Many Words.

Scooby Doo and The Alien Invaders is an animated family film directed by Jim Stenstrum. The plot follows the gang as they find themselves in the midst of an intergalactic game of espionage and romance.

To me this didn’t really feel like a Scooby Doo film it seemed to lose the point. A lot of the Scooby Doo films that came out after the classic series seemed to put Scooby (Scott Innes), and the gang in increasingly ridiculous situations that seem to not understand Scooby doo works. The classic formula is old haunted house the gang investigates and then an unmasking, that works, having Shaggy (Also Innes), fall in love with an alien not so much.

The story of this one didn’t really connect with me either, it left me cold. I have fond memories of it from when I was younger, but it doesn’t seem to hold up now at all. It felt like throwing a lot of things at the wall and seeing what stuck.

The animation reminded me a lot of classic Pokémon which for me was a big pro, though that is not really something I can reward for. The animation without the association is fine it is serviceable, if a little bland. Nothing to write home about.

Overall, another lacklustre Scooby Doo film that lost the point somewhere a long the way, little kids will still love it, but it loses a lot of its adult rewatchability.

Pros.

The voice cast are okay

As is the animation

Cons.

It lost the point of what Scooby Doo is

The story did nothing for me

It didn’t hold up

2/5

Reviewed by Luke

Train To Busan: Giving A Whole New Meaning To The Phrase Rush Hour

Train To Busan is a South Korean horror film directed by Sang-Ho Yeon. The plot sees Seok- Woo (Yoo Gong), and his daughter Soo-an (Su-an Kim), become trapped on a train in the middle of a viral infection outbreak that turns people into yes you guessed it zombies. Things quickly get out of hand.

I have been meaning to watch this film for a very long time and I am glad I finally did. Much like the found footage genre, zombies are played out they have been done every which way from Sunday and there isn’t much new to be done with them, at least so I thought before I watched this film.

Yes, this film reinvigorates, at least for me, the tired bloated corpse of the zombie horror subgenre, proving that there is a way to still make zombies cool and scary. The frantic train scenes where you know it is just a matter of time before the zombies break through the glass doors are frankly menacing and you can’t help but feel filled with dread.

As well as the strong horror sensibilities this film also has a keen sense of familial drama. The father daughter relationship is central to the narrative of the film, and it is fully explored with much more depth than I thought it was going to be. The ending will have you in tears it is that sad.

Overall, a very layered horror film that manages to do multiple things well, being able to both scary you and make you cry.

Pros

Making zombies scary again

The ending

The father daughter stuff

The frantic nature of the zombies and the threat they pose

Cons.

I could guess some of the twists before they happened

4.5/5

Reviewed by Luke

Bill And Ted Face The Music: One Last Excellent Adventure

Bill & Ted Face The Music is a science fiction comedy film directed by Dean Parisot. The plot reintroduces us to other favourite rockers Bill (Alex Winter), and Ted (Keanu Reeves), who are now all grown up and have teens of their own. Life hasn’t been so kind to the pair and they still haven’t managed to make the song that will unite the universe, then one day they are told it is now or never and the duo set out on one last excellent adventure to save time and space.

This is a very wholesome watch at a time where we need wholesome watches, it is nice to see the duo back on the screen and it feels like they have never really been away. Winters and Reeves still have strong chemistry and it is fascinating to see them now as middle-aged family men.

I enjoyed the fact this film introduced us to Bill and Ted’s daughters, who are just like them, I thought that was a neat twist. The casting of Bridgette Lundy-Paine and the ever-excellent Samara Weaving is pitch perfect and part of me hopes they get their own spinoff; though that is unlikely. My one issue with them would be that the film never uses them enough and often side-lines them, they need more screen time.

The cameos worked well for me and a lot of the best humour came from them. I enjoyed the Dave Grohl bit, and it was nice to see Death (William Sadler), return. However despite this I found the biggest issue with this film was the comedy. A lot of the time the jokes didn’t land for me and were a bit weak and lame, the film often made me smile but never made me laugh. Comedy is subjective.

Overall, a welcome return/conclusion Winters and Reeves are still great together and the daughters are well cast and interesting in their own right. The comedy is a weak point for me, but I still had a lot of enjoyment from this film.

Pros.

Reeves and Winters are still great

Samara Weaving is a scene stealer

The cameos and returns

The ending and the feeling of closure

Cons.

