Your Place Or Mine: If Only This Could Be What Life Was Like, Charmed Doesn’t Begin To Cover It

Summary

Debbie, played by Reese Witherspoon, and Peter, played by Ashton Kutcher, have been friends for multiple decades but are only just now realising that they want to be with each other romantically.

In many senses this is a safe choice, it is a bog standard rom-com, nothing more nothing less. If that is enough for you then great, but don’t go in expecting anything that is going to change the game or be in any way remotely new or fresh.

I thought both Witherspoon and Kutcher brought a level of charm and warmth to their respective roles, but at the same time you would expect that from two such genre pros. In regard to their romantic chemistry on-screen, there were some sparks there and at times I found myself believing it, but it never really came alive and struck me as authentic.

As it is a rom-com we have to ask the age old question of is it sexist? The answer to that is yes, however, it is not the most sexist rom-com I have ever seen. I am of course referring to the fact that Kutcher’s Peter is a fairly well put together chap, if a recovering addict and a bit lonely, whereas Witherspoon’s character is a stereotypical overly involved mum who lives through her kid, Lord knows they can’t break away from genre archetypes and try and give her a more nuanced role. No, no as she is a woman she is stuck in the obsessive mother role, in the end she is seen trying to branch out to new horizons and work in publishing, however, this is with the implication that Kutcher’s Peter helped her calm down and stop worrying so much about her kid. Yikes.

Overall, pretty much exactly what you would expect from a rom-com both for good and for bad.

2.5/5

Pros.

Witherspoon and Kutcher both give good performances and have a little chemistry

It is fairly well paced

It is very watchable

Cons.

It is sexist

It is fairly forgettable and generic

Some of the side characters are barely characters at all

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The Current State Of The MCU: The Wheels Are Coming Off

Written by Luke Barnes

I want to use this piece to talk about the current state of the MCU in the post-Endgame landscape. Right from the off I will say that I have seen everything the MCU has ever put out, I am due to see Ant-Man and The Wasp Quantomania in the coming days and it is because of that that I am writing this piece. As it stands the third Ant-Man film has some of the worst reviews of any MCU Marvel film, at least from critics and is being torn apart for its terrible VFX work, as such the point of this piece is how did we get here from the heights of Endgame? Is it a one off or part of a larger pattern? I have broken down what I think are the current issues killing the MCU into 5 key areas, that are all fairly minor on their own but that when combined create a lethal cocktail for the future success of the MCU as a franchise.

Firstly, and most obviously there is the glaring issues with VFX. VFX artists have been coming out and talking about how bad they have it over at Disney/Marvel studios and how they are been rushed and forced into crunch time hours in order to get films ready in time for release. This is bad both as a means of how to treat your employees but also as it effects the final quality of the project, who remembers Heimdall’s son from Love and Thunder or the recent stills of Modok from Quantomania. Forcing out unfished and poor VFX work makes both your film look bad and also taints your brands reputation for quality.

However, quality leads into the second issue with the current MCU the idea of quantity becoming more important than quality. This can be seen with the amount of MCU content that is released and the time frame in which it comes out, we are getting north of 5 MCU projects a year and that is a lot to turn around in such a short space of time so it is no wonder they are clearly cutting corners. This is likely done on a mandate from Disney to prop up Disney + with content but make no mistake it is killing Marvel in the long run.

This constant need for more content is also leading to more and more people starting to be put off by the Marvel formula, which is readily apparent no matter how many different genres they try and adapt their films into, because the creative confines of what one can do and still have it be a Marvel film are incredibly limited. Yes, there are some films like the coming Deadpool film that have enough of a fanbase that the higher ups at Marvel Studios and Disney can justify it breaking formula, but even then I wouldn’t be surprised if it didn’t get the R rating everyone thinks it is going to get. Moreover, this is also feeding into the homework problem that has plagued the MCU for some time and is getting worse with the introduction of the Disney + shows, this is the idea that to understand what is happening in the MCU at current moment you need to have seen tons of films and TV shows to be able to get into the wider narrative, this was inevitable as an issue for the interconnected world, but it will put more casual audiences off for sure.

Another issue with the current slate of Marvel content, especially the Disney + shows is the pushing off smaller characters at the expense of killing off or retiring older characters. You can have She-Hulk and Hulk together you don’t need to retire one to have the other, the same concept applies for Iron Man, Captain America and Hawkeye, all of these characters have been replaced. In the comics Steve Rogers and Sam Wilson both existed at the same time, especially when the latter was Captain America, but the MCU doesn’t work like that. There is a school of thought that suggests that the MCU is getting rid of its classic heroes to make audiences care about the new ones, and this does have some merit. One has to ask why is Echo, a minor character at the best of times, getting a show before Punisher or Ghost Rider?

