Kidding: The Perils Of Kids TV

Kidding is a comedy drama series created by Dave Holstein. The series revolves around a kid’s TV presenter Jeff Pickles (Jim Carrey), who loses his son in a road traffic accident before the events of the series. He carries on working, but his mental health deteriorates, and we the audience watch his breakdown.

I love Jim Carrey, I think he is one of the best actors working today, over the years he has proven he can do both drama and comedy really well and this show is proof of that. Carrey excels himself here, he is the perfect actor to play a Mr Rogers type gone bad. He plays the character with a degree of wholesomeness, but a wholesomeness that feels like it has been taught more than existing naturally. Furthermore, he also conveys the characters breakdown really well, becoming almost frightening at times, he manages to be both loveable and menacing; which is something only Jim Carrey could do.

Moreover, all of the characters on the show are imperfect, they have done bad things of varying degrees, but they are still loveable, and you still root for them to succeed. Later in the series we learn that Jeff’s pen pal is a death row inmate who has killed several people, however, when Jeff meets up with the man’s son and hears the story from his point of view it is shown to be far more nuanced. That is the perfect description for this show, nuanced.

Kidding isn’t always the easiest show to watch, as there are a lot of deeply uncomfortable moments scattered throughout, but despite this you can’t tear your eyes away and you want to watch it all at once. There are as many happy moments as there are sad ones and they balance each other out very nicely, making the show feel very well balanced.

Overall, this is a damn near perfect show, it is easily one of the best shows I have seen in recent years and proves that Jim Carrey is a fantastic actor. Season 2 comes out here in the UK next week and I can’t wait. If you haven’t seen it yet, you defiantly should make it your next binge!

Pros.

Jim Carrey.

Maintaining the balance between happy and sad.

The songs and the imagination.

The emotional moments.

The ending, that I won’t ruin here.

5/5.

Reviewed by Luke

Broad City: The Best Show YOU Haven’t Seen

Broad City is a sitcom created by and starring Abbi Jacobsen and Ilana Glazer. The plot follows the two as they live and love in New York city. The series is supposed to be somewhat autobiographical, based on the two’s real-life friendship and their years trying to make it in the big city. It ran for 5 series from 2014-2019.

The reason why I like this series so much is because it is the closest thing to real life, I have seen on television possibly ever. The way the two go about life, is very close to how I go about my own life. The series deals with some really quite heavy themes, such as depression and self esteem issues, which I applaud it for; much like something like Atlanta, this show also manages to handle these darker themes in comedic way, whilst also treating them with respect.

I think another reason why this show is so important is because it features two strong self-motivated female leads, who are both in charge of their own destiny and live they way they want to live. I think this show is great as there are few other shows like it on TV and when you watch it you will see what I mean.

Both of the leads are hilarious, Glazer and Jacobsen both make me laugh at least a few times every episode, another reason this show is so good and so special is because there is very few bad episodes; most of the episodes are good and some of them are great.

The wider supporting cast which has changed over the series is also fantastic. Hannibal Buress as IIana’s on again off again boyfriend Lincoln is a very welcome presence on-screen, he has some of the best jokes on the show and his relationship with IIana is sweet and wholesome; it is one that you root for over the course of the show as you want the two of them to end up together.

Overall, this was one of the best shows on TV and one that will sorely be missed. You should definitely check it out if you haven’t already seen it.

Pros.

Both of the leads are hilarious.

It is empowering.

Hannibal Burgess is hilarious.

There are no bad episodes.

Cons.

Okay there are one or two bad episodes, but more slow than bad.

4/5

Reviewed by Luke

Housebound: The Boy Before Brahms

Housebound is a New Zealand horror comedy film directed by Gerard Johnstone. The plot follows criminal Kylie (Morgana O’ Riley), who is sentenced to house arrest in her childhood home, once she arrives back home, she realises that something is wrong, there are supernatural goings on, or at least that is how it first appears.

This film is a horror comedy, that I don’t think works hugely well as either, the horror isn’t very scary; though there are a few good moments that will make you jump. The comedy is defiantly the central focus of this film and that didn’t work for me either, I didn’t find myself laughing and as I watched it, I wished they had focused on one for the other.

What’s more the film is oddly paced, there is a twist, that I will talk about in a minute, but rather than have the twist near the end of the film, it happens midway through. The reason this is an issue is it makes the film feel like two separate features and both seem to drag on.

The twist of the film is that their house use to be a halfway house that was the site of a horrific murder, however there is no ghost, rather all of the strange goings on are a result of a man from the halfway house who still lives in the walls; yes it is The Boy, about two years before it.

For me I liked the twist, I think it fitted perfectly into the manic absurd nature of the film, I didn’t see it coming.

