The Walking Dead:When A Show Lives Long Enough To Become A Zombie

The Walking Dead is a horror television series developed by Frank Darabont, based on the Robert Kirkman comic series. The plot sees a group of survivors lead by Rick Grimes (Andrew Lincoln), who spend their days fighting for survival in a world that has sunk into a zombie apocalypse; they must do whatever it takes to survive, no matter the cost.

I am a big fan of the Walking Dead comic, as well as Robert Kirkman’s other series Outcast. Invincible let me cold, but that is personal taste. As such when the Walking Dead series was announced I was excited, when Andrew Lincoln was cast, I was even more so.

The first few seasons were good, strong, must watch TV. However, when they got to the prison things changed, I don’t know what it was, maybe it was the shift in the behind the scenes creatives, but something changed, and it was very much for the worse. Season’s started to feel more dragged out, more and more episodes felt like filler and less and less happened, which is a shame as this was the same season that had introduced David Morris as the Governor.

From there things got worse, as well as the pacing issues and the season by season increase of filler episodes, the show started doing something else that ruined the quality, I am of course taking about the fake outs. In the promos for coming episodes of the show, we saw characters in situations where it looked like they were going to die, this got taken to an extreme when Glenn looked all, but dead and then a few episodes later it turned out he was alive; then he died at the end of the season. The issue with this is that it makes the actual character death have less impact, it also feels like a direct effort to manipulate fans.

Now we are at a point the show, where it has lost a lot of its core audience, I personally tuned out at the start of season 6, I saw the stuff they did with Negan, I didn’t like it. It has killed off a lot of the main characters and the ones we have left are less interesting. I am sorry but, Darryl is not a good character. All the issues that I have mentioned before are still there, and now they try and include direct adaption of scenes from the comic to try and lure fans back in but guess what they aren’t coming.

It has reached a point where the show needs to end, unless they want to drive it into the ground. They could focus on the spin-off shows if they wanted to carry on the universe, but the main show should end.

Torchwood: Doctor Who After Dark

Torchwood is a science fiction TV series created by Russel T. Davis, the show acts as a spin-off to Doctor Who. The show follows a group of agents led by Captain Jack (John Barrowman), who fight to protect the human race from extra-terrestrial threats as well as paranormal ones.

This show is the anthesis of Doctor Who, for all that show is about exploring other worlds, in a family friendly manor, this show is Earth based and very much not fit for child viewing. To that extent there are moments in each episode that seems to push the boundaries of what they can show on television, or at least what the BBC will let them show. There are many quite gratuitous sex scenes and lots of over the top swearing and violence. Normally, this wouldn’t bother me, because normally it is done in a tasteful way, but here it really isn’t.

Another issue with this show is that unlike Doctor Who, classic Who not the current bastard version of the show, and even the other spin-off series The Sarah Jane Adventures, Torchwood does not have any memorable monsters. A lot of them are just fairly generic and don’t leave much of an impression on you, it is to that regard that I think this is the weakest of the 3 shows; as I am not even going to acknowledge Class.

Captain Jack is easily the one of the best characters Doctor Who ever created, he is both charming, funny and carefree, but also troubled and brooding; Barrowman can pull of both emotional ranges with ease. The episodes that focus on him are easily the best in the shows run, however, these are few and far between. Mostly we get episodes devoted to the other members of the agency, with Jack only playing a very small part in their adventures and most of these other characters are dull and uninspired. Moreover, the characters often do things that are morally reprehensible, Gwen (Eve Myles), and Owen (Burn Gorman), are both examples of this and yet we are supposed to cheer for them? I think not.

I think the later season of this show are far better than the early seasons as it very much finds itself somewhere during its second season. I think that this show tries too hard to be an adult version of Doctor Who, it loses sight of what it was originally intended to be, of all the shows in the Doctor Who Universe the only show worse than this was Class, and that is saying something.

