My Favourite Films: You’re Next

In this new series of pieces, I want to tell you about some of my favourite films and why I love them, hopefully with the aim of convincing you to give them a try if you haven’t already; today I am going to talk about You’re Next.

You’re Next is a black comedy horror film directed by Adam Wingard. The plot centres around a family gathering that goes to hell when a group of masked, armed assailants, try to break in and kill everyone. There are plenty of twists and turns along the way that keep you guessing until the very last minute.

The easiest way I could define this film for you would be to say it is a smart slasher film. By that I mean it is self-aware as well as written in a smart way, You’re Next is keenly aware of how slasher films go, and it plays off that. By having Erin (Sharni Vinson), not be the typical final girl it makes the film far more interesting. When I say she isn’t the typical final girl what I mean is that she doesn’t spend the first 45 minutes of the film scared out of her mind, right from the off she takes charge of the situation and leads the fight back.

Therein lies another thing I like about this film. Many times, I have been watching slasher films and I have asked myself why do the victims never fight back? Or why do they wait until the last 20 minutes of the film to do something? This film bucks the trend of the killer hunting down the victims and killing them for the first 2 acts of the film, only to have the final girl turn the table on them in the 3^rd act and it presents the struggle between Erin and the masked men as far more even; far more war like. As the masked men kill the people around her, she kills them.

What’s more, there is some fantastic gore in this film that is wince inducing. There is a larger scale version of the nail scene from A Quiet Place, years before it I might add, as well as a grisly scene with a blender which I will leave up to your imagination. The level of violence feels just right for the tone of the film and its black comedy sensibilities, never feeling unnecessary, or unpleasant.

Overall, this is a fantastic film, that when under watched and underappreciated when it came out, it is probably my favourite slasher film ever and I think that it deserves to be seen as it does something fresh and smart with the genre.

Written by Luke

V.F.W: Beer,Brawn And Blasting

V.F.W is an action horror film directed by Joe Begos. The plot revolves around a group of ex-soldiers lead by Fred (Stephen Lang), who must defend their V.F.W outpost against a deranged drug lord and this army of junkie minions; fighting to see the light of a new day.

In terms of being an action movie, this is on par with Guns Akimbo for being my favourite of the year so far. This is very reminiscent of pulpy, grindhouse esque B movies of old, there is a focus on over the top gore and a lot of punk wardrobe choices. I’ve heard this film compared to the Expendables, but really that couldn’t be more of a disservice to the film. V.F.W actually has characters you care about and heart and soul, rather than just being a nostalgia vehicle to give old action stars the chance to meet up once again and get a nice fat paycheck.

Moreover, Stephen Lang is a far better action hero here, that Stallone was in the Expendables, you buy him as this solider that never really came home, never really wanted to; he lives to fight. We see this juxtaposed by the fact that he is getting old and his body won’t really let him fight, like it did when he was a young man, anymore and you can see that on screen: just in the little details. I think the paradigm of a solider who likes being a solider, but who physically can’t be anymore, is a neat angle to explore with this character and it helps Fred to feel well rounded and nuanced, rather than just another action hero.

The gore in this film is also brutally bloody in the best way, right from the off we see a man’s head explode from a shot gun blast and that sets the tone for what is to follow. I think good gore can really add to a horror film, good gore is usually comic and deliberately over the top: not the kind of gore you get out of something like Hostel where it get uncomfortable to watch after a while, but that is my own personal taste.

Overall, this is ridiculous, over the top, bloody fun and I can’t recommend it enough if that is your kind of thing. Lang is great and the film is a thrill ride from start to finish. A must watch!

Pros.

Stephen Lang.

A better version of the Expendables.

The over the top gore.

The dumb fun of it all.

Characters you genuinely want to see survive until the end.

Cons.

None

5/5

Reviewed By Luke

Kong Skull Island: The King Above All

Kong: Skull Island is a monster movie directed by Jordan Vogt-Roberts; it is a reboot of the King Kong franchise. The plot follows a group of scientist and soldiers as they travel to the uncharted Skull Island and find creatures beyond imagination, including the legendary Ape King Kong, who is the last of his species.

