Getting It: Modern Love

Written by Luke Barnes

Getting It is a romance film directed by Tom Heard. The plot sees a previously selfish man, who only ever cared about himself, opening his heart to others and finding love in the process.

I think there is something so needed about this film, I won’t go on at length about it as I have already covered the point I am about to make in other reviews, but there just aren’t enough romance films that feature solid LGBTQ+ representation. It is shocking to think that in 2021, in the society we live in, where all kinds of romances are common place, that the romantic genre is so heavily dominated by heterosexual romance.

Moreover, the romance in this film felt very real and personal. By that I mean, it doesn’t feel like you are watching a film it feels like you are just observing life around you and seeing people fall in love. Again, that speaks to the charisma and the believability of the leads who sell the romance entirely, and palpable their on screen chemistry.

This film really does run the emotional gambit, having moments to laugh with, moments to cheer to, and moments that will make you cry, it excels at all 3 which is a real testament to the power of the writing.

Overall, a sorely needed and well executed romance film.

Pros.

The chemistry

The believability of the story and the romance

The emotional resonance

The ending

Cons.

The side characters

A few pacing issues.

3/5

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Happily: That Couples That Annoys You With How Perfect They Are, Aren’t So Perfect

Written by Luke Barnes

Happily is a dark comedy thriller film directed by BenDavid Grabinski. The film follows a perfect couple (Kerry Bishe and Joel McHale), who never argue, always agree and never cease to irritate those around them. However, one day a stranger (Stephen Root) arrives at their door to tell them that they are genetic abnormalities, and that he won’t leave until they take a syringe of fluid that will make them just like everyone else. Naturally they kill this man and then go on a staycation with their friends.

This was a bizarre film, and you only begin to understand and appreciate a lot of its subtler details if you watch it a few times as there is a lot going on. I think this is a bold stylistic piece with all kinds of visual influences on display, and a plot that defies genre categorisation; I gave it a try, but it is so much more.

That is not to say this film is perfect, as it isn’t, the ending didn’t ring true to me and felt like an anti-climax; especially after the emotionally charged scenes that lead up to it. Furthermore, the tone frequently clashes as the film struggles to find how to approach its narrative. There will be scenes with levity in them that really don’t need it, and then scenes that do need a line to lighten the mood go without; it is an odd mishmash a lot of the time. Tonally this film is a quagmire.
I thought the wider world of this film and its concepts were riveting and I would love to see a follow up film, or other films set within this same universe, to explore these ideas in further detail. The idea of this agent, or god like character, who can’t die and who works for a higher authority is very tantalising and is begging for further exploration.

Overall, a hell of a concept and an idea, sadly the execution is lacking. However, a follow up in this universe could fix a lot of this films ills.

Pros.

The concept

The world

The characters

Cons.

The inconsistent tone

The ending

3/5

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Friday The 13th Part 5: Will Summers Ever Be Safe Again?

Written by Luke Barnes

Friday The 13^th part 5 is a slasher horror film directed by Danny Steinmann. The plot continues the saga of Tommy Jarvis (John Shepard, now playing an older Tommy), who has been left scarred after the brutal end of Jason (Tom Morga), in the previous film and now lives in fear of the killer’s return from beyond the grave.

I will applaud this film for what it was trying to do, it was trying to exist without Jason; an errand that was always fated to fail as the series lives because of Jason, but that is also bold and interesting. I also thought the decision to focus on the after effects of a final showdown with Jason on Tommy was inspired.

However, ultimately I think this film is disappointing. Mainly because it squanders the chance for where this series could have gone without being reliant on Jason, by introducing a newer and blander version of basically the same character who has nothing noteworthy about him at all.

Moreover, other than Tommy, who benefited from having a previous, good, film to set him up, the rest of the cast of slasher fodder were all very forgettable as were the kills.

Overall, what began as a project of promise ended up being very generic.

Pros.

The mental health focus

The gutsy decision to try and move the series beyond Jason

Tommy Jarvis as a character

Cons.

It is dull

It is more than a little repetitive

It squanders its promise

2.5/5

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Godzilla Vs Kong: A Pretender To The Throne

Written by Luke Barnes

Godzilla Vs Kong is a science fiction film directed by Adam Wingard and set in the Monsterverse. The plot sees the two Kings do battle, as there can only be one.

As many of you know, I was not a fan of King Of The Monsters, I thought it was loud, dumb and devoid of charm. However, whilst to a point that is still applicable here, I am please to say I enjoyed this film far more.

The logic of the film is still very dumb, the humans turn on Godzilla almost immediately despite realising how much they liked him at the end of the last film- only to later realise they like him again. There are a ton of plot holes, and broken plot threads that go nowhere, but you aren’t watching this for the plot.

The monsters fighting is quite well done and does not become repetitive as I had feared it might do. I think that this was far more of a Kong film with the odd appearance from Godzilla here and there, and I didn’t mind that.

