Disquietude: Getting Through The Day

Written by Luke Barnes

Summary

An abuse survivor becomes trapped within her PTSD isolation.

This was a moving film in many ways. I think it says a lot about trauma and how we process it and in some cases carry it around with us for the rest of our lives and struggle everyday under the weight of it. I think this film needs to be seen as it gives us a window into the suffering of our fellow humans and helps us to be better and to think more about the trials of other people.

This film made me cry several times over its short runtime, it is very powerful. It is hard not to care about the characters and care about what is happening to them, over the course of the short you become sucked into their dark world and see things through their eyes and trust me when I say it will stay with you.

Overall, this film is powerful and a must see for many reasons, but the darkness of it can be a little overwhelming at times however despite that I think this is a great film.

Pros.

The emotion

The message

The performances

The character journey

The ending

Cons.

The darkness can be a little overwhelming at times

Disquietude will be released early next year on veck_gems_productions YouTube channel, keep an eye out for it over there.

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The Guardians Of The Galaxy Holiday Special: Family Is The Reason For The Season

4.5/5

Written by Luke Barnes

Summary

In order to try and cheer up Star-Lord, played by Chris Pratt, Mantis, played by Pom Klementieff, and Drax, played by Dave Bautista, head to Earth in order to kidnap the great hero Kevin Bacon.

This special works for one reason and one reason only Pom Klementieff. She gives one of the best most heart warming performances I have ever seen in a Marvel movie, she is the heart and soul of this piece and if she is even half as good in Guardians Of The Galaxy 3 then she is going to steal every scene she is in and probably the whole film. I really liked the decision to have Mantis be Quills half-sister, I thought it added a whole new emotional layer not just to the film but to the wider team that is really appreciated.

Something I didn’t personally mind but might bother some is the fact that the wider Guardians team are mostly absent, yes they get a look in every now and again but these basically amount to cameo roles this is Mantis and Drax’s film. They do introduce Cosmo the Spacedog, voiced by Maria Bakalova, who has a few funny lines and will clearly be a foil for Rocket, voiced by Bradley Cooper come the next movie, but for the most part her introduction is only brief.

There are some animated sequences at the start and the end of the special that talk more about the Quill/ Yondu, played by Michael Rooker, relationship that also add to the wider theme of emotion, love and family in this feature and really help to nicely book end the bittersweet feeling of the special more broadly.

Kevin Bacon is Kevin Bacon which to me is a good thing as the man is an icon, but to others the bit might be annoying.

Overall, a sweet memorable Christmas Special, give Klementieff a bigger part and more money for the sequel she deserves it.

Pros.

Mantis being Peter’s half-sister

The emotion

It feels like Christmas

Gunn’s understanding of these characters

Cosmo

Cons.

The wider Guardians team isn’t given much to do

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American Horror Story NYC: The Body

4/5

Written by Luke Barnes

Summary

The killer is finally tracked down.

When I realised that this episode was going to have the main characters find out who the killer is I was somewhat surprised as there is still a ways left to go in terms of the number of episodes still left in this season, however, despite finding out who the killer is this episode they don’t catch him really quite the opposite.

I liked the fact that the world keeps being broadened and new facets like this idea of the mob working within the gay community are being explored. I thought bringing back Henry, played by AHS veteran Denis O‘Hare, was a really smart move as this new angle gave him a lot more to do and he really shined in this episode as did Zachary Quinto’s Sam.

My one issue with the episode and also this mid part of the season more generally is that there seems to be some filler being placed in to pad things out. Like there is no need for this episode to stretch on in the way that it does, it is possible for them to find out who the killer is and have the show down in one episode it doesn’t need to be spread across two, but I suppose that is the curse of cable TV.

Overall, a good episode that really sets up an interesting conflict for the next episode.

Pros.

O’Hare

Quinto

The killer’s identity is finally revealed

The ending and the set up

Cons.

A little bit of padding for time

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Nightfall: In Service Of A Scream

3/5

Written by Luke Barnes

Summary

Whilst working from home James, played by Michael Lake, hears a scream that changes his life forever and sets him off down a twisting course of mystery.