With Captain Jack coming back to current Doctor Who I wouldn’t be surprised if Torchwood did as well, hopefully time will gift this show with a fresh and less unnecessary take.

Hellboy: Hell On Earth

Hellboy (2019) is a superhero film directed by Neil Marshall, based on the Dark Horse comic character of the same name. This film entirely ignores the Del Toro films that came before it and instead acts as a reboot of the series, moving away from family friendly territory and into Deadpool esque R-rated waters. The plot sees Hellboy, (David Harbour), try and stop a centuries old witch Vivienne Nimue (Mila Jovovich) from unleashing Hell on Earth.

I know this film was a bomb and a lot of people didn’t like it and the Del Toro films are better in a lot of ways, but I actually enjoyed this film; controversial I know. Before I get into why I liked it, I just want to say yeah I know this film has a lot of problems, the CGI ghost people that come out of Alice’s (Sasha Lane), throat are terrible and look like a child made them on After Effects and yes the plot line that Hellboy knew Alice as a child, but now she is kind of like his love interest for some reason, is creepy. That aside this is why I liked the film.

I like how this film sets up a larger world, you feel like there is more at play here than meets the eye, I like how it brings fantasy to a 21^st century version of London. I am also a massive Hellboy comics fan as well as the B.P.R.D so to see characters and elements of that world that the Del Toro films didn’t cover on screen was a blast for me.

I liked the fact that we got new characters rather than seeing the same team from the previous films, made up of Liz, Hellboy and Abe Saipan. Daniel Day Kim’s Ben Daimio is so cool, and the scene when he turns into a Werejugar is easily my favourite scene of the whole film, Alice is also a cool character, even if her powers look terrible.

Moreover, though it might sound heretical to say I like David Harbour as Hellboy. I think the film overdoes it with the jokes and the quips, trying far too hard to be like Deadpool, just like a certain superhero film that came out in 2020, despite this I like his take on the character and I would have liked to see more of him. Harbour plays the character with a lot of charm and warmth, he isn’t as brooding as Pearlman was with the character, but I think it is a good thing that this film tried to take the character in a new direction.

Finally, the practical effects on Baba Yaga were great, this was another highlight of the film for me. I am not going to get into the Pig monster thing: because I think the whole character was needless and the film could have done without that sub-plot.

Overall, this film is nothing like the Del Toro films, but I think that’s the point. If you can appreciate it for the dumb, schlocky fun that it is then there is a lot to like about this film. If not, you can take comfort in the fact their most certainly won’t be a sequel.

Pros.

Fresh take.

David Harbour.

New team with a tease of the old.

The practical effect on Baba Yaga.

Cons.

Terrible visual effects/icky subplots.

4/5

Reviewed by Luke

Stuber: The Adventures Of Whiny And Dave Bautista

Stuber is a buddy cop action film directed by Michael Dowse. The plot follows timid Uber driver Stu (Kumail Nanjaini), a man who is obsessed with achieving two goals in life, convincing his friend Becca (Betty Gilpin), to go out with him as well as getting a 5-star rating on Uber. All of this is turned upside down and thrown out of the window however, as veteran detective Vic (Dave Bautista), get into Stu’s car on morning and then fate takes both men on a journey to bring down vicious drug lord Oka Tedjo (Iko Uwais), whether they like it or not.

When I first saw this film, I didn’t really like it. Then I watched it for a second time, and it was a little better, the jokes between Nanjaini and Bautista are by far the best thing about the film. This film feels to me, very much like it is trying to recapture the spirit of films like Rush Hour, and I don’t think it does it. Bautista is as hilarious as always, his turn as a comic actor is great and he has been funny in near every film he has been in. However, the weak link in the buddy cop chain is Nanjaini, he is far less funny than Batista, there is only so many times you can watch someone freak out before it becomes repetitive. What’s more a lot of Nanjaini’s jokes in this film feel as though he is reading out new paper headlines and talking points, as the films says to itself aren’t I so trendy and current; even when you watch it a few months later it appears dated.