Furthermore, I think O’ Riley makes this film, she is fantastic throughout and you get to watch her character develop throughout the course of the film. She starts off the film as a troubled youth who doesn’t really care about anyone but herself, but by the end of the film she rises to the occasion as the hero and proves she does care about those around her.

Overall, I think that this film has moments of greatness and O’ Riley is superb, however, for me the comedy and the horror don’t work together and instead clash horribly, which heighten the already bad pacing issues.

Pros.

Morgana O’ Riley is great.

The twist is good.

There are some good scares scattered throughout.

Cons.

The two styles don’t mash.

The pacing issues ruin it.

3/5.

Reviewed by Luke

Finding Your Feet: Everyone Needs A Second Act

Finding Your Feet is a British romantic comedy directed by Richard Loncraine. The film follows Sandra (Imelda Staunton), a woman who finds out that her husband is cheating on her, as a result of this she moves out of her life of luxury and moves in with her hippy sister and sees a different side of life.

The plot of this film is fairly standard, it’s a wrong side of the tracks romance, where a rich person experience life and love outside of their rigid social circle and see that life in high society isn’t so bad.

It has been done before. However, I don’t think that the romance is the strong part of this film, I think the strong part of this film is the drama.

Though for the most part this film is light-hearted viewing, with nothing too challenging to process, there are some very raw emotional scenes that cut you right to the core. The scenes I am talking about are when Sandra is speaking at her sister funeral and when Charlie (Timothy Spall), goes to see his wife in the home and she doesn’t recognise him; these moments break your heart.

These scenes help the film to feel real, rather than just positive fluff, because just like in real life there are good times and bad. The performances in this film are first class as well, Staunton and Spall both give powerful performances that show to anyone who was silly enough to doubt them that they still have it.

You really end up caring about the characters and want to see them happy, when it looks like Sandra is going back to her husband and isn’t perusing her relationship with Charlie it breaks your heart and you actively say “noooooo” out loud.

Overall, this is your standard feel good family comedy, it makes you smile, it makes you laugh and every now and again it makes you cry and that is what sets it apart from other films like it; it has an ability to strike you right in your core and that makes it powerful. Yet another hit for Staunton and Spall.

Pros.

Great emotional stakes.

Spall and Staunton are both fantastic.

Very feel good.

Cons.

It is a bit too long.

The character don’t make decisions normal people would in the same situations.

2.5/5

Reviewed by Luke

Shazam: Big 2.0

Shazam is a superhero film directed by David F. Sandberg, it is the 7^th instalment in the DCEU. The plot follows Billy Batson (Asher Angel), a young foster kid who has spent most of his life trying to find his biological mum after she abandoned him at a fair. One day an old wizard calls upon Billy to take up the mantel of Shazam (Zachery Levi), and stop the evil that the 7 Deadly Sins have bought into the world, as well as defeat evil scientist Dr. Thaddeus Sivana (Mark Strong).

Of all the DC Comics heroes Shazam is probably the one that I am the least familiar with, as such it was neat to learn his origin story. I think the story choice of having Billy be a foster kid that constantly runs away from foster homes to look for his mum, who he believes is the only family he needs, only to have it turn out that his mum deliberately abandoned him is an inspired choice. This choice was surprisingly dark for a family film and I appreciated that. What’s more this gave the moment when Billy finally excepts his foster family far more emotional weight.

As anyone who has ever seen Chuck can tell you Zachery Levi might be the most charming man on the planet, he was great in the Thor films though he only had a small part and he is terrific here in a larger superhero role. He perfectly captures the Big mentality, being a kid’s brain in the body of a grown man, as he plays the character with a healthy does of innocence and naivety. When his big hero moment finally comes it feels earned.

Furthermore, Mark Strong does a great turn as the villain, his character is threatening and menacing and dominates the screen every time he appears. Strong proves once again that he is one of the most versatile actors currently working. The boardroom scene is one of my favourites of last year, you will know why when you watch it.

I think this might be the most underrated and perhaps the best DCEU film. The emotional stakes are pitch perfect, Zachery Levi is magnificent, and the film isn’t afraid to get dark, which it does several times to great effect.

Pros.

Zachery Levi.

The darkness.

The humour.

The emotional stakes.

The wider universe.

Cons.

None, I have seen this several times and it holds up each watch.

5/5

Reviewed by Luke

Crazy Rich Asians: How To Miscast Your Lead

Crazy Rich Asians is a romantic comedy film directed by Jon. M. Chu. It is based on the book of the same name. The plot follows economics lecturer Rachel (Constance Wu), as she travels to meet her boyfriend Nick’s (Henry Goldings), parents. Once she arrives in Singapore, she is shocked to find out that her boyfriend belongs to one of the richest families in the country.

I haven’t read the books, so my reaction is based only on the film. I thought that this was a fairly standard rom-com, I understand how it is important from a cinema diversity standpoint as this film features an almost entirely Asian cast which is something quite rare in Hollywood. However, as a rom-com this film left me going ‘eh’.