The answer to that question leads into my final issue with the MCU and the one that I think in the end will be the death nail for it and that is pushing a political message and focusing on being as diverse as possible rather than in telling good stories any more. I will add that many properties can do both, and that diversity and representation is important, my argument is that when you achieve this by dragging down or removing pre-established and well liked characters that this is not the way. Look at She-Hulk again, which in my mind was the lowest ebb yet of the MCU, the show as a whole went out of its way to drag down the Hulk and show how Jessica Walters was easily so much better than him. Why did you need to introduce a character in this way? Lots of fans like the Hulk as a character so to see both the character and the show completely disrespect him is a bitter pill to a lot of fans. If you want to introduce a diverse array of new characters then focus on making them likable and important in their own right, the MCU did this perfectly with Miss Marvel, rather than having them exist as a character to put the pre-established characters down. All this does is make your new heroes unlikeable.

I recently saw an article in which Kevin Feige said he thought the MCU could be around for many more decades yet, but I think this argument ignores the declining box office and the subscriber problem with Disney +, I think Feige response is in denial. Yes the X-Men and The Fantastic Four will bring some audiences back whenever they are introduced, but that won’t change any of these issues, and it is these issues that I believe will see the MCU either rebooted or retired within the next decade.

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Little Demon: First Season Overview

Written by Luke Barnes

Summary

The Anti-Christ is a teenage girl, voiced by Lucy DeVito, who meets her dad the Devil, voiced by Danny DeVito for the first time after a life on the run.

I really enjoyed this show, this as the title will explain is a full season review of Little Demon. I thought that not only was it funny, and at times also quite deep and thoughtful but I also really enjoyed how far it took things and pushed both the medium as well as what it can get away with.

In terms of the comedy of the show and the feel of it, there are definitely some Disenchantment and Paradise PD vibes running through this show which personally I enjoyed but I know it won’t be a lot of people’s cup of tea.

I think the real hidden treasure of this show is Aubrey Plaza voicing Laura the Anti-Christ’s Satan hating mum. Plaza does a terrific job here and really makes Laura into a well rounded character that can be funny, rad and also sympathetic all at the same time.

Overall, I had a lot of fun watching this series and think fans of certain types of adult animation will really enjoy it.

4/5

Pros.

It is funny

It is also surprisingly deep

The voice cast is terrific

The story is engaging throughout

Cons.

People who don’t like edgy adult animation will find little to like here

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The Last Of Us: Endure And Survive

Written by Luke Barnes

Summary

Joel, played by Pedro Pascal, and Ellie, played by Bella Ramsey, try to escape from Kansas City whilst making some new friends along the way.

Man, the show really played with me. Despite playing the game and knowing this story I really felt the death of Sam, played by Keivonn Montreal Woodard, and Henry, played by Lamar Johnson, it hit like a ton of bricks. There was a small part of me that was ignoring what I knew would happen and was hoping just for a minute that this time around they might survive.

To change the subject, I think this episode may have been the most action packed yet. The sniping scene towards the end of the episode was straight out of the game and watching the horde of infected decimate all of the bandits was both horrifying and also oddly cathartic. I think this large amount of action and tension helped this episode to be one of the most riveting to watch of the whole season.

I think my one issue with the episode, and it is I will admit only a small detail, is the way Ellie reacts to seeing Sam and Henry dead. After seeing them die Ellie doesn’t cry, and whilst I can understand that she has been surviving in this world for some time and will be to a degree desensitised to death, I don’t think she is at that part of her journey where she could just shut out her emotions and carry on like this. I know later on in the story she will get to that place, but where this falls on the timeline I just thought she would be a little more upset.

Overall, another incredibly good episode. Yes, Ellie’s response to the death of Sam and Henry bugged me a bit but it was an incredibly small and insignificant thing in the context of the wider episode.

4/5

Pros.

The action

The sniping scene is straight out of the game

The death of Sam and Henry hits hard

The pacing is superb

Cons.

Ellie’s muted emotional response to the death of Sam and Henry

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The Last Of Us: Please Hold My Hand

Written by Luke Barnes

Summary

Joel, played by Pedro Pascal, and Ellie, played by Bella Ramsey, continue their cross country road trip until they run into some bandits that force them off the road.

I enjoyed this episode for the most part, but I will admit that the stuff with the bandits at the end of the episode has me a little trepidatious as I worry that we might see another Woodbury situation, which for those unaware was when in the Walking Dead the whole pace of the show slowed to a near halt and a relatively minor event in the comics ended up stretching into multiple seasons. I want Joel and Ellie to be done with the bandits and away at least by the end of the next episode and not have this drag out and start to feel like network TV.

The scenes with Joel and Ellie together in the car driving and bonding were really well done and felt straight out of the game so it gets points from me there. Ramsey has fully grown into Ellie to such a point wherein I couldn’t see anyone else play her, I also thought the inclusion of the joke book was a stroke of sheer genius.

