Better Man: A Death Rattle Out Of A Rotting Sub-Genre

A man is made into a monkey.

So as I have been saying for a while musical biopics as a sub-genre are running out of steam at the box office, there are a few here or there that are making money but by and large the amount being made is less and less. In steps the bright corporate idea of making these biopics more silly and unique by doing things like shooting with Lego or as is the case here having a musical biopic where the singer is being played by a CGI monkey. I hope you can smell the desperation as I can dear discerning reader.

Honestly, there isn’t much to say about the film itself beyond its central conceit which I have already mentioned above, it is the same old same old. If you have ever seen a musical biopic before then you know the story, it is one of two. It is either rise then fall or rise, hardship, continued success, this would fall into the latter category. The two story structures are never deviated from across the entire sub-genre and really can’t be, if you are trying to tell a somewhat accurate biopic, sans the monkey, then you have to stick to reality and reality is either one or two.

If you are a Robbie Williams fan then that will help the experience as you can at least enjoy the music.

Overall, it is watchable if entirely uninspired. The monkey gimmick feels as desperate as it sounds.

2/5

Pros.

It has good songs, I am a fan of Williams music.

It has a good mostly British cast, though they are underused

Cons.

The monkey thing feels desperate

It is been there and done that

It is poorly paced

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Nosferatu: Lily-Rose Depp Is Even Worse Here Than In The Idol

Summary

Robert Eggers is back with his most vapid film yet.

So I am a huge fan of Robert Eggers in my mind he’s 2 for 3, The Lighthouse being the odd one out for me. However, in his forth entry we see him move away from his art house roots and move closer to the mainstream than he ever has before, much to his and the film’s detriment. This film could have felt deeper and as though it had more to say if it had used more of Egger’s art house flourishes, what this film reeks of to me is of a man wanting to make a commercially, as in main stream approved film, as such his usual motifs and themes have to be dumbed down. I wouldn’t be surprised if after The Northman flopped Eggers felt he needed to make a commercially successful film in order to prove he was more than just an art house director.

The film itself is a pretty close version of the Dracula story/ or here Nosferatu, there are some changes to the original German silent film, quite noticeably in the villains appearance. If you have seen either the original German film or other versions of Dracula you know where this is heading. I found the fact that they stuck with the original film’s ending but changed it to rather than just drain her of blood here he did that whilst also having sex with her to be an odd choice, but hey they did it to get the punters in as they felt the need to try and sell this as some sort of erotic horror film. Alas anything to sell tickets.

Finally we move to the biggest issue with the film Lily-Rose Depp. So I have seen her in quite a number of films now Yoga Hosers, Wolf, a forgotten science fiction film, and now this and honestly she gave her best performance in Yoga Hosers. At least there she shows a variety of emotions here she has one face for the entire film, distant and robotic. Her husband who she thought dead isn’t, distant and robotic, she is having relations with a vampire, distant and robotic, she is trying to convey the threat posed, can you guess what I am going to say. Honestly, there are scenes in this film where she is rolling around and having fits, but also maybe possibly orgasming at the same time, its an odd film, and it shouldn’t be but is massively comical. Mainly this is due to Depp’s poor acting, increasingly it seems that she is becoming the actress that will take her kit off and that has a lot of sex on screen but that won’t make up for a lack of talent. Anya Taylor-Joy in this would have done a much better job.

Overall, a massive misstep.

2.5/5

Pros.

Some good cinematography

I liked the old timey dialogue

The rats were a nice touch

Cons.

Depp

It is a familiar story

It wastes time

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Wallace and Gromit Vengeance Most Fowl: Keep Out Of Yorkshire

Summary

Wallace, voiced by Benjamin Whitehead, and Gromit are back and this time they are dealing with smart technology.

So I like Aardman, and I think the studio is talented but I really think it depends on the project, for example all of the Wallace and Gromit films are good, as is Robin Robin and the first Chicken Run, however things like Early Man, The Netflix Chicken Run, Shaun The Sheep and their segment for the second season of Star Wars Visions are bad. It is a mixed bag.

With this film I would argue it is watchable and has its moments but isn’t as strong as any of the other film films in the series particularly Wererabbit. I just found the inciting incident to be a little bit gimmicky, the smart gnomes felt a bit like taking a franchise that felt like it was set in the past, by design and that added to it, and then forcing in modern tech in a desperate attempt to seem trendy.

Bringing back Feathers McGraw was a good decision and the ending fight atop a train bridge was a lot of fun, as was him escaping to Yorkshire. It was a joke that only certain people may have gotten but it landed for me, I would have liked to have seen more of him throughout the film rather than wasting so much time with the gnomes.