I thought the emotion was spot on; that is my biggest compliment of the film. Firstly, you cared about the human characters, which is shocking, and not only that but they have impactful emotional arcs both between themselves and with the titans which greatly enhances the film as a whole.

Overall, a step up from the previous film that manages to do the impossible and make you care about the human characters.

Pros.

The human characters

The emotion

Fun monster fights

Cons.

It is dumb and the logic doesn’t make sense

It feels a little underwhelming after all the titans featured in the previous film

3.5/5

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Operation Varsity Blues: Matthew Modine Rocking The Bowl Cut

Written by Luke Barnes

Operation Varsity Blues: The College Admissions Scandal is a drama documentary film based on real events, told using dramatic recreations and talking head interviews with those involved. The film explores the issues surrounding the college admissions scandal that saw a number of rich and in some cases famous people face jail time after bribing college officials to allow their children entry into the most prestigious universities in the United States.

Much like Netflix’s Fyre documentary this film will see you laughing and taking a small amount of joy out of seeing these privileged people be reminded that the rules do apply to them, and that they can’t just do what they want.

Also much like Fyre this documentary is fairly trashy and salacious, making sure to cram in and shame as many famous faces as it possibly can during its runtime, which is not inherently a bad thing more so it places this film firmly in the category of junk food documentary.

Something that bothered me about this film is the way they structure the ending sequence. As is fairly common practice the ending of a documentary usually features some text about ongoing events or updates that have happened since filming. This film decides to list the legal sentences that each culprit got instead, which is a novel idea, however, where it goes wrong is that in some cases certain people hadn’t been convicted or tried by the time of filming, and as such when the film shows them in the end credits it just says how they pled and not the conviction, which becomes jarring and confusing quickly.

Another thing that is quite confusing about this film is the use of recreations and talking head interviews, as we will be shown the real perpetrators on screen in an image but then for the purpose of the film be shown an actor standing in for the person, as they clearly didn’t want anything to do with the documentary, this again becomes confusing. More so when the film starts to blend the lines of based on true events drama and a standard documentary.

Overall, Matthew Modine sinks into his role as the mastermind of the scheme, Rick Singer and there is a lot of interesting and infuriating fun to be had here, however, several artistic choices hurt the film and I think the concept as a whole should have been better refined and adapted, the talking heads and the recreations together don’t work.

Pros.

Modine

Trashy fun

A few interesting points raised

Cons.

An incomplete ending

The format doesn’t work as the recreations frequently clash with the talking heads

2.5/5

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Crop Circle Realities: Lights In The Sky

Written by Luke Barnes

Crop Circle Realities is a documentary film directed by Darcy Weir. The plot of the film explores the phenomena of crop circles, and there possible alien connection. This documentary seeks out answers behind the creation of crop circles.

So, I must confess before watching this I had heard of crop circles before, in regard to aliens, but I never knew much about them beyond the basics. Luckily for me this film teaches you a lot about crop circles as a phenomena and is quite accessible in its presentation so everyone can understand and follow what is going on, regardless of prior knowledge.

I think the documentary strives to be informative over salacious, which is always a good thing, more so the film allows you to have fun watching it and feel entertained whether you believe in its central narrative or not.

Moreover, the more conservative run time of this film being only just over an hour allows it to operate at a nice quick pace: feeling like it is hitting on all the major points without feeling dragged out or padded for time, which can often cost documentaries marks.

Overall, a fun and informative documentary that raises some interesting questions and that prompts you to do you own research after the film ends.

Pros.

The pace

The accessibility

A lot of fun

Watchable even if you don’t believe in the central narrative

Cons.

A few ideas get brushed over and could do with a bit more time exploring them

3.5/5

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Friday The 13th Part 4: A Bald Child Proves To Be The Downfall Of The Hockey-Masked Killer

Written by Luke Barnes

Friday The 13^th The Final Chapter is a horror slasher film directed by Joseph Zito. Originally billed as the last entry in the Friday The 13^th series, this film sees Jason (Ted White), finally die.

This along with Part 2, which in my mind are tied, are the best entries into the Friday the 13^th series (of the first 5, as I haven’t seen past that yet). However, both films fall just short of glory with one thing disrupting each. In this film’s case it is the ending tease of Tommy Jarvis (Corey Feldman), becoming the new Jason. I did not like this tease and I thought it spoilt the film somewhat, I would have preferred if the film had been left open ended, with the effects of the brutal killing on Tommy’s psyche being left up to our interpretation. Even if they do end up going into it in detail in the next film.

I think this film has some of the best teens in the series with Trish (Kimberly Beck), Rob (E. Erich Anderson) and Jimmy (Crispen Glover), all being standouts. Of course Feldman is very serviceable as the lead and is fine as far as child actors go. I would have preferred for Rob to get a wider focus as his storyline, of coming to kill Jason after he attacked his sister years prior would have been very interesting to explore- sadly we didn’t get that. However, the small amount of time we get with Rob and his plotline is enjoyable.

