Captain Fantastic: Aragorn after the Return Of The King

Captain Fantastic is a comedy drama film directed by Matt Ross. The plot of the film revolves around a family who live in the woods, they are entirely off the grid and loving it, however after the mother kills herself it is up to the dad Ben (Viggo Mortensen), to protect his kids as he brings them into the big bad 21^st century modern world for their mother’s funeral.

I think this is a beautiful little film, it is quirky and different, and it will make you smile as much as it will make you cry. The film often raises the question is the way Ben and his late wife brought up their kids the right way? We see many other character judge Ben for not letting his kids go to school, though he home schools them, and just for his parenting style in general: the film doesn’t definitely say one way or the other which style of parenting is right, just as long as you love your kids and that they are happy that is all that really matters.

Ever since I was little, I have always had a thing about film narratives where children are taken from their parents, I don’t know why, but they have always been incredibly hard to watch for me and the same is true of this film. When the children’s grandfather (Frank Langella), tries to take the kids away from Ben it is heart breaking: likewise, when the kids all go after their father and choose to live with him it can’t help but make you cheer.

I think the performances from Mortensen and George MacKay (who plays the oldest son) are both fantastic and were deserving of the awards attention they got. Mortensen perfect captures a mixture of cocky and harsh whilst also being very loving and warm. Whereas MacKay illustrates through his performance the feelings of a child who has outgrown their parent and needs to go and find their own place in the world.

Overall, a wonderful film that is bound to leave an impression on you.

Pros.

Mortensen.

MacKay.

The laughs.

The quirky sensibilities.

Cons.

It is a little hard to watch at times.

4.5/5

Reviewed by Luke

Narcos Mexico (Season 2): Once Upon A Time In Mexico.

Narcos Mexico (Season 2) is a crime TV series which focuses on the war on drugs. More specifically how it all started, the rise of the Mexican Cartels and the fall of of Miguel Gallardo (Diego Luna), the fallout from the kidnapping of Kiki Camarena and the US response to capture those involved.

Well done! That is what I would say if I could talk to the creative team behind this season, not only have they laid to rest all my fears about this show from the first season, but they managed to create a genuinely tense throughout excellent to watch crime show. Each episode the stakes get raised higher and higher as the DEA and the Cartel, go to further extreme lengths to get what they want. My one complaint with this side of things is that I would have liked to see them to a little further with things sink further into extremes, though I suppose they are hamstrung by real life history.

The performances are top notch here as well, I had issues with Michael Pena’s performance last season, I think his character is incredibly dull and as a result you don’t really care when he dies. However, season 2 remedies this by giving us Walt (Scoot McNairy), a morally complex character who is far more engaging and interesting than last season’s protagonist ever was.

The best thing this season does in my opinion is set up the war to come. One of my issues with season one is that it felt drawn out, season 2 however, feel just long enough: it shows us Gallardo’s last year on top and then teases us with the coming war between Tijuana and Sinaloa cartels. Anyone who keeps up to date on the war on drugs/ or watches Netflix’s El Chapo series will know of the madness to come and the ending monologue of this season ties it all together nicely, “the animals are out of their cage now”.

Overall, a huge step-up in my opinion, a thrill ride through which is helped greatly by a new and better lead and the promise of something big to come. This should definitely be your next Netflix binge.

Pros.

Scoot McNairy.

Diego Luna.

Perfect pacing.

Thrilling throughout.

The tease of wars to come.

Cons.

None.

5/5

Reviewed by Luke

Emma: Jane Austen In 2020

Emma. Is a comedy drama film directed by Autumn De Wilde, based on the book of the same name by Jane Austen. The plot follows Emma (Anya Taylor-Joy), a young woman who by her own admission is “handsome, clever and rich”, as she messes with the lives and romances of those around her; whilst also going on a journey of self-discovery, learning things about herself and love.