For the most part I really enjoyed this film, I thought the central mystery was good and it kept me guessing right up until the end. However, the ending for me felt a little obvious and I would have liked it more if they had gone with something a little more out of left field, in which case I would have given the film higher and the mystery would have been great all the way through.

In terms of tension I think the film manages to keep a pretty good tone, the tension slowly ramps over the first act and then really sets into going into act two. In this sense the film is quite compelling to watch and can at times be hard to look away from.

The performances are all good, however, I would single Lake out for praise here as he really does take his character on a journey over the course of the film and isn’t afraid of showing both the highs and lows of the human condition.

Overall, a mostly good mystery film that is a little undone by the ending.

Pros.

Lake

The tension

It kept me guessing

Cons.

The ending is a little obvious and that then derails the whole mystery

Some slight pacing issues

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Interview With Writer/Co-Director Adam Leader And Co-Director/DOP Richard Oakes: Feed Me

Written by Luke Barnes

I recently had the chance to interview Writer/ Co-Director Adam Leader and Co-Director/ DOP Richard Oakes about their new horror comedy film Feed Me, which follows a guy in his quest to kill himself by Cannibal. In this interview we discuss processing trauma, finding love whether in others and or yourself and cannibal horror films.I hope you enjoy.

Q: What Was Your Message With This Film?

AD: We wanted to tell a relatable story of grief and trauma through the power of shock, gore and comedy; something we love. We wanted to make a movie that, first and foremost we were fans of so that no matter what, we could be proud when the world saw it.

RO: There are a few messages in this film, Learning to love yourself when you have low self-worth and guilt is one that resonates with me. It’s amazing what a difference to your life a little self-respect and understanding can have.

Q: What Was Your Favourite Moment From The Film?

AD: For me, it’s the final dream sequence in the woods where Jed and Olivia profess their love for each other. Liv is a figment of his imagination; and what Jed always perceived to be the devil on his shoulder fuelling his tumultuous journey, turned out to be his inner voice motivating him to fight for his life; she was his arc. That scene alone is like a massive breath of fresh air for Jed; his arc comes to this bittersweet conclusion that allows him to finally be at peace with himself before it’s too late.

RO: I Think I like the scene when Jed Finally stands up to Lionel and Lionel shows his true colours to Jed. It’s when Lionel unveils his true nasty. From there to the end is really special to me as Lionel’s character falls apart.

Q: How Inspired Were You By The Real Events?

AD: The fact that a man responded to an advert for being eaten alive and went ahead with it was inspiration enough. That in itself is so bizarre that we just had to use it as the premise for FEED ME. It’s ironic how the most unbelievable part of this movie has actually happened in real life.

Q: To What Extent Is This Film A Metaphor For Moving On And Dealing With Loss?

AD: If you lose the comedy, you’re left with an underlying subtext entirely focused on low self-worth & grief and how one overcomes it. The interesting part is how two traumatized people who are similar in so many ways can connect so well, yet go in completely different directions for better or worse, much like real life.

RO: Yes it’s about dealing with the internal demons that plague you through loss and overcoming the self-destructive nature that inevitably follows the loss of a loved one, again letting go of guilt and learning to love yourself again.

Q: What Is Your Favourite Cannibal Film?

AD: Of more recent times, it would have to be the new Dahmer series. That’s the best thing I’ve seen in a long time, let alone this year. Evan Peters is God.

RO: I would have to say Alive, it’s a fascinating film that I watched as a Kid that shows the real triumph of the human spirit against unbelievable odds and circumstances

Q: How Did You Manage The Tone Between The Comedic Elements And The Darker Ones?

AD: By wearing our hearts on our sleeves with the direction and being fully open to giving the actors the floor to experiment. From the get-go, we wanted this movie to be sprinkled with our sense of humour. It’s who we are as people, and to abstain from implementing our own personalities into our art would have resulted in a mediocre movie that lacked integrity.