Overall, good but not a patch on Wererabbit

3/5

Pros.

It is watchable

There is still a charm there

The ending

Cons.

It wastes too much time

The smart gnome feels gimmicky

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Night Bitch: Amy Adams Grows A Tail

Summary

A film about a mother, Amy Adams, who can transform into a dog.

So this film isn’t bad, but I do question who it was for? It is not a fantasy film, nor is it a horror film and I certainly wouldn’t call it a comedy, it is an odd sort of a film that will find it hard to find an audience. It is a drama film about a stay at home mother who is so bored and trapped that to escape from her tedium she transforms into a dog at night to be free. It is full of the angst of being a mother that is now present in a lot of films on the topic, as the mother character wallows in their lack of freedom and how their life was better before they had the kid, mixed with relationship drama and sniping.

Scoot McNairy is quicky building himself a reputation as the weedy sort of husband that is a pushover and basically a man child, he is the source of a lot of the conflict in the film as he is not a great father. The final realisation of his character being that he needs to do more and take over more parenting responsibilities is such an obvious one you question why he didn’t already know it at the start of the film as it is basic information any adult should know.

I would argue that Adams natural charisma is the only thing holding this film together and that with a weaker actor it would fall apart.

Overall, this is an odd film and not what a lot of people would want or expect, Adams is strong but the films platitudes on life and motherhood are all a good few years out of date.

2.5/5

Pros.

Adams

It has a few laughs

It is paced reasonably well

Cons.

It has nothing fresh to say about motherhood

It is not the genre it is sold as, this is a drama film and nothing else

The relationship drama is overplayed

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Monster House: The Greatest Love Story Ever Told

Summary

A possessed house is eating people.

So this is a classic of yesteryear often appearing on a lot of most underrated animated films lists. For me growing up this was a regular staple, I watched this film a lot, and watching it now I still think it holds up.

Whilst the animation is quite ugly it never strays too far into the uncanny valley, so unlike something like the Jim Carry Christmas Carol you are never left feeling disconcerted. I would also argue that despite this animation issue the film manages to be quite deep and effecting.

The love story at the heart of the film, I won’t spoil anything, is well done and quite a novel take on that sort of storyline. It helps you to empathise with the house and to feel a lot of emotion at the end of the film. I wouldn’t say it is an emotional gut punch in the way some animated films are, but I would say there is more than enough to get you a little misty eyed.

Overall, an animated classic that you really should check out if you haven’t already.

3.5/5

Pros.

It has a beautiful love story

It is well written

It has engaging characters

The ending is bittersweet

Cons.

The animation is a little rough

The sidekick kid can be annoying

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The Heretic: Soft and Bumbling Until He Locks You In A Cage

Summary

Hugh Grant is a religious fanatic.

I don’t believe this film would be even half what it is without Hugh Grant. His performance is pitch perfect, he goes from silly to downright sinister in seconds and the flip is chilling. Even when he is being evil he is still incredibly charming and has his little mannerisms that make it a bit hammy and over the top in the best way. If you are familiar with Grant’s filmography you’ll know what I mean.

As for the film itself I hesitate to call it a horror film, it really isn’t , despite how it might have been marketed it is a thriller film. In terms of thrillers it is not something that you haven’t seen before, it has a lot of very familiar elements in it, it is just with Grant’s performance you cannot really notice it.

I would argue that this film is Sophie Thatcher’s first real misstep in terms of her early career, as she is totally outshone here by Chloe East who gives the much wider and more likeable performance. Thatcher’s character never really demonstrates a wide range of emotions whereas East has to act a lot of different emotions at once sometimes.

Overall, definitely one to check out for Grant alone, however, don’t go in expecting too much originality.

3/5

Pros.

Grant

East

It is watchable

Cons.

It is not very scary

It has been done before

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Lord Of The Rings The War Of The Rohirrim: The Death Of The Girl Boss

Summary

A footnote from an appendix gets a film made about them, as that helps fight the patriarchy.

So in a world where The Rings Of Power season two can be called ‘the best tv show of the year’, which even though I liked it more than some is simply wrong, we have this film. Hera, voiced by Gaia Wise, is not an overlooked character in the wider works, she simply isn’t a character she’s a throwaway line and that’s fine. The facts of the matter are twofold firstly, this film was only made for rights issues, and secondly that the only reason it focuses on Hera rather than Helm, Brian Cox, you know an actually important character is because of modern day girl boss identity politics.