What’s more the decision to have the storyline between Stu and Becca is baffling. We can see from a variety of other things in his life that Stu is a passive person who needs to become more assertive, so we don’t really need a storyline about him liking a girl who only wants to have sex with him because her current boyfriend annoyed her. The film devotes a weird amount of time to this sub-plot that takes away from the main story, moreover, this sub-plot doesn’t add much to Stu as a character and when he finally decides to cut her out of his life, it just leaves you thinking ‘finally’.

Overall, despite Bautista being funny and the banter being okay, Stuber feels like a poor imitation of buddy cop films of old, as it is too concerned with being trendy and bombarding you with sub-plots that take you out of the film. Another bomb Fox left on Disney’s doorstep.

Pros.

Dave Bautista.

The pair have some good moments.

Cons.

The sub-plot with Becca and Becca herself.

The references to current affairs.

Nanjaini is just a little bit too whiny.

2/5

Reviewed by Luke

Men In Black, International: Erase Your Mind If You Have Seen This Film.

Men In Black: International is a science fiction action film directed by F. Gary Gray, it serves as the 4^th instalment in the franchise, also being the worst, it is notable for being the first Men In Black film to not feature Will Smith, or Tommy Lee Jones. The plot follows new duo Henry (Chris Hemsworth), and Molly (Tessa Thompson), as they try and stop an alien invasion.

This film came out with a thud, it was dead on arrival. The Men In Black franchise has been continually on the decline since the second film, the first two films were good, mainly because Jones and Smith had great on-screen chemistry together and were likable. The third film was fine, it wasn’t bad, it just left very little impression, the only notable good thing about it was that it featured Jeamaine Clement. However, Men In Black International dives even further still and is aggressively bad. There is not one reason why this film is bad, sure it is bland as hell, the plot feels like a rehash of other better science fiction films, the jokes like ‘oh Men In Black isn’t very inclusive we should change the name to Humans In Black’ are cringey and take you out of the film, but it is hard to point to any one thing.

I think the reason why this film is so bad is because there is no chemistry between Hemsworth and Thompson, unlike in Thor Ragnarök where the two had great on-screen chemistry, thanks in no small part to Taika Waititi, here it is cold and flat. Hemsworth just plays a caricature of the character he normally plays, the good-looking dummy who gets all the girls and saves the day and I don’t know about you, but I am starting to get bored of it. He has had no luck as a leading man outside the MCU and I think that is proven here. Thompson on the other hand is the more likable of the two, her character actually made me laugh, but even she wasn’t on top form, she seemed uninterested and as though she was just doing it for the paycheck.

The only good thing I will say about this film is that the side characters are great. Rebecca Ferguson as arms dealer and Henry’s ex Riza is a cool character and has an interesting fight scene later on in the film. Kumail Nanjiani is terrific as Pawnee and I could easily watch a whole film focusing on him, but these two characters are barely used.

I’m not even going to get into the ridiculously obvious twist about Liam Neeson’s character, which would be harder to miss if it was running down the street, towards you, wrapped in meat eating a can of dog food.

Overall, this film proves that the series has no where else to go and that it can’t work without Jones and Smith, so they should stop trying. It is aggressively bad and boring, and the thought that Sony was stupid enough to think this stinker could restart the franchise is in and of itself hilarious.

Pros.

The side characters are cool, too bad they are barely used.

Cons.

The “jokes” are cringe.

Thompson doesn’t really care, and Hemsworth is playing himself, but with a weird inconsistent accent.

The plot is utter garbage.

The CGI use is bordering on obscene.

1/5

Reviewed by Luke

X-Men Dark Phoenix: No More Mutants Please

X-Men: Dark Phoenix is a superhero film directed by Simon Kinberg; it belongs to 20^th Century Fox’s now defunct XCU (X-Men cinematic universe), taking place after the events of X-Men Apocalypse and is based on the Phoenix Saga from Marvel Comics.