I think the final showdown and what would have been the death of Jason Voorhees, if he wasn’t brought back 2 films later, feels satisfying and well-paced. Much like a lot of the series kills, the death of Jason is suitably bloody and over the top, reveling in the deranged spectacle.

Overall, a nice ending for the series, sadly the final few minutes taint the film somewhat but can be ignored.

Pros.

The showdown

The ‘death’ of Jason

The teens are likeable and have personality

Rob and his storyline

Cons.

Teasing Tommy as the next Jason

4.5/5

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The Vault: Uncharted Meets Oceans, But Without The Charm Of Either

Written by Luke Barnes

The Vault is a crime heist film directed by Jaume Balaguero. The plot sees a group of thieves try to break into Spain’s most secure vault during the World Cup.

What is it with Freddie Highmore? As a young actor he had such promise and now he seems content in playing the same role over and over again: the role in case you were not aware is odd ball, intelligent characters with a bad streak. From Bates Motel to this film, that character type sums up Highmore’s career, and if anything is starting to get a little repetitive.

There is some interest to this film when it first starts, Liam Cunningham is very interesting as the rich treasure collector and has a good screen presence, however, the film soon taints that. The ending of this film which in my mind is the worst part and the thing that seals the ultimate fate of this film for me, feels like a less charismatic, less thought-out spoof of one of the Oceans films; serving to be so unbelievably ridiculous and dumb that you are left saying “wait really”.

The one thing I will give this film credit for is the way it ties the event of the World Cup into the setting and the world of the film. This to me made the film feel unique and is just different enough to distract me from how generic this film actually is.

Overall, a waste of time. Liam Cunningham is giving a good performance and he almost makes this film worthwhile, but not even he is that good.

Pros.

Cunningham

The use of the World Cup

Cons.

Highmore

The ending

How generic it is

2/5

Yes Day: Edgar Ramirez’s Time To Shine

Written by Luke Barnes

Yes Day is a comedy-drama film directed by Miguel Arteta. The plot follows a couple (played by Edgar Ramirez and Jennifer Garner), who used to say yes to life, however, since having kids no has become their word of choice. After a parent teacher night proves illuminating, they decide to give their kids a yes day: this is a day in which the parents have to say yes to whatever their kids ask of them.

When I put this film on I was expecting it to be bad, I wanted something mindless to switch off to yet still be happy enough to keep me entertained in the background. However, what I got was a surprisingly sweet film that made me smile quite a few times.

First off I want to say that this is Edgar Ramirez’s movie, he has made a few misses in recent years, but he is the life and soul of this film and his characters emotional arc spoke to me. I actually found myself becoming invested in his character throughout the film, I felt the same towards Garner though less so in terms of relatability.

I think the premise is comically inventive enough to be interesting whilst not being novel enough to shake the boat. Though it is always fairly obvious where the film is going, it is quite wholesome along the way and has a number of good messages and supporting characters; Arturo Castro was a particular delight.

In terms of the film’s comedy, I didn’t find myself laughing really at all, I had the odd chuckle here and there but for the most part I was smiling. I wouldn’t say this film is funny, but I would say it is entertaining.

Overall, a surprisingly good time.

Pros.

Ramirez

Garner

Castro

Wholesome fun

Cons.

Nothing you haven’t seen before

4/5

Case 39: The Most Upfront and Blatant Twist In All Of Cinema History

Written by Luke Barnes

Case 39 is a horror film directed by Christian Alvart. The plot sees dedicated care worker Emily Jenkins (Renee Zellweger), save a young girl from a brutal death at the hands of her parents. However, one thing leads to another and the rescued Lilith (Jodelle Ferland), begins living with Emily and Emily soon realises that there is something off with her.

Spoiler warning for one of the most obvious twists in cinema history.

Ok last chance.

Lilith, as the incredibly on the nose name would suggest is in fact a demon. Yes, to make it even more obvious she is a succubus demon- they are really hitting you in the face with it. She can make those who go against her see horrible visions and meet grisly ends, it is all fairly generic and nothing that you haven’t seen better before.

This film felt to me like the producers and creatives behind this film had watched Orphan and seen the great twist in that film and been like ‘let’s make something similar but dumber’.

The film has quite an all star cast as well, landing Zellweger at the waning peak of her Bridget Jones fame, Bradley Cooper and Ian McShane and manages to waste all of them. The acting in this film is the usual collection of horror movie cliches with little to elevate it beyond mediocrity.

Overall, one of the worst and most obvious twists I have ever seen in a film, and yes to a degree I applaud the film for being so blatant and up front about it, but at the same time it is still an incredibly weak film.

Pros.

Some dumb fun to be had

Ian McShane is trying his best

Cons.

The cast excluding McShane either don’t care or are being sorely underused

The twist

The ending

They repeat plot elements over and over again

2/5