Though it may not be the most popular opinion, I believe of all the Monsterverse films thus far this is by far the best. My absolute favourite thing about this film is its soundtrack, it is absolute 70’s perfection, Jefferson Airplane, Credence Clear Water Revival and Black Sabbath all grace the soundtrack of this film and it is magnificent.

The style of this film is further compliment to the soundtrack, this is a very stylised film, this is clear in multiple ways and I believe unlike something like the Babysitter that is overly stylised, this is just the right amount as such it gives the film a fantastic sense of identity and uniqueness.

Crucially what this film does that makes it better than the Godzilla side of the Monsterverse, is it maintains the balance between human action and monster action; neither one takes focus from the other. The human characters are on screen enough to be developed, but they aren’t focused on to the point where we don’t get to spent time with Kong. We get plenty of time with the great ape himself, his origin is slightly different from what we have seen in the past, but it is still well done.

My two favourite human characters in any of the Monsterverse films are in this film. Firstly, we have Brie Larson’s character of Mason, who is an anti-Vietnam war photographer, she is a very interesting character and I like how they almost give her the human, monster relationship with Kong that we have seen in previous films, but then subvert it at the last minute. The other character I really like is Hank (played by John C. Riley), he is a pilot that has been stuck on Skull Island since World War 2, so for 28 years. Riley in this is fantastic, perhaps the best I have ever seen him, he has great comedic moments, but he also has great emotional dramatic scenes. The scene at the end of the film when he returns home after he has been away for so long is tear inducing, it is almost impossible to not cry when this scene comes on.

Overall, this film manages to achieve something that few other monster movies do, it strikes a harmony between the human and non-human characters, making all of its character interesting. The style and the soundtrack of this film also helps it to be exceptional, I hope that Godzilla Vs. Kong can be as good as this!

Pros.

The soundtrack.

The style.

How it handles Kong.

How it handles its human characters.

Cons.

The strange skull creatures.

4.5/5

Reviewed by Luke

Prevenge: The Mother-Child Bond

Prevenge is a British comedy slasher film directed by Alice Lowe. The plot revolves around a grieving pregnant woman, who is commanded to kill by her unborn baby; all of the people she kills are related to the very recent death of her husband and the child’s father in one way or another. The film has a lot to say about motherhood and the act of being pregnant, using the over the top premise to take a deeper look at the actual notion of having a child and the mother child-bond.

In many ways this film could be a spiritual sequel to Ben Wheatly’s film, also staring Alice Lowe, Sightseers, the two films are very similar in a lot of ways, including having a very similar sensibility around murder and death, treating it as a darkly comic thing. I think the two films would make for a very interesting double feature.

That said let’s get into the review.

Did I enjoy this film? That is a hard question to answer, there is a lot going on and a lot to unpack, so it might not be as simple as that. I think this film raises a lot of interesting questions about how we as a society view pregnant women and how far we should go for our children; as this film takes that to an extreme. Furthermore, the ending of the film when Ruth (Alice Lowe) realises that her unborn child wasn’t the thing telling her to kill all along, and that it was her, is very interesting because it leaves us with the question of how is she going to deal with that?

The scares are also very good in this film, it is certainly more of a dark comedy than a horror, but whenever we have a moment where ‘the child’ is talking to her’, it makes the hairs stand-up on the back of your neck. We also get a lot of good gore from some of the kills, so gore fans will find something to enjoy.

The issue with this film for me, is that fact that it is very slow, there are a lot of scenes that feel longer than she should be. Said scenes are probably going for a meditative feeling, but instead they just feel a little pretentious. What’s more Prevenge is a very oppressive film to watch, it is bleak very bleak; there are moments of dark comedy mixed in, but these are few and far between; for the most part it is very hard to watch.

Overall, this is a very interesting and unique film, but it is undeniably niche, this certainly isn’t going to everyone’s taste.

Pros.

Unique.

Novel approach.

Good scares and gore.

Cons.

It’s hard to watch.

It does feel a bit pretentious at times.

2.5/5

Reviewed by Luke

Pet Sematary: Sometimes Dead Is Better.

Pet Sematary is a supernatural horror film directed by Kevin Kolsch; based on the Stephen King novel of the same name. The film revolves around a family that finds a graveyard behind their house, that allows things to come back from the dead, this could be animals, or it could be people, but when they come back, they come back changed.