Prior to writing this review I had been putting off watching this for a second time, it is a horrible film. Can I just ask the question before we get into the review, who thought letting Simon Kinberg a man who can’t even write films lead alone direct them, direct this was a good idea? All of the good X-Men films had very little involvement from this hack, or if he was involved, he was heavily reigned in by the director of whichever movie he was working on.

That said let’s get into the review.

First off, the action scenes in this film are atrocious, when you realise that they belong to a block-buster superhero film they seem even worse. They are a mad rush of CGI paired with the weakest blandest fight scenes you might ever see in your life, it is so lifeless and boring, it makes you wonder if they gave up on this film before it even started filming, and Fox wanted to release it just so it would cost, new franchise owners, Disney money; makes you think.

Secondly the acting, I can’t even bring myself to really go into this, so I will only talk about 2 noticeable bad performances, the rest are painfully average and feel so underdeveloped that you begin to question whether they even exist. James McAvoy as Professor X and Michael Fassbender as Magneto are the only 2 okay performances and even then, the incredibly bad, prequel era George Lucas esque bad, writing takes away anything it can from either performance.

The first of the woeful performances is Sophie Turner as Jean Grey. If I had to put together a list of the worst performances, or worst actors of 2019 Turner would surely be on it. I understand she was in Game Of Thrones and that was popular, empathies on was, but that doesn’t mean she is a good actress. Her performance has as much range and emotion as a bin bag floating down the side of the road, she can’t maintain an accent and as such it keeps slipping, she just can’t act, she can’t and if Hollywood learns one lesson from last year it should be to dump Sophie Turner as fast as they can.

The second performance and perhaps the more controversial pick is Jennifer Lawrence as Mystique. Never before in the history of film has it been clearer that an actor has only been in a film because they were contractually obligated to be. It is clear from the very first moment she appears on screen, in her human form because Lawrence doesn’t like the makeup, she is being payed millions to wear, that she doesn’t want to be there. Her now infamous line of “you should change the name to X-Women”, made me both cringe and feel annoyed at the same time, and shows everything that is wrong with this film.

Overall, I have to say bravo to Dark Phoenix as it actually made me like the rotting carcass that is X-Men: The Last Stand so well done for that!

Pros.

McAvoy and Fassbender are okay.

Cons.

Sophie Turner shouldn’t be cast.

Jennifer Lawrence should have left when she stopped caring, they should have let her go.

Someone should have stopped Simon Kinberg from ripping the X-Men apart.

The overuse of CGI hurts.

0.5/5

Reviewed by Luke

V.F.W: Beer,Brawn And Blasting

V.F.W is an action horror film directed by Joe Begos. The plot revolves around a group of ex-soldiers lead by Fred (Stephen Lang), who must defend their V.F.W outpost against a deranged drug lord and this army of junkie minions; fighting to see the light of a new day.

In terms of being an action movie, this is on par with Guns Akimbo for being my favourite of the year so far. This is very reminiscent of pulpy, grindhouse esque B movies of old, there is a focus on over the top gore and a lot of punk wardrobe choices. I’ve heard this film compared to the Expendables, but really that couldn’t be more of a disservice to the film. V.F.W actually has characters you care about and heart and soul, rather than just being a nostalgia vehicle to give old action stars the chance to meet up once again and get a nice fat paycheck.

Moreover, Stephen Lang is a far better action hero here, that Stallone was in the Expendables, you buy him as this solider that never really came home, never really wanted to; he lives to fight. We see this juxtaposed by the fact that he is getting old and his body won’t really let him fight, like it did when he was a young man, anymore and you can see that on screen: just in the little details. I think the paradigm of a solider who likes being a solider, but who physically can’t be anymore, is a neat angle to explore with this character and it helps Fred to feel well rounded and nuanced, rather than just another action hero.