Austen period dramas aren’t really something that appeal to me greatly, but this one I thought looked promising. From the trailers I was hoping it might turn out to be something like The Favourite a period drama that had an edgy twist and something new to say about the genre; I was badly wrong. This film is by all means just a modern retelling of the same old story, just with a fresh coat of paint and a quirkier sense of humour.

Said quirky sense of humour was for me incredibly hit or miss, some of the jokes in the film had me smiling and chuckling whereas other fell flat; truth be told I found myself laughing quite a few times at things that upon later reflection I’m pretty sure weren’t meant to be funny.

Without that more modern sense of humour, you are just left we a Jane Austen adaptation, which is fine if that is your thing, you will probably love this, but for me I thought it was boring and dull; this is only made worse by the fact that the film goes on for what feels like an eternity, dragging further and further out.

On a more positive note I think Anya Taylor Joy was delightful and did really well in the role, her performance brought something new to the standard leading woman in these kinds of films. Likewise, Bill Nighy as Mr Woodhouse had some great comedic moments and was the standout of any scene, he was in.

Overall, I think I greatly misjudged the tone of this film from the trailers, had I known that it was just yet another modern adaptation of Jane Austen then I probably wouldn’t have gone to see it. Taylor-Joy and Nighy do their best and there are a few laughs to be had throughout, but unless you’re really into Austen I would probably stay well clear of this one.

Pros.

The jokes that do land.

Anya Taylor-Joy is fantastic.

Cons.

It is boring.

It is too long.

The humour doesn’t always land.

2/5

Reviewed by Luke

Friends: Do We Need A Reunion?

Friends was a sitcom that ran between 1994- 2004 and it had a monumental effect on Pop Culture and influenced countless other shows. The premise of the show revolved around a group of twenty something friends who all live together in New York, each week they get into different funny situations and a few of the more serious plot lines carry throughout the show.

It is near impossible when talking about this show to not mention the cultural phenomenon that it was at the time, whether you love it or you hate it, it shaped network television for a long time. The premise if it was released now would sound uninspired and samey, but at the time it was novel. When you watch shows like The Big Bang Theory or, How I Met Your Mother you can see the lifeblood of Friends still alive, serving in many ways as a perennial force to both modern sitcoms.

Friends was very much a product of it’s time, it was undeniably 90’s in many ways and that is clear to see when you watch an episode of it. I think when Friends was released on Netflix and everyone was upset and saying how offensive it was; that it was a tad ridiculous. By modern standards there are multiple jokes and situations that seems sketchy, but that is true of any shows that weren’t made in the last 5 years, in another 5 years the shows we are watching now will seem widely not up to standard, so you can’t be too harsh on the show in that respect.

The reason why this show was so successful, is because it is nice to watch a group of friends get into silly situations there is something comforting about it, because at the end of the day it is relatable. Most people have at least one friend that they enjoy hanging out with so they can relate. This is helped by all the characters being likeable, there isn’t a character that ruins the ensemble by being a dick, yes there is Ross (David Schwimmer), but even he isn’t out and out hateable.

Overall, I think this is a very important show for better or for worse, I was inspired to write this when I heard that they were doing a reunion show for HBO Max and in regard to that I wanted to say please don’t. Yes, I know it will be seen by millions of people, but do we really truly want to see a 2020 episode of Friends? It has it’s place in the mid to late 90’s and early 2000s, but as sad as it is to say, it doesn’t really have one now, people have moved on; plus other beloved hits that have tried to comeback have a long track record of not being well liked and I would hate to see Friends end a similar way.

Written By Luke

When The Wind Blows: The End Of The World

When The Wind Blows is a British animated disaster film directed by Jimmy Murakami. The plot of the film revolves around an old married couple James and Hilda (John Mills and Peggy Ashcroft), who are trying to survive a nuclear war by building a bomb shelter in their front room. The film is incredibly dark and has themes of death, disease and hopelessness.