A lot of the humour didn’t land for me

4/5

Reviewed by Luke

Win It All: Having A Heart Attack Is A Great Way Out Of A Losing Hand

Win It All is a comedy film directed by Joe Swanberg. The plot follows Eddie (Jake Johnson), a gambling addict who is tasked with looking after a bag full of money while an acquaintance is in the big house. Rather unsurprisingly Eddie gambles it all away. After reaching rock bottom Eddie realises he needs to get a real job and start trying to rebuild his life, this is all turned on its head when the guy he was watching the money for gets out early and wants his pay day; one last big score is needed.

Jake Johnson is an often-overlooked actor, he is a very versatile performer and this film proves it. His character is a very obvious slob/under achiever, but he is also far more nuanced than that, he is a broken man who wants to be well again, but the thrill of winning or losing big keeps dragging him back down the hole. He is both sympathetic, yet unlikeable. He is a complex character.

I enjoyed the film quite a bit, admittedly I am a Jake Johnson true believer, so I may be a bit bias. My one issue with it is that, despite telling a story grounded in reality, it feels very Hollywood. By that I mean the way things conveniently work out, things that wouldn’t happen in real life, it gets to a point where it is so unbelievable the drama loses no longer feels real.

Overall, an enjoyable watch, but one that almost becomes fascial towards the end.

Pros.

Jake Johnson

His character and performance

It is fun to watch

Cons.

The ending is absurd

Falls apart if you think about it too much.

3/5

Reviewed by Luke

Mulan: Remove The Dragon Remove The Heart, A Superhero Story

Mulan is a fantasy action film directed by Niki Caro. The plot sees young woman Mulan (Yifei Liu), defy Chinese society by riding off to take her fathers place in battle, thereby becoming a solider and later a legend.

So before I get into this I want to again address my bias. The lead actor Yifei Liu defended the police’s brutal response to the Hong Kong protests, which is a sickening fact, but one I nevertheless tried to remove from by mind while watching so I could stay objective.

On the scale of Disney live action remakes this felt comfortably along side the Lion King. The reason for that is though there are a few changes, that are mostly insignificant and hurt the film, it still feels very familiar to the original animated version.

By removing Mushu and the songs from this film, you get a very joyless experience, that tries to go for realism and sticking to the source folk tale, until it gets bored of that and puts in magic and shape shifters just for the hell of it.

Furthermore, the film totally undermines Mulan’s personal journey by having her already be quite competent right from the off. In the original animated version, Mulan was terrible when she started off and got gradually better over the course of the film, here she starts off already quite a good fighter and then becomes a superhero by the end. I am not kidding with the superhero thing, when she becomes herself, she is cutting down groups of men twice her size in seconds and hitting people with arrows who are incredibly far away with ease; it is deeply unbelievable and laughable when you consider the realism angle.

There is also quite a bit of China pandering throughout, where they will randomly say how great the country is and how honourable and proud its ways are. I found this to be as off putting as bad product placement, but I am not hugely surprised Disney did it as they’re clearly aiming this one more at China than anywhere else.

I found Liu to be a likeable enough lead, the jokes they kept in from the original still worked for a laugh and she had enough charisma to keep the film afloat.

Moreover, the villains were improved from the original, we get a new secondary antagonist introduced, who seems very interesting, but the film does very little with her. The reason I say they’re more improved this time around is because they’re far more imposing and threatening.

In that same vein the action is also well done and is easily the standout point of the film, the battle scenes are well done and well-choreographed, with a clear martial arts inspiration. They were the saving grace of the film.

Overall, a deeply needless film that fails at being realistic and ends up as a pandering joyless experience with some cool fight scenes.

Pros.

Yifei Liu is a likeable enough lead

The villains feel more scary

The action is well executed

Cons.

The failure at realism

It is joyless and hard to get through

The pandering

Ruining Mulan’s arc

2/5

Reviewed by Luke

New Mutants: The Poor Man’s Chronicle, Potential We Will Never Get To See

The New Mutants is a superhero horror film directed by Josh Boone. The plot sees a group of young people have to come to terms with their mutant abilities whilst inside a secure facility. Each has emotional scars from their past that they need to overcome in order to move forward.

So before I get into this I will just announce that I may have a slight bit of bias of this one, because Josh Boone has recently revealed himself to be a terrible person, look up his disastrous io9 interview for more information, as such I don’t like him, but I tried my best to stay impartial with the film.