The love story between Rachel and Nick is as you would expect it to be, she feels out of place in this rich world, Nick’s mum Eleanor (Michelle Yeoh), doesn’t approve of their relationship, it all seems hopeless, they break-up, they realise none of that matters and then get back together in the end, this is pretty much your standard fish out of water rom-com plot line.

The far more interesting plot line is that of the failing marriage between Astrid (Gemma Chan), and Michael (Pierre Png). Michael is resentful that he doesn’t have any agency of his own as his business ventures keep failing, he also doesn’t like the fact this wife is rich from her own money, he is deeply insecure and it says a lot about relationship power dynamics and masculinity; it also works as a nice parallel for Rachel and Nick at the start of the film. This sub-plot between two supporting character is more interesting than the main story!

As for the main two characters, Henry Golding is as effortlessly charming as always, he has charisma for days and that is needed here, as his on-screen partner Constance Wu has none. It is very hard to root for Rachel as Wu does very little to make her warm or endearing, Wu seems to think that she herself is great and that is why you should care about any character she plays, she seems to refuse to shot scenes that make her appear even slightly vulnerable. This is true of her other projects as well and it just makes her come across as a very cold person, which is not want you want from the lead character in a rom-com. She is also outperformed by Awkwafina, who plays her sidekick/best friend in the film.

Overall, I wish this film had cast someone else as it’s leading lady, or at the very least had given Gemma Chan more screen time as she is by far the best actress on screen. Golding is charming, but that only carries the film so far.

Pros.

Gemma Chan.

Henry Golding.

A step forward for Hollywood.

Cons.

Deeply average.

Constance Wu is woefully miscast.

2.5/5

Reviewed by Luke

Onward: A Tale Of Two Brothers

Onward is a computer animated urban fantasy film directed by Dan Scanlon. The plot sees two elf brothers Ian (Tom Holland), and Barley (Chris Pratt), go on a mythical quest to find a rare gem that can bring their dead father back to Earth for one day. The themes of this film are family and being proud of who you are as a person/ being more confident.

On the surface this seems like just another fantasy animated film, the themes and motivations feel samey, but the emotional impact of the film as a whole is what elevates it over mediocrity. I don’t have any siblings, but even I was feeling something when at the end of the film Ian went without his chance to meet his father so Barley could say a proper goodbye to him instead; I can only imagine how impactful this scene would be if you actually had siblings to draw parallels with.

I think Ian and Barley as characters are perfectly fine, they’re serviceable enough, they won’t join Pixar’s pantheon of beloved animated characters, that’s for sure. Pratt seems to be doing his best Jack Black circa 2005 impression, which is okay, and he is probably the character I like the most. I like the energy and good nature the character has; he is the only character I was invested in.

Ian on the other hand I found annoying, I don’t know if it was the writing or Tom Holland’s performance, but I never warmed to his character, even by the end of the film I still felt very little for him. To me, the character seemed overly whiny, he complained and bitched and moaned at every turn, I get that his character is supposed to be sad, but he sucked the fun out of every scene he was in. What’s more Ian treats his brother like dirt for a good 3 quarters of the film, he doesn’t care about his brother getting to see their dad, no he never considers that, just what he wants and his time with their dad, moreover he openly calls his brother a screw up, even though all his brother has done up until that point is try and help him. So yeah in a film about brotherhood and brotherly love, to have your main character treat his well-intentioned brother, as a moron he would rather not have to deal with is a weird character decision.

Overall, this is not a great film, nor is it a terrible one, it is just fine. There are some neat Shrek esque ideas of display here, but they are never really tapped into, the emotional impact is good, but Ian and the side characters aren’t, it is a textbook example of a mid-tier Pixar film.

Pros.

The emotional impact/ wholesomeness

Chris Pratt’s Jack Black impression.

Neat fantasy elements.

Cons.

Ian is whiny and annoying.

I was never really blown away by any of it.

3/5

Reviewed by Luke

Inside Number 9: A Black Mirror Killer

Inside No.9 is a British black comedy anthology series created by Reese Shearsmith and Steve Pemberton. Each episode usually stars both men, plus a wide array of British celebrities and has a different premise, some of them are horror themed and some of them more standard drama, it is very much similar to Black Mirror in that regard.

I have recently started watching this show after I watched a Youtube video about it, and I have to say it may be one of the best shows I have watched recently. Each episode usually has a twist that completely changes how you view the it, making it a must re-watch kind of show. The tone of the show is usually pitch black, occasionally there is some black comedy, but normally it plays it straight.

The writing on the show is very smart and it does things I haven’t seen on screen before, it is certainly not afraid to take risks. The first episode Sardines, shows a family getting together to play the hide and seek esque game sardines, while more and more people join the cupboard where the majority of the family is hiding a dark secret is revealed; this leads directly into the twist and then the end of the episode.