First things first, I just need to say I had very high expectations when I went in to see this film, as I love the work of Stephen King, as well as the 1980 version of this film. As a result of that I was disappointed with it and thought that while the new version did have a few cool scenes, it wasn’t a patch on the original film.

For me the issues began with the casting of Jason Clarke as Louis Reed. I don’t like Clarke and I certainly don’t rate him as an actor. I don’t know if I just haven’t seen him in the right role, but it seems like whenever he turns up in a film, that film turns out to be bad; the list of films that prove this point is long, but some choice examples are Winchester, Terminator Genesis and Serenity, however he is the best of a bad bunch.

This film has John Lithgow in it, he plays the neighbour that tells Louis about the pet semetary in the first place, Lithgow does the best with what little he has, but he is truly wasted in this film and his best scene is a scene that involves a child slashing the tendons in the base of his leg. What a waste.

The horror of this film is also not as well done as the 80’s version. Yes, that film was campy and a bit silly, but the scenes of the sister who is bed-bound in the attic, were genuinely frightening and left an impact. However, those same scenes in the 2019 version lose a lot of there impact thanks to an over-reliance on jump scares. I have talked at length about the plague that is jump scares, so I won’t go on about it here.

Finally, and perhaps worst of all we have the ending, which is significantly different from the book and the 1980 film, this time we see that the whole family has become evil thanks to the semetary and is going to kill baby Gage and that is how the film ends, so effectively the bad guys win. This could be done in such a way where it felt natural and earned, it is not inherently a bad thing. However, the way this ending is presented to us, leaves us feeling unsatisfied and let down; which then leaves a sour taste in the mouth when thinking about this film.

Overall, yet another remake that never needed to be made, disappointing, dumb and downright boring at times, don’t waste your money, watch it on TV, or stream it on Netflix.

Pros.

John Lithgow tries.

The classic song is back, even if it is a cover.

Cons.

Stop casting Jason Clarke!

The jump scares.

The lack of anything new or interesting.

2.5/5

Reviewed by Luke

Doctor Who (Season 12): A Season Of Extremes

Doctor Who is a British science fiction show that has just completed its 12^th season; which my review today will be covering. The plot of the show centres around a time traveling character called The Doctor (played by a multitude of actors over the years, but is currently portrayed by Jodie Whittaker), who goes on various adventures through time and space.

The last time I talked about this show I suggested that it was on the decline, beyond hope, but having now finished the latest series I am slightly more optimistic about it. The finale, the Tessla episode and Frankenstein episode I thought were good, the rest well I will get to them. Having good episodes is a step up from season 11, where they were all either incredibly forgettable or bad.

What’s more in these episodes were the writing is stronger and more Doctor central Jodie Whittaker’s portrayal of the character is better. When she is playing it straight her version of the character works, it doesn’t when she is manically talking to herself, or showing no empathy towards the companions. Speaking of which, an opinion of mine that hasn’t changed is that the companions this season are terrible, they have nothing to do, no personality, and only serve to steal focus away from the Doctor; BBC if you’re listening kill off one or two of them and give Jodie Whittaker and the Doctor more time to shine. I was really hoping in the season finale that they would have killed a few of them off, but they don’t have the balls anymore for real stakes where characters might die.

Finally, this season is a season of extremes, those bad episodes I was talking about before are really, really bad. Is it an improvement in quality to go from a season of really boring bland episodes to then have a season where every episode is either good or awful? Current year Doctor Who seems to love giving lectures, there are multiple moments in multiple episodes where the Doctor looks into the camera and gives us a talking to about one thing or another and it just annoying, really annoying. Good science fiction is escapism, the audience doesn’t want to constantly be reminded how bad they are and how humans are destructive terrible creatures, yet Doctor Who never got the memo clearly.

Ps. This is only a minor thing compared to the other things I’ve talked about here, but can the Doctor go back to visiting other planets please? I understand they might not have the budget for it, but to set every episode on Earth, or Earth like locations is just lazy and it loses all the appeal of the Doctor being able to go anywhere in time or space.

*Also, I am not even going to go into the timeless child twist, because we would be here all day if I did.