Hera is automatically fantastic at everything and all of her male counterparts are either stupid or evil, or both. Moreover, the film throws things from the original trilogy at you such as Saruman, voiced by Christopher Lee, but this is little more than nostalgia bait. I will admit I showed up after hearing bad things about the film because of the respect I have for Lee and I wanted to see what the film would do with him, considering he’s been dead for almost a decade. The few lines, and I mean like two or three, are fine it sounds like Lee but sadly it is not impactful and just feels like more member berries.

If WBD could move away from identity politics and accept that the blue hairs on X will never like Tolkien and that’s fine we don’t need them in the fandom and actually started properly adapting things like Unfinished Tales with respectful artistic license then they could have major hits on their hands, but they need to do better than this. It will flop like Furiosa did for them earlier in the year, and the take away lesson for them is this, the girl boss is dead the folks rose up and said no more to the stoic Karens and we now live in a post girl boss age.

Overall, a waste of time and money

1.5/5

Pros.

It shows us some classic book locations

The animation looks nice

Cons.

It is too long

Hera is a bland character

It is a girl boss narrative through and through

Canonically there are problems with it

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Mary: Jesus Who?

Summary

Mary, Noa Cohen, yes that Mary is given the girl boss treatment.

So turns out the Angel Garbriel also came to prophesied the birth of Mary as well, turns out Jesus wasn’t so special after all, and that Mary was probably more important than Jesus because of her female power to birth him. I am woman hear me roar, who cares if Jesus died for our sins and was the Son of God, if you believe in that, he was a male and therefore no longer worth being considered special. His privilege has been checked.

There was just no need for this film, I don’t know who it was for? Religious folks are going to hate it as it is the most bastardised version of the Nativity story I have seen recently, the anti-western, anti-Semitic, pro-Palestine/ pro-Hamas folks don’t like it, as they cast an Israeli in the lead role. General audiences don’t care about a long drawn out biblical epic, look at Exodus. It seems to be more of Netflix looking for a reason to burn money.

Overall, if you want festive religious viewing you would be better served watching almost anything else. This is a bible epic designed to make everyone angry.

0.5/5

Pros.

You get a few chuckles out of how bad it is

Cons.

The girl boss stuff

They feel the need to update a story rather than just do something new and fresh

No one will like it

It is too long

It is poorly acted

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Rare Exports: Refining The Santa Trade

Summary

A Finnish youngster, Onni Tommila, and his father, Jorma Tommila, find wild Santa Clauses and elves after a glacier is drilled and decide to make some money.

So despite the outlandishness of that premise this film is not a comedy, not really, it is more so an action horror film with a silliness to it. I found the film to have a number of scary moments, and I would say the action was strong in the last third of the film, hence I am happy to call it an action horror film. The jokes were few and far between so I wouldn’t say to watch this if you are looking for a laugh.

I found it interesting to see a Christmas film from outside the Anglosphere and to see how they approach it, I am relatively new to Finnish cinema but I must say that they have a way with vistas, between this and the other Finnish film I have seen of Sisu I have to say the Finnish really have an eye for cinematography.

I found the idea of evil Father Christmas/Elves to be refreshingly different and not go in the way I was expecting it too, so that’s a plus as well.

Overall, an interesting and fresh film, with some slight pacing issues.

4/5

Pros.

It is fresh

It has some good scares

The action is also good

The ending sets up interesting prospects for the future

Cons.

Pacing issues

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The Holdovers: Away At Christmas

Summary

Paul Giamatti plays a man obsessed with ancient Rome and who gets stuck watching some private school kids over Christmas.

Honestly I think this film was massively overrated. I saw why it won academy awards it feels like the sort of film that would win them, but should it have? For example, though Da’Vine Joy Randolph won for her role as a grieving mother, the only performance that stirred me towards feelings any kind of emotion was Giamatti. This final scene where his life has basically imploded is far more emotional that Randolph’s character who mopes and occasionally makes a sassy comment.

I think in many ways like a Pixar film this film was trying to manipulate you with its arc into feeling something into caring, all films do this to a degree, but when the kids father was in an asylum it was clear the film wanted to hit you in the feels. The issue with this artificial approach of course is that it feels disingenuous, it doesn’t feel real or authentic and as such it seems shallow within its emotional resonance.

Overall, a sad film and one that is not all that impressive.

2/5

Pros.

Giamatti

The score is fantastic

Cons.

It is emotionally manipulative in an obvious way

It is badly paced

It is overhyped

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