Seeing Ellie shoot someone for the first time, even though she didn’t kill them, felt like the momentous occasion it should have been and I enjoyed how the show had Joel deal with it, sending her into another room in a futile attempt to preserve her innocence. The show is really excelling in implementing the proper weight and emotion to these scenes and having them feel important and meaningful rather than just going through a check list of events from the game that need to happen in the show and checking one or two off per episode.

Overall, another good episode but the stuff with the bandits at the end has me nervous as I have been hurt in that regard before.

4/5

Pros.

Joel and Ellie bonding

The acting across the board

The significance the show gives to Ellie’s first time shooting someone

The joke book

Cons.

The bandits seem to be getting a lot of focus

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Star Wars The Bad Batch: Truth And Consequence

Written by Luke Barnes

Summary

The Bad Batch are called in to help Rex steal the data drive from Admiral Rampart’s Venator which proves he was responsible for the attack on Kamino.

I know I have talked a lot of trash about Omega in my reviews of the Bad Batch and for the most part I stand by every word I have said, she ruins a lot of the episodes she is in because her inclusion forces the tone to be goofy and family friendly, however, that is not the case here. This episode is moody and dark despite Omega and for that I am proud to call this an exception to the rule. Moreover, the scene in which Omega is saying goodbye to Echo at the end of the episode hits on all the right notes and really helps these two connected episodes to feel like they matter.

I also enjoyed seeing more of Palpatine, particularly more of his long game playing and how he actually rules the Empire in the day to day, some of the other Star Wars media, that is still considered cannon, has eluded to this but not shown it in much detail. Seeing him as a true villain and master manipulator really reinforced the stakes of not just this episode but the show as a whole he really is the evil of the Empire.

On the action front this one is a little lighter than The Clone Conspiracy and feels too concerned with being family friendly during its shootouts, I have never liked the fact that the Bad Batch and now Rex are only using stun rounds and have long thought it made no sense. You could make the argument that they don’t want to hurt their brothers but surely by this point in the timeline not all troopers would still be clones and there would be some conscripts in there as well and it makes no sense that they hold back from shooting to kill them as they would not do the same for the Batch. Once again it is an example of Disney struggling to know what to do with characters that they can’t stick on a lunchbox, characters that aren’t the clean cut good guys, in many senses this is exactly what went wrong with the Book Of Boba Fett.

Overall, another good episode but the action is a little lacking

4/5

Pros.

Palpatine

The emotional goodbye to Echo

The stakes

The surprisingly dark tone for an episode which features Omega so heavily

Cons.

The action is lacking and the use of stun settings is starting to become ridiculous

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Star Wars The Bad Batch: The Clone Conspiracy

Written by Luke Barnes

Summary

Admiral Rampart cleans house and has one of the clones who served under him during the destruction of Kamino killed, prompting a Senate investigation and the return of Rex.

I am truly starting to believe that the episodes of The Bad Batch that don’t feature Omega in any major way are examples of the show operating at its best. When the show embraces the darker side of things and moves past the family friendly wrapping that Omega as a character forces on the show then it is truly up there with the hights of The Clone Wars.

I enjoyed seeing the events shown in the end of season one of The Bad Batch come back around to be so important and relevant in season two, it felt rewarding to me as a long time viewer of the show. Moreover, I liked seeing Rex come back and would like to see more of his solo adventures in between this show and Rebels, maybe even a spin-off show?

This episode also benefits from a nice amount of action and is definitely one of the most action packed episode of the whole season, if not the whole show. Honestly the difference between an episode like this and one like Entombed is so night and day that it makes you question whether you are even watching the same show.

Overall, a fantastic episode of The Bad Batch that will be remembered fondly for a long time.

4.5/5

Pros.

Bringing back Rex

Tying in events from both The Clone Wars and earlier seasons of The Bad Batch

It is action packed

The more serious and dark tone

The best episode in a long time

Cons.

The emotional work with the characters could have been better

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Knock At The Cabin: Would You Let The World Burn?

Written by Luke Barnes

Summary

A couple, played by Jonathan Groff and Ben Aldridge, and their daughter, played by Kristen Cui, must choose between sacrificing one of their own, or letting the world burn.

I think this coupled with Servant really does seem to suggest that M. Night Shyamalan is back on top form and hopefully this can last for at least a few more projects. Admittedly I did think a similar thing when Split came out and then he released Glass and Old so what do I know maybe another slump is just around the corner.

I thought the best thing about this film was the premise. For a lot of the film you don’t know if what the dooms day people are saying is true, but as the film progresses and we see that it is and that the magnitude of the destruction is massive, this then shifts the film into being a thought experiment in ethics. I really enjoyed the themes and ideas Shyamalan tried to explore here and I thought that unlike Old this film has some real depths to it.