RO: Like Adam said, the Comedy is very much a part of who we are and we wanted to stay true to that. The balance just came as a natural result of the way we wanted to pace it.

Q: Do You Have Any Funny Stories From Production?

AD: Neal Ward running naked through the set searching for a blood pump sticks out for me.

RO: One scene was so funny that I laughed so hard that a little wee came out.

Q: Future Plans, Sequels, Spin-Offs and Other Projects?

AD: A sequel is doubtful but there’s another project in the works that’ll hopefully see the light of day in 2023. Somebody did float the idea of doing a spin off about the two cops. I think that’d be amazing and I’d love to do a miniseries on those two bozos never solving anything.

RO: We have thrown a few sequel or prequel ideas around, but to be honest we are not really those people. I guess it also depends on demand. If FEED ME ever became cult status and there was a market for a sequel you never know.

Q: Do you Have Any Words Of Wisdom For Filmmakers Who Are Just Starting Out?

AD: Make films for you, not for others and be prepared for an uphill struggle; filmmaking is all about problem solving. Anything worth doing is never easy, but the personal reward dominates any salary in a career you’re not truly passionate about. Money doesn’t buy happiness; being open, honest and true to yourself does.

RO: START! I have lost count of the people who have told me they are working on a film but are waiting for the perfect conditions etc. These people never make a film. Myself & Adam are very much doers and we will break down barriers preventing that from happening rather than using every little hiccup as an excuse not to start.

If you would like to check out Feed Me for yourself keep an eye out for it on all good VOD platforms

If you enjoyed this interview, then please head over to my Patreon to support me, I offer personalized shoutouts, the ability for you to pick what I review next and full access to my Patreon exclusive game reviews. Check it out!

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Feed Me: One Hell Of A Memorable Way To Go Out

4/5

Written by Luke Barnes

Summary

After suffering a loss a man, sinks into the abyss and allows a cannibal to eat him.

I thought this film was a strong dark comedy, usually I find myself fairly mixed on the genre as they can never nail the tone of their enterprise with it either being too comedic or too dramatic and dark, however this film I feel nailed the tone perfectly.

Despite the heavier elements I found this film to be quite funny and it had me laughing a lot as I was watching it. I wouldn’t say it was a laugh a minute but it was funnier than most. The inherent comedic silliness to deciding death by cannibal works well in this films favour and makes it a lot of fun to watch.

The performances across the board are all also strong, there was no one I could point to as letting the side down everyone shone. My one criticism of this film would be that it has a very slow opening act that drags the film back, however, once past that these issues soon clear up.

Overall, a lot of fun.

Pros.

The comedy

The tone

The ending

The performances

Cons.

A very slow first act

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Andor: Rix Road

3/5

Written by Luke Barnes

Summary

Things come to a head at the funeral of Maarva, played by Fiona Shaw.

In many senses this finale felt cathartic after all the build up of previous episodes as we do see some full scale signs of rebellion against the Empire, but I couldn’t help feeling a little disappointed that more didn’t happen.

I think the main issue for me with this episode is that it lacked stakes, unlike other episodes that have perfectly encapsulated this idea of grit and that anyone can die at any time, this one felt very plot armour heavy as you knew none of the important characters were going to die and that is where the episode lost me.

I liked the ending of the episode wherein Cassian, played by Diego Luna, finally confronts Luthen, played by Stellan Skarsgard, and thought that it teased interesting things to come, but therein lies another issue with this show a lot of it is teasing things to come rather than delivering answers to big mysteries or giving us set pieces, which again is both a blessing and a curse.

Overall, a good season finale that would have been better if it had been bolder.

Pros.

The ending

The first signs of large scale rebellion

A good pace

It teases a lot of interesting directions for the next season

Cons.

There is a lot of plot armour going round and it effects the stakes of the show

It teases more than it delivers

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Bones And All: Everything Wrong With Modern Cinema, A YA Film That Thinks Its High Art

0/5

Written by Luke Barnes

Summary

A young cannibalistic couple travel the US together.