Overall, a step up from the woeful season 11, but this show is still bad in a lot of ways, critical ways, and has a long, long way to go to even be half decent Who.

Pros.

Some strong episodes that actually feel like Doctor Who.

Whittaker has some moments of greatness.

Cons.

The companions other than Bradly Walsh, are annoying, devoid of personality and worse of all distracting.

Whittaker also has some terrible moments.

The lectures and the complete lack of subtly.

2/5

Reviewed by Luke

Godzilla, King Of The Monsters: A Weak And Ineffective King!

Godzilla: King Of The Monsters is a monster movie directed by Michael Dougherty. The film belongs to Legendry’s Monsterverse and follows on from the 2014 Godzilla film. The plot of the film revolves around humanities discovery of ‘the Titans’ and then their efforts to wake them up. Once they have been woken up, surprisingly they wreak havoc and then it is up to Godzilla to get them all in line.

I have been putting off this review for a long time, this is a film that a lot of people have strong feelings about, some love it, some don’t. The film didn’t do very well when it came out, which has affected the Monsterverse as a whole, but it has a dedicated cult following. For me, personally I liked Kong Skull Island, but both the Godzilla films have left me cold. Here is why.

My issue with the first film was that it didn’t have enough Godzilla in it, so when it looked as though the sequel was going to have more monsters fighting and less of the horrible human characters, I was excited, and yes there is far more monsters fighting, but now maybe it is too much. There is only so many times you can see a huge CGI creature hit another giant behemoth.

The human characters are dumb and bland, there is some strange eco-terrorism sub plot that is going on, that never really gets explained and their goals make no sense either. The twist that Vera Farmiga character has been working for them all along, isn’t hugely surprising, but you don’t care because she is boring and underdeveloped. Millie Bobbie Brown is only in this film because of Stranger Things she is probably the best of the human characters, but that’s not hard, a piece of wood could be better than all the human characters in this film.

The writing in this film is dumb, so, so dumb, unapologetically so, but that is half the fun. There is one bit in the film where they drop an oxygen bomb on Godzilla, which… how does that even work? If you’re one of those people that like things like The Fast and The Furious, were nothing makes sense and it is just pure spectacle then you might like this film.

Don’t even get me started on Kyle Chandler, who much like Annabelle Wallis can’t act. Seeing Chandler’s name on a casting sheet is a huge red flag for me, as he has never been good in anything.

Overall, this film is a disappointment as it managed to screw up both the human characters and the monsters, while also lacking the heart that made Skull Island so good.

Pros.

Millie Bobbie Brown is okay.

The first half an hour is entertaining.

Cons.

After that it becomes repetitive.

The human characters are terrible.

The plot is ridiculous.

2/5

Reviewed by Luke

Inside Number 9: A Black Mirror Killer

Inside No.9 is a British black comedy anthology series created by Reese Shearsmith and Steve Pemberton. Each episode usually stars both men, plus a wide array of British celebrities and has a different premise, some of them are horror themed and some of them more standard drama, it is very much similar to Black Mirror in that regard.

I have recently started watching this show after I watched a Youtube video about it, and I have to say it may be one of the best shows I have watched recently. Each episode usually has a twist that completely changes how you view the it, making it a must re-watch kind of show. The tone of the show is usually pitch black, occasionally there is some black comedy, but normally it plays it straight.

The writing on the show is very smart and it does things I haven’t seen on screen before, it is certainly not afraid to take risks. The first episode Sardines, shows a family getting together to play the hide and seek esque game sardines, while more and more people join the cupboard where the majority of the family is hiding a dark secret is revealed; this leads directly into the twist and then the end of the episode.

The reason why this is so excellent is because it adds to the already built tension, all the way through the episode we know that there is something not quite right going on, but every time we think we understand what is going on the show takes it in another way and you are left saying wait what.

So far, there has been 5 seasons of the show, with the 5^th currently airing in the UK now, and I have to say each season is as strong as the others, there are standout episodes in each; such as the Krampus episode, the demon episode at the end of the first season and so on. As you can see, I really enjoy the horror themed episodes. I think the only reason this show isn’t as big as something like Black Mirror, despite being better than it in a lot of ways, is because it doesn’t have the power of someone like Netflix behind it which stops it from reaching a wider international audience.