Groff and Aldridge made for a very believable couple, and thanks to the well-used flashbacks you do end up caring about them as a couple as well. This is very important as the emotional core of the film comes down to whether you could lose the love of your life to save the planet and that needs to hit emotionally in the film, which I can safely say it does. I thought the supporting cast of the dooms day preventers were also good, if a little underdeveloped, Dave Bautista’s Lenard gets the most attention on that front and he does give a solid performance though I would say he isn’t given much to work with.

Overall, M. Night Shyamalan’s best film in years.

4.5/5

Pros.

The performances

The emotion

The premise and what they do with it

The ending

It is well paced and maintains its tension throughout

Cons.

The supporting cast are a little wasted as their characters are underdeveloped

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Mr Harrigan’s Phone: Just What You Needed Some More Apple Product Placement

Written by Luke Barnes

Summary

A teen, played by Jaeden Martell, communes with his recently deceased billionaire pal, played by Donald Sutherland, through a phone with not so surprising horrifying results.

Lets get one thing perfectly clear at the start of this review, this film is not a horror film. It doesn’t matter how the trailer makes it look, or how Netflix categorises it, it simply isn’t a horror film. There is nothing remotely scary about this film, yes the ghost kills two people that Martell’s character asks him to, that’s it, we never see the ghost, the kills happen fairly off screen, and the film can’t even seem to manage a jump scare. It is silly that this film is being put out there under the horror genre because it really doesn’t belong there, however, on this topic I have a theory as to why this is happening.

I believe that the reason this film is presented as a horror film is because if it was presented as what it is, a coming of age film, then a lot less people would have bothered checking it out, as I imagine the possible audience for coming of age fare is less than horror. Also Netflix needed this film to be a horror so that it would fit its pre Halloween line up. I think the saddest part of it is that this film isn’t even a very good coming of age film, when you compare it to something like Ladybird or The Edge Of Seventeen you see that this film is just the same festering and pungent teen cliches and tropes rewarmed and with a horror label to try and cover the creative rot.

The only good thing I have to say about it is that the few scenes with Donald Sutherland in them are good, Sutherland still has it and he puts everyone else in this film to shame.

Overall, yet another flop for Netflix, when will they ever learn the lessons of quality vs quantity.

1.5/5

Pros.

Donald Sutherland

An interesting premise that is quickly wasted

Cons.

It isn’t a horror film in any sense

As a coming of age film it is lazy and overly familiar

Martell is awful

It is tedious

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Babylon: Hollywood’s Continued Love Affair With Itself

Written by Luke Barnes

Summary

The lives of a group of actors, writers, and others involved in the films industry are forever changed as Hollywood leaves the silent era.

I think this film is at its best when it is going wild, whether that is the hedonistic dance number or Tobey McGuire covering his face in grease paint. When it loses track of the wider points it is trying to make about chasing stardom and your dreams never turning out to be what you want them to be, all of which have been made before and in a much more nuance and layered way that this film, the film is fun. The grotesque spectacle of Hollywood as a playground for broken millionaires does have some mileage, and that is why the party scenes are the highlight of the film.

I think personally, this is one of Chazelle’s most accessible films for me and the only one outside of Whiplash that I could really ever get into. This again was more a result of the gross levels of debauchery and ideocracy that you can’t help but stare at then as a result of the plot. For the most part the narrative of the film is fairly aimless and tries to be insightful whilst going through the motions, all the while you are just counting down the moments to the next manic burst of energy that you know is coming.

Margot Robbie tries her best to anchor the film and keep it afloat but struggles, however, I don’t really think any of the actors in this film would be strong enough to carry it on their backs. Even veterans like Brad Pitt can light up the screen for a few scenes but are then quickly put back in their box as the film doesn’t know what to do with them. Diego Cava’s Manny is a serviceable and likeable protagonist but there isn’t enough fresh about him to really make him stand out against the likes of Robbie, Pitt and a greased up McGuire.

Finally, though no one is watching this film for a history lesson I would be remiss not to point out that by all accounts the version of Hollywood this film portrays is not only not accurate in a historical sense but is also incredibly and I do mean incredibly sanitised. Any notions of racism, sexism or predatory sexual practice, all of which we know would likely have been fairly common at the time are conveniently left out so Hollywood can fetishize its early days and blow more hot air up itself.

Overall, fun when viewed for the wild spectacle and silliness, but when things turn serious the film begins to crack.

3/5

Pros.

Everything about Toby McGuire’s role

It can be a lot of fun

It is fairly well paced for the epic that it tries to be

Cons.

It sanitises and rewrites history on a number of things

It has nothing new or insightful to say yet thinks it does

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