The reason why this is so excellent is because it adds to the already built tension, all the way through the episode we know that there is something not quite right going on, but every time we think we understand what is going on the show takes it in another way and you are left saying wait what.

So far, there has been 5 seasons of the show, with the 5^th currently airing in the UK now, and I have to say each season is as strong as the others, there are standout episodes in each; such as the Krampus episode, the demon episode at the end of the first season and so on. As you can see, I really enjoy the horror themed episodes. I think the only reason this show isn’t as big as something like Black Mirror, despite being better than it in a lot of ways, is because it doesn’t have the power of someone like Netflix behind it which stops it from reaching a wider international audience.

Definitely something to check out if you haven’t seen it already!

Pros.

The twists.

The experimentation.

The re-watchability.

The great casts.

It does Black Mirror but better.

Cons.

None really.

5/5

Reviewed by Luke

Guns Akimbo: A New Kind Of Internet Celebrity

Guns Akimbo is an action comedy film directed by Jason Lei Howden. The plot follows Miles (Daniel Radcliffe), a man who awakes to find pistols bolted to his hands after an online argument split over into the real world, he is then forced to compete in an internet age style, to the death gladiator match with raving badass Nix (Samara Weaving).

I didn’t really have any expectations when I went in to watch this, I knew it was going to be wacky, as the name and premise alone inform you of that, but I have to say that I was pleasantly surprised with how much I ended up enjoying this film.

The writing was very sharp and tight, it uses every line well, being both informative and funny. Some of the dialogue was clearly trying to lampoon modern internet culture, I believe this was done well and it made me chuckle a few times. Rhys Darby plays a homeless man who helps out Miles in his time of need and I have to say, he might be the scene stealer of the film; Darby is hilarious here.

I like Samara Weaving as an action hero, I think she plays badass very well, for the most part she is your standard quippy anti-hero, but there is an added dimension to her that sets some emotional stakes. I think if Weaving carriers on picking projects like these she could easily become the 2020 version of what Sigourney Weaver was in the 1980’s, a badass female action star.

Daniel Radcliffe is also fantastic here, his career path of picking odd projects to prove himself as an actor as well as to steer away from his Harry Potter image is in full effect here. Radcliffe’s character is relatable as well as a believable action star, I like where the film leaves his character and I hope we get to see a sequel so we can see more of him. I also liked the on-screen chemistry between the two leads, I thought they had great banter together and I would love to see them in more films together in the future.

Overall, a very enjoyable experience from start to finish, smarter than most action films and funnier than most comedies. Samara Weaving and Rhys Darby steal the show, but everything in this film is firing with both barrels. My best film of 2020 so far, A Must See.

Pros.

Weaving the action star.

The writing.

The references to our modern-day culture.

Rhys Darby.

Nice and punchy no time wasted.

Cons.

None

5/5

Reviewed by Luke

David Brent, Life On The Road: The Sadness Behind The Music.

David Brent, Life On The Road is a mockumentary comedy film directed by Ricky Gervais. The plot of the film shows David Brent (Ricky Gervais), after The Office, he is now older and more unhappy. The power dynamic in Brent’s life has changed and he is no longer the boss, rather he is abused victim of the office, as such he seeks out a new direction in life; becoming a successful professional singer.

This is very much a follow up David Brent film, rather than a sequel to The Office, other than Brent none of the characters from the series return. As such this film explores his character in far more detail, we learn the mental health impact The Office had on Brent and see that he has had a breakdown since it. As Gervais has said when talking about this film, Life On The Road ‘this film peels back the layers of Brent’s character’, this is true as we see him in a whole new light.

The sympathy we felt for Brent in The Office is double here, as we see that he is actually a very unstable individual and that he is incredibly lonely and he just wants a friend, some one who likes him for who he is. The final song of the film, when one of Brent’s band members buys him a snow machine, is touching and heart warming as we can feel just how much it means to him.

The cringe comedy that Brent’s previous outing was known for, is here in force, but there is also a sadness to it, as I suppose like Brent himself, we learn there is more to it then we first realised. The majority of the comedy comes in the form of Brent’s songs; which are surprisingly good. Forgone Conclusion as a band have more than a few hits, “Native American” might be my personal favourite, all of the songs in this film are both catchy and funny.

The ending of this film does provide a nice sort of ending for Brent as a character, it ties him up in a way that feels satisfying and gives a lot of closure to his character. I hope this is the end for him.

Overall, this is much more thoughtful, in depth look at Brent as a character, it has some great songs and some great laughs, if you love The Office you will love this.

Pros.

A nice ending for Brent.

Great songs.

A good amount of heart.

A lot of laughs.

Cons.

It’s not entirely necessary

4.5/5

Reviewed by Luke