The gore in this film is also brutally bloody in the best way, right from the off we see a man’s head explode from a shot gun blast and that sets the tone for what is to follow. I think good gore can really add to a horror film, good gore is usually comic and deliberately over the top: not the kind of gore you get out of something like Hostel where it get uncomfortable to watch after a while, but that is my own personal taste.

Overall, this is ridiculous, over the top, bloody fun and I can’t recommend it enough if that is your kind of thing. Lang is great and the film is a thrill ride from start to finish. A must watch!

Pros.

Stephen Lang.

A better version of the Expendables.

The over the top gore.

The dumb fun of it all.

Characters you genuinely want to see survive until the end.

Cons.

None

5/5

Reviewed By Luke

Kong Skull Island: The King Above All

Kong: Skull Island is a monster movie directed by Jordan Vogt-Roberts; it is a reboot of the King Kong franchise. The plot follows a group of scientist and soldiers as they travel to the uncharted Skull Island and find creatures beyond imagination, including the legendary Ape King Kong, who is the last of his species.

Though it may not be the most popular opinion, I believe of all the Monsterverse films thus far this is by far the best. My absolute favourite thing about this film is its soundtrack, it is absolute 70’s perfection, Jefferson Airplane, Credence Clear Water Revival and Black Sabbath all grace the soundtrack of this film and it is magnificent.

The style of this film is further compliment to the soundtrack, this is a very stylised film, this is clear in multiple ways and I believe unlike something like the Babysitter that is overly stylised, this is just the right amount as such it gives the film a fantastic sense of identity and uniqueness.

Crucially what this film does that makes it better than the Godzilla side of the Monsterverse, is it maintains the balance between human action and monster action; neither one takes focus from the other. The human characters are on screen enough to be developed, but they aren’t focused on to the point where we don’t get to spent time with Kong. We get plenty of time with the great ape himself, his origin is slightly different from what we have seen in the past, but it is still well done.

My two favourite human characters in any of the Monsterverse films are in this film. Firstly, we have Brie Larson’s character of Mason, who is an anti-Vietnam war photographer, she is a very interesting character and I like how they almost give her the human, monster relationship with Kong that we have seen in previous films, but then subvert it at the last minute. The other character I really like is Hank (played by John C. Riley), he is a pilot that has been stuck on Skull Island since World War 2, so for 28 years. Riley in this is fantastic, perhaps the best I have ever seen him, he has great comedic moments, but he also has great emotional dramatic scenes. The scene at the end of the film when he returns home after he has been away for so long is tear inducing, it is almost impossible to not cry when this scene comes on.

Overall, this film manages to achieve something that few other monster movies do, it strikes a harmony between the human and non-human characters, making all of its character interesting. The style and the soundtrack of this film also helps it to be exceptional, I hope that Godzilla Vs. Kong can be as good as this!

Pros.

The soundtrack.

The style.

How it handles Kong.

How it handles its human characters.

Cons.

The strange skull creatures.

4.5/5

Reviewed by Luke

Doctor Who (Season 12): A Season Of Extremes

Doctor Who is a British science fiction show that has just completed its 12^th season; which my review today will be covering. The plot of the show centres around a time traveling character called The Doctor (played by a multitude of actors over the years, but is currently portrayed by Jodie Whittaker), who goes on various adventures through time and space.

The last time I talked about this show I suggested that it was on the decline, beyond hope, but having now finished the latest series I am slightly more optimistic about it. The finale, the Tessla episode and Frankenstein episode I thought were good, the rest well I will get to them. Having good episodes is a step up from season 11, where they were all either incredibly forgettable or bad.

What’s more in these episodes were the writing is stronger and more Doctor central Jodie Whittaker’s portrayal of the character is better. When she is playing it straight her version of the character works, it doesn’t when she is manically talking to herself, or showing no empathy towards the companions. Speaking of which, an opinion of mine that hasn’t changed is that the companions this season are terrible, they have nothing to do, no personality, and only serve to steal focus away from the Doctor; BBC if you’re listening kill off one or two of them and give Jodie Whittaker and the Doctor more time to shine. I was really hoping in the season finale that they would have killed a few of them off, but they don’t have the balls anymore for real stakes where characters might die.