I had to watch this film for one of my University classes, so I didn’t really go in with much expectation, but I have to say this is a hauntingly beautiful film in many ways and it far exceeded my expectations.

The art design for this film is unlike anything I have ever seen before. It switches between different styles of animation quite often with each bringing a significantly different feel. From an artistic viewpoint, colour is used very specifically in this film for a variety of reasons, to show loss and devastation as well as to show hope. This colour symbolism is very on the nose, but it is that way by design, this film knows what it is and knows what its message is, and it wants to be very clear about it. When The Wind Blow is an anti-war film through and through.

This film is from the director of beloved Christmas hit The Snowman, but this is very unlike his previous work. Despite having a low age rating, this film is definitely not suited for kids to watch, it is disturbing and traumatic, but in reality, that is how nuclear war would be. The film ends and if you don’t want spoilers skip ahead, with both of the main characters dying of radiation poisoning, this is incredibly sad, but realistic. This film is almost educational as it shows the effects a nuclear war would have on people as both character get sicker and sicker across the film, it also encourages people to be critical free thinkers and question what they are told: because ultimately a big part of the film is that James believed every word the government said to him and that is what killed him.

Overall, this film won’t be for everyone, it is upsetting and depressing, but it is also important to see because it has a lot to say about war, about society and for that I will say it is a must see!

Pros.

The message.

The music.

The animation.

The ending.

Cons

It is incredibly bleak.

4/5

Fisherman’s Friends: What Shall We Do With A Drunken Sailor

Fisherman’s Friends is a biographical comedy drama film directed by Chris Foggin. The film is based on the true story of Port Issacs’s Fisherman’s Friends a group of Cornish fishermen who signed a £1 million-pound deal with Universal Records and had their first album be a top 10 hit.

This film is from the creative team behind the romantic comedy hit Finding Your Feet, so that should give you a good idea as to what sort of film this is going to be: a feel-good romantic comedy, with an added musical competent. The music of this film is easily one of the best things about it, there is such an interesting and unique quality to sea shanties that I hadn’t realised until now, but I really dug it when I heard it.

James Purefoy plays one of the main fishermen, the unofficial leader, and the father of Danny’s (Daniel Mays) love interest Alwyn (Tuppence Middleton). Purefoy is as always, a joy to see on screen, he effortlessly gives the best performance in this film and for an adding bonus he can sing as well. Purefoy really is one of Britain’s best and most underrated performers and to me he is a national treasure right alongside people like Idris Elba, Judy Dench, Keira Knightly and Daniel Craig.

The main issue with this film is that it ends midway through, by that I mean the main story, the bands rise to fame and fortune ends at the hour and 15 minute mark, I thought this was the end of the film; imagine my surprise when it kept on going for another 45 minutes. Everything after this point is filler, that’s the truth, it revolves around a pub being sold, said pub is the heart of the town so everyone is very upset; why they chose to keep this very random plot thread in the final cut is anyone’s guess, but it certainly doesn’t add anything. To me the film ends when the band become famous, I just don’t care about the pub drama.

Overall, this is a light-hearted, wholesome sort of film, the sort of film that would pep you up after a bad day, it isn’t the best film you will ever see nor is it the worst. It is a shame they add all that extra baggage about the pub into the narrative and it could have been better structured, but it is still fun.

3/5

Pros.

The Music.

The Romance.

James Purefoy the only thing that pulls this film out of mediocrity.

Cons.

It ends midway though.

Terrible pacing.

3/5

Reviewed by Luke

The Stranger: One Little Lie

The Stranger is a British mystery thriller series released on Netflix based on the novel by Harlan Coben. The plot follows a group of people who are all approached by a stranger (Hannah John-Kamen), who tells them a secret, either to expose a lie or for blackmail purposes. From there the lives of these towns people descend into a mixture of chaos and a search for answers.