Definitely something to check out if you haven’t seen it already!

Pros.

The twists.

The experimentation.

The re-watchability.

The great casts.

It does Black Mirror but better.

Cons.

None really.

5/5

Reviewed by Luke

Guns Akimbo: A New Kind Of Internet Celebrity

Guns Akimbo is an action comedy film directed by Jason Lei Howden. The plot follows Miles (Daniel Radcliffe), a man who awakes to find pistols bolted to his hands after an online argument split over into the real world, he is then forced to compete in an internet age style, to the death gladiator match with raving badass Nix (Samara Weaving).

I didn’t really have any expectations when I went in to watch this, I knew it was going to be wacky, as the name and premise alone inform you of that, but I have to say that I was pleasantly surprised with how much I ended up enjoying this film.

The writing was very sharp and tight, it uses every line well, being both informative and funny. Some of the dialogue was clearly trying to lampoon modern internet culture, I believe this was done well and it made me chuckle a few times. Rhys Darby plays a homeless man who helps out Miles in his time of need and I have to say, he might be the scene stealer of the film; Darby is hilarious here.

I like Samara Weaving as an action hero, I think she plays badass very well, for the most part she is your standard quippy anti-hero, but there is an added dimension to her that sets some emotional stakes. I think if Weaving carriers on picking projects like these she could easily become the 2020 version of what Sigourney Weaver was in the 1980’s, a badass female action star.

Daniel Radcliffe is also fantastic here, his career path of picking odd projects to prove himself as an actor as well as to steer away from his Harry Potter image is in full effect here. Radcliffe’s character is relatable as well as a believable action star, I like where the film leaves his character and I hope we get to see a sequel so we can see more of him. I also liked the on-screen chemistry between the two leads, I thought they had great banter together and I would love to see them in more films together in the future.

Overall, a very enjoyable experience from start to finish, smarter than most action films and funnier than most comedies. Samara Weaving and Rhys Darby steal the show, but everything in this film is firing with both barrels. My best film of 2020 so far, A Must See.

Pros.

Weaving the action star.

The writing.

The references to our modern-day culture.

Rhys Darby.

Nice and punchy no time wasted.

Cons.

None

5/5

Reviewed by Luke

David Brent, Life On The Road: The Sadness Behind The Music.

David Brent, Life On The Road is a mockumentary comedy film directed by Ricky Gervais. The plot of the film shows David Brent (Ricky Gervais), after The Office, he is now older and more unhappy. The power dynamic in Brent’s life has changed and he is no longer the boss, rather he is abused victim of the office, as such he seeks out a new direction in life; becoming a successful professional singer.

This is very much a follow up David Brent film, rather than a sequel to The Office, other than Brent none of the characters from the series return. As such this film explores his character in far more detail, we learn the mental health impact The Office had on Brent and see that he has had a breakdown since it. As Gervais has said when talking about this film, Life On The Road ‘this film peels back the layers of Brent’s character’, this is true as we see him in a whole new light.

The sympathy we felt for Brent in The Office is double here, as we see that he is actually a very unstable individual and that he is incredibly lonely and he just wants a friend, some one who likes him for who he is. The final song of the film, when one of Brent’s band members buys him a snow machine, is touching and heart warming as we can feel just how much it means to him.

The cringe comedy that Brent’s previous outing was known for, is here in force, but there is also a sadness to it, as I suppose like Brent himself, we learn there is more to it then we first realised. The majority of the comedy comes in the form of Brent’s songs; which are surprisingly good. Forgone Conclusion as a band have more than a few hits, “Native American” might be my personal favourite, all of the songs in this film are both catchy and funny.

The ending of this film does provide a nice sort of ending for Brent as a character, it ties him up in a way that feels satisfying and gives a lot of closure to his character. I hope this is the end for him.

Overall, this is much more thoughtful, in depth look at Brent as a character, it has some great songs and some great laughs, if you love The Office you will love this.

Pros.

A nice ending for Brent.

Great songs.

A good amount of heart.

A lot of laughs.

Cons.

It’s not entirely necessary

4.5/5

Reviewed by Luke