Summary
A stuntman, Ryan Gosling, must go through hell and highwater in order to solve the mystery of an actors disappearance and reunite with his lost love, Emily Blunt.
I would argue though it will be a controversial opinion that Blunt and Gosling have better chemistry here than he did with Margot Robbie last year in Barbie. I think the film is made all the better for their relationship being front and centre to the film as the love story aspect really gives you something to root for and hold onto during the film.
I also liked that this film felt like a push back against a lot of the worst trends of recent Hollywood blockbusters, there was no dumb over the top CGI fight, the characters had humour and felt like real people, and crucially there was little to no identity politics. There was a line about toxic masculinity which was played for laughs and said by the villain of the piece to show how it was just another way to manipulate people into going along with her.
This film felt like in many ways the sort of film we used to get 10 years ago, before Hollywood decided to tie its fate to left wing politics and repeat every social justice buzz word they have heard online for points alienating half their audience in the process. You could argue in many senses that Blunt’s character here is a girl boss trope done right, she is in charge yet she also is allowed to have emotions and not be perfect, which makes a change from the self-serious, stoic, no nonsense girl bosses we often see, or the I’m so random iteration of the girl boss.
I would say my main issue with the film was that the second act went on for far too long and became bloated. If it had been better paced the film would have naturally flowed a lot better.
Overall, a solid and fun blockbuster
4/5
Pros.
It is fun
It doesn’t take itself too seriously
The stunts
The characters are likeable
Cons.
The second act is bloated
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