This series is one of the most underrated new releases on Netflix, it is both an excellent drama series and an excellent mystery series. The reason for this is because there are so many levels to the mystery just when you think you understand it another layer gets added, it keeps you guessing right up until the final 5 minutes. Moreover, there is a moral ambiguity to this series that adds to the overall story, the characters have good and bad qualities, Detective Katz (Paul Kaye), is an objectively bad person he kills a woman in cold blood, but when he finds out that his wife has been poisoning their daughter you feel for him.

There is a wide cast of characters, but very much to my surprise they all feel well done, developed and interesting. Richard Armitage’s Adam is the main character and his search to find his missing wife is the central plot line, but all the other characters are given a moment to shine and have great sub-plots of their own. Particularly Hannah John-Kamen’s Stranger, she is easily the most intriguing character in the series and when her identity is finally revealed it is genuinely surprising and a great twist.

My issues with this series are only very small, firstly I didn’t like that the stranger just left again at the end, when it turned out that Adam was her brother, I was hoping she would become a part of his family, but sadly she didn’t. My other issue is that there is a lot of stuff going on at the same time, which can be hard to keep track of at times, but it is handled very well and never becomes confusing so I can’t complain.

Overall, this is a great thriller/crime series to binge on Netflix the next time you’re looking for something, it has endless amounts of tension and suspense and a great mystery that keep you guessing right up until the end. A surprisingly solid show!

Pros.

Hannah John-Kamen.

Richard Armitage.

Paul Kaye.

Great mystery.

Hard to take your eyes off.

Cons.

The ending could have been better.

4.5/5

Horse Girl: One Of Netflix’s Worst

Horse Girl is a drama film directed by Jeff Baena. The plot follows Sarah (Alison Brie), a woman whose normal life starts to unravel, and she becomes more and more unhinged; the later parts of the film get into things like alien abduction, cloning and mental health, with a lot of the film being up to your interoperation of events.

When I sat down to watch this on Netflix the description for it made it sound like a horror film, that is what I was expecting and my oh my it is not that. Well it isn’t in a literally sense, but it does show the horrors of mental health and how someone can easily slip into a manic episode and that is a pretty terrifying thing to think about.

That said thinking about this film is more fun than actually watching it. Large sequences of this film are dull and drawn out, most likely in an effort to make you care about the main character which you never actually end up doing. What makes this worse is that a lot of the film’s abstract elements, come across at best as confusing and at worst as a deluded sense of self; as this film seems to think it is far deeper than it actually is. This is an art film in very much the worst way.

Alison Brie gives a good performance, especially with what she has to work with, she makes Sarah both a vulnerable and frightening character at the same time and easily carries a lot of the film’s dramatic scenes. However, everyone else in the film with no exceptions are the most unlikable group of human beings ever assembled. By that I mean none of the characters have any warmth or likeability, maybe that was a conscious choice who knows; Debby Ryan’s character perfectly captures my point.

It is films like this that have given Netflix the reputation that they will make anything, Horse Girl adds yet another weird unpleasant title to Netflix’s already growing stable of bad films. Though I think this film has some good elements and Alison Brie is okay overall it is tripped up by its huge ego, that is clear in near every scene, as this film isn’t deep it’s pretentious.

That is an hour forty-five minutes of my life I am not going to get back.

Pros.

It is neat to think about.

Alison Brie is okay.

Cons.

It is the worst type of Art film.

It’s not deep it just thinks it is.

It’s dull.

You end up hating most, if not all, of the characters.

1/5

Reviewed by Luke

Bohemian Rhapsody: The Man Behind The Band

Bohemian Rhapsody is a musical biopic drama film. The plot revolves around the life of Queen front-man Freddie Mercury (Rami Malek), his rise to fame, his years with Queen and then his death. This film pulls no punches where that latter period is concerned, I have heard people criticise it, but I think it deals with his aids diagnosis and death in a dignified way.

Before I get into the review, yes, I know this film was directed by a prolific abuser, but it can still be enjoyed as a film in spite of that fact.