This film is not as terrible as you have heard, it is by no means the worst X-Men film. There are strong parts to it, such as the horror, however there are also a lot of problems. It is a very mixed bag.

First the positive. I thought the horror elements of the film were really compelling and worked well, it was actually scary at times. Personally I thought this film would probably work better as a straight horror film, as when the superhero stuff happened it did not seem to fit with everything else. The CGI battle at the end of the film, is proof of this, it stood out for all the wrong reasons and felt jarring.

I enjoyed seeing each of the characters on screen, I think for the most part they nailed the look and feel of them from the comics, I had never seen anything like it before (in terms of powers). The acting was patchy, as though the characters were enjoyable and fun to watch, for the most part the ones who were doing accents were doing them badly. Charlie Heaton was the only member of the cast who pulled his accent off, Anya Taylor Joy’s Russian accent came and went and was not maintained and Masie Williams’ Scottish accent was awful.

I would like to see more from these characters, sadly we never will.

There is a scene that I would like to talk about that I found to be questionable. The shower scene early on in the film between Masie Williams character and lead Danielle Moonstar (Blu Hunt), felt a bit icky to me. There was something about it that I didn’t like, and it felt off, especially considering the actors ages when it was shot.

Overall, there is some fun to be had and it is definitely worth a watch, not in cinemas (its not that urgent), however the problems it has are significant. It would have been better as a horror film.

Pros.

The characters are all likeable

It was cool seeing the powers pulled off well

The horror

Cons.

The superhero stuff felt like it clashed

The shower scenes

Taylor-Joy and Williams’ accents

3/5

Reviewed by Luke

Puss In Boots: The Shrek Spinoff We Needed?

Puss In Boots is an animated film directed by Chris Miller. The plot sees Puss (Antonio Banderas), try to steal the magical Golden Goose from inside the giant’s castle from the tale of Jack and The Bean Stalk.

So, we can all agree the best thing about Shrek 2 was the introduction of Puss In Boots, who would go on to be one of the best characters in the franchise. With that in mind the idea of a Puss centred spin off seems like a very likely bet and that is what this film is.

The story as a whole doesn’t feel like it adds much to the Shrek world, and feels oddly self-contained. The new characters are fine, but again they’re nothing to write home about. Selma Hayek as Kitty Soft Paws is a nice on-screen partner for Puss, but even she can’t be memorable.

Everything new about this film doesn’t really work, but the returning character of Puss is still fun. The only thing that keeps this from being a bad film is the charm of Banderas, which is the film’s saving grace. It is nice seeing Puss get his own film, but it suffers without having the other well-known characters to bounce off.

Overall, a needless spinoff that is kept alive by the bandit esque charm of Antonio Banderas’ Puss, but one that you can give a miss.

Pros.

Banderas

A few good jokes

Cons.

The new characters aren’t interesting

The world feels small

Banderas can only take the film so far

The ending is so dumb

1/5

Reviewed by Luke

Scooby Doo Camp Scare: Oddly Sexual

Scooby Doo Camp Scare is an animated film directed by Ethan Spaulding. The plot sees Scooby (Frank Welker), and the gang head to Camp Little Moose, as Fred (also Welker), wants to relive some of his childhood and has become a councillor there, the gang naturally accompany him. However, once they arrive they realise something stalks the woods, something scary.

So, the first thing I noticed about this film was the animation is different to the other animated Scooby Doo films I have reviewed, not necessarily worse, but certainly newer looking in style. I found this to be jarring at the start of the film, but I found it to be less of an issue as it went on.

The drawn style of the female characters in this one is oddly sexual, they have Daphne (Grey Griffin), in a bikini and pan the camera up and down her body multiple times; you could be forgiven for thinking you were watching the soft core start of a very convincing porn parody. Other female characters suffer the same fate and it just feels a bit icky. Also they walk back some of the character development of Daphne and turn her into the jealous girlfriend cliché

Switching gear, I found this to be much funnier than previous Scooby adventures, this film seemed to be crammed with innuendos and dirty jokes which I appreciated and that did in fact make me laugh.

The Scooby Doo formula is less strikingly apparent here, yes it still ends in the standard way that you would expect but it feels like more freedom was given to the creatives.

Overall, a fun ride, though a little creepy at times in a questionable sort of way.

Pros.

It is very watchable

More creative freedom

Has a few good funny moments

Cons.

Weirdly sexual

A shift in animation

3/5

Reviewed by Luke