Finally, this season is a season of extremes, those bad episodes I was talking about before are really, really bad. Is it an improvement in quality to go from a season of really boring bland episodes to then have a season where every episode is either good or awful? Current year Doctor Who seems to love giving lectures, there are multiple moments in multiple episodes where the Doctor looks into the camera and gives us a talking to about one thing or another and it just annoying, really annoying. Good science fiction is escapism, the audience doesn’t want to constantly be reminded how bad they are and how humans are destructive terrible creatures, yet Doctor Who never got the memo clearly.

Ps. This is only a minor thing compared to the other things I’ve talked about here, but can the Doctor go back to visiting other planets please? I understand they might not have the budget for it, but to set every episode on Earth, or Earth like locations is just lazy and it loses all the appeal of the Doctor being able to go anywhere in time or space.

*Also, I am not even going to go into the timeless child twist, because we would be here all day if I did.

Overall, a step up from the woeful season 11, but this show is still bad in a lot of ways, critical ways, and has a long, long way to go to even be half decent Who.

Pros.

Some strong episodes that actually feel like Doctor Who.

Whittaker has some moments of greatness.

Cons.

The companions other than Bradly Walsh, are annoying, devoid of personality and worse of all distracting.

Whittaker also has some terrible moments.

The lectures and the complete lack of subtly.

2/5

Reviewed by Luke

Godzilla, King Of The Monsters: A Weak And Ineffective King!

Godzilla: King Of The Monsters is a monster movie directed by Michael Dougherty. The film belongs to Legendry’s Monsterverse and follows on from the 2014 Godzilla film. The plot of the film revolves around humanities discovery of ‘the Titans’ and then their efforts to wake them up. Once they have been woken up, surprisingly they wreak havoc and then it is up to Godzilla to get them all in line.

I have been putting off this review for a long time, this is a film that a lot of people have strong feelings about, some love it, some don’t. The film didn’t do very well when it came out, which has affected the Monsterverse as a whole, but it has a dedicated cult following. For me, personally I liked Kong Skull Island, but both the Godzilla films have left me cold. Here is why.

My issue with the first film was that it didn’t have enough Godzilla in it, so when it looked as though the sequel was going to have more monsters fighting and less of the horrible human characters, I was excited, and yes there is far more monsters fighting, but now maybe it is too much. There is only so many times you can see a huge CGI creature hit another giant behemoth.

The human characters are dumb and bland, there is some strange eco-terrorism sub plot that is going on, that never really gets explained and their goals make no sense either. The twist that Vera Farmiga character has been working for them all along, isn’t hugely surprising, but you don’t care because she is boring and underdeveloped. Millie Bobbie Brown is only in this film because of Stranger Things she is probably the best of the human characters, but that’s not hard, a piece of wood could be better than all the human characters in this film.

The writing in this film is dumb, so, so dumb, unapologetically so, but that is half the fun. There is one bit in the film where they drop an oxygen bomb on Godzilla, which… how does that even work? If you’re one of those people that like things like The Fast and The Furious, were nothing makes sense and it is just pure spectacle then you might like this film.

Don’t even get me started on Kyle Chandler, who much like Annabelle Wallis can’t act. Seeing Chandler’s name on a casting sheet is a huge red flag for me, as he has never been good in anything.

Overall, this film is a disappointment as it managed to screw up both the human characters and the monsters, while also lacking the heart that made Skull Island so good.

Pros.

Millie Bobbie Brown is okay.

The first half an hour is entertaining.

Cons.

After that it becomes repetitive.

The human characters are terrible.

The plot is ridiculous.

2/5

Reviewed by Luke