My first impression of Malek’s Freddy was that I didn’t like him, I didn’t like what Malek was doing with him, I thought it was cheesy and over the top. However, over the course of the film, especially towards the end, I had a drastic change of heart and Malek really won me round with his performance: he particularly excels in the film’s emotional moments.

What’s more this film reminded me how much I like Queen and their music, each one of their most famous songs were used and in a way that made them feel relevant, rather than in other musical biopics when they feel forced in for the sake of it. I particularly thought ‘We Are The Champions’ was done beautifully in the context of the film.

My one issue with the film is that it has too many characters. This film is supposed to be a Freddy Mercury biopic and for the most part he does get centre stage, but at the same time there are a lot of needless sub-plots and side characters that I found to be distracting. In that same vein I found the moments of the film where the focus shifted to the other members of Queen to be dull, this is after all a story about Freddy Mercury, this to me felt like the surviving members of Queen forcing themselves in, as they were heavily involved in making this film.

Overall, I think this is a great musical biopic, it did everything you would want a biopic about Freddy Mercury to do, it gave you a look at his life and at him as a person. The songs I thought were used to good effect and my only critique is that it could have been more organised and focused.

Pros.

Malek.

The Songs.

A good look at the man behind the band.

Didn’t stray away from darker areas.

Cons.

Too many characters that stole focus.

4.5/5

Reviewed by Luke

The Current State Of Doctor Who: Please Someone Put It Out Of It’s Misery!

*Bonus Content

Doctor Who is a British institution it has been so far decades, but what I want to talk about today is how the series has been since it’s 2005 revival, the steady decline. I have watched Doctor Who since I was a kid, I loved Eccleston and Tennant’s Eras, I stuck around during the Smith years, I skipped Capaldi and I came back for Whittaker.

For me what makes Who Who is off world adventures, unique and memorable aliens, and story lines and characters you care about, these I would stay are the staples of good Doctor Who that feature in most iterations of the show. However, New Who seems to have an identity crisis it is so hellbent on being new and different that it is hemorrhaging viewers like it’s going out of style.

Remember what I said a few lines up about what makes good Who? Well let’s look at some of the recent episodes of Doctor Who and see if they stack up. Jodie Whittaker’s Doctor seems to have a fear of going off world as most of the episodes of these newer series are set on Earth, that shouldn’t be a bad thing in and of itself as there are plenty of cool things they could do with it, but oh my they don’t.

Then you have memorable aliens, New Who seems to like to have most of it’s villains be humans, so it can make overt and blatant political points, but to it’s credit when they do have new alien villains they do work well such as in the Nicola Tessla episode. Although something that New Who seems to do, most likely to play on audiences’ nostalgia is bring back classic monsters and I’m sorry but it is just cheap. You can’t have your cake and eat it; they want so badly to be new and fresh and yet they still play up the nostalgia to get people to stick out the new series. What’s more when they do bring these classic monsters back, they ruin them, here’s looking at you Dalek New Year’s Special.

Finally we have characters and storylines that you care about, now I have no issue with Whittaker’s portrayal for the most part, I think she can shine when the writing is good, but the issue here is that it very rarely is and this leads to the new Doctor having a sycophantic personality. Moreover, the companions are fine, but there are too many of them, this stops anyone of them from getting meaningful development outside of tropes and clichés. In terms of storylines, we might have one good storyline such as ‘Fugitive of the Jadoon’, followed by a never-ending wave of trash like ‘Praxeus’. The writing is horrific and often far too on the nose, yes before you say it I know Doctor Who has always been a political show, but it was done in a subtle way, now it has become a weekly lecture about the evils of humanity and how we are terrible and for me that just isn’t fun.

So across my criteria current year Doctor Who is a failure.

I hope the BBC end this before the ratings drop much lower, current Who is already an embarrassment of what it used to be, but surely it can’t get any worse.

I will be back to do a review of the new season when it ends!

Luke