Please if you will listen to just one piece of advice from a stranger on the internet today let it be this, don’t watch this film. It is just a horrible time at the cinema as it imparts the message that life is just terrible and the only way out is by your own hand as everyone you love will disappoint you and those who don’t will be taken away. There is so much darkness in this film that there is just no need for it to exist, the world is already a dark place.

Moreover, the narrative is very smug and self-indulgent thinking itself to be high art when in actual fact it is more closely resembling angst ridden YA fare, this is certainly reflected in the paper thin central romance that feels like it was written by an emo on Tumblr. Worse yet the narrative is self-defeating as the central idea of the film is Maren, played by Taylor Russell, needs to find her place in the world, yet when she finally does at the end of the film it is then taken away and she has to do it all over again showing that there was no point to the whole film.

The film also greatly fetishizes the cannibalism and has it be akin to sex at times, which feels uncomfortable from the off and never really goes away. Speaking of the film has a sex scene between Timothee Chalamet’s Lee and another man and never really addresses it or speaks about it or allows Russell’s Maren to respond to it, it is a very odd inclusion which makes the central romance narrative seem off.

Finally, if this film is seen to be an indicator for upcoming acting talent then I might just hang up my reviewing now and bid farewell to cinema for good as both of the central performances are just awful. Taylor cannot emote for one single second and other than looking shocked once or twice has the same glazed over expression for the whole film and Chalamet plays a cliched wrapped up in an emo phase. When will the internet learn that Chalamet will never be a movie star like those of old because deep down everyone knows he can’t act and that once his legion of lust fans dry up so will his acting roles.

Overall, possibly the worst film of the year.

Pros.

None

Cons.

The film is manically depressing and an unpleasant watch from the outset

It has awful paced and is on for far longer than it needs to be

It is smug and seems to think of itself as high art when in actually it is a bad YA film

The acting is awful all round

It fetishizes cannibalism

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Triangle Of Sadness: Society Is Constantly Breaking Down Around Us

4/5

Written by Luke Barnes

Summary

A luxury cruise quickly devolves into a battle for survival as traditional power structures break down in spectacular style.

I had heard good things going into this and for the most part it didn’t let me down. To get into the things I didn’t like about it first, as they are a lot less, I thought the pacing was pretty brutal and that the film had no business being on for as long as it is, though it does allow for quite a few fun scenes it feels overly indulgent.

That said I enjoyed the commentary of the film on society and gender and found something inherently hilarious about the Captain, played by Woody Harrelson, and Dimitry, played by Zlatko Burić, discussing philosophies as the ship was sinking around them, or the nice well-made food served on the ship making everyone sick. I thought this film very much had something to say and that it said it well.

The performances across the board were strong, with everyone having a moment to shine even those that were used sparingly had their due.

Overall, a darkly funny film that cuts quite deeply.

Pros.

The commentary

The humour

The ending

The performances, especially Harrelson

Cons.

The pace and the overly indulgent runtime

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The Royal Nanny: Maybe Megan Markle Was An Intelligence Officer Before Becoming A Royal

3/5

Written by Luke Barnes

Summary

After detecting a threat to the monarchy the British secret service send in Claire, played by Rachel Skarsten, to act as their agent on the inside and of course whilst there she ends up falling in love with a prince, played by Dan Jeannotte.

I enjoyed this for the most part, it wasn’t the best film I have seen all year or even all week for that matter but it was dumb escapist fun and that should count for something. I liked the nonsensical plot that despite that had a very clear ending from the beginning, and I liked that the film didn’t take itself too seriously.

I thought Skarsten was a good lead and was charming enough to carry the film and to pull off the love story. However, the rest of the cast struggled deeply and were either fairly bland in terms of their performance or were so bad at doing the type of English accent they were trying for that it was distracting. Something that wider audience might not have noticed or picked up on but something that a Brit could notice keenly.

Overall, a fun if at times wonky film.

Pros.

Skarsten

The silly plot

The romance is easy to warm to

Cons.

The accents

